Oscar Predictions: Caught Stealing

At the 95th Academy Awards honoring the movies and performances of 2022, Darren Aronofsky directed Brendan Fraser to a Best Actor victory for The Whale. The runner-up that year was probably Austin Butler as Elvis. Aronofosky’s Whale follow-up is NYC crime thriller Caught Stealing (out Friday) and he snagged Butler for the lead role. Costars include Regina Hall, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Bad Bunny, and Carol Kane.

Several early reviews indicate this is a 90s throwback that properly entertains. Rotten Tomatoes is at 81% with Metacritic at 69. Unlike The Whale, this does not appear to have awards aspirations. The late August release basically indicates that. Some critics point out its comedic aspects and it will be interesting to see if Sony campaigns Butler in Best Actor in a Musical or Comedy at the Golden Globes. He won that race in the Drama competition (over Fraser) at that ceremony in early 2023. I doubt he’ll be a Globe nominee this time around, but it’s worthy of mention. My Oscar Prediction posts will continue…

Caught Stealing Box Office Prediction

Darren Aronofsky helms the late 90s set NYC crime thriller Caught Stealing, which Sony is hoping can nab some holiday weekend dollars when it debuts August 29th. Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Bad Bunny, and Carol Kane are among the ensemble.

Said to be more audience friendly than most of Aronofsky’s efforts, Stealing still faces the same challenges that most late summer offerings do. Multiplexes are often a desolate place over the Labor Day frame. Buzz for this seems quiet and I suspect it may come in behind fellow newcomer The Roses.

Caught Stealing opening weekend prediction: $6.3 million (Friday to Monday estimate)

For my The Roses prediction, click here:

For my Jaws 50th Anniversary prediction, click here:

For my The Toxic Avenger Unrated prediction, click here:

Oscar Predictions: Cassandro

Director Roger Ross Williams is no stranger to the Academy. His short film Music by Prudence was 2009’s recipient for Documentary Short Subject (making him the first African-American director to win an Oscar). The 2016 feature length doc Life, Animated was a contender in that race.

At Sundance, Williams is branching outside of the doc genre for Cassandro, which explores a real life subject. Gael Garcia Bernal is the title character – an openly gay Mexican wrestler who attained huge stardom. With a smattering of reviews in, the Rotten Tomatoes score is 100%.

With earlier acclaimed roles in The Motorcycle Diaries, Bad Education, and Babel, Bernal has yet to find his awards showcase role. He might get it here if distributor Amazon launches a serious campaign. The same can be said for Jonathan Majors and Magazine Dreams, which was my previous predictions write-up coming from Utah’s festival. Needless to say it’s early, but we already have potential hopefuls for next year’s Actor derby.

Cassandro could also contend for the memorable costumes that Bernal dons in the ring. Bottom line: this is worth keeping tabs on as the 2023 awards season is in its infancy. My Oscar Prediction posts will continue…

Bullet Train Review

David Leitch has done this cartoonishly bloody and dripping with sarcasm business before with John Wick and Deadpool 2. In Bullet Train, having Brad Pitt loaded for the quipping is a plus. The trip is rockiest in the beginning leg, but picks up steam for quite some time. In the later stages, you may be asking why we aren’t there yet with the climax.

Pitt’s assassin who goes by Ladybug boards the title mode of transportation with simple instructions to boost a briefcase. Hurtling at breakneck speed from Tokyo to Kyoto, he soon finds that many other types who share his profession are along for the ride. This includes “twins” Tangerine (Aaron Taylor-Johnson) and Lemon (Brian Tyree Henry). Their codenames may suggest Prince backup dancers, but they’re tasked with transporting the drug addled son (Logan Lerman) of a crime lord named White Death (Michael Shannon) back home. And they also want that briefcase.

Unlike Pulp Fiction where we are still collectively wondering what was in that case, we find out quickly here. Ladybug and his fruit monikered colleagues aren’t the only ones seeking it. There’s Prince (Joey King), who’s dressed not as a backup dancer but as a schoolgirl who fools many with her innocent appearance. Kimura (Andrew Koji) is a killer burdened with a young son in danger away from the tracks. There’s more – Zazie Beetz turns up as does Hiroyuki Sanada as Kimura’s elder (he’s called The Elder). Multiplatinum rapper Bad Bunny is The Wolf, who is avenging a family massacre that could have used cleanup from Harvey Keitel’s Winston Wolfe in the aforementioned Pulp. There’s cameos I won’t spoil. I will say they add little other than fleeting seconds of unexpected recognition.

Bullet Train gleefully revels in its violence. It kind of feels like a throwback to 90s excess that Tarantino’s landmark sophomore feature helped inspire. That’s not always a bad thing as the slicing and dicing is done with the visual flair we expect from Leitch. The screenplay from Zak Olkewicz is one of those where nearly every character is eventually connected. I found myself straining to care about those connections.  It takes a few minutes before Train gets up to speed. Yet Pitt’s considerable charisma and his support staff (particularly Henry and Taylor-Johnson) help alleviate a lot of those narrative bumps. So was the ride worth it? That’s debatable though I’d say there’s worse fates than taking it.

*** (out of four)

Oscar Predictions: Bullet Train

OK, no one’s saying that David Leitch’s Bullet Train was stationing itself for a Best Picture nomination. As for down the line tech nods, it’s at least worth discussing. The action comedy from the John Wick and Deadpool 2 maker stars Brad Pitt and is out Friday.

The review embargo has lifted and Bullet is currently at a middling 60% on Rotten Tomatoes. I would say the only races where nods seemed feasible were Sound and Visual Effects and I don’t envision either occurring. If the Academy were to ever put in a  category for Best Stunt Work (which isn’t a bad idea), the critical reaction indicates this might be in the mix. Absent that, don’t look for this Train anywhere near an awards show.

Leading man Pitt could, however, still find himself in the 2022 mix for Supporting Actor (we think it’s supporting) with Damien Chazelle’s Babylon. My Oscar Prediction posts will continue…

Bullet Train Box Office Prediction

Sony Pictures is hoping moviegoers catch the Bullet Train when it debuts August 5th. The action comedy comes from John Wick maker David Leitch with Brad Pitt headlining as an assassin. The supporting cast includes Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Zazie Beetz, Logan Lerman, Bad Bunny, and Pitt’s recent The Lost City costar Sandra Bullock (in a role first slated for Lady Gaga).

The Japan set stunt fest is hoping to turn out an adult audience ready for original programming in a summer filled mostly with plenty of sequels and superheroes.

Since starting a franchise with Wick in 2014, Leitch followed up with Atomic Blonde. It was a box office disappointment that debuted with just over $18 million. Train should have no trouble getting past that number. However, it won’t reach the earnings of his last two pictures which were built-in franchise entries: Deadpool 2 and Fast and Furious spin-off Hobbs & Shaw. 

Nope was able to reach mid 40s and it had the advantage of Jordan Peele’s brand. This will rely mostly on Pitt’s star power. I’m curious to see how word-of-mouth is in the coming days and that could increase or decrease my projection. My hunch is that mid 2os is the floor and low 40s could be the ceiling. I wouldn’t be surprised if it comes toward the lower end of that spectrum, and I’ll say high 20s to low 30s is where this lands.

Bullet Train opening weekend prediction: $29.7 million

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Easter Sunday Box Office Prediction