After a historically weak Thanksgiving frame that left moviegoers hungry for other options, the first weekend of December should be rather quiet at multiplexes as well. The lone wide release is Violent Night with David Harbour as a gun toting Santa. You can peruse my detailed prediction post on it here:
Night, even though I have it falling under $10 million, should slide into the runner-up position behind Black Panther: Wakanda Forever. The MCU sequel looks to four-peat and should have no trouble doing so. A low to mid 50s drop would put it over $20 million. It’s likely to be #1 for five weekends until Avatar: The Way of Water arrives on December 16th.
After a disastrous opening (more on that below), Strange World should fall to third. With a weak B Cinemascore grade, the Disney animated flop could experience a plummet in the mid to high 50s. Who knows? Maybe even higher.
The four and five spots could be close between the second and third frames of Devotion and The Menu. Both should see dips in the mid 40s.
Here’s how I see the top 5 looking:
1. Black Panther: Wakanda Forever
Predicted Gross: $21.3 million
2. Violent Night
Predicted Gross: $9.4 million
3. Strange World
Predicted Gross: $5.2 million
4. Devotion
Predicted Gross: $3.3 million
5. The Menu
Predicted Gross: $3.1 million
Box Office Results (Thanksgiving Weekend)
The Turkey Day holiday didn’t bring in the masses as the weekend fell under $100 million. That’s despite plenty of new releases for crowds to chew on.
Strangely enough, the biggest winner belonged to a streamer. Netflix doesn’t officially report numbers. They put Glass Onion: A Knives Out Mystery, the acclaimed sequel to 2019’s blockbuster, on just under 700 screens. Word is out that it did approximately $9.2 million from Friday to Sunday and $13.3 million since the Wednesday start. That per theater average of over $13k is easily the best of the bunch. Onion is scheduled to leave its venues tomorrow before it hits Netflix on December 23rd.
Now back to the movies that do report official tallies. Black Panther: Wakanda Forever easily stayed atop the charts with $45.5 million, besting my $37.9 million prediction in weekend #3. The 17-day total is $367 million.
The story of the holiday was the dismal Strange World performance. The Mouse Factory had a disappointing result over the summer with Lightyear. This made it look like a phenomenon. World took in an embarrassing $12.1 million from Friday to Sunday and $18.8 million in the five-day. I said it would manage $19.3 million and $26.7 million, respectively. Simply put, Disney animated efforts aren’t supposed to do those anemic figures.
I suppose technically Glass Onion was third, so the war saga Devotion was fourth. Despite mostly decent reviews, it was a flop considering the reported $90 million budget. The Friday to Sunday take was $5.9 million with $9 million when counting Wednesday and Thursday. I went higher with $7.2 million and $10.7 million.
The Menu rounded out the top five at $5.4 million (I said $6.4 million) to bring the two-week gross to $18 million.
Black Adam was sixth with $3.2 million, on target with my $3.3 million prediction. Total is $162 million.
Steven Spielberg’s awards hopeful The Fabelmans was on 638 screens and was seventh with $2.2 million ($3.1 million for the five-day). That’s under my guesstimates of $2.8 million and $4.1 million. While that’s easily the second best average of the newbies (after Onion), it’s still not too impressive. It will hope to develop legs during awards season.
The cannibalistic romance Bones and All wasn’t a recipe for success with an 8th place showing. The $2.2 million and $3.6 million three and five day earnings couldn’t match my $3.5 and $5.3 million projections.
Ticket to Paradise was ninth with $1.8 million (I went with $2.3 million) as the rom com is up to $65 million.
Fathom Event The Chosen Season 3: Episodes 1 and 2 was 10th as it dove 81% to $1.5 million. I was more giving at $2.4 million. In ten days, it’s made $13 million.
Finally, She Said was 11th after its poor premiere last weekend. With $1.1 million (I said $1.6 million), it’s at a lowly $4 million.
Hollywood is hoping audiences mix a trip to the multiplex in their holiday plans. We have a slew of new releases, but it should be a three-week old leftover topping the Turkey weekend charts. Disney’s animated Strange World, aerial adventure Devotion, cannibalistic romance Bones and All, and Steven Spielberg’s coming-of-age awards hopeful The Fabelmans all debut or expand. You can peruse my detailed prediction posts on them here:
Let’s begin with a title you don’t see. Rian Johnson’s Glass Onion: A Knives Out Mystery is the eagerly awaited and well-reviewed follow-up to Knives Out, which opened over the same holiday three years ago. Netflix is the distributor and it will be before our streaming eyes for Christmas. Onion is hitting approximately 600 venues for a sneak preview from Wednesday to Sunday. It is not expected that Netflix will report its financials. That’s why you won’t find it in the top 10. If they do end up deciding to do so, I imagine it’ll do quite well (and be either third or fourth).
Back to movies where we expect box office grosses! Strange World is the Mouse Factory’s latest animated offering to be unveiled over Thanksgiving. Yet the marketing campaign has been weak. My high teens three-day and mid 20s five-day is very subpar for the studio. On the bright side, they’ll certainly have numbers 1-2 as Black Panther: Wakanda Forever should three-peat with a drop in the low 40s range.
Devotion could over perform if enough older moviegoers check in. I have it settling for a so-so third place in the high single digits for the traditional frame and low double digits for the Wednesday to Sunday portion.
The Menu should be fourth after an appetizing start (more on that below). I think it’ll only fall in the high 20s or low 30s for the sophomore outing. Bones and All could round out the top five. Its gory subject matter could prevent crowds from perusing its gruesome menu.
Spielberg’s The Fabelmans is out on just 600 screens. That limits the potential and I have a gut feeling it may fall short of expectations anyway. I have it pegged for 7th place as it hopes that Oscar buzz improves its earnings in later weekends.
Here’s how I envision the top 10 looking with 3 and 5 day estimates for the newcomers:
1. Black Panther: Wakanda Forever
Predicted Gross: $37.9 million
2. Strange World
Predicted Gross: $19.3 million (Friday to Sunday); $26.7 million (Wednesday to Sunday)
3. Devotion
Predicted Gross: $7.2 million (Friday to Sunday); $10.7 million (Wednesday to Sunday)
4. The Menu
Predicted Gross: $6.4 million
5. Bones and All
Predicted Gross: $3.5 million (Friday to Sunday); $5.3 million (Wednesday to Sunday)
6. Black Adam
Predicted Gross: $3.3 million
7. The Fabelmans
Predicted Gross: $2.8 million (Friday to Sunday); $4.1 million (Wednesday to Sunday)
8. The Chosen Season 3: Episodes 1 and 2
Predicted Gross: $2.4 million
9. Ticket to Paradise
Predicted Gross: $2.3 million
10. She Said
Predicted Gross: $1.6 million
Box Office Results (November 18-20)
Black Panther: Wakanda Forever didn’t quite drop as far as MCU predecessors Doctor Strange in the Multiverse of Madness or Thor: Love and Thunder, but it was still a steep decline. The sequel to 2018’s phenomenon slid 63% in weekend 2 with $66.4 million, under my $70.3 million projection. The ten-day tally is $287 million.
The Menu was the rare pic for the grown-ups that performed admirably. The culinary satire was runner-up with $9 million, a bit ahead of my $8.2 million prediction. Look for it for to hold well over Thanksgiving.
The Chosen Season 3: Episodes 1 and 2 had its core audience believing as the Fathom Events experience was third with $8.7 million (topping my $7.5 million estimate). Last December, Christmas with the Chosen: The Messengers had a 71% plummet in its second weekend. Expect similar results here.
Black Adam was fourth with $4.6 million (I said $5.3 million) as the superhero pic is up to $157 million after four weeks.
Ticket to Paradise rounded out the top five at $3.1 million, below my $4.1 million prediction. The rom com has grossed $61 million.
Finally, She Said was a dud. Focused on the journalistic journey to expose Harvey Weinstein, it was a quiet sixth at $2.2 million. I went with $3.4 million.
And that does it for now, folks! Have a Happy Thanksgiving!!
Two weeks have passed since my previous Oscar predictions and the biggest news is that there’s a new #1 in Best Picture. For quite some time, I’ve had Steven Spielberg’s The Fabelmans in first position. It would still make plenty of sense to keep it there. However, I’ve had a nagging feeling that this frontrunner is vulnerable. And my gut (at the moment) tells me that Everything Everywhere All at Once is a major threat for the victory. Stephanie Hsu is back in Supporting Actress for Everything over Carey Mulligan (She Said).
This isn’t the only development in the last 14 days. Damien Chazelle’s eagerly awaited Babylon held screenings. The buzz is wildly mixed, but I still believe it should perform well with nominations.
Another big change in BP is that Avatar: The Way of Water has surfaced in the top 10 (where it’s yet to place before). She Said, which had a very disappointing box office showing this weekend, dips to 11th.
There are changes in Best Actor. For the first time, I’m elevating Tom Cruise to the top five in Best Actor. He does so at the expense of Hugh Jackman in The Son, whose wide release was just delayed to January. That indicates to me that Sony Pictures Classics is losing faith in the pic (which received plenty of negative reviews). They may focus the bulk of their attention on Bill Nighy in Living.
In Supporting Actor, I’ve put Paul Dano back in for The Fabelmans. That means Spielberg’s movie would have the double supporting nominees instead of The Banshees of Inisherin (Barry Keoghan has moved to sixth).
There’s modifications in Animated Feature with Marcel the Shell with Shoes On and My Father’s Dragon entering the quintet and Wendell and Wild and Strange World falling out. Holy Spider is back in International Feature Film to the detriment of Bardo. In Documentary Feature, Fire of Love returns with Last Flight Home out.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1 . Everything Everywhere All at Once (Previous Ranking: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. The Banshees of Inisherin (PR: 5) (+2)
4. Women Talking (PR: 4) (E)
5. Babylon (PR: 3) (-2)
6. Top Gun: Maverick (PR: 6) (E)
7. Tár (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 9) (E)
10. Avatar: The Way of Water (PR: 13) (+3)
Other Possibilities:
11. She Said (PR: 10) (-1)
12. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
13. Decision to Leave (PR: 12) (-1)
14. All Quiet on the Western Front (PR: 11) (-3)
15. Elvis (PR: 14) (-1)
Dropped Out:
Glass Onion: A Knives Out Mystery
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 3) (+1)
3. Damien Chazelle, Babylon (PR: 2) (-1)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tár (PR: 5) (E)
Other Possibilities:
6. Martin McDonagh, The Banshees of Inisherin (PR: 8) (+2)
7. Park Chan-wook, Decision to Leave (PR: 7) (E)
8. Edward Berger, All Quiet on the Western Front (PR: 6) (-2)
9. James Cameron, Avatar: The Way of Water (PR: 9) (E)
10. Joseph Kosinski, Top Gun: Maverick (PR: Not Ranked)
Dropped Out:
Ruben Ostlund, Triangle of Sadness
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (Previous Ranking: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Jennifer Lawrence, Causeway (PR: 9) (+2)
8. Viola Davis, The Woman King (PR: 8) (E)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)
10. Rooney Mara, Women Talking (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Tom Cruise, Top Gun: Maverick (PR: 7) (+2)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Hugh Jackman, The Son (PR: 5) (-2)
8. Paul Mescal, Aftersun (PR: 10) (+2)
9. Jeremy Pope, The Inspection (PR: 8) (-1)
10. Will Smith, Emancipation (PR: Not Ranked)
Dropped Out:
Adam Driver, White Noise
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Kerry Condon, The Banshees of Inisherin (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 5) (-1)
7. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 9) (+2)
8. Dolly De Leon, Triangle of Sadness (PR: 7) (-1)
9. Nina Hoss, Tár (PR: 8) (-1)
10. Angela Bassett, Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
Jean Smart, Babylon
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Ben Whishaw, Women Talking (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 6) (+2)
5. Judd Hirsch, The Fabelmans (PR: 4) (-1)
Other Possibilities:
6. Barry Keoghan, The Banshees of Inisherin (PR: 5) (-1)
7. Brad Pitt, Babylon (PR: 7) (E)
8. Mark Rylance, Bones and All (PR: 8) (E)
9. Eddie Redmayne, The Good Nurse (PR: 10) (+1)
10. Woody Harrelson, Triangle of Sadness (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Triangle of Sadness (PR: 4) (E)
5. Tár (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. The Menu (PR: 10) (+3)
8. Aftersun (PR: 8) (E)
9. Decision to Leave (PR: 7) (-2)
10. Bardo (PR: Not Ranked)
Dropped Out:
Broker
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities:
6. White Noise (PR: 6) (E)
7. Bones and All (PR: 7) (E)
8. Top Gun: Maverick (PR: 8) (E)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. The Son (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 6) (+3)
4. My Father’s Dragon (PR: 8) (+4)
5. The Bad Guys (PR: 5) (E)
Other Possibilities:
6. Wendell and Wild (PR: 3) (-3)
7. Strange World (PR: 4) (-3)
8. The Sea Beast (PR: 7) (-1)
9. Lightyear (PR: 9) (E)
10. Minions: The Rise of Gru (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 2) (+1)
2. All Quiet on the Western Front (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Saint Omer (PR: 5) (+1)
5. Holy Spider (PR: 7) (+2)
Other Possibilities:
6. Bardo (PR: 4) (-2)
7. Argentina, 1985 (PR: 8) (+1)
8. The Quiet Girl (PR: Not Ranked)
9. EO (PR: 9) (E)
10. Alcarras (PR: 10) (E)
Dropped Out:
Klondike
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Fire of Love (PR: 6) (+1)
Other Possibilities:
6. The Territory (PR: 7) (+1)
7. Moonage Daydream (PR: 8) (+1)
8. Good Night Oppy (PR: 9) (+1)
9. Last Flight Home (PR: 5) (-4)
10. Sr. (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Empire of Light (PR: 4) (E)
5. Bardo (PR: 6) (+1)
Other Possibilities:
6. Top Gun: Maverick (PR: 7) (+1)
7. All Quiet on the Western Front (PR: 5) (-2)
8. The Banshees of Inisherin (PR: 8) (E)
9. Everything Everywhere All at Once (PR: 10) (+1)
10. Emancipation (PR: Not Ranked)
Dropped Out:
Black Panther: Wakanda Forever
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 5) (+1)
5. Mrs. Harris Goes to Paris (PR: 4) (-1)
Other Possibilities:
6. The Fabelmans (PR: 7) (+1)
7. Living (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 10) (+2)
9. Corsage (PR: 9) (E)
10. Three Thousand Years of Longing (PR: 8) (-2)
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 3) (+1)
3. The Fabelmans (PR: 4) (+1)
4. Babylon (PR: 2) (-2)
5. Avatar: The Way of Water (PR: 8) (+3)
Other Possibilities:
6. Women Talking (PR: 5) (-1)
7. Elvis (PR: 6) (-1)
8. The Banshees of Inisherin (PR: 9) (+1)
9. All Quiet on the Western Front (PR: 7) (-2)
10. Tár (PR: Not Ranked)
Dropped Out:
Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. The Batman (PR: 4) (E)
5. Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 5) (-1)
7. The Woman King (PR: 10) (+3)
8. X (PR: 7) (-1)
9. Amsterdam (PR: Not Ranked)
10. Corsage (PR: Not Ranked)
Dropped Out:
Three Thousand Years of Longing
All Quiet on the Western Front
Best Original Score
Predicted Nominees:
1. Babylon (PR: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. Women Talking (PR: 5) (+2)
4. Guillermo del Toro’s Pinocchio (PR: 7) (+3)
5. Avatar: The Way of Water (PR: 9) (+4)
Other Possibilities:
6. The Banshees of Inisherin (PR: 4) (-2)
7. Empire of Light (PR: 3) (-4)
8. She Said (PR: Not Ranked)
9. White Noise (PR: Not Ranked)
10. The Batman (PR: Not Ranked)
Dropped Out:
Tár
Bardo
All Quiet on the Western Front
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (E)
3. “Naatu Naatu” from RRR (PR: 3) (E)
4. “Nobody Like U” from Turning Red (PR: 4) (E)
5. “Applause” from Tell It Like a Woman (PR: 6) (+1)
Other Possibilities:
6. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 10) (+4)
7. “This Is a Life” from Everything Everywhere All at Once (PR: 5) (-2)
8. “Carolina” from Where the Crawdads Sing (PR: 8) (E)
9. “New Body Rhumba” from White Noise (PR: 9) (E)
10. “Stand Up” from Till (PR: 7) (-3)
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 4) (+1)
4. Black Panther: Wakanda Forever (PR: 3) (-1)
5. The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Guillermo del Toro’s Pinocchio (PR: 7) (+1)
7. Everything Everywhere All at Once (PR: 6) (-1)
8. All Quiet on the Western Front (PR: 10) (+2)
9. The Woman King (PR: Not Ranked)
10. Glass Onion: A Knives Out Mystery (PR: 9) (-1)
Dropped Out:
Empire of Light
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 7) (+4)
4. The Batman (PR: 6) (+2)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 8) (+2)
7. Babylon (PR: 3) (-4)
8. Black Panther: Wakanda Forever (PR: 4) (-4)
9. The Fabelmans (PR: 9) (E)
10. Nope (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 5) (+1)
5. Black Panther: Wakanda Forever (PR: 4) (-1)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Doctor Strange in the Multiverse of Madness (PR: 8) (+1)
8. RRR (PR: 7) (-1)
9. Good Night Oppy (PR: 10) (+1)
10. All Quiet on the Western Front (PR: 9) (-1)
And that equates to these movies garnering these numbers of nominations:
10 Nominations
The Fabelmans
9 Nominations
Babylon, Everything Everywhere All at Once
7 Nominations
Avatar: The Way of Water, Women Talking
6 Nominations
Top Gun: Maverick
5 Nominations
The Banshees of Inisherin, Elvis, The Whale
4 Nominations
Black Panther: Wakanda Forever, Tár
3 Nominations
Guillermo del Toro’s Pinocchio
2 Nominations
All Quiet on the Western Front, The Batman, Living, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, Close, Decision to Leave, Descendant, Empire of Light, Glass Onion: A Knives Out Mystery, Holy Spider, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, My Father’s Dragon, Navalny, RRR, Saint Omer, She Said, Tell It Like a Woman, Till, The Woman King
The last time Dennis Quaid and Jake Gyllenhaal played father and son, it was nearly 20 years ago in Roland Emmerich’s disaster epic The Day After Tomorrow. For the upcoming holiday, they’re family again in the Mouse Factory’s animated Strange World (out Wednesday November 23rd). Voicing a pair of explorers in the sci-fi themed adventure, Don Hall (who made Big Hero 6 and Raya and the Last Dragon) and Qui Nguyen direct. Other voices getting in on the action include Jaboukie Young-White, Gabrielle Union, and Lucy Liu.
Disney is no stranger to releasing high profile product over the long Turkey Day frame. Sometimes that’s Pixar material or traditionally drawn fare such as this. Frozen remains the gold standard. It debuted to $67 million for the Friday to Sunday portion of Thanksgiving weekend with $93 million when counting Wednesday and Thursday. Other Disney releases like Moana and Coco made off with $82 and $72 million over their respective first five. On the other hand, The Good Dinosaur grossed just under $40 million from Friday to Sunday in 2015 with $55 million for the extended period. Perhaps the best comp is last year’s Encanto. It made $27 million for the three-day with $40 million for the five.
The buzz seems strangely quiet considering the studio pedigree. I would argue Encanto had more heat before it opened. Strange could manage only a second place start behind the third outing for Black Panther: Wakanda Forever (which does give Disney a one-two punch for the weekend). This might open a little closer to Dreamworks Animation’s Penguins of Madagascar from eight Thanksgivings ago at $25 million (Fri-Sun) and $35 million (Wed-Sun). It might even fall short of that.
Strange World opening weekend prediction: $19.3 million (Friday to Sunday); $26.7 million (Wednesday to Sunday)
Blogger’s Update (11/17): The Fathom Events theatrical output of The Chosen Season 3: Episodes 1 and 2 wasn’t on my radar last week when I made projections. I believe it should open in third place (with #2 certainly possible). My estimates have been updated below to reflect the change.
Culinary satire The Menu and true life journalistic expose She Said are the newbies premiering Friday. Each will vie for runner-up status as Black Panther: Wakanda Forever will undoubtedly remain in first place in its sophomore outing. You can peruse my detailed prediction posts on the fresh product here:
I’m giving the edge to The Menu for #2. I don’t think anything other than Panther will manage double digits and my higher single digits estimate for Menu outweighs the low to mid ones for She Said.
Their placement at 2 and 5 is reliant on neither drastically underperforming and Black Adam having a low to mid 40s dip for fourth. Ticket to Paradise should be fourth depending on the She Said gross.
Back to Panther. The MCU sequel fell $6 million short of Doctor Strange in the Multiverse of Madness for biggest domestic premiere of 2022. Strange fell 67% in its second weekend while the year’s other MCU title Thor: Love and Thunder dropped 68%. With its A Cinemascore grade, Wakanda may not fall quite that precipitously.
Here’s how I see the top 5 playing out:
1 . Black Panther: Wakanda Forever
Predicted Gross: $70.3 million
2. The Menu
Predicted Gross: $8.2 million
3. The Chosen Season 3: Episodes 1 and 2
Predicted Gross: $7.5 million
4. Black Adam
Predicted Gross: $5.3 million
5. Ticket to Paradise
Predicted Gross: $4.1 million
6. She Said
Predicted Gross: $3.4 million
Box Office Results (November 11-13)
I went a little high in projecting that Black Panther: Wakanda Forever would achieve the largest debut of the year. It made $181.3 million compared to my call of $195.2 million. As mentioned, that didn’t reach the $187 million that Multiverse did (though it easily outpaced Thor‘s $144 million). Wakanda also fell under the $202 million that its 2018 predecessor made out of the gate.
Black Adam fell to second after two weeks on top with $8 million (in line with my $8.7 million estimate). This comic book adaptation is up to $150 million after three weeks.
Ticket to Paradise was third at $5.9 million, on target with my $5.8 million prediction. The rom com hit $56 million after its third frame.
Lyle, Lyle, Crocodile was fourth with $3.2 million (a bit ahead of my $2.5 million estimate) for $40 million total.
Smile rounded out the top five with $2.3 million (I said $2.4 million) as it passed the century mark with $102 million.
Black Panther: Wakanda Forever does a commendable job in its treatment of Chadwick Boseman’s 2020 passing. What remains in the sequel feels bloated (161 minutes) and is a significant decline from its 2018 predecessor. The MCU in 2022 has been in a relative rut (Doctor Strange in the Multiverse and Thor: Love and Thunder) and Forever extends that.
I will start by accentuating the aforementioned positive. Director and co-writer Ryan Coogler and his team were obviously faced with a sad and unenviable task of handling the title character’s real life death. King T’Challa’s absence is addressed immediately. The departure is the emotional ripple that causes genuine waves of emotion in the beginning and especially the end.
However, we are left to wonder if the filmmakers would’ve been better off recasting the role. Boseman’s presence and the idea of having a central protagonist is missed in the follow-up. The narrative of Wakanda often feels pulled into too many directions. I found myself wishing to untangle it and cut loose ends.
The plot comes into focus one year after T’Challah’s funeral. Sister Shuri (Letitia Wright) is haunted that her tech skills couldn’t save her sibling. Queen Ramonda (Angela Bassett) rules the country with an iron fist. Other nations, including the United States, are jealous of their vibranium hoarding ways. It turns out the precious metal is also present under the surface in the underwater land of Talokan. Their ruler is Namor (Tenoch Huerta) and his legion of Avatar looking subjects are grappling with how to handle their valuable commodity. Namor decides that Wakanda either needs to join him in declaring war on the rest of the world (who want that sweet vibranium) or become a nemesis of the subsurface society.
Namor, as written, is a fairly decent antagonist. Like Michael B. Jordan’s Killmonger in the original, his motives to be “the bad guy” are rather understandable. The Marvel Cinematic Universe has had plenty of forgettable villains. Namor isn’t one, but Huerta also isn’t much of a threatening presence. This is especially true when comparing Namor to Killmonger as there is no comparison.
My biggest gripe is the one item that also hindered the third act of 2018’s adventure. The action sequences are frequently handled in clumsy fashion. They are too dimly lit or the CG happenings are confusing.
There are some welcome returns with Winston Duke as the warrior M’Baku and Danai Gurira as Okoye, leader of Wakanda’s all female fighting force. Lupita Nyong’o is back as Nakia, T’Challah’s love interest. She is summoned back to her native land by Ramonda and Bassett is given a couple of potent monologues as the mourning Queen.
Then there’s Martin Freeman back on duty as CIA agent Everett Ross. This time around, he’s teamed with his boss and ex-wife Val (Julia Louis-Dreyfus) as they are at odds in their views on how to deal with Wakanda. The screenwriters should have dealt them off the page. They could have been eliminated altogether and the only difference would be a thankfully shorter runtime.
For all the working in water happening during Wakanda Forever, the real waterworks occur as Mr. Boseman is honored and those are powerful moments. Too much of the rest doesn’t work at all.
Black Panther: Wakanda Forever hopes to land the biggest opening of 2022 when it debuts this weekend. Disney would also love to see the MCU sequel to 2018’s cultural phenomenon achieve the awards love that its predecessor got. It’s not out of the question that it could.
The review embargo is up today and the Rotten Tomatoes meter is an impressive 90% (under part 1’s 96%). Critics are praising the film’s treatment of the loss of its star Chadwick Boseman in 2020. There is some griping about it being overlong. Few reviews are saying it surpasses the original in terms of quality.
The first Panther was nominated for 7 Academy Awards including Best Picture. Still the only superhero pic to make the BP cut, it took 3 of 7 (Score, Production Design, Costume Design). The other nods were Original Song (“All the Stars” from Kendrick Lamar) and Sound Editing and Sound Mixing (these categories have since been combined).
All 3 races where it won four years ago could pop up this time around. Production Design and Costume Design seem like givens. Sound appears a fairly safe bet. Same with Original Song as Rihanna’s closing credits ballad “Lift Me Up” is a threat to win. Ironically, Mr. Lamar lost in 2018 to Lady Gaga and “Shallow”. Gaga could strike again with “Hold My Hand” from Top Gun: Maverick.
Panther did miss Visual Effects four years back and there were grumbles about the quality. The general consensus is that Wakanda‘s effects are a step up. I don’t think it’s guaranteed to make the VE quintet. However, I do think it has the best shot of the MCU’s 2022 slate (Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder are the others).
As for performances, I could see Angela Bassett nabbing some ink. Ultimately I don’t see a second nom materializing nearly 30 years after her first one for What’s Love Got to Do with It.
Now the major question – can Wakanda Forever get a BP nomination? Short answer is yes. Longer answer is more complicated. With Maverick, there’s already one sequel that looks pretty safe. We still have Avatar: The Way of Water and Glass Onion: A Knives Out Mystery waiting in the wings. I think it’s logical to say we won’t see four sequels in BP. Three seems like a stretch. While I wouldn’t discount Wakanda in the big race, I believe the more feasible scenario is tech nods and possibly 5 to even 7 of them. My Oscar Prediction posts will continue…
Blogger’s Note (11/09): I am revising my Black Panther: Wakanda Forever estimate down from $205.2M to $195.2M.
Black Panther: Wakanda Forever looks to achieve the largest opening of 2022 when it is unveiled Friday. The sequel to 2018’s $700 million domestic grosser is understandably the only new release this weekend. You can peruse my detailed prediction post on it here:
My estimate puts Wakanda at the higher end of its expected range and has it surpassing its predecessor for the 8th largest debut of all time. It needs to get beyond $191 million to topple the year’s best opening currently held by Doctor Strange in the Multiverse of Madness. I believe it can with room to spare.
After a three-week reign atop the charts and a better than anticipated 3rd frame hold (more on that below), Black Adam will drop to second. One Piece Film: Red should have the heftiest percentage fall of all holdovers (typical for its genre). That should allow Ticket to Paradise to remain in third. We could even see Smile or Lyle, Lyle, Crocodile in the four or five spot ahead of Red (it could be awfully close for those 4-6 positions).
Here’s how I see it all playing out:
1 . Black Panther: Wakanda Forever
Predicted Gross: $195.2 million
2. Black Adam
Predicted Gross: $8.7 million
3. Ticket to Paradise
Predicted Gross: $5.8 million
4. Lyle, Lyle, Crocodile
Predicted Gross: $2.5 million
5. Smile
Predicted Gross: $2.4 million
6. One Piece Film: Red
Predicted Gross: $2.2 million
Box Office Predictions (November 4-6)
Dwayne Johnson rocked another #1 weekend as Black Adam took in $18.2 million (besting my $14.4 million take). That’s a solid dip of 33% as its stateside tally stands at $137 million. The reported $200 million budget is preventing this from being considered a runaway success, but the total is decent in this marketplace.
One Piece Film: Red, the animated fantasy from Japan, premiered in line with its range at $9.3 million for runner-up status. I went slightly higher at $10.2 million. As mentioned above, a sophomore plummet of over 70% is likely.
Ticket to Paradise continued to prevent the death of the rom com in third with $8.5 million, holding up sturdier than my $6.8 million forecast. The three-week gross is $46 million.
Smile was fourth with $3.9 million (I said $3.4 million) as the sleeper horror hit is up to $99 million (with over $200 million already domestically). The Paramount release should join the century club tonight.
Prey for the Devil was right behind in firth as that scary movie earned $3.8 million in weekend #2. I said a little less with $3.1 million. It’s made $13 million.
Lyle, Lyle, Crocodile managed to jump up 23% for sixth place with $3.3 million. The kiddie pic is at $36 million.
Finally, Oscar hopeful The Banshees of Inisherin was seventh with $2 million. The Irish set black comedy with Colin Farrell and Brendan Gleeson came in a tad below my $2.2 million projection.
My deep dives into 6 high profile Oscar races reaches the top one with Best Picture. If you missed my posts on Director and the four acting competitions, you can find them here:
At this early November period from 2019-21, here’s how accurate I was with my BP forecast. Three years ago, I correctly called 8 of the 9 eventual nominees. That includes the winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The ninth hopeful was Joker and it was listed in Other Possibilities. In the wildly unpredictable 2020, I was right about 5 of 8 with two months left in the calendar – Nomadland (which won), The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named in Other Possibilities while Promising Young Woman and Sound of Metal were not yet in my top 15. In 2021, the Academy went back to a set number of 10 BP nominees. I rightly identified 7 of the 10 with Belfast, Dune, King Richard, Licorice Pizza, Nightmare Alley, The Power of the Dog, and West Side Story. The film that emerged victorious – CODA was not yet predicted but in Other Possibilities. So was Don’t Look Up while Drive My Car wasn’t among the 15.
Moving to 2022 – I can’t recall a year where four sequels were viable for inclusion. That’s where we stand at the moment. The top grosser of the year is Top Gun: Maverick and I do believe the Academy will reward it for bringing older audiences back to multiplexes (and of course for its quality). In a few weeks, we’ll have a better idea about Avatar: The Way of Water. I’m not ready to vault into my ten, but that could change soon. Knives Out missed out on BP in 2019 so I’m skeptical for Glass Onion: A Knives Out Mystery. And while Black Panther made the lineup in 2018, Wakanda Forever seems like a stretch despite the solid buzz. Nevertheless it’s not crazy to think that 40% of the BP players could be sequels.
On the non-sequel front, we begin with The Fabelmans. Steven Spielberg’s autobiographical coming-of-age tale has been listed at #1 for weeks on the blog. Only one of the filmmaker’s works – 1993’s Schindler’s List – has won BP. Shakespeare in Love was a surprise recipient in 1998 over the favored Saving Private Ryan. Nearly 30 years later, Fabelmans could have the credentials to be the second.
However, the frontrunner at this stage often doesn’t cross the finish line and Spielberg’s latest feels like a soft frontrunner. I could easily envision a scenario where the voters go outside the box with Everything Everywhere All at Once. A24’s multi-genre pic achieved wide acclaim and did great business at the box office. While spring releases rarely make the journey all the way through the awards calendar, Everything could buck that trend.
Other spoilers include The Banshees of Inisherin and Women Talking, which both garnered kudos at film festivals and will have their ardent admirers. I believe that logic also applies to Tár and The Whale though I don’t see either having a shot to win. And we are still waiting to see if Damien Chazelle’s Babylon is as viable as its pedigree suggests (we’ll know in a few days when it screens).
It’s become more common for an international feature film to get in and the two most likely to do so are All Quiet on the Western Front (which might just be Netflix’s most serious hopeful) and Decision to Leave. The reviews for Alejandro Gonzalez Inarritu’s Bardo should leave it out (it might not even make the separate international race).
While Guillermo del Toro’s Pinocchio is the favorite to be Best Animated Feature, I don’t see it breaking into the big dance. It’s probably the only animated title with any sort of chance.
The festival circuit always lessens the viability of some pics. In 2022, I would put the following on that list: Empire of Light, The Son, and Armageddon Time.
The Academy could choose to honor some moneymakers like Elvis and The Woman King (though putting Maverick in could check that box). Till may only show up in Best Actress for Danielle Deadwyler. And it’s tough to know what to make of the upcoming Emancipation considering it’s led by Will Smith (who has some, um, recent history with the ceremony).
Bottom line: there is a lot of uncertainty about BP. I feel fairly confident about The Fabelmans, Everything Everywhere, Women Talking, The Banshees of Inisherin, Top Gun: Maverick,Tár, and The Whale (more than others with that one). We’ll know about Babylon shortly so that leaves two spots. I could definitely see a sequel or a foreign flick jumping up. For now, the 9th and 10th entries go to Triangle of Sadness and She Said. Expect movement as the weeks roll along.
Best Picture
Predicted Nominees:
1 . The Fabelmans (Previous Ranking: 1) (Even)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
6. Top Gun: Maverick (PR: 6) (E)
7. Tár (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 9) (E)
10. She Said (PR: 12) (+2)
Other Possibilities:
11. All Quiet on the Western Front (PR: 11) (E)
12. Decision to Leave (PR: 10) (-2)
13. Avatar: The Way of Water (PR: 14) (+1)
14. Elvis (PR: 13) (-1)
15. Glass Onion: A Knives Out Mystery (PR: 15) (E)
Stay tuned for estimates on all the races coming up soon!
Blogger’s Note (11/09): I am revising my estimate down from $205.2M to $195.2M. As opposed to the narrative below, that would now give it the #9 opening of all time behind its 2018 predecessor.
On November 11th, Black Panther: Wakanda Forever looks to score the second largest opening of the young decade and add another MCU pic to the top 10 debuts of all time. The sequel to 2018’s phenomenon has Ryan Coogler returning to the director’s chair. Early reactions are very positive saying that part 2 pays touching tribute to Chadwick Boseman, who played the title character in the original and passed away in 2020. Letitia Wright, Lupita Nyong’o, Danai Gurira, Winston Duke, Dominique Thorne, Tenoch Huerta, Martin Freeman, and Angela Bassett are among the large cast.
Wakanda is not expected to approach the $260 million that Spider-Man: No Way Home made out of the gate last December. It should, however, get beyond the $191 million that Doctor Strange in the Multiverse of Madness earned in May. If it does, it would land the #2 opening of the decade and the pandemic era.
In February of 2018, Black Panther rode a wave of sizzling buzz to a $202 million start over the Friday to Sunday portion of President’s Day weekend. For the four-day frame, it topped out at $242 million before eventually grossing $700 million domestically. The three-day premiere still stands at #8 all-time while the overall haul is 6th.
I do believe that all the Wakanda stars are lining up for a Friday to Sunday take that surpasses the original by a small margin. My estimate would give the new Panther the #8 opening while moving its predecessor down to ninth. Time will tell if it eventually approaches the $700 million that the first part amassed.
Black Panther: Wakanda Forever opening weekend prediction: $195.2 million
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