Disney has owned the Thanksgiving holiday in recent years and that looks to continue when Zootopia 2 arrives November 26th. Jared Bush and Byron Howard are back directing the sequel to the 2016 blockbuster that took home Best Animated Feature at the Oscars. Returning voices include Ginnifer Goodwin, Jason Bateman, Idris Elba, and Shakira. New faces behind the mics are Ke Huy Quan, Fortune Feimster, Andy Samberg, David Strathairn, Patrick Warburton, Quinta Brunson, Roman Reigns, and CM Punk.
Last year, the Mouse House smashed the Thanksgiving box office record with Moana 2. That follow-up took in $139 million from Friday to Sunday with $225 million when counting Wednesday and Turkey Day. The previous highest three-day opening was the original Moana (also from 2016) at $56 million.
Zootopia 2 should fall between the Moana‘s in the record books. In a best case scenario, it could threaten part 2. In March 2016, the original exceeded expectations with a $75 million start on its way to $341 million overall domestically. This is widely anticipated to build on that with room to spare.
I’ll project a Friday to Sunday gross between $110 to $115 million and a five-day topping $180 million.
Zootopia 2 opening weekend prediction: $112.4 million (Friday to Sunday); $184.3 million (Wednesday to Sunday)
Wicked: For Good sweeps in to rule the box office and it could compete for 2025’s biggest domestic opening. We also have Finnish action sequel Sisu: Road to Revenge and Japan set dramedy Rental Family making their debuts and you can peruse my detailed prediction posts on the newcomers here:
The second part of Wicked is expected to easily swoosh past the $112 million opening of part 1 last year. The real question is whether it eclipses the $162 million start of A Minecraft Movie which currently holds the record for the year. I have falling just behind.
Sisu: Road to Revenge should manage to top the $3.3 million out of the gate that its predecessor achieved in 2023, but perhaps not by much. My mid single digits projection puts it in fifth.
Rental Family with Oscar winner Brendan Fraser hasn’t been able to generate much buzz despite mostly solid reviews. I have it struggling in sixth place.
Holdovers should populate slots 2-4. Now You See Me: Now You Don’t scored a surprise #1 showing (more on that below). If it drops in range with Now You See Me 2 from nine years ago, it could fall below $10 million for the runner-up spot. The second weekend of The Running Man and third frame of Predator: Badlands could see similar numbers battling for third.
Here’s how I have it shaking out:
1. Wicked: For Good
Predicted Gross: $158.1 million
2. Now You See Me: Now You Don’t
Predicted Gross: $9.4 million
3. The Running Man
Predicted Gross: $6.7 million
4. Predator: Badlands
Predicted Gross: $5.9 million
5. Sisu: Road to Revenge
Predicted Gross: $4 million
6. Rental Family
Predicted Gross: $2.9 million
Box Office Results (November 14-16)
As mentioned, threequel Now You See Me: Now You Don’t easily ruled the charts with a better than anticipated $21 million compared to my $17.1 million prediction. While it’s the lowest opening of the franchise (falling under the original’s $29 million and part two’s $22 million), the #1 posting was an unexpected development.
That’s because many prognosticators, including me, figured The Running Man with Glen Powell might manage bragging rights. Yet the sci-fi remake took in only $16.4 million for second, under my $19.6 million estimate.
Another projection I missed is that I thought Predator: Badlands wouldn’t experience the hefty sophomore decline of other pics in the franchise. However, it plummeted 68% to $12.7 million. I was far more generous at $18.2 million. The two-week tally is still an impressive $66 million.
Regretting You was fourth with $3.7 million and I was higher at $5 million. The four-week take is $44 million.
Black Phone 2 rounded out the top five and I incorrectly didn’t have it there. In its fifth week, it earned $2.6 million to bring its total to $74 million.
Keeper from Osgood Perkins was right behind in sixth with $2.5 million (I said $3.2 million). The horror flick couldn’t attract its intended audience.
Three years after a comeback role in The Whale that won him an Oscar, Brendan Fraser headlines the dramedy Rental Family on November 21st. Hikari directs the apparent crowdpleaser that played the Toronto Film Festival in September. Costars include Takehiro Hira, Mari Yamamoto, Shannon Mahina Gorman, and Akira Emoto.
The Japan set Searchlight release sits at 96% on Rotten Tomatoes. The 66 on Metacritic is a bit more telling. Family was seen by prognosticators as a potential Oscar contender. Its festival debut tamped down those expectations. Awards buzz might’ve helped its box office prospects.
Premiering on approximately 1600 screens, Rental may only see low single digits for starters and hope that word-of-mouth keeps its declines low in subsequent weekends.
Rental Family opening weekend prediction: $2.9 million
Writer-director Jalmari Helander reunites with leading man Jorma Tommila for the Finnish action sequel Sisu: Road to Revenge on November 21st. Following up on the 2023 original which performed decently stateside, Stephen Lang and Richard Brake costar in the Sony distributed World War II era shoot-em-up.
Back in April of 2023, Sisu opened to $3.3 million on just over 1000 screens and ended with $7.3 million in its domestic coffers. The follow-up is slated to double the venue count at approximately 2000. That should mean a higher gross though the per screen average might be lower. Mid single digits is the probable result.
Sisu: Road to Revenge opening weekend prediction: $4 million
Wicked: For Good sweeps into theaters November 21st and it should eclipse what part one accomplished out of the gate last year. Jon M. Chu returns directing the second half of the saga based on the hugely popular Stephen Schwartz/Winnie Holzman Broadway play. The stage musical, of course, draws its inspiration from the written works of L. Frank Baum and 1939’s iconic The Wizard of Oz. Cynthia Erivo and Ariana Grande are back headlining along with supporting players Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh, and Jeff Goldblum.
Last November, Wicked drew critical kudos, 10 Oscar nominations, and a $112 million domestic opening on its way to $473 million overall stateside. The goodwill left over is expected to mean a larger debut upfront. The Universal release could contend for 2025’s largest premiere thus far. In order to accomplish that feat, it would need to surpass the $162 million that A Minecraft Movie brought in. That is certainly within Good‘s range and I wouldn’t be surprised if it manages the record. I’m putting it a bit below Minecraft‘s figure though it should play well throughout the holidays.
Wicked: For Good opening weekend prediction: $158.1 million
For my Sisu: Road to Revenge prediction, click here:
Blogger’s Update (11/12): I am downgrading my The Running Man estimate from $27.6 million to $19.6 million as reviews and word-of-mouth have stalled momentum; I am downgrading my Keeper estimate from $6.5 million to $3.2 million
The Running Man looks steal the box office crown as heist threequel Now You See Me: Now You Don’t and horror pic Keeper debut. You can peruse my detailed prediction posts on the trio of newcomers here:
Based on the Stephen King novel, sci-fi action satire The Running Man also serves as a remake of the 1987 pic with Glen Powell taking over starring duties from Arnold Schwarzenegger. I don’t think it reaches the heights of Predator: Badlands from this past weekend (more on that below), but it should place 1st in the low to mid 20s.
Now You See Me: Now You Don’t includes Jesse Eisenberg, Woody Harrelson, and Morgan Freeman reprising their roles from 2013 and 2016 predecessors. That’s a lengthy layover from part 2 to 3 and the second one didn’t match the original in terms of cash. I anticipate the drop-off will continue and I have See in third.
Keeper could overperform as horror titles often do, but I’m going mid single digits for a fourth place showing for the latest genre effort from the prolific Osgood Perkins.
It will be interesting to see the sophomore frame percentage decline for Predator: Badlands. 2010’s Predators and 2018’s The Predator each debuted in the mid 20s (far below this one). They plummeted 72% and 63% respectively in their follow-up outings. The film in the franchise that performed similarly to Badlands (2004’s AVP: Alien Vs. Predator) saw a 68% dip. However, I don’t see this falling that far due to its A- Cinemascore (the strongest of the lot). Mid 50s seems more likely.
Regretting You, which showed impressive staying power last weekend, should round out the top five and here’s how I see it shaking out:
1. The Running Man
Predicted Gross: $19.6 million
2. Predator: Badlands
Predicted Gross: $18.2 million
3. Now You See Me: Now You Don’t
Predicted Gross: $17.1 million
4. Regretting You
Predicted Gross: $5 million
6. Keeper
Predicted Gross: $3.2 million
Box Office Results (November 7-9)
It took a nearly 40-year-old franchise to wake up the box office and showed that the series wasn’t over the hill as Predator: Badlands amassed $40 million. Solid word-of-mouth and positive reviews helped propel it to the highest start of the nine pictures when not adjusting for inflation. This easily eclipsed my $27.6 million prediction.
Regretting You, as mentioned, slid a teensy 15% in weekend #3 to $6.6 million compared to my $4.8 million call. The romantic drama is plugging along with $38 million thus far.
Black Phone 2 dropped from 1st to 3rd as it received $5.1 million, in line with my $4.6 million projection. The sequel has taken in $70 million after four weeks.
The inspirational early 20th century set drama Sarah’s Oil, which includes Zachary Levi among its cast, was my surprise of the weekend. It placed fourth with $4.2 million and I didn’t do a guesstimate. Scoring a rare A+ Cinemascore grade, Oil could hold up well in the coming weeks.
Historical courtroom drama Nuremberg with Oscar winners Russell Crowe and Rami Malek rounded out the top five with $3.8 million, managing to outdo my $3 million take.
Bugonia was sixth in weekend #2 at $3.4 million (ahead of my $2.7 million prediction) for $12 million after two weeks of wide release.
Chainsaw Man – The Movie: Reze Arc finished seventh with $3.4 million (I said $2.9 million) as the anime hit stands at $37 million after three weeks.
Jennifer Lawrence and Robert Pattinson’s drama Die, My Love debuted in eighth with $2.6 million, on pace with my $2.5 million estimate.
Finally, boxing biopic Christy with Sydney Sweeney was KO’d in 11th with just $1.3 million. I was more generous at $2.2 million.
Blogger’s Update (11/12): I am downgrading my estimate from $6.5 million to $3.2 million
Osgood Perkins releases his third horror title in under two years when Keeper arrives in theaters November 14th. The two-hander stars Tatiana Maslany and Rossif Sutherland. It was shot with a Canadian crew while the filmmaker’s predecessor The Monkey was held up during the 2023 SAG/WGA strike.
In July of 2024, Longlegs from Perkins was an unexpected hit with a $22 million debut and $74 million overall domestic haul. The aforementioned Monkey followed earlier this year in February with $14 million at the outset and $39 million total. Expectations are considerably lower for Keeper with the caveat that this genre can always overperform. With that said, horror fans have plenty to see in 2025 and I’ll project mid single digits for this (similar to what Bring Her Back did early in the summer).
Not many eyeballs have been trained on Lionsgate releases over the last couple of years and the studio hopes that changes with Now You See Me: Now You Don’t. The third feature in the magic infused heist franchise arrives nearly a decade after the second installment. Ruben Fleischer takes over the directorial reins from Louis Leterrier (the 2013 original) and Jon M. Chu (the 2016 sequel). Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fischer, and Morgan Freeman reprise their roles and newcomers include Justice Smith, Dominic Sessa, Ariana Greenblatt, and Rosamund Pike as the main villain.
In the summer of 2013, part 1 was an unexpected hit with a $29 million debut and $117 million domestic haul. Three years later, the follow-up experienced diminishing returns with a $22 million start and $65 million overall gross. Unless there’s a nostalgia factor the series that I’m simply not seeing, this should experience the worst opening of the trio and that long layover doesn’t help. I’m thinking mid to high teens.
Now You See Me: Now You Don’t opening weekend prediction: $17.1 million
Paramount hopes audiences are game for The Running Man when it debuts November 14th. The sci-fi action flick casts Glen Powell in a role that Arnold Schwarzenegger played in the 1987 original. Based on a Stephen King novel, costars include Josh Brolin, Colman Domingo, Lee Pace, Jayme Lawson, Michael Cera, Emilia Jones, Daniel Ezra, and William H. Macy. Edgar Wright directs. This is the second 2025 adaptation of a dystopian tale written under King’s pseudonym Richard Bachman behind The Long Walk.
Following Predator: Badlands by a week (another Ah-nuld adjacent release), Running hopes to pick up speed based on Powell’s star power and decent early word-of-mouth. The original isn’t exactly considered a classic, but it has a solid cult B-movie reputation. I don’t think this reaches near $40 million like Badlands. Low to mid 20s seems more likely.
The Running Man opening weekend prediction: $19.6 million
For my Now You See Me: Now You Don’t prediction, click here:
Blogger’s Update (11/05): Posting a significant update with Nuremberg and Die, My Love predicted openings at $3 million and $2.5 million, respectively.
After a frighteningly bad Halloween weekend that marked the worst box office frame of 2025, Predator: Badlands seeks to scare up decent business. We also have the boxing biopic Christy with Sydney Sweeney debuting and you can peruse my detailed prediction posts on the newcomers here:
There’s no question that Predator: Badlands will easily be #1 though it has a wide range of possibilities. A worst case scenario might be high teens/low 20s with the rosiest performance nearing $40 million. I’m going mid to high 20s.
Christy could have benefited from better reviews and more awards speculation, but it should struggle to make the top 5.
On a side note, there’s two other wannabe Oscar contenders premiering: Jennifer Lawrence and Robert Pattinson in Die, My Love and the historical drama Nuremberg with Russell Crowe and Rami Malek. I’ve yet to see theater counts on either and both saw their awards prospects dim upon festival screenings. I will update my numbers if I feel one or both have a chance of breaking through.
As for holdovers, it could be a close race for #2 and I have Regretting You just edging current champ Black Phone 2. It could also be tight between Chainsaw Man: The Movie – Reze Arc and Bugonia to round out the high five.
Here’s how I see it playing out:
1. Predator: Badlands
Predicted Gross: $27.6 million
2. Regretting You
Predicted Gross: $4.8 million
3. Black Phone 2
Predicted Gross: $4.6 million
4. Nuremberg
Predicted Gross: $3 million
5. Chainsaw Man: The Movie – Reze Arc
Predicted Gross: $2.9 million
6. Bugonia
Predicted Gross: $2.7 million
7. Die, My Love
Predicted Gross: $2.5 million
8. Christy
Predicted Gross: $2.2 million
Box Office Results (October 31-November 2)
The worst Halloween weekend since 1993 is thanks to a dearth of new material with a likely assist by game 7 of the World Series on Saturday night. Black Phone 2 managed to return to 1st in its third outing with $8.3 million, on target with my $8 million call. The horror sequel has taken in $61 million so far.
Regretting You was close behind in second with $7.8 million, ahead of my $6.1 million prediction. The romantic drama stands at $27 million after two weeks.
Chainsaw Man: The Movie – Reze Arc, after an unexpected #1 bow, fell an anticipated 66% to third with $6.2 million (I said $6.4 million). The ten-day tally is $30 million.
Bugonia from Yorgos Lanthimos and starring Emma Stone and Jesse Plemons didn’t exactly having bragging rights in fourth with $5 million. Yet it did easily eclipse my $2.8 million projection as it expanded nationwide. Counting its limited release the previous weekend, it’s made $6 million.
The 40th anniversary reissue of Back to the Future was fifth with $4.9 million compared to my $4.6 million guesstimate. The extra coin brought its overall domestic total to $221 million.
Finally, Springsteen: Deliver Me from Nowhere sank 58% in its sophomore go-round in sixth with $3.7 million, I was more generous at $4.8 million and the biopic has earned a mere $16 million.
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