Another canine dramedy hits screens next weekend with TheArtofRacingintheRain. Based on a 2008 book by Garth Stein, the human stars are Milo Ventimiglia and Amanda Seyfried with supporting work from Kathy Baker and Gary Cole. Kevin Costner provides the voice of lead dog Enzo. Simon Curtis directs. This is the first feature made by Fox where new owner Disney has handled the marketing.
Even the Mouse Factory’s expertise at selling product may not enough for Rain to break out of the pack of recent genre fare. In January, ADog’sWayHome debuted to just over $11 million. In May, ADog’sJourney did $8 million for its start. I believe the latter scenario is where this lands.
TheArtofRacingintheRain opening weekend prediction: $7.8 million
For my DoraandtheLostCityofGold prediction, click here:
Blogger’s Note (08/07): My prediction has increased from $10.7 million to $14.3 million
Based on a series of Alvin Schwartz horror novels geared towards children, ScaryStoriestoTellintheDark opens in theaters next weekend. Co-produced by Guillermo del Toro, the film comes from director André Øvredal who mostly recently made the critically appreciated TheAutopsyofJaneDoe. Cast members include Zoe Colletti, Michael Garza, Gabriel Rush, Austin Abrams, Dean Norris, Gil Bellows, and Lorraine Toussaint.
The concoction of the horror genre marketing to a young audience is a risky one. I’m not confident this mix will result in pleasing box office earnings and I wouldn’t expect the “Stranger Things” crowd to turn out. Even though we’re talking PG-13 here vs. an R rating, I’ll project this performs similarly to what Overlord (which boasted its own known producer J.J. Abrams) did last year.
ScaryStoriestoTellintheDark opening weekend prediction: $14.3 million
For my DoraandtheLostCityofGold prediction, click here:
Melissa McCarthy and Tiffany Haddish go out of their comedic comfort zones next weekend with the release of TheKitchen. The crime thriller casts the two performers alongside Elisabeth Moss as the wives of incarcerated gangsters who take over Mob operations in New York. The late 70s set pic marks the directorial debut of Andrea Berloff and is based on a comic book miniseries. Costars include Domhnall Gleeson, James Badge Dale, Brian d’Arcy James, Margo Martindale, Common, and Bill Camp.
If McCarthy and Haddish were headlining a high profile slapstick comedy, my estimate for TheKitchen would likely be considerably more (easily double). However, I’m skeptical that a wide audience is eager to see them in this. If solid reviews pop up in the coming days, that could potentially change the dynamic a bit. I think it’s going to have difficulty reaching double digits.
TheKitchen opening weekend prediction: $8.3 million
For my DoraandtheLostCityofGold prediction, click here:
Making the leap from the Nickelodeon small screen for a live action rendering, DoraandtheLostCityofGold looks to cash in at theaters next weekend. The family adventure is based on the animated series “Dora the Explorer” that started back in 2000. James Bobin, best known for TheMuppets reimagining and AliceThroughtheLookingGlass, directs. Isabela Moner, recently seen in InstantFamily, is the title character with a supporting cast including Eugenio Derbez, Michael Pena, and Eva Longoria. Danny Trejo and Benicio del Toro provided voice work
Paramount is hopeful that a pot of gold will exist with Latino audiences and kids who’ve made the TV show part of their programming over the last many years. The film is probably review proof and they’ve been mixed so far. This shouldn’t face much trouble having the largest debut of the five pictures arriving over the weekend. I’ll say high teens to low 20s is where this lands.
DoraandtheLostCityofGold opening weekend prediction: $19.7 million
Blogger’s Note (07/31): My Hobbs&Shaw estimate has dropped from $82.6 million to $72.6 million
It might be the last blockbuster of the summer 2019 season as Hobbs&Shaw debuts in the first frame of August. Dwayne Johnson and Jason Statham headline the first spin-off of the FastandFurious franchise. You can peruse my detailed prediction post on it here:
While I don’t have it quite reaching the heights of the last three traditional Fast features, my low 80s projection revs it up for an easy and solid #1 debut, knocking TheLionKing from its two week perch atop the charts.
OnceUpon a TimeinHollywood should slip to third after a fine start (more on that below) with mega hit holdovers Spider–Man: FarFromHome and ToyStory4 filling out the top five.
There is a potential wild card this weekend with TheFarewell. The Awkwafina led comedy has been a winner with critics and performed quite well in limited release. It’s slated for nationwide expansion on Friday. However, without a theater count, I’m not totally comfortable placing it in the top five. That could change and I’ll update my post if so.
Here’s how I have the weekend playing out:
1. Hobbs&Shaw
Predicted Gross: $72.6 million
2. TheLionKing
Predicted Gross: $38.7 million
3. OnceUponaTimeinHollywood
Predicted Gross: $20.7 million
4. Spider–Man: FarFromHome
Predicted Gross: $7.1 million
5. ToyStory4
Predicted Gross: $6.6 million
BoxOfficeResults (July26–28)
TheLionKing, as anticipated, had no trouble staying put in first in weekend #2, though it did drop a bit further than many (including I) figured. The Disney smash grossed $76.6 million (down 60%) compared to my $86.5 million take. In ten days, King has brought in a ransom of $351 million.
Quentin Tarantino achieved the biggest traditional Friday to Sunday debut of his career with OnceUponaTimeinHollywood. With $41 million (I was a touch lower at $38.7 million), the film capitalized on great reviews and the considerable star wattage of Leonardo Dicaprio, Brad Pitt, and Margot Robbie. It will be interesting to see how Hollywood legs out with a so-so B CinemaScore grade in future weekends.
Spider–Man: FarFromHome was third with $12.4 million (I said $13 million) to bring its tally to $344 million.
ToyStory4 had the four spot at $10.4 million, in line with my $10.8 million prediction. Total is $396 million.
I incorrectly had Crawl outside the high five, but it was fifth with $4 million to bring its three week earnings to $31 million.
Yesterday was sixth with $3 million (I went with $3.6 million) for an impressive $63 million overall.
Blogger’s Note (07/31): My estimate has dropped from $82.6 million to $72.6 million
Two of the most popular characters from the venerable FastandFurious franchise get their own spin-off (the first of the long running series) with Hobbs&Shaw next weekend. The action extravaganza comes with a reported $200 million budget and is headlined by the title characters respectively portrayed by Dwayne Johnson and Jason Statham. David Leitch (co-director of JohnWick and sole director of AtomicBlonde and Deadpool2) is behind the camera. Costars include Idris Elba, Vanessa Kirby, and Helen Mirren (reprising her maternal role from 2017’s last entry TheFateoftheFurious).
Despite the absence of Vin Diesel and other actors associated with the franchise that started 18 years ago, Hobbs&Shaw is likely to perform similarly to other pics in the canon. The largest opening was accomplished in 2015 with Furious7 with a gross of $147 million. Tragically, part of the reason its start was significantly more than the others was due to the untimely death of Paul Walker and that picture representing his swan song. Follow-up FateoftheFurious two years later landed the second highest start of the eight features at $98 million.
This might fall a bit under those gaudy numbers and I think low to mid 80s is most feasible. That would put it in line or a just bit below the $86 million accomplished by FastFive in 2011.
Hobbs&Shaw opening weekend prediction: $72.6 million
Quentin Tarantino’s acclaimed OnceUponaTimeinHollywood with Leonardo DiCaprio and Brad Pitt is the sole fresh wide release this weekend. It looks to have a strong second place showing behind the sophomore frame of the record breaking TheLionKing. You can find my detailed prediction post on it here:
I have Mr. Tarantino’s ninth feature just barely topping his previous traditional weekend opening earner from a decade ago, InglouriousBasterds. My original estimate put it in the mid 40s, but I’ve had a gut feeling over the weekend that it won’t quite hit $40 million.
As for the behemoth King, I see a dip in the mid 50s range that would put it in the mid 80s. That’s similar to the drop experienced by last summer’s Incredibles2.
Spider–Man: FarFromHome looks to be third with ToyStory4 in fourth position. I look for Yesterday to vault over Crawl to remain in fifth place.
And with that, my take on the late July weekend ahead:
1. TheLionKing
Predicted Gross: $86.5 million
2. OnceUponaTimeinHollywood
Predicted Gross: $38.7 million
3. Spider–Man: FarFromHome
Predicted Gross: $13 million
4. ToyStory4
Predicted Gross: $10.8 million
5. Yesterday
Predicted Gross: $3.6 million
BoxOfficeResults (July19–21)
Disney’s magical summer continued in two significant ways. TheLionKing easily broke the all time July record with a roaring $191.7 million and that’s right in line with my $192.7 million projection. That captures the high mark previously set by HarryPotterandtheDeathlyHallowsPart2 by over $20 million.
Secondly, Avengers: Endgame took the #1 spot as the largest worldwide hit in history. At $2.7 billion, it has now edged out Avatar.
After two weeks on top, Spider–Man: FarFromHome slipped to second with $21.2 million compared to my $22.4 million take. The three week tally is $319 million.
ToyStory4 was third with $15.5 million as it elevated over my $13.2 million forecast. Total is $376 million with $400 million in its sights.
Crawl was fourth in weekend #2 with $6 million (I said $5.4 million) for $23 million in two weeks.
Yesterday rounded out the top five and I incorrectly had it outside of that. The musical dramedy made $5 million for $57 million overall.
I had Aladdin holding stronger than it did at $5.5 million. It made $4 million for seventh place behind Stuber ($4.1 million). This Mouse Factory live action rendering is up to $340 million.
Director Quentin Tarantino and star Leonardo DiCaprio both return to the silver screen for the first time in three and a half years with the release of OnceUponaTimeinHollywood next weekend. Set in the late 1960s, Mr. Tarantino’s latest casts DiCaprio as a washed up TV actor with Brad Pitt as his longtime stunt double. The sprawling supporting players include Margot Robbie as Sharon Tate, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Austin Butler, Dakota Fanning, Bruce Dern, Kurt Russell, Damian Lewis, the late Luke Perry, Damon Herriman, Mike Moh, Zoe Bell, and Al Pacino.
When Hollywood premiered at the Cannes Film Festival in May, it did so to reviews expected of its director. The Rotten Tomatoes score is at 92% and it could attract Oscar attention. The teaming of DiCaprio (in his first role since his Oscar winning turn in TheRevenant) and Pitt and the many Tarantino followers certainly have given this a high profile.
In order to achieve its maker’s largest all-time three day start, Hollywood would need to top the $38 million made by InglouriousBasterds ten years ago. However, that’s a bit of a misnomer. 2012’s DjangoUnchained opened over Christmas and took in $30 million from Friday to Sunday. Yet it made $63 million over its expanded holiday rollout.
The range here is pretty wide. It’s feasible that Hollywood doesn’t quite reach that high 30s threshold. I think it gets there with a just a few hundred thousand to spare.
OnceUponaTimeinHollywood opening weekend prediction: $38.7 million
Disney once again looks to dominate the box office this weekend as TheLionKing stomps into theaters with Spider–Man: FarFromHome and ToyStory4 in the runner-up positions. You can peruse my detailed prediction post on the Mouse Factory’s latest live-action rendering of an animated classic here:
TheLionKing could be poised for a top ten all-time debut and my estimate puts in at #8, behind BlackPanther but just ahead of Avengers: AgeofUltron.
Spider–Man, after two impressive weeks on top, should dip to second and lose around 50% of its volume with ToyStory4 in third.
Crawl, after a fair opening, might experience a drop of over 50%. That could put in a battle for fourth with Aladdin. That Disney update may well return to the top five when considering its likely drive-in pairings with the weekend’s champ.
Here’s how I have the top five playing out:
1. TheLionKing
Predicted Gross: $192.7 million
2. Spider–Man: FarFromHome
Predicted Gross: $22.4 million
3. ToyStory4
Predicted Gross: $13.2 million
4. Aladdin
Predicted Gross: $5.5 million
5. Crawl
Predicted Gross: $5.4 million
BoxOfficeResults (July12–14)
The MCU, as anticipated, had no trouble staying atop the charts as Spider–Man: FarFromHome took in $45.3 million in its sophomore frame. That’s in line with my $43.5 million projection as the sequel now stands at $274 million.
ToyStory4 was second with $20.9 million (I said $20.7 million) for $346 million overall.
Crawl was an interesting case study. The alligator horror flick took in $12 million for third, a bit shy of my $14.2 million take. Considering its reported $13.5 million price tag, that’s a decent result. However, Paramount made a curious choice not screening it for critics and it ended up getting solid reviews. One wonders if the studio had let word of mouth percolate, if the numbers could have been higher.
The other newcomer was the Kumail Nanjiani/Dave Bautista comedy Stuber and it stalled in fourth with just $8.2 million compared to my $10.8 million prediction.
Yesterday rounded out the top five with $6.7 million (I said $6.4 million) for $48 million total.
Disney’s live action reimagining of TheLionKing roars into theaters next weekend a quarter century after the classic animated tale. Jon Favreau, who has some experience in the genre with 2016’s $364 million grosser TheJungleBook, directs. The computer animated animal epic features the voices of many recognizable faces. They include Donald Glover, Seth Rogen, Beyoncé, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, and James Earl Jones returning as Mufasa.
Expectations are sky high and it’s easy to see why. The Mouse Factory has achieved massive successes in this unique sub genre and have done so very recently. This May’s Aladdin now stands at over $321 million in domestic earnings. The high water mark is from 2017 with BeautyandtheBeast. It opened to $174 million and topped out at $504 million total.
The 1994 original was a phenomenon, taking in $422 million. And that was 25 years ago and would be over $800 million when adjusted for inflation. It still stands as the fourth highest grossing animated feature of all time.
Considering those gaudy numbers, TheLionKing is likely to make a killing and set a new record for the studio’s remakes. $200 million is reachable in my view, but I’ll put it a bit under that.
TheLionKing opening weekend prediction: $192.7 million