Blogger’s Update (10/08): The announced theater count of just 1300 venues has me changing my prediction from $5.2 million to $2.2 million
Bill Condon (Dreamgirls, Beauty and the Beast) adapts a 1976 stage play where the first cinematic version in 1985 nabbed William Hurt an Oscar in Kiss of the Spider Woman. Out October 10th, the musical drama premiered back at Sundance early this year. Jennifer Lopez, Tonatiuh (in the Hurt role) and Diego Luna headline.
The politically charged tale generated mixed to positive notices in Utah. Rotten Tomatoes is at 82% while the Metacritic score is 60. Awards buzz lies with Lopez and some tech races only. Better word-of-mouth could have equaled stronger grosses.
I suspect this will struggle to find an audience. A theater count might alter my projection, but I’m going mid single digits.
Kiss of the Spider Woman opening weekend prediction: $2.2 million
I have talked extensively on the blog about how live-action remakes of Disney pics have received a decent amount of nominations. Titles such as Alice in Wonderland, Cinderella, The Jungle Book, Beauty and the Beast, The Lion King, and Cruella lend themselves to races like Costume Design, Makeup and Hairstyling, Production Design, and Visual Effects. Even this year’s critical and box office misfire Snow White could land a mention or two.
So where does Lilo & Stitch fit into the equation? Out this weekend, it live-action updates the 2002 original which scored a Best Animated Feature nod. Dean Fleischer Camp directs a cast including Maia Keoloha, Chris Sanders, Sydney Elizebeth Agudong, Zach Galifianakis, Billy Magnussen, Courtney B. Vance, Hannah Waddingham, Tia Carrere, Amy Hill, and Jason Scott Lee.
Critical reaction is fair with 72% on Rotten Tomatoes and a 55 Metacritic. This certainly won’t be the first Mouse House feature in this sub genre to land top-of-the-line attention. It also doesn’t correlate well to the tech races mentioned above. Chances are this will receive one less nomination than its source material. My Oscar Prediction posts will continue…
Snow White is the latest Disney live-action retelling of an animated classic and this time it’s for their first feature-length picture from 1937. Nearly 90 years later, Marc Webb directs the musical fantasy with Andrew Burnap, Ansu Kabia, Hadley Fraser, and Lorena Andrea in the supporting cast.
None of these remakes have broken through in top of the line categories. Plenty have received nominations and wins in Costume Design (Alice in Wonderland, Maleficent, Cinderella, Beauty and the Beast, Mulan, Cruella), Makeup and Hairstyling (Maleficent: Mistress of Evil, Cruella), Production Design (Alice in Wonderland, Beauty and the Beast), and Visual Effects (Alice in Wonderland, The Jungle Book, The Lion King, Mulan).
So will Snow White join that list of nominees or get blanked like Dumbo, Aladdin, and The Little Mermaid did? Reviews aren’t great with 48% on Rotten Tomatoes and a 47 Metacritic. Zegler, it should be said, is getting lots of praise and I wouldn’t totally discount an Actress nod in Musical/Comedy at the Golden Globes.
As for the Oscars, Zegler’s song “Waiting on a Wish” could contend in Original Song. Of the aforementioned races where other Mouse House properties have made cut, Costume Design could happen. Visual Effects, on the other hand, is drawing some complaints so I don’t foresee that as a possibility. My Oscar Prediction posts will continue…
Disney looks to Snow White to earn a lot of green when it premieres March 21st. A live-action adaptation of the nearly 90-year-old first animated feature from the studio, Marc Webb directs with Rachel Zegler in the title role and Gal Gadot as the Evil Queen. The supporting cast includes Andrew Burnap, Ansu Kabia, Hadley Fraser, and Lorena Andrea.
The Mouse House has pumping out these remakes with regularity in the past decade. Some have gotten off to sizzling starts including The Jungle Book ($103 million), Beauty and the Beast ($174 million), Aladdin ($91 million), The Lion King ($191 million), and The Little Mermaid ($95 million). Cinderella from 2015 premiered to $67 million.
Snow White would be fortunate to hit any of those numbers and it could approach Cinderella territory. The slipper half empty narrative is something closer to Dumbo‘s sleepier opening from 2019 at $46 million. I’ll say it gets beyond that, but not by much.
Snow White opening weekend prediction: $49.6 million
On July 26th, Ryan Reynolds and Hugh Jackman are back in their signature roles and for the first time together in the aptly titled Deadpool & Wolverine. The superhero mashup is the 34th title in the Marvel Cinematic Universe and the second sequel to 2016’s smash Deadpool. Shawn Levy directs with a supporting cast including Emma Corrin, Matthew Macfadyen, Morena Baccarin, Rob Delaney, Leslie Uggams, Brianna Hildebrand, Karan Soni, Shioli Kutsana, Lewis Tan, Aaron Stanford, Tyler Mane, Jon Favreau (back as Happy Hogan), and apparently Jennifer Garner reprising her Elektra role.
This pairing has long been looked at as the likely contender for summer 2024’s biggest blockbuster. That’s a position that might be unattainable domestically due to the Inside Out 2 phenomenon. However, it is expected to achieve the highest premiere of the season and the year.
Jackman hasn’t donned the claws since 2017’s Logan and that return helps feed the buzz. This should have no trouble giving Wolverine his largest start which is currently held by 2006’s X-Men: The Last Stand ($102 million).
The same logic applies to Mr. Pool. The original made $132 million out of the gate and $363 million overall eight years ago. 2018’s follow-up took in $125 million with $318 million total stateside.
Tracking has this at around $165 million, but I’ll uptick it closer to $180 million. My exact call gives it the 16th strongest opening ever between Star Wars: The Rise of Skywalker and Beauty and the Beast.
Deadpool & Wolverine opening weekend prediction: $176.1 million
It has been two weeks since my previous Oscar predictions in the eight major categories of Picture, Director, the four acting derbies, and the two screenplay competitions.
Perhaps the biggest development in that time frame (nothing really significant happened via the Tribeca Film Festival) is the massive box office performance for Disney/Pixar’s Inside Out 2. Not only did it land the second highest animated feature debut of all time, it just scored the biggest second weekend ($100 million) for its genre in history. As it is easily exceeding expectations at multiplexes, could it sneak into the Best Picture race?
I doubt it. There have only been 3 animated pics up for the grand prize (all Disney): 1991’s Beauty and the Beast, 2009’s Up, and 2010’s Toy Story 3. You’ll notice that 2015’s Inside Out is not on the list and it garnered stronger reviews than its sequel. Part 2 is a shoo-in for an Animated Feature nom and it could even make an appearance in Adapted Screenplay (though you’ll see its toward the bottom of my hopefuls).
As far as rankings, there is movement to discuss. I’ve vaulted Amy Adams to #1 in my Best Actress quintet for Nightbitch. It was announced earlier this week that it will screen at the Toronto Film Festival in September and that Adams will receive the Tribute Performer Award while there. Other recent takers of that prize are Joaquin Phoenix (Joker), Anthony Hopkins (The Father), Jessica Chastain (The Eyes of Tammy Faye), and Brendan Fraser (The Whale). Wanna take a wild guess what they all have in common?
Oh… there’s more. I am now putting Sing Sing atop the charts for Best Picture over Steve McQueen’s Blitz. The buzz for the former has been steady since its Toronto unveiling in 2023 and it sounds like the type of crowdpleaser that the Academy could eat up. Like CODA from 2021, it could be a BP recipient where its director fails to get nominated. Speaking of that category, I’m elevating Denis Villeneuve to the top spot for Dune: Part Two overMcQueen.
You can read all the movement below and I’ll have another update posted in two weeks!
Best Picture
Predicted Nominees:
1. Sing Sing (Previous Ranking: 4) (+3)
2. Dune: Part Two (PR: 2) (E)
3. Blitz (PR: 1) (-2)
4. Conclave (PR: 3) (-1)
5. Anora (PR: 5) (E)
6. Queer (PR: 6) (E)
7. Emilia Pérez (PR: 7) (E)
8. The Seed of the Sacred Fig (PR: 10) (+2)
9. The Piano Lesson (PR: 9) (E)
10. The End (PR: 8) (-2)
Other Possibilities:
11. Nightbitch (PR: 15) (+4)
12. Joker: Folie à Deux (PR: 11) (-1)
13. The Apprentice (PR: 12) (-1)
14. A Real Pain (PR: 18) (+4)
15. The Fire Inside (PR: 17) (+2)
16. Nickel Boys (PR: 14) (-2)
17. His Three Daughters (PR: 13) (-4)
18. The Room Next Door (PR: Not Ranked)
19. Maria (PR: 16) (-3)
20. Here (PR: 23) (+3)
21. All We Imagine as Light (PR: 22) (+1)
22. Hit Man (PR: 19) (-3)
23. Dídi (PR: 20) (-3)
24. Gladiator II (PR: 25) (+1)
25. Nosferatu (PR: Not Ranked)
Dropped Out:
Bird
Kinds of Kindness
Best Director
Predicted Nominees:
1. Denis Villeneuve, Dune: Part Two (PR: 2) (+1)
2. Steve McQueen, Blitz (PR: 1) (-1)
3. Edward Berger, Conclave (PR: 3) (E)
4. Sean Baker, Anora (PR: 4) (E)
5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 5) (E)
Other Possibilities:
6. Jacques Audiard, Emilia Pérez (PR: 6) (E)
7. Greg Kwedar, Sing Sing (PR: 10) (+3)
8. Luca Guadagnino, Queer (PR: 7) (-1)
9. Joshua Oppenheimer, The End (PR: 8) (-1)
10. Marielle Heller, Nightbitch (PR: 13) (+3)
11. Todd Phillips, Joker: Folie à Deux (PR: 9) (-2)
12. Malcolm Washington, The Piano Lesson (PR: 11) (-1)
13. Payal Kapadia, All We Imagine as Light (PR: 12) (-1)
14. Pedro Almodóvar, The Room Next Door (PR: Not Ranked)
15. Ridley Scott, Gladiator II (PR: 15) (E)
Dropped Out:
Pablo Larrain, Maria
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 3) (+2)
2. Angelina Jolie, Maria (PR: 1) (-1)
3. Mikey Madison, Anora (PR: 2) (-1)
4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)
5. Saoirse Ronan, The Outrun (PR: 5) (E)
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)
7. Natasha Lyonne, His Three Daughters (PR: 7) (E)
8. Tilda Swinton, The Room Next Door (PR: Not Ranked)
9. Ryan Destiny, The Fire Inside (PR: 10) (+1)
10. Tilda Swinton, TheEnd (PR: 8) (-2)
11. Marianne Jean-Baptiste, Hard Truths (PR: 9) (-2)
12. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (-1)
13. Tessa Thompson, Hedda (PR: Not Ranked)
14. Zendaya, Challengers (PR: 12) (-2)
15. Florence Pugh, We Live in Time (PR: 13) (-2)
Dropped Out:
Noemie Merlant, Emmanuelle
Demi Moore, The Substance
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. André Holland, The Actor (PR: 4) (E)
5. Sebastian Stan, The Apprentice (PR: 5) (E)
Other Possibilities:
6. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (+1)
7. John David Washington, The Piano Lesson (PR: 8) (+1)
8. Jesse Plemons, Kinds of Kindness (PR: 9) (+1)
9. Paul Bettany, The Collaboration (PR: Not Ranked)
10. Glen Powell, Hit Man (PR: 6) (-4)
11. Sebastian Stan, A Different Man (PR: 11) (E)
12. Tom Hanks, Here (PR: 14) (+2)
13. Andrew Garfield, We Live in Time (PR: 13) (E)
14. Paul Mescal, Gladiator II (PR: 15) (+1)
15. Jesse Eisenberg, A Real Pain (PR: Not Ranked)
Dropped Out:
George MacKay, The End
Kingsley Ben-Adir, Bob Marley: One Love
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 1) (E)
2. Zoe Saldaña, Emilia Pérez (PR: 3) (+1)
3. Danielle Deadwyler, The Piano Lesson (PR: 5) (+2)
4. Aunjanue Ellis-Taylor, Nickel Boys (PR: 4) (E)
5. Saoirse Ronan, Blitz (PR: 2) (-3)
Other Possibilities:
6. Carrie Coon, His Three Daughters (PR: 7) (+1)
7. Lesley Manville, Queer (PR: 10) (+3)
8. Valeria Golino, Maria (PR: 6) (-2)
9. Julianne Moore, The Room Next Door (PR: Not Ranked)
10. Joan Chen, Dídi (PR: 8) (-2)
11. Elizabeth Olsen, His Three Daughters (PR: 12) (+1)
12. Selena Gomez, Emilia Pérez (PR: Not Ranked)
13. Erin Kellyman, Blitz (PR: 15) (+2)
14. Toni Collette, Juror No. 2 (PR: 13) (-1)
15. Catherine Keener, Joker: Folie à Deux (PR: 11) (-4)
Dropped Out:
Emily Watson, Small Things like These
Naomi Watts, Emmanuelle
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 1) (E)
2. Samuel L. Jackson, The Piano Lesson (PR: 2) (E)
3. Stanley Tucci, Conclave (PR: 3) (E)
4. Kieran Culkin, A Real Pain (PR: 4) (E)
5. Brian Tyree Henry, The Fire Inside (PR: 5) (E)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: 6) (E)
7. John Lithgow, Conclave (PR: 8) (+1)
8. Drew Starkey, Queer (PR: 7) (-1)
9. Adam Pearson, A Different Man (PR: 9) (E)
10. Michael Shannon, The End (PR: 10) (E)
11. Denzel Washington, Gladiator II (PR: Not Ranked)
Spider-Man: Across the Spider-Verse swings into multiplexes for a highly likely first place debut while The Boogeyman lurks for a start in third position. You can peruse my detailed prediction posts on the newcomers here:
Spidey is the follow-up to 2018’s Oscar-winning animated adventure Spider-Man: Into the Spider-Verse. In addition to plenty of awards, it had an A+ Cinemascore grade and nearly $200 million in domestic sales. Anticipation should be elevated for the sequel (with part 3 coming next year). That’s why some estimates have this as lofty as $100 million. I’m a tad more conservative, but I’ll say it clears $90 million.
The Boogeyman should take advantage of its PG-13 rating, the connection to Stephen King for the source material, and that there’s been a slight lull between horror flicks. Heck – it probably helps that it’s called The Boogeyman. I could see this opening similarly to The Black Phone and Smile. That would mean high teens or low 20s for a solid third place showing.
Memorial Day weekend champ The Little Mermaid should drop to second after a mixed bag of a debut (more on that below). A mid 50s dip (similar to the live-action Aladdin four years ago) would mean a number slightly north of $40 million.
The 4-5 slots should belong to sequel holdovers Fast X and Guardians of the Galaxy Vol. 3. It could be a close race between the two as they each may earn a tad over $10 million.
Here’s how I see it looking:
1. Spider-Man: Across the Spider-Verse
Predicted Gross: $96.4 million
2. The Little Mermaid
Predicted Gross: $40.5 million
3. The Boogeyman
Predicted Gross: $17.7 million
4. Fast X
Predicted Gross: $10.1 million
5. Guardians of the Galaxy Vol. 3
Predicted Gross: $9.6 million
Box Office Results (May 26-29)
As expected, Disney’s The Little Mermaid (updating the 1989 classic) swam to the top of the charts. It did so on the lower end of its expected range. Over the four-day holiday, the total was $118.8 million. That’s below my take of $132.1 million. While nowhere near the starts of Beauty and the Beast or The Lion King from 2017 and 2019, it is on pace with what Aladdin accomplished over Memorial Day four years back.
Fast X slipped to second with $28.5 million and that managed to exceed my $25.4 million estimate. Vin Diesel and company have seen the beginning to the end of their two-decade long franchise earn $113 million thus far.
Guardians of the Galaxy Vol. 3 was third with $26.8 million, on target with my $26 million call. The MCU threequel stands at $306 million.
The Super Mario Bros. Movie took fourth place with $8.2 million (I said $7.6 million) to bring its massive haul to $560 million.
Spots 5-7, as anticipated, went to three newcomers. I didn’t correctly call their placements. The Machine with popular standup and podcaster Bert Kreischer was fifth with $5.8 million, ahead of my $3.7 million forecast. While not spectacular, it’s on the better end of its predicted range.
About My Father, featuring another popular standup Sebastian Maniscalco alongside Robert De Niro, was on the lesser end of the range. The family comedy was sixth with $5.3 million. I said a touch more at $6.2 million.
Finally, Gerard Butler’s action pic Kandahar bombed in seventh with only $2.8 million. I was more generous at $4.2 million.
And that does it for now, folks! Catch my podcast where I discuss all things box office by searching Movies at the Speed of Speculation wherever you like to stream. Until next time…
Blogger’s Note (05/24): I am revising my Kandahar prediction from $7.9 million to $4.2 million
Disney is hoping for a memorable holiday weekend as The Little Mermaid surfaces over the long frame. We have three other newcomers with Gerard Butler’s action thriller Kandahar, the father/son comedy About My Father with standup comic Sebastian Maniscalco and icon Robert De Niro, and the father/son comedy The Machine featuring standup comic Bert Kreischer and icon Mark Hamill. My detailed prediction posts on the quartet of newcomers can be accessed here:
There’s no doubt that Mermaid will bubble up to the #1 spot. The mystery is the number. While I don’t think it reaches the heights of other Mouse Factory live-action remakes like Beauty and the Beast and The Lion King, I do think it exceed the 2019 Memorial Day take of Aladdin. That said – there’s a wide range of possibility and my estimate is admittedly on the higher end compared to some others.
The real battle might be for the runner-up position. Fast X came in below its predecessor F9 (more on that below). It also received the same so-so B+ Cinemascore grade. A drop to the mid or high 20s could put it slightly behind the fourth weekend of Guardians of the Galaxy Vol. 3, which held impressively in the second and third outings. I’m going to give Star-Lord and company the slight edge over Vin Diesel and his cinematic family.
Butler has shown the ability to get his action flicks past $10 million and into the teens, but I’m not seeing much buzz for Kandahar. I’ll say it just reaches fourth place over The Super Mario Bros. Movie.
As you can tell from the descriptions, About My Father and The Machine have a lot in common. Both are tests for their leading men Maniscalco and Kreischer in their first headlining roles. Comedies have struggled at multiplexes lately and I believe these will. I think Father has a bit more broad appeal and I’ll give it sixth with The Machine trailing behind.
And with that, here’s how I envision the Friday to Monday Memorial weekend:
1. The Little Mermaid
Predicted Gross: $132.1 million
2. Guardians of the Galaxy Vol. 3
Predicted Gross: $26 million
3. Fast X
Predicted Gross: $25.4 million
4. The Super Mario Bros. Movie
Predicted Gross: $7.6 million
5. About My Father
Predicted Gross: $6.2 million
6. Kandahar
Predicted Gross: $4.2 million
7. The Machine
Predicted Gross: $3.7 million
Box Office Results (May 19-21)
Fast X continued the diminishing returns of the franchise though its dip wasn’t too far off from F9. The tenth pic in the 22-year-old series made $67 million (F9 did $70M) and that’s right in line with my $67.8 million prediction. As mentioned, I look for a hefty fall coming up. Luckily for Universal, the overseas grosses are solid (they need to be considering the reported $340 million sticker price).
Guardians of the Galaxy Vol. 3 was second after two weeks on top with $32.4 million, on pace my with $33.5 million take. The three-week total is $266 million and, per above, I think it could stay parked in the runner-up position over the holiday.
The Super Mario Bros. Movie made $9.6 million for third compared to my $8.3 million forecast. The remarkable seven-week earnings are $549 million.
Book Club: The Next Chapter, after a poor debut, tumbled 55% in fourth with $3 million (I said $3.2 million). The rom com sequel has made a mere $13 million in ten days.
Finally, Evil Dead Rise was fifth with $2.4 million. My projection? $2.4 million! The horror pic has amassed $64 million in five weeks.
And that does it for now, folks! Catch my podcast… or Toddcast as I call it… by searching Movies at the Speed of Speculation on your favorite streaming platform. Until next time…
Disney’s The Little Mermaid surfaces in theaters over this Memorial weekend and it hopes to dominate the box office like the Beauty and the Beast and The Lion King live-action versions did. Rob Marshall, Oscar-winning director of Chicago who recently helmed Mary Poppins Returns, is behind the camera. Halle Bailey stars as Ariel with Melissa McCarthy, Jonah Hauer-King, Daveed Diggs, Awkwafina, Jacob Tremblay, Noma Dumezweni, and Javier Bardem among the supporting players.
The musical fantasy is, of course, a remake of 1989’s classic that won Oscars for Score and Original Song (“Under the Sea”). Another tune (“Kiss the Girl”) was also in contention. 34 years ago, Best Animated Feature didn’t exist at the Academy Awards. If it had, Mermaid almost certainly would’ve won (unless you think All Dogs Go to Heaven might have managed a shocking upset).
Could this Mermaid swim into contention for the 96th ceremony? Over the past decade, several efforts in this sub-genre have been nominated in different races. 2015’s Cinderella was up for its Costume Design. 2016’s The Jungle Book won Visual Effects. The following year it was Beauty and the Beast mentioned in Costume Design and Production Design. The Lion King in 2019 received a Visual Effects nod and 2021’s Cruella won Costume Design and contended in Makeup and Hairstyling.
Reviews for Mermaid are mixed with a 69% Rotten Tomatoes score. That’s better than The Lion King (52%) for example but nowhere near Jungle Book (94%). Some of the criticism is for its visual look and I’m skeptical it places among the final five. I’m also not feeling the love in the other aforementioned categories.
Original Song could be the saving grace. There are three new ditties in the remake with Bailey performing the ballad “For the First Time”. I would think it would be the track that the Mouse Factory campaigns for.
A lot of critics are praising Bailey herself. I highly doubt she is a possibility for Best Actress at the Oscars. However, a nom in Musical/Comedy at the Golden Globes is doable depending on the competition in the next few months. My Oscar Prediction posts will continue…
Back in 1989, Disney’s animated underwater musical fantasy The Little Mermaid helped usher in a new golden era for the studio. Over the past few years, the Mouse Factory has made a habit out of releasing live-action renderings of those classics. This includes the pics that immediately followed Mermaid in Beauty and the Beast, Aladdin, and The Lion King.
It’s Ariel’s turn this Memorial Day weekend with Halle Bailey in the title role. Melissa McCarthy is Ursula and other supporting players include Jonah Hauer-King, Daveed Diggs, Awkwafina, Jacob Tremblay, Noma Dumezweni, and Javier Bardem. Rob Marshall, Oscar winning maker of Chicago as well as Mary Poppins Returns, directs.
Disney has mostly seen boffo results with this subgenre. This include four premieres over nine figures: 2016’s The Jungle Book ($103M), 2017’s Beauty and the Beast ($174M) and Aladdin ($116M) and The Lion King ($191M) from 2019. For Aladdin, that number represents the four-day Memorial weekend haul. Mermaid looks to swim in a similar financial pool as that effort. Anything below $100M would be a letdown.
I figure Mermaid will easily accomplish that goal. The original is beloved enough that the grown-ups who saw it 30 plus years ago should eagerly take their young ones. I’ll say the extended Friday to Monday gross may get beyond $130M.
The Little Mermaid opening weekend prediction: $132.1 million (Friday to Monday estimate)
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