Blumhouse hopes for lucky results over the Friday the 13th weekend with Speak No Evil. The psychological thriller is a remake of an acclaimed 2022 Danish production. James Watkins, who helmed 2012’s The Woman in Black, directs with James McAvoy, Mackenzie Davis, Aisling Franciosi, and Scott McNairy starring.
Evil‘s opening weekend could be good due to lack of competition. Beetlejuice Beetlejuice will be in its sophomore frame and should easily be the reigning champ. However, Evil looks to appeal to genre fans in the teens for a second place start.
Whether that opening is low or higher teens is a question mark. Perhaps McAvoy’s previous successful psycho work (see Split) will help. A gross of $15 million or over is certainly doable, but I’ll put it just under.
Speak No Evil opening weekend prediction: $14.6 million
The autumn cinematic season looks to spook up a massive debut with Beetlejuice Beetlejuice, Tim Burton’s long in the works sequel to his 1988 classic with Michael Keaton reprising his iconic role. My detailed prediction post on it can be accessed here:
In order for Beetlejuice to set the all-time domestic September opening record, it would need to eclipse the $123 million achieved by 2017’s It. That could be a tall order but it is achievable. For second place, topping the $91 million earned by It‘s 2019 sequel is the assignment. My forecast gives Burton and company those bragging rights with room to spare.
The rest of the top five will belong to summer holdovers with Deadpool & Wolverine sliding to second. Spots 3-5 should be a close call between Reagan, Twisters, and Alien: Romulus. I have them in that order though the figures are basically interchangeable.
Here’s how I have it shaking out:
1. Beetlejuice Beetlejuice
Predicted Gross: $115.7 million
2. Deadpool & Wolverine
Predicted Gross: $9.8 million
3. Reagan
Predicted Gross: $4.8 million
4. Twisters
Predicted Gross: $4.7 million
5. Alien: Romulus
Predicted Gross: $4.5 million
Box Office Results (August 30-September 2)
A rather dull Labor Day weekend greeted multiplexes as Deadpool & Wolverine, in its sixth frame, stayed in first with $19.5 million. That’s a little more than my $18.3 million prediction as the MCU heavy hitter is up to $603 million.
Alien: Romulus was second with $11.6 million, under my $13.7 million prediction. The franchise’s latest entry is nearing the century mark at $91 million after three weeks.
The bright spot of the holiday for theaters was Ronald Reagan’s reemergence with Dennis Quaid playing him. Biopic Reagan was a solid third with $10.3 million, easily surpassing my meager $5.6 million take.
Fourth place belonged to Twisters with $9.8 million. It blew past my $6.8 million forecast in week 7 to bring its tally to $260 million.
It Ends with Us rounded out the top five with $9.3 million (I went with $10.2 million) for a pleasing four-week gross of $135 million.
Faith-based drama The Forge was sixth with $6.5 million (I said $7.2 million) for $16 million after two weeks.
Also in its sophomore frame, Blink Twice grossed $6.1 million for seventh. That’s in range with my $6.3 million projection and it has $16 million in its coffers.
Finally, Blumhouse horror flick AfrAId was DOA in ninth with just $4.4 million. I was kinder at $7.4 million.
Sci-fi horror pic AfrAId and political biopic Reagan are two newcomers working hard to attract viewers over Labor Day weekend, but it should be holdovers shining atop the box office hill. My detailed prediction posts on the newcomers can be accessed here:
Over the four-day frame, I don’t believe either fresh flick will manage to hit double digits. As an aside, there are other newbies out like 1992 with Tyrese Gibson and the late Ray Liotta and Slingshot with Casey Affleck and Laurence Fishburne. There’s also the family sports tale You Gotta Believe. I didn’t do individual write-ups on this trio as I have a tough time envisioning any of them approaching the top five (or top 8 for that matter). If any of them have a shot of surprising, maybe Believe does but I wouldn’t count on it.
AfrAId from Blumhouse should be the best performer of the debuts. That still could mean only high single digits for a third place showing at best or fourth or fifth.
How Reagan rolls out is a big question mark. With Dennis Quaid as the 40th POTUS, it might over perform if conservatives come out in force. I’m skeptical and my mid single digits take puts it outside the high five.
The seasonal leftovers usually have small percentage drops over this holiday frame from Friday to Monday. I would anticipate that Deadpool & Wolverine, Alien: Romulus, and It Ends with Us will maintain spots 1-3. Faith-based drama The Forge nabbed an A+ Cinemascore this past weekend and should hold steady (same goes for Blink Twice). That could mean both earn more than Reagan.
Here’s how I have it shaking out and we’ll do a top 8 forecast as the summer season closes out. These are Friday to Monday estimates:
1. Deadpool & Wolverine
Predicted Gross: $18.3 million
2. Alien: Romulus
Predicted Gross: $13.7 million
3. It Ends with Us
Predicted Gross: $10.2 million
4. AfrAId
Predicted Gross: $7.4 million
5. Twisters
Predicted Gross: $6.8 million
6. Blink Twice
Predicted Gross: $6.3 million
7. The Forge
Predicted Gross: $6.2 million
8. Reagan
Predicted Gross: $5.6 million
Box Office Results (August 23-25)
Deadpool & Wolverine clawed its way back to the #1 slot after a week away. The MCU behemoth took in $18.3 million in its fifth week, in range with my $19.2 million prediction. It is up to $577 million total.
Alien: Romulus slid precipitously to second in its sophomore outing. Down 61%, the gross was $16.3 million (a bit under my $17.8 million call) for $72 million thus far.
It Ends with Us stayed in third with $11.6 million, a tad shy of my $13.4 million projection. The three-week haul is $120 million.
A trio of newcomers generally underwhelmed. Blink Twice fared best in fourth at $7.3 million. That doesn’t match my $8.5 million estimate though it’s an OK result considering the reported $20 million price tag.
The Forge was fifth at $6.6 million and that’s on target with my $7.1 million prediction. As mentioned, it should hold well considering the Cinemascore grade.
Finally, The Crow didn’t fly with viewers. The reboot tanked in 8th place with just $4.6 million. I was kinder at $7.4 million.
Sony and Blumhouse are counting on horror fans to show up for AfrAId when it debuts over Labor Day weekend. From director Chris Weitz (whose varied filmography includes About a Boy, The Golden Compass, and The Twilight Saga: New Moon), the cast includes John Cho, Katherine Waterston, Havana Rose Liu, Lukita Maxwell, David Dastmalchian, and Keith Carradine.
At a brisk 84 minutes, the tale of an AI assistant gone rogue is Blumhouse’s latest hope for a genre breakout. They had a banner year in 2023 with M3GAN and Five Nights at Freddy’s. 2024 has been rougher with disappointments Night Swim and Imaginary.
AfrAId is unlikely to bring many real viewers in. For the extended holiday frame, it may struggle to reach double digits. I’ll say it does not.
AfrAId opening weekend prediction: $7.4 million (Friday to Monday projection)
Mark Wahlberg stars in dog tale Arthur the King while A24 thriller Love Lies Bleeding with Kristen Stewart expands nationwide. Those newcomers are highly unlikely to dislodge Kung Fu Panda 4 and Dune: Part Two from the top two positions. Detailed prediction posts on the newcomers can be accessed here:
Arthur could exceed expectations as canine content sometimes can. My lower double digits estimate puts it in third place as it hopes for word-of-mouth to keep it around for a while.
Bleeding performed well in 5 venues on the coasts, but could face headwinds as it rolls out everywhere. My forecast could put it anywhere from 4-6 though I’m banking on 6th.
The battle for #1 could be tight between Kung Fu Panda 4‘s sophomore outing and the third frame of Dune: Part Two. The former had a terrific premiere at the highest end of its anticipated range (more on that below). The second weekend dip could be 50% or a little more or less. Dune may only decline in the 40% range and that could create a photo finish. I’ll give Panda the slight edge.
Assuming Bleeding doesn’t over perform, 4-5 should be a close race between the second stands for Imaginary and Cabrini.
Here’s how I have the top 6 playing out:
1. Kung Fu Panda4
Predicted Gross: $30.6 million
2. Dune: Part Two
Predicted Gross: $29.4 million
3. Arthur the King
Predicted Gross: $12.5 million
4. Imaginary
Predicted Gross: $4.4 million
5. Cabrini
Predicted Gross: $4.1 million
6. Love Lies Bleeding
Predicted Gross: $3.7 million
Box Office Results (March 8-10)
DreamWorks Animation’s Kung Fu Panda 4 easily ruled the charts with a potent $57.9 million. I thought the long running franchise would continue its downward trend (part 3 started with $41.2 million), but I was off base with my meager $38.1 million prediction. This is actually the second best start for the series after the original’s $60.2 million in 2008.
Dune: Part Two filled the runner-up spot with $46.2 million and that’s still ahead of my $40.7 million call. The acclaimed sequel eased only 44% as its two-week tally has reached $157 million.
In third, Blumhouse horror flick Imaginary (which features a bear not doing martial arts) debuted to barely under its reported $10 million budget with $9.9 million. I was close at $10.5 million. While this doesn’t match various other genre offerings from the studio, it’s still a satisfactory figure considering the price tag.
Cabrini from Angel Studios was fourth with $7.1 million, not reaching my $8.9 million projection. The period piece biopic from the maker of Sound of Freedom hopes to post smallish drops as we head towards Easter.
Bob Marley: One Love rounded out the top five with $4 million (I went higher with $5.2 million) as this biopic has amassed $89 million after four weeks.
Blumhouse hopes audiences turn out for the grisly horror flick Imaginary on March 8th. From Truth or Dare and Kick-Ass 2 maker Jeff Wadlow, the tale of a demented stuffed bear stars DeWanda Wise, Pyper Braun, Tom Payne, Taegen Burns, Veronica Falcón, and Betty Buckley.
Originally slated for early February, the low-budget affair ($13 million reportedly) follows its studio’s model of minor price tags hoping for major returns. This certainly won’t make Five Nights at Freddy’s money when it comes to Blumhouse productions featuring demonic furry creatures.
It could, however, come close or even exceed the budget in its first weekend and that’d be just fine.
Imaginary opening weekend prediction: $10.5 million
After a record breaking Halloween opening at the box office, Five Nights at Freddy’s will have no trouble dominating the charts again as November arrives. The only wide release is the expansion of biopic Priscilla from Sofia Coppola. You can peruse my detailed prediction post on it here:
While it played went well in limited release this weekend, Priscilla probably won’t impress as it goes nationwide. I’m projecting it at the lower end of its range for what could be a fourth or fifth place showing (depending on the second weekend drop for faith-based doc After Death).
Freddy’s is ready to easily be 1st again after its massive start (more on that below). It’s a reasonable assumption that its earnings will be quite front loaded. A mid 60s to even high 60s decline wouldn’t be a surprise, but that would still give it a second frame atop the landscape due to scant competition.
Taylor Swift: The Eras Tour and Killers of the Flower Moon (following a disappointing sophomore performance) should retain their spots in second and third. Here’s how I see it shaking out:
1. Five Nights at Freddy’s
Predicted Gross: $27.6 million
2. Taylor Swift: The Eras Tour
Predicted Gross: $8.3 million
3. Killers of the Flower Moon
Predicted Gross: $5.8 million
4. Priscilla
Predicted Gross: $3.9 million
5. After Death
Predicted Gross: $3.2 million
Box Office Results (October 27-29)
Based on the hugely successful series of video games, Five Nights at Freddy’s obliterated the previous best Halloween weekend of all time. It was held by 2011’s Puss in Boots with $34 million. Freddy’s more than doubled that mark with an astonishing $80 million. That’s good for the third highest horror start in history after It and its sequel. It bested my $68.3 million prediction and that’s all the more impressive considering it premiered simultaneously on Peacock.
Taylor Swift: The Eras Tour, after its own record setting two weeks on top, fell to second with $15.4 million. That’s a tad more than my $14.2 million take as it’s up to $150 million domestically.
Killers of the Flower Moon, despite great reviews and Oscar buzz, fell a troubling 60% in its second outing with $9.3 million. I assumed it would hold up much better at $13.4 million. The subpar ten-day tally (especially considering a $200 million budget) is $40 million.
I mistakenly left After Death out of top five. The documentary from Angel Studios (the company behind the unexpected summer smash Sound of Freedom) was fourth with $5 million.
The Exorcist: Believer rounded out the top five with $3.2 million (I said $3.5 million) for $59 million in four weeks.
PAW Patrol: The Mighty Movie was sixth with $2.3 million (I went with $2.9 million) for five week earnings of $59 million as well.
Universal and Blumhouse are banking on a big financial delivery for Five Nights at Freddy’s when it debuts October 27th. Based on a massively popular video game series that began in 2014, the PG-13 horror pic comes from director Emma Tammi. The cast includes Josh Hutcherson, Elizabeth Lail, Piper Rubio, Mary Stuart Masterson, and Matthew Lillard.
The fanbase for the games should be hungry to watch this immediately. Rather surprisingly, Freddy’s will also be available same day on Peacock (much like the recent Halloween trilogy from the same studio). That could eat into the theatrical earnings as some viewers may prefer to make it a Halloween weekend couch experience.
I still think taking the over is probably wise and that might mean a start in the mid to high 60s range.
Five Nights at Freddy’s opening weekend prediction: $68.3 million
This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.
Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.
Let the countdown begin!
10. The Great Gatsby
Domestic Gross: $144 million
Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.
9. We’re the Millers
Domestic Gross: $150 million
Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.
8. The Heat
Domestic Gross: $159 million
Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.
7. World War Z
Domestic Gross: $202 million
Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.
6. Star Trek Into Darkness
Domestic Gross: $228 million
JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.
5. Fast & Furious 6
Domestic Gross: $238 million
Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.
4. Monsters University
Domestic Gross: $268 million
The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.
3. Man of Steel
Domestic Gross: $291 million
The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.
2. Despicable Me 2
Domestic Gross: $368 million
Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.
1. Iron Man 3
Domestic Gross: $409 million
Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.
Now for some others worthy of discussion:
The Conjuring
Domestic Gross: $137 million
It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.
Now You See Me
Domestic Gross: $117 million
The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.
The Butler
Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.
Pacific Rim
Domestic Gross: $101 million
Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.
This Is the End
Domestic Gross: $101 million
This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.
The Purge
Domestic Gross: $64 million
This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.
Blue Jasmine
Predicted Gross: $33 million
That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.
Fruitvale Station
Domestic Gross: $16 million
Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.
There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.
The Hangover Part III
Domestic Gross: $112 million
Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.
Elysium
Domestic Gross: $93 million
Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.
The Lone Ranger
Domestic Gross: $89 million
I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.
White House Down
Predicted Gross: $73 million
Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).
After Earth
Predicted Gross: $60 million
Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.
The Internship
Domestic Gross: $44 million
Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.
R.I.P.D.
Predicted Gross: $33 million
It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.
And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…
Tom Cruise hopes to follow up the biggest hit of his career with a franchise best opening for the signature franchise as Mission: Impossible – Dead Reckoning Part One opens on Wednesday. It is the only newcomer out and you can peruse detailed prediction post on it here:
Cruise’s star power is the highest it’s been in years coming off the nearly billion and a half plus earning Top Gun: Maverick from last summer. In order to post the largest start among the seven missions, Reckoning will need to top the $61 million made by predecessor Fallout in 2018. I’m projecting it will do so with over $10 million to spare and bring in over $100 million when counting its Wednesday and Thursday numbers.
The real battle should be for second place. Coming off a surprise victory, Insidious: The Red Door should experience the heftiest decline (mid 60s) of the top five. This might cause a drop of 1st to 4th if Indiana Jones and the Dial of Destiny falls in the 50-55% range.
Sound of Freedom, the thriller from upstart Angel Studios, was the real story of the previous frame (more on that below). With an A+ Cinemascore grade, it should have the smallest decline other than Elemental in fifth position. If the dip is lower than my estimated 40%, it might just manage to rise from third to second. I’ll give Indy the slight edge. However, it might be worth keeping an eye on daily grosses throughout the week.
Here’s how I see the high five playing out:
1. Mission: Impossible – Dead Reckoning Part One
Predicted Gross: $72.7 million (Friday to Sunday); $102.3 million (Wednesday to Sunday)
2. Indiana Jones and the Dial of Destiny
Predicted Gross: $12.7 million
3. Sound of Freedom
Predicted Gross: $12.1 million
4. Insidious: The Red Door
Predicted Gross: $11.4 million
5. Elemental
Predicted Gross: $7.9 million
Box Office Results (July 7-9)
As mentioned, horror fans were ready for scares as Insidious: The Red Door opened impressively. The fifth pic in the series which started in 2010 posted the second highest debut behind #2 in 2013 with $33 million. That’s beyond my $25.2 million prediction as the Sony/Blumhouse production has already doubled its reported $16 million budget.
Indiana Jones and the Dial of Destiny was second in weekend #2 after its lackluster beginning. Sliding 55%, the $27.4 million gross was on pace with my $28 million take. The fifth go-round in this franchise is at $122 million after ten disappointing days for Disney.
The aforementioned Sound of Freedom employed shrewd marketing tactics that included a pay it forward method where viewers could purchase tickets for others. Jim Caviezel’s tale of taking on human traffickers reached its intended conservative and faith-based crowd and then some. The Friday to Sunday haul was $19.6 million for third place, easily outpacing my $12.5 million estimate. Since its unveiling on Tuesday, July 4th, the total is $41 million. Needless to say, Angel Studios has established itself as a player in the box office game.
Elemental was fourth with $10 million, ahead of my $8 million projection. Pixar’s latest finally crossed the century mark at $109 million.
Spider-Man: Across the Spider-Verse rounded out the top five with $8 million (I said $7.8 million) for $357 million overall.
Finally, critically acclaimed raunchy comedy Joy Ride stalled. It was sixth with just $5.8 million compared to my $8.4 million prediction.
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