Tag: Berlin Film Festival

Oscar Predictions: Small Things like These

There’s a darn good chance that Cillian Murphy will take the Best Actor prize as Oppenheimer a little less than a month from now. A second nomination in a row is not out of the question based on buzz from the Berlin Film Festival. Tim Mielants’s 1980s set Irish drama Small Things like These has kicked off the German fest to acclaim. Costars include Eileen Walsh, Michelle Fairley, Emily Watson, and Ciaran Hinds.

Based on the smattering of reviews, the RT score is 100%. Based on a 2021 novel by Claire Keegan, much of the praise is centered on Murphy. Given that Oppenheimer appears well on its way to multiple victories, Small should have no trouble securing stateside distribution.

A smart campaign could put its lead in the mix again. The Adapted Screenplay from Enda Walsh is also being singled out. Obviously we are extraordinarily early in the season for the 97th Academy Awards. Yet this is one to keep in mind as the months roll along. My Oscar Prediction posts will continue…

Oscar Predictions: Orlando, My Political Biography

Paul B. Preciado’s French documentary Orlando, My Political Biography (out in limited fashion November 10th) explores the title character from a Virginia Woolf novel who changes gender midway through. It premiered at the Berlin Film Festival and has continued to play the circuit this fall. The Critics Choice documentary nods put it up for Best First Documentary Feature.

With an 89% Rotten Tomatoes score, there are other docs generating more rapturous acclaim. Yet the subject matter could be tantalizing for awards voters. That said, I wouldn’t be surprised if it doesn’t make the Academy’s shortlist of possibilities when revealed next month. My Oscar Prediction posts will continue…

Oscar Predictions: Our Body

Set in the gynecological ward of a Parisian hospital, Claire Simon directs the documentary Our Body. It premiered at the Berlin Festival back in February and made its rounds on the circuit before a limited release in August. With a 100% Rotten Tomatoes score, it nabbed a key precursor nod in the doc race at the Gotham Awards earlier this week.

At this point, it’s a guessing game which pics in the genre make the Academy’s shortlist in a couple of months. Features like Beyond Utopia, 20 Days in Mariupol, and Still: A Michael J. Fox Movie have been my frontrunners. However, I can’t say enough how unpredictable this branch of voters tends to be. Our Body has the reviews to make the list of hopefuls. If it does, making the final five is certainly feasible. My Oscar Prediction posts will continue…

Oscar Predictions: The Teachers’ Lounge

Germany has picked The Teachers’ Lounge as its hopeful for Best International Feature Film as they try to keep their impressive track record running in this 21st century. The dramatic thriller from Ilker Çatak premiered earlier this year at the Berlin Film Festival and has continued playing the festival circuit. Leonie Benesch stars in a role earning acclaim and the pic itself stands at 100% on Rotten Tomatoes based on 25 reviews.

As mentioned, the submitting nation has seen its share of successes in recent years. Just last year, All Quiet on the Western Front won the IFF derby. Others victors this century are Nowhere in Africa (2002) and The Lives of Others (2006). Six others selections have made the contending quintet.

At this early juncture, England’s The Zone of Interest and France’s The Taste of Things are probably the frontrunners for the statue. Then there’s three spots available for a host of feasible nominees. Lounge is certainly one of them and I wouldn’t underestimate it. My Oscar Prediction posts will continue…

Oscar Predictions: Tótem

Tótem from Lila Avilés has been announced as Mexico’s selection for Best International Feature Film at the Oscars. The family drama premiered back in February at the Berlin Film Festival and has been making the rounds at the other fests since.

It will attempt to become the sixth Mexican title in the 21st century to make the foreign five with the Academy. The others were 2000’s Amores perros, 2002’s The Crime of Father Amaro, 2006’s Pan’s Labyrinth, 2010’s Biutiful, and 2018’s Roma (the sole victor). Reviews on Rotten Tomatoes are at 95% and there’s a few that are outright raves. I did not have this in my top ten possibilities when I updated my IFF forecast on the blog five days back. I could be underestimating it and we’ll see if it enters that list during my next forecast. My Oscar Prediction posts will continue…

Oscar Predictions: BlackBerry

2023 is at the halfway plus mark and critics are posting their best of lists for the year thus far. Matt Johnson’s BlackBerry, a dramedy focused on the invention of the OG smartphone, shows up on plenty. Jay Baruchel and Glenn Howerton (best known for It’s Always Sunny in Philadelphia) headline with a supporting cast including the director himself, Rich Sommer, Michael Ironside, Martin Donovan, Michelle Giroux, SungWon Cho, Saul Rubinek, and Cary Elwes.

Those who first saw it at the Berlin Film Festival in February got the encouraging chatter started. Since its release in the past few weeks, the acclaim has grown as evidenced by the 98% Rotten Tomatoes meter.

Elevation Pictures is the studio behind it. Before becoming its own production company in recent years, they had awards success distributing such titles as The Imitation Game, Room, and Moonlight in Canada. They have yet to see their own financed entities have a breakout in the space.

I didn’t give BlackBerry much chance of being the one (that’s why you’re just now seeing this post). Yet the buzz seems to be getting louder. This applies to the adapted screenplay by Johnson and Matthew Miller and the supporting performance of Howerton, who is garnering best in show plaudits.

The bulk of contenders are often saved for the second six months of the calendar year, but BlackBerry could stick around in a way the product itself eventually could not. My Oscar Prediction posts will continue…

Oscar Predictions: Kokomo City

D. Smith’s provocative and acclaimed doc Kokomo City was first unveiled at Sundance in January. Following four transgender sex workers in Georgia and New York, it won an audience prize when it screened at the Berlin Film Festival. Magnolia picked up the distribution rights and it is slated for domestic release on July 28th.

With a 100% score on Rotten Tomatoes, City‘s reviews are strong enough for potential awards consideration. If it manages to get buzz when it releases later next month (and it certainly could), this could be a contender for Documentary Feature that the Academy embraces. On the other hand, it might be too hot button for the unpredictable branch. My Oscar Prediction posts will continue…

Oscar Predictions: Inside

Inside opens in limited release on March 17th after premiering at the Berlin Film Festival last month. Marking the directorial debut of Vasilis Katsoupis, Willem Dafoe stars as an art thief who gets trapped in a penthouse that he’s attempting to rob. Eliza Stuyck and Gene Bervoets costar.

Early reviews are decent with a 77% Rotten Tomatoes thus far. However, the only real awards attention this would get is for its lead. Dafoe has vied for Academy consideration for three and a half decades and come up short four times. This includes three nods in Supporting Actor (1986’s Platoon, 2000’s Shadow of the Vampire, The Florida Project in 2017) and a sole lead nomination for 2018’s At Eternity’s Gate as Vincent Van Gogh. I’m sure Inside‘s character would love some original works of his.

For Inside, there’s some raves for his work. Yet I’m not sure this pic will still be on the radar of voters a few months down the line. He has, at best, an outside shot. Perhaps his appearance in Poor Things from The Favourite director Yorgos Lanthimos later this year will give him another shot. My Oscar Prediction posts will continue…

Oscar Predictions: Golda

Well ahead of its scheduled late August debut stateside, Golda was unveiled this week at the Berlin Film Festival. From Guy Nativ (whose 2018 short film Skin won the Academy Award in that category), the biopic casts four-time nominee and one time winner Helen Mirren as Israeli Prime Minister Golda Meir. Costars include Camille Cottin, Ed Stoppard, and Liev Schreiber.

Mirren is, of course, no stranger to playing leaders of nations. For her work as Queen Elizabeth II in 2006’s The Queen, she was crowned Best Actress. The other nods are for Supporting Actress in 1995’s The Madness of King George and 2001’s Gosford Park and in lead for 2009’s The Last Station.

The handful of Golda reviews thus far are mixed and it holds just a 40% Rotten Tomatoes rating. That said, praise for Mirren is present. It is entirely possible that this is ignored altogether a few months down the road by awards voters.

Another potential path is one taken by 2021’s The Eyes of Tammy Faye. Despite its middling critical reaction, Chastain landed an Oscar nod and win. It also picked up a Makeup and Hairstyling victory. Golda is being heralded for its makeup work to make Mirren resemble the PM. Unlike Tammy, I don’t think this has a shot of winning either category. Nominations aren’t out of the question. My Oscar Prediction posts will continue…

Oscar Predictions: The Quiet Girl

The nation of Ireland has a brief and unremarkable history in the International Feature Film competition at the Academy Awards. Beginning in 2007, they’ve submitted 8 features for consideration in the foreign race. Only one (2015’s Viva) made the shortlist and it did not make the final five.

In 2022, the Irish could finally get lucky with The Quiet Girl. The directorial debut from Colm Bairéad received raves after its premiere at the Berlin Film Festival earlier this year. That acclaim has continued as it has played other European fests. The drama set in the early 80s stars Carrie Crowley, Andrew Bennett, Catherine Clinch, and Michael Patric.

There’s a bunch of viable hopefuls in IFF this year. Decision to Leave and All Quiet on the Western Front seem to be the favorites and there’s easily 10-12 others looking to fill three slots.

Ireland may not have the track record, but there’s a first time for everything and The Quiet Girl is capable of making a little noise with the right campaign. My Oscar Prediction posts will continue…