Oscar Predictions: Freakier Friday

Sometimes my Oscar Predictions write-ups are actually Golden Globe Predictions and that would apply to Freakier Friday. Out Friday, this is the sequel to the 2003’s Freaky Friday which itself was a remake of the 1976 Disney body swap comedy that was actually based on a 1972 book. Got all that? Nisha Ganatra directs with Jamie Lee Curtis and Lindsay Lohan back headlining. Costars include Mark Harmon, Julia Butters, Sophia Hammons, Manny Jacinto, Chad Michael Murray, and Rosalind Chao.

No, Freakier Friday won’t contend for the Academy’s attention. However, the Friday features have a history with the Globes. In Best Actress in a Musical or Comedy, both Jodie Foster and Barbara Harris were nominated for the ’76 version (they lost to Barbra Streisand for A Star Is Born). Bonus fun fact: Harris was a double nominee in that category as she was also up for Alfred Hitchcock’s final film Family Plot. In 2003, Jamie Lee Curtis was a hopeful in the same race for the remake and fell short to Diane Keaton for Something’s Gotta Give.

Early reviews for Freakier are pretty decent with 79% on Rotten Tomatoes and a 63 Metacritic. That’s lower than Curtis/Lohan’s tale from 22 years ago. If competition is light, it’s not impossible that Curtis could find herself in the Globes mix again. Her chances are certainly less than they were in the earlier part of the century. My Oscar Prediction posts will continue…

The Top 50 SNL Cast Members of All Time: Number 21 – Mike Myers

Before he was Austin Powers or Dr. Evil or Shrek (or… The Love Guru), Canadian native and Second City performer Mike Myers introduced a slew of notable characters to a glowing era in SNL history. There was bathtub artist Simon and “Coffee Talk” host Linda Richman in segments that included cameos from his idol Barbra Streisand and Madonna. Let’s not forget the wonderfully weird Dieter of “Sprockets”, the off-kilter German talk show.

It was as Aurora, Illinois teen Wayne Campbell alongside Dana Carvey’s Garth in “Wayne’s World” sketches that made him a phenomenon in the early 90s. These bits led to a blockbuster 1992 movie (and a less regarded sequel). Myers would obviously continue his memorable creations on the silver screen and it was SNL that paved the way. #20 will be up soon!

Mike Myers

Years on the Show: 1989-95

Oscar Predictions: Sidney

After being unveiled at the Toronto Film Festival, Sidney debuts on Apple TV  tomorrow. The documentary focuses on the life and legacy of cinematic groundbreaker Sidney Poitier, who passed in January at age 94. Denzel Washington, Barbra Streisand, Spike Lee, Halle Berry, and Robert Redford are among the interviewees for the project. Oprah Winfrey is a coproducer.

While most critics are deeming it worthy of recommendation (82% on Rotten Tomatoes), several reviews claim it’s only mildly successful. That could hinder its chances for a Documentary Feature nod at the Oscars, where Mr. Poitier received two nominations. This, of course, includes a Best Actor victory for 1963’s Lilies of the Field where he became the first African-American to win that competition.

Perhaps voters will simply wish to honor the late actor one more time. However, I’m doubtful this ends up in the final five. My Oscar Prediction posts will continue…

Oscar Predictions: Licorice Pizza

When Paul Thomas Anderson writes and directs, the Academy takes notice and that won’t change with Licorice Pizza. Out in limited release November 26th before a Christmas Day expansion, the social media embargo is lapsed. Early word indicates the coming-of-age dramedy set in the Valley circa 1973 is one of the filmmaker’s most accessible and lighter works. And there are certainly categories where Oscar voters may bite.

Six out of the last seven PTA pictures have nabbed nominations. Two (There Will Be Blood, Phantom Thread) contended for Best Picture and its maker made it both times for his direction. He has been nominated five times for screenwriting with the aforementioned titles as well as Boogie Nights, Magnolia, and Inherent Vice. Despite the multiple ballot appearances, PTA has yet to get his hands on a gold statue.

That could change here, but it’s no guarantee. I do believe the initial buzz suggests a Best Picture nod is likely and he could certainly be recognized for directing. I don’t foresee wins in either race.

Original Screenplay is a different story. Belfast is the main competition at the moment and that’s significant considering it’s the frontrunner for Picture. However, I could see a narrative developing where Anderson could emerge victorious partly as a career achievement/overdue honor.

Down the line recognition for Editing might be its strongest opportunity in tech derbies. For the actors, PTA’s filmography has resulted in nine nominations for its performers. There’s just one win with Daniel Day-Lewis  in Blood. Interestingly, we’ve seen three nominees each in Actor, Supporting Actor, and Supporting Actress. None for Best Actress, but that’s where Pizza has perhaps the most feasible chance.

Alana Haim’s performance is already getting raves. The downside is that Best Actress looks awfully competitive in 2021 and it could be an uphill battle. She’ll need some critics awards love and precursors. Same goes for Cooper Hoffman who makes his big screen debut. He’s the son of the late Philip, who PTA featured in Hard Eight, Boogie Nights, Magnolia, Punch-Drunk Love, and The Master. He too is being lauded though breaking into Actor could be an even taller order for him.

Finally, that brings us to Bradley Cooper. Playing film producer and Barbra Streisand’s former hairdresser Jon Peters, this looked like the kind of juicy role that might finally get the four-time acting contender some hardware. I’ve had Cooper listed at #1 in my Supporting Actor predictions since I began doing them over the summer (even in my updated estimates from earlier in the evening). It seems that Cooper’s screen time is quite limited in this… enough so that he might miss the dance altogether. One bright side is that Supporting Actor is so wide open that even his brief appearance could make enough of an impression on the Academy. I do suspect that Cooper will, at the least, not be in the top spot when I update next week.

Bottom line: the Pizza party at the Oscars could involve Picture, Director, and absolutely Original Screenplay. The cast faces some challenges. My Oscar Prediction posts for the films of 2021 will continue…

Best Supporting Actress: A Look Back

Today begins a new blog series where I’m looking back at five of the major Oscar categories from 1990 to the present: the four acting races and Best Picture. This is essentially the time period where I’ve closely watched and analyzed. My charge? Picking the three largest upsets in each said category and the three least surprising winners… a film or performer where it truly would have been a shock if they didn’t emerge victorious.

We begin with Best Supporting Actress and this is one in which there have been some genuine upsets over the past quarter century plus. Unlike some other races we’ll get to later, it was not a challenge to pick three unexpected winners.

The other agenda item here is I’m picking my personal selections for strongest and weakest overall field among the five nominees in the acting derby’s and five-ten for Best Picture.

For starters, here’s the list of women that won gold statues in the supporting race from 1990 to now:

1990 – Whoopi Goldberg, Ghost

1991 – Mercedes Ruehl, The Fisher King

1992 – Marisa Tomei, My Cousin Vinny

1993 – Anna Paquin, The Piano

1994 – Dianne Wiest, Bullets Over Broadway

1995 – Mira Sorvino, Mighty Aphrodite

1996 – Juliette Binoche, The English Patient

1997 – Kim Basinger, L.A. Confidential

1998 – Judi Dench, Shakespeare in Love

1999 – Angelina Jolie, Girl, Interrupted

2000 – Marcia Gay Harden, Pollock

2001 – Jennifer Connelly, A Beautiful Mind

2002 – Catherine Zeta-Jones, Chicago

2003 – Renee Zellweger, Cold Mountain

2004 – Cate Blanchett, The Aviator

2005 – Rachel Weisz, The Constant Gardner

2006 – Jennifer Hudson, Dreamgirls

2007 – Tilda Swinton, Michael Clayton

2008 – Penelope Cruz, Vicky Christina Barcelona

2009 – Mo’Nique, Precious

2010 – Melissa Leo, The Fighter

2011 – Octavia Spencer, The Help

2012 – Anne Hathaway, Les Miserables

2013 – Lupita Nyong’o, 12 Years a Slave

2014 – Patricia Arquette, Boyhood

2015 – Alicia Vikander, The Danish Girl

2016 – Viola Davis, Fences

2017 – Allison Janney, I, Tonya

I’ll begin with the least surprising winners. Truthfully, there are plenty of selections (and will be in each race) to pick from here. It’s normal procedure for the front runner to actually win. Here’s three that did just that:

3. Dianne Wiest, Bullets Over Broadway

Of the 28 recipients to choose from, note that 3 of them were under the direction of Woody Allen. None were surprise winners. That’s most evident with Wiest’s showcase work as an aging diva here. Her win here came just eight years following her Oscar winning role in another Allen pic, Hannah and Her Sisters.

2. Jennifer Hudson, Dreamgirls

Fans of the Broadway play this is based upon knew Ms. Hudson could have a legitimate breakthrough part here. She nailed it and her win was never in much doubt.

1. Anne Hathaway, Les Miserables

Similar to Hudson’s victory, Hathaway’s casting as Fantine and her “I Dreamed a Dream” dramatic solo made her the odds-on favorite from the moment the project was announced. That never changed.

Now we get to the upsets and there were four to choose from. I could easily include Anna Paquin in The Piano, who became the second youngest winner when she beat out favorite Winona Ryder for The Age of Innocence. Here’s 3 I rank as even more surprising:

3. Marcia Gay Harden, Pollock

Harden had won no significant precursors and Kate Hudson was expected to have her name called for Almost Famous. She wasn’t even nominated for a Golden Globe or SAG.

2. Juliette Binoche, The English Patient

While the film itself was the anticipated winner for Picture (which it did), the Oscars were expected to select the legendary Lauren Bacall for her work in Barbra Streisand’s The Mirror Has Two Faces. Yet it was Binoche’s performance that was unexpectedly honored.

1. Marisa Tomei, My Cousin Vinny

For starters, comedic roles are rarely nominated and wins are even more unheard of. Tomei was a newcomer in a picture that wasn’t a factor in any other category. Her competition was a list of venerable actresses: Judy Davis (Husbands and Wives), Joan Plowright (Enchanted April), Vanessa Redgrave (Howards End), and Miranda Richardson (Damages). The victory here was so shocking that conspiracy theories emerged that presenter Jack Palance had accidentally read the wrong name. That’s been debunked, but Tomei’s trip to the stage remains one of Oscar’s largest jaw droppers.

As for the fields, I’m going with 1991 for the weakest link in the chain. I probably would have given the award to Juliette Lewis in Cape Fear. However, the group was not particularly strong:

Mercedes Ruehl, The Fisher King (Winner)

Diane Ladd, Rambling Rose

Juliette Lewis, Cape Fear

Kate Nelligan, The Prince of Tides

Jessica Tandy, Fried Green Tomatoes

For the strongest field overall, I went with 2004 when Cate Blanchett won for her portrayal of Katherine Hepburn in Martin Scorsese’s The Aviator. The other nominees:

Laura Linney, Kinsey

Virginia Madsen, Sideways

Sophie Okonedo, Hotel Rwanda

Natalie Portman, Closer

And there you have it! I’ll have Supporting Actor up soon…

A Star Is Born Box Office Prediction

Riding a wave of serious Oscar buzz, A Star Is Born is unveiled in theaters next weekend. The musical romance is the third remake of the 1937 film (the last was from 1976 with Barbra Streisand and Kris Kristofferson). It marks the directorial debut of Bradley Cooper, who also stars as an alcoholic country singer who discovers and falls for a budding superstar (Lady Gaga). Costars include Sam Elliot, Dave Chappelle, Andrew Dice Clay, and Rafi Gavron.

After premiering at the Venice Film Festival weeks ago, Star immediately garnered awards attention. With great reviews (95% on Rotten Tomatoes), this is seen as a serious contender in a number of races including Best Picture. The performances of Cooper and Gaga have been met with raves. While she’s one of music’s biggest names, Gaga’s filmography has been limited to FX’s “American Horror Story” and Machete Kills. She seems destined to pick up an Oscar nod.

The likelihood is that Star will ride its awards chatter to solid grosses throughout the fall. How high it opens is more of a mystery. While it will almost certainly place second to Venom, the range is significant. I believe a gross of over $40 million is achievable.

A Star Is Born opening weekend prediction: $48.6 million

For my Venom prediction, click here:

Venom Box Office Prediction

Oscar Watch: A Star Is Born

One of the most eagerly awaited pictures has debuted at Venice today with A Star Is Born. The film is the third remake of a tale that began onscreen over 80 years ago. The 1937 version starred Janet Gaynor and Fredric March. The 1954 Star featured Judy Garland and James Mason. The 1976 version featured Barbra Streisand and Kris Kristofferson. All three of them received multiple Oscar nominations. None of them were featured in the Best Picture race.

That is probably about to change. The 2018 Star is directed, co-written, and starring Bradley Cooper in his debut behind the camera. His acting counterpart is Lady Gaga. Early reviews have praised both of their performances and it appears very likely both will be honored in their respective lead acting races. This would obviously be Gaga’s first nomination and Cooper’s fourth after Silver Linings Playbook, American Hustle, and American Sniper. Cooper may well find himself honored for his direction and Adapted Screenplay alongside Eric Roth and Will Fetters.

As for supporting players, the Academy may take notice of Sam Elliot’s work as Cooper’s older brother. Critics have also pointed out the performance of Rafi Gavron as the manager of Cooper’s troubled music superstar character.

Several down the line categories could in the mix including Cinematography, Editing, both Sound races, and Gaga’s original songs that are expected to be part of the soundtrack.

Bottom line: Another contender was born today in Venice – one with serious star power.

A Star Is Born opens domestically on October 5. My Oscar Watch posts will continue…