Tag: box office predictions

January 27-29 Box Office Predictions

2023 has gotten off to a pleasing start at the box office, but the last weekend of January should be rather quiet. Horror pic Fear is slated to be a wide release. I haven’t done an individual prediction post on it because I’ve yet to see a theater count. It would be surprising to see it in the top five. At the moment, I’m thinking it’ll be lucky to reach $2 million.

That means the chart should look very similar to this past frame with Avatar: The Way of Water spending a seventh weekend in first (very likely for the final time with Knock at the Cabin and 80 for Brady on deck). It might be the only feature to make over $10 million as I have dropping in the low to mid 30s for a low teens gross.

Puss in Boots: The Last Wish (after a great hold in its 5th life) should stay in second during its sixth. Holdovers A Man Called Otto, M3GAN, and Missing (after a slightly better than anticipated debut) appear poised to populate slots 3-5.

Here’s how I see it playing out:

1. Avatar: The Way of Water

Predicted Gross: $14.3 million

2. Puss in Boots: The Last Wish

Predicted Gross: $9.2 million

3. A Man Called Otto

Predicted Gross: $6 million

4. M3GAN

Predicted Gross: $5.8 million

5. Missing

Predicted Gross: $5.1 million

Box Office Results (January 20-22)

A six-peat greeted Avatar: The Way of Water with a take of $20.1 million, a bit under my $23.9 million forecast. James Cameron’s sequel crossed the $2 billion mark worldwide and neared $600 million domestically at $598 million.

Puss in Boots: The Last Wish is showing its multiple lives as it impressed in second with a mere 18% drop. Earning $11.8 million in its fifth outing (I was lower with $8.7 million), the animated follow-up has amassed $126 million.

M3GAN was third in weekend 3 with $9.7 million, on pace with my $9.5 million projection. The campy horror effort hit $73 million.

Missing, the stand-alone sequel to thriller Searching, found some fans in fourth with $9.1 million, surpassing my $6.8 million prediction. Considering the reported $7 million price tag, this should turn a tidy profit.

A Man Called Otto rounded out the top five at $8.8 million (I said $9.3 million). In its second weekend of wide release, it dipped a commendable 31%.

And that does it for now, folks! Until next time…

Box Office Predictions: Weekend of January 20-22, 2023

After a solid MLK long weekend at the box office, tech thriller Missing (a stand-alone sequel to 2018’s Searching) hopes to keep the 2023 momentum going in multiplexes. You can peruse my detailed prediction post on it here:

Missing Box Office Prediction

As the only new wide release, I’ve got Missing making the top five. However, it may fall under four holdovers. Avatar: The Way of Water should have no trouble staying in first for the sixth frame. The battle for #2 should be far more interesting. If Missing over performs, it could get there.

I’ve got the earnings of M3GAN, Puss in Boots: The Last Wish, and A Man Called Otto separated by under a million. All three did well over the holiday. M3GAN is likely to suffer the biggest drop, but I’ve still got it clinging to #2 with Otto right behind and Boots in fourth.

Here’s how I see it looking for your high five:

1. Avatar: The Way of Water

Predicted Gross: $23.9 million

2. M3GAN

Predicted Gross: $9.5 million

3. A Man Called Otto

Predicted Gross: $9.3 million

4. Puss in Boots: The Last Wish

Predicted Gross: $8.7 million

5. Missing

Predicted Gross: $6.8 million

Box Office Results (January 13-16)

Friday the 13th and the rest of the weekend was not unlucky as Avatar: The Way of Water 5-peated wtih $39.8 million. That’s just below my take of $41.2 million as James Cameron’s massive sequel sits at $571 million.

M3GAN held up well in its sophomore frame in second with $21.6 million from Friday to Monday. Ahead of my $18.7 million projection, the campy horror hit is grooving to $60 million thus far.

Puss in Boots: The Last Wish actually increased from the previous weekend in third at $18.9 million (slashing past my $13 million estimate). The animated sequel is now in nine figures with a lively $111 million.

Tom Hanks helped bring in adult moviegoers as A Man Called Otto expanded nationwide with a fourth place gross of $15.4 million (on target with my $15.9 million prediction). With an A Cinemascore grade, look for this to hold up well in the coming weeks. The tally is $21 million and growing.

Gerard Butler’s Plane took off in fifth with a decent $11.8 million (flying higher than my $7.2 million forecast). I suspect a drop at or close to 50% is where this lands next weekend.

Finally, comedic remake House Party did OK considering its lowly 1400 screen count. It was sixth with $4.6 million and that’s more RSVPs than my $3 million guesstimate.

That does it for now, folks! Until next time…

Missing Box Office Prediction

Missing is a sequel in concept to Searching, which turned an enormous profit in 2018. The thriller (out January 20th) takes place solely on a computer screen with different directors and and a fresh cast. Nick Johnson and Will Merrick make their debuts behind the camera after editing Searching. Aneesh Chaganty, helmer of the first, produces. Storm Reid headlines alongside Joaquim de Almeida, Ken Leung, Amy Landecker, Daniel Henney, and Nia Long.

Over four years ago, Searching made $26 million domestically and $75 million worldwide. The important point? It was reportedly made for under $900,000. That was probably the hummus budget for Avengers: Endgame that same year. I haven’t seen a price tag for this follow-up, but I imagine it’s low.

This may not quite make the nearly $8 million that Searching took in over the four-day Labor Day frame. Its overall stateside gross could fall short of its predecessor. If it triples those earnings across the globe, it should still be a success story for Sony.

Missing opening weekend prediction: $6.8 million

January 13-16 Box Office Predictions

Blogger’s Update (01/11): Considering its meager 1500 screen count and scant buzz, I’m revising my House Party prediction down from $6 million to $3 million. That puts it outside of the top 6.

The 2023 box office got off to an impressive start as studios hope the momentum continues over the four-day MLK weekend. A Man Called Otto expands and we have the Gerard Butler action flick Plane and comedy remake House Party landing. You can peruse my individual prediction posts on the trio here:

A Man Called Otto Box Office Prediction
Plane Box Office Prediction
House Party Box Office Prediction

Otto, while technically not a newcomer, should perform the best of the newbies. It over performed in limited release this past weekend (more on that below) and could even make a run for #2 depending on the sophomore drop for M3GAN.

Speaking of that demented AI doll, a robust and clever marketing campaign propelled the PG-13 flick to a terrific start. Horror titles often experience hefty declines after their opening, but the holiday could mean a high teens (maybe even low 20s) gross is possible.

Neither M3GAN or Otto will prevent Avatar: The Way of Water from making it five in a row atop the charts. I’m thinking it manages high 30s to low 40s as it builds on the already half billion domestic haul.

As for Plane and House Party, I have both falling under double digits and that would leave them in 5th and 6th behind the fourth outing for Puss in Boots: The Last Wish.

Here’s how I see it playing out and remember that these forecasts are for Friday through Monday:

1. Avatar: The Way of Water

Predicted Gross: $41.2 million

2. M3GAN

Predicted Gross: $18.7 million

3. A Man Called Otto

Predicted Gross: $15.9 million

4. Puss in Boots: The Last Wish

Predicted Gross: $13 million

5. Plane

Predicted Gross: $7.2 million

Box Office Results (January 6-8)

As mentioned, it was a healthy kickoff to the new year as Avatar: The Way of Water maintained first position with only a -32 decrease. That’s good for a fourth weekend collection of $45.8 million (beyond my $38.3 million prediction) as it’s amassed $517 million stateside.

M3GAN translated great buzz and sterling reviews to a $30.4 million premiere, dancing past my $24.8 million take. Universal ran a campaign that included memorable trailers and Tik Tok type vids of M3GAN’s crashing Times Square and media interviews. It paid off handsomely.

Universal had the third spot with Puss in Boots: The Last Wish earning $13.5 million, ahead of my $10.2 million projection. The animated sequel is up to $88 million with nine figures on deck.

Maybe grown-ups are ready to return to multiplexes! After plenty of awards bait adult features have disappointed in recent months, A Man Called Otto with Tom Hanks bucked the trend on a still limited 637 screens. The gross was $4.2 million and I incorrectly had it outside my top five.

Black Panther: Wakanda Forever was fifth with $3.5 million (I said $3.4 million) for $445 million total.

Whitney Houston: I Wanna Dance with Somebody was sixth with $2.4 million compared to my $2.1 million call. It’s at a ho-hum $19 million.

And that does it for now, folks! Until next time…

House Party Box Office Prediction

Blogger’s Update (01/11): Considering its meager 1500 screen count and scant buzz, I’m revising my House Party prediction down from $6 million to $3 million.

Warner Bros hopes audiences RSVP to the House Party reboot when it debuts January 13th. Directed by Calmatic (best known for music videos and commercials), Jacob Latimore and Tosin Cole star as best friends who hatch a plan to hold a blowout bash at the estate of LeBron James. The NBA superstar plays himself as do musical celebs like Kid Cudi, Lil Wayne, and Snoop Dogg.

The 1990 original featured hip hop act Kid N’ Play (who appear here) and spawned two sequels. It was a surprise box office success that also drew critical kudos. This was originally slated for an HBO Max only premiere last summer before the studio shifted emphasis to theatrical output.

Rolling out over the long MLK weekend, Party could manage to over perform. There’s a real question which new release will make the most money with A Man Called Otto and Plane as the other contenders. The trio should all fall behind Avatar: The Way of Water and M3GAN. I’ll project this falls short of double digits earnings by a notable margin.

House Party opening weekend prediction: $3 million (Friday to Monday estimate)

For my A Man Called Otto prediction, click here:

A Man Called Otto Box Office Prediction

For my Plane prediction, click here:

Plane Box Office Prediction

A Man Called Otto Box Office Prediction

Blogger’s Update (01/09): Based on Otto‘s impressive performance on just over 600 screens the previous weekend, I am revising my estimate considerably up from $11.3 million $15.9 million for the four-day MLK haul.

One of the most beloved Everyman actors is a grumpy man in A Man Called Otto, opening wide on January 13th. Tom Hanks is the title character in this remake of the 2015 Swedish film which was adapted from a 2012 Fredrik Backman novel. Marc Forster directs with a supporting cast including Mariana Treviño, Rachel Keller, Manuel Garcia-Rulfo, Cameron Britton, and Mike Birbiglia.

Reviews are fairly decent with a current 66% Rotten Tomatoes score. Hanks is obviously a big name though he’s not the box office draw he once was. He did just recently appear in the summer hit Elvis. However, recent starring roles have either been streaming debuts (Greyhound, Finch) or under performers (News of the World).

Pics catering to adults have generally suffered at multiplexes lately. What might help is that the book was a huge bestseller. That said, even with a four-day MLK rollout, I question whether this gets to double digits. I’m giving it the benefit of the doubt. Otto does expand to over 600 venues on January 6th. Depending on how it rolls out this weekend, it could change the forecast below.

A Man Called Otto opening weekend prediction: $15.9 million (Friday to Monday estimate)

For my Plane prediction, click here:

Plane Box Office Prediction

For my House Party prediction, click here:

House Party Box Office Prediction

Plane Box Office Prediction

Plane lands in theaters on January 13th as Lionsgate hopes it takes off with action fans over the long MLK weekend. From French filmmaker Jean-François Richet, Gerard Butler stars as a pilot stranded in dangerous territory. Costars include Mike Colter, Yoson An, and Tony Goldwyn. The screenplay was sold as The Plane until the powers that be jettisoned that silly “the”.

Our simplistically titled pic comes with a reported $50 million price tag. That’s not huge, but it will likely struggle to make it back (at least on the domestic front). The mid-January frame has seen its share of medium size budgeted genre fare. Potential comps include 2013’s The Last Stand with its $7.2 million start, Sleepless from 2017 at $9.7 million, and 2018’s Proud Mary with $11.7 million. There’s also The Commuter from five years back with $15.7 million and that’s probably an unreachable ceiling.

We also have Butler comps to ponder. In 2018, Den of Thieves also debuted in January to $15.2 million while Hunter Killer managed just $6.6 million that autumn. 2021’s Copshop was a dud with $2.3 million out of the gate, but it arrived during the COVID slowdown.

Due to the holiday, we’re estimating a four-day take. My hunch is that many moviegoers will standby to view it at home. It could manage double digits though I’ll say it falls below that figure and closer to Killer than Thieves.

Plane opening weekend prediction: $7.2 million (Friday to Monday estimate)

For my A Man Called Otto prediction, click here:

A Man Called Otto Box Office Prediction

For my House Party prediction, click here:

House Party Box Office Prediction

January 6-8 Box Office Predictions

The first full weekend of the new year sees deranged doll M3GAN dancing into multiplexes as she hopes to have a strong #2 showing behind Avatar: The Way of Water. You can peruse my detailed prediction post on 2023’s initial wide release right here:

M3GAN Box Office Prediction

I believe M3GAN will perform similarly to last fall’s Smile and a low to mid 20s premiere would cause Universal and Blumhouse to do just that. The trailers have generated lots of attention and the overall marketing campaign (like Smile) has been impressive. There’s a chance it could over perform my estimate, but I don’t see it threatening Avatar.

That’s because the James Cameron sequel achieved the third largest third domestic weekend of all time behind Star Wars: The Force Awakens and the first Avatar. A fourth frame drop in the mid to higher 40s range should net it a mid 30s showing. Like M3GAN, I wouldn’t be shocked it goes higher.

Puss in Boots: The Last Wish should easily be third after an encouraging sophomore outing with Black Panther: Wakanda Forever and Whitney Houston: I Wanna Dance with Somebody rounding out the top five.

Here’s how I think it’ll look:

1. Avatar: The Way of Water

Predicted Gross: $38.3 million

2. M3GAN

Predicted Gross: $24.8 million

3. Puss in Boots: The Last Wish

Predicted Gross: $10.2 million

4. Black Panther: Wakanda Forever

Predicted Gross: $3.4 million

5. Whitney Houston: I Wanna Dance with Somebody

Predicted Gross: $2.1 million

Box Office Results (December 30-January 1)

2022 closed out and 2023 kicked off with Avatar: The Way of Water dominating the charts with $67.4 million. That’s right in line with my $65.8 million forecast. This third weekend was an important one for the long-in-development follow-up as it’s amassed $425 million stateside coupled with its gigantic worldwide earnings ($1.4 billion).

Puss in Boots: The Last Wish rose 35% from its debut at $16.8 million – in range with my $16.1 million prediction. The DreamWorks animated sequel hit $61 million as nine figures looks doable.

Black Panther: Wakanda Forever ascended to third with $5.1 million, a touch above my $4.5 million take. Overall haul is $438 million.

Whitney Houston: I Wanna Dance with Somebody felt the heat of a disappointing second frame in fourth. Dropping 16% with $3.9 million, I wrongly thought it might go up at $5.6 million. The meager ten-day tally is $14 million.

Babylon, after a disastrous start, continued the free fall with $2.6 million in fifth (I said $3.2 million). It’s made $10 million with a reported $80 million price tag.

Violent Night was sixth with $2.1 million. I was more optimistic at $3.1 million. The R rated holiday tale has scored a solid $40 million.

That’s all for now, folks! Until next time…

M3GAN Box Office Prediction

It’s nice to have a trailer that’s inspired countless memes – mainly from its demented title character doll busting creepy dance moves. M3GAN is the first wide release of 2023 and it appears poised to start the year off on a profitable note. The sci-fi horror pic comes from director Gerard Johnstone with a screenplay by Malignant scribe Akela Cooper. Jason Blum and James Wan serve as producers as the Blumhouse label looks to have another buzzy hit. Allison Williams headlines the cast and she’s no stranger to moneymaking fright fests that open early in the calendar year (2017’s Get Out). The supporting players include Violet McGraw, Ronny Chieng, and Brian Jordan Alvarez.

With a marketing campaign showcasing the alarming and humorous robotic pal, M3GAN may open on pace with other hit genre pics of recent times. I could see it debuting somewhere in between the $30 million from last January’s Scream reboot and the near $23 million that Smile took in during the fall. That’ll be enough to produce smiles and screams of joy for Universal.

M3GAN opening weekend prediction: $24.8 million

December 30-January 1 Box Office Predictions

Hollywood is hoping that the closeout to 2022 looks better than Christmas weekend. There’s a solid chance that it will. While no new wide releases are on deck, holdovers could see their earnings increase from the prior holiday.

In previous years when Christmas Eve was on Saturday, that meant the typical biggest day of the weekend isn’t as potent (look up 2005, 2011, 2016). Moviegoers treat weekdays similar to Fridays and Saturdays during the end of the year with many on vacation and schools on break. For 2022, you can add a unique wrinkle with this past weekend. Many areas of the country (including where this blogger was) were experiencing winter storm conditions and bitter cold that prevented a night out. The forecast is rosier as we ring in the new year.

The years I mentioned saw most of their returnees see percentage gains. Avatar: The Way of Water will obviously make it a three-peat and I’m envisioning a slight uptick.

Puss in Boots: The Last Wish seems destined for the heftiest lift in the 25-30 percent region. Whitney Houston: I Wanna Dance with Somebody should remain in third and I could see a 15-20% increase considering its A Cinemascore grade.

Babylon, after a dismal start and a C+ Cinemascore, may be an exception as it could diminish slightly. So could Violent Night considering the Yuletide theme. That might mean Black Panther: Wakanda Forever goes from 6th to 4th.

Here’s how I see that top 6 panning out:

1. Avatar: The Way of Water

Predicted Gross: $65.8 million

2. Puss in Boots: The Last Wish

Predicted Gross: $16.1 million

3. Whitney Houston: I Wanna Dance with Somebody

Predicted Gross: $5.6 million

4. Black Panther: Wakanda Forever

Predicted Gross: $4.5 million

5. Babylon

Predicted Gross: $3.2 million

6. Violent Night

Predicted Gross: $3.1 million

Box Office Results (December 23-25)

Due to the reasons listed above, it wasn’t the merriest of Christmases for multiplexes. Nearly all titles couldn’t match my projections. In its sophomore frame, Avatar: The Way of Water took in $63.3 million from Friday to Sunday for an easy 1st place. I was $10 million higher at $73.4 million. The ten-day haul is $261 million. James Cameron’s long in development sequel is poised to hit a billion worldwide tonight and that third week gross should be impressive.

DreamWorks Animation had a far from purr-fect start in second (I’m sorry) for their long in development follow-up Puss in Boots: The Last Wish. It managed $12.4 million from Friday to Sunday and $18.5 million since its Wednesday premiere. I went with $18.3 million and $28.5 million, respectively. Luckily this could have a second life (maybe even nine) with little competition for its intended audience.

Whitney Houston: I Wanna Dance with Somebody couldn’t find its groove with a flat $4.7 million opening in third. I was much more optimistic with $11.5 million. Despite mostly negative reviews, the crowds that did turn up liked what they saw and this should get a decent bump.

Damien Chazelle’s Babylon was a pricey dud. With a reported $80 million price tag, the three hour hard R rated tale of early Hollywood fizzled with only $3.6 million in fourth. I predicted $8.7 million. As mentioned, the only bumps I expect this to experience are the ones the characters are doing.

Violent Night rounded out the top five with $3.5 million (I said $3.3 million). Overall take is $41 million. Black Panther: Wakanda Forever was sixth with $3.4 million, on pace with my $3.2 million forecast for $426 million total.

And that does it for now, folks. Happy New Year!