Tag: Avengers: Endgame

Avengers: Endgame Movie Review

**There’s really no way to write a review of Avengers: Endgame without some minor spoilers. You may wish to read this post viewing…

The word “epic” can be overused by those who review movies like me, but it unquestionably applies to Avengers: Endgame. It’s epic in its running time (none of the other 21 MCU pics run three hours) and epic in the number of well-known thespians reprising their superhero and villain characters. It doesn’t seem feasible that so many characters could manage to coexist in this vast universe without seeming like a gimmick. If you happen to think predecessor Infinity War was overcrowded, you’ll get whiplash here. Truth be told, there are moments when this borders on playing like a greatest hits reel based on what’s preceded it during the last eleven years.

Yet Endgame figures out a rewarding way to stick the landing and honor the dozens of faces that we’ve spent billions of dollars visiting since 2008. At the conclusion of Infinity War, bad guy Thanos (Josh Brolin) had collected his precious Infinity Stones and decimated half the intergalactic population into dramatic looking dust particles. What’s left is mostly the core of the OG Avengers – Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/Hulk (Mark Ruffalo), and Black Widow (Scarlett Johansson). There’s others as Rocket (voice of Bradley Cooper) is the sole surviving Guardian of the Galaxy. And we have the two notable characters that were MIA last summer – Hawkeye (Jeremy Renner) and Ant-Man (Paul Rudd).

One might think this whole saga might be about the original band and some newer friends taking on Thanos. You would be wrong. Endgame has plenty of time bending tricks up its endless story arch sleeves. The first is an unexpected resolution that comes very early. However, that climax is just a set-up to further complications.

This is indeed a time travel movie in which the screenwriters almost sheepishly concede the contrived nature of such a device. The survivors set upon a course of multiple back in time ways to retrieve the Stones and bring back their loved ones. It doesn’t happen overnight and the lengthy nature of the plan coming together provides funny and poignant moments. Tony is off the grid with his beloved Pepper (Gwyneth Paltrow) and a new addition. Bruce is in full Hulk mode, but kindler and gentler. Thor is rounder and drunkenly grappling with his losses. Hawkeye is a full-blown vigilante. When the gang revs up their figurative DeLoreans, it gives us a chance to revisit lots of MCU personnel. And it’s a LOT of former players. Some are genuinely surprising. During this lengthy stretch, the film walks a fine line of not devolving into nostalgic sugar shock amidst the action sequences. By the final act, it rises above it.

We know the battle scenes will be well choreographed and well-directed (with the Russo Brothers handling duties once again). The final one is rather jaw dropping with the mixing of so many known quantities. Thanos is one of the stronger villains in MCU history and he remains so here, though there’s nothing fresh to add about his character. His daughter Nebula (Karen Gillan), on the other hand, continues her evolution as a fine addition to the roster.

The comic relief comes more from Thor as opposed to Ant-Man or Rocket and Hemsworth is up to the task. Captain America and Black Widow are given their emotional moments that we’re invested in from their backstories. To this writer, it’s Tony who’s always been the damaged beating heart of this franchise. The Marvel Cinematic Universe simply wouldn’t exist as it is without Downey Jr.’s brilliant work. That’s never changed. The quality of the movies he’s appeared in has. His performance has always been fantastic. If we’re ranking, I would put Endgame as an overall experience just under the first Avengers in 2012 and Infinity War. I can’t promise that thinking about all the shifting time plot points might raise as many questions as answers. I won’t deny that its emotional payoff is real and we have Downey and an amazing group of technicians bringing these comics to life to thank for it.

***1/2 (out of four)

UglyDolls Box Office Prediction

STX Entertainment is hoping affinity for a popular plush toy brings youngsters out next weekend for UglyDolls. The animated musical comedy takes it characters from a line of squishy creatures launched in 2001. Kelly Asbury, who did Shrek 2 and Gnomeo & Juliet, directs and Robert Rodriguez (of all people) has a story credit. The voice cast is mostly a mix of musicians and comedians and they include Kelly Clarkson, Nick Jonas, Janelle Monáe, Pitbull, Blake Shelton, Wanda Sykes, Gabriel Iglesias, Emma Roberts, Bebe Rexha, and Charli XCX.

While UglyDolls looks to pack movie houses, it could face resistance and absolutely faces serious competition. It arrives the week after Avengers: Endgame, which should still be minting money. Furthermore, this debuts the weekend before Pokemon: Detective Pikachu, which hopes to bring in a sizable family audience.

This could get lost in the shuffle and I suspect it might. The possibility certainly exists for a high teens to even $20 million start, but I suspect low to mid teens is where this ends up.

UglyDolls opening weekend prediction: $13.8 million

For my The Intruder prediction, click here:

https://toddmthatcher.com/2019/04/23/the-intruder-box-office-prediction/

For my Long Shot prediction, click here:

https://toddmthatcher.com/2019/04/24/long-shot-box-office-prediction/

Oscar Watch – Avengers: Endgame

Last year, Marvel’s Black Panther became the first comic book pic to score a Best Picture nomination. While it didn’t win, it took home three gold trophies from its seven nods. This weekend, box office records are highly likely to break with the release of Avengers: Endgame. The 22nd MCU title had its review embargo lift hours ago… try to your best to avoid spoilers.

The verdict? A 98% Rotten Tomatoes score thus far. Some critics are going as far as saying it’s the best overall entry in the massive franchise. Others write ups, while positive, don’t go that far. One thing seems certain as Endgame is classified as an epic experience.

Could lightning strike two years in a row for Marvel with Academy voters? Here’s the advantage: this fourth Avengers saga is seen as the culmination of not just its three predecessors, but also the many other pictures MCU blockbusters over the past 11 years. That lifts its chances for recognition as Oscar could see this as an “atta boy” for the whole series.

That said, I’m doubtful. The first three Avengers flicks garnered a grand total of two nominations. The 2012 original and last year’s Infinity War both received Visual Effects nods. Neither won. The middle child (2015’s Age of Ultron) got no love. Last year, Disney was undoubtedly more focused on getting Black Panther recognition and they succeeded. In 2019, they could put together a more robust campaign for Endgame.

A third calling in Visual Effects is probably inevitable, but anything else from the Academy is questionable and maybe even doubtful. Yet I wouldn’t totally count out some Disney marketing campaign magic. My Oscar Watch posts will continue…

The Intruder Box Office Prediction

Home is apparently where the homicidal maniacs are when The Intruder debuts next weekend. The thriller casts Michael Ealy and Meagan Good are new homebuyers whose previous owner (Dennis Quaid) goes to deadly lengths to keep it. Deon Taylor, maker of Meet the Blacks and Traffik, directs.

The pic was originally slated for April 26, but set its date back a week when Avengers: Endgame snatched up that real estate. The Screen Gems release looks to serve as counter programming to the MCU behemoth’s sophomore weekend.

It could find some success in that regard, particularly with African-American audiences. Opening against the animated Uglydolls and comedy Long Shot, this has a legit shot at having the healthiest debut in the low to mid teens.

The Intruder opening weekend prediction: $15.2 million

For my UglyDolls prediction, click here:

https://toddmthatcher.com/2019/04/23/uglydolls-box-office-prediction/

For my Long Shot prediction, click here:

https://toddmthatcher.com/2019/04/24/long-shot-box-office-prediction/

April 26-28 Box Office Predictions

After the worst Easter weekend at the box office in a decade and a sub par 2019 overall, expect things to pick up considerably on Friday. In case you hadn’t heard, there’s a little something called Avengers: Endgame debuting and it appears poised to smash the all-time opening record. You can peruse my detailed prediction post on it here:

https://toddmthatcher.com/2019/04/16/avengers-endgame-box-office-prediction/

The grand finale of this current MCU phase has been selling out theaters for weeks and anticipation for the multi billion dollar franchise epic is sky-high. In order to top the record holder, it will need to rise up over the $257 million earned one year ago by predecessor Avengers: Infinity War.

I believe it will do that with more than $30 million to spare as it injects needed life into the movie business. As you can imagine, no other feature dared to premiere against Iron Man and his pals. The Curse of La Llorona should fall to second after a decent debut. Captain Marvel could be the beneficiary of the rare drive-in effect as the MCU flick should be paired with Endgame in multiple venues. This helped Black Panther last year when it dropped only 4% thanks to Infinity War. DC’s superhero tale Shazam! should dip to fourth with Breakthrough rounding out the top five.

And with that, my projections for a potentially historic weekend:

1. Avengers: Endgame

Predicted Gross: $289.6 million

2. The Curse of La Llorona

Predicted Gross: $10 million

3. Captain Marvel

Predicted Gross: $8.7 million

4. Shazam!

Predicted Gross: $7.4 million

5. Breakthrough

Predicted Gross: $6.3 million

Box Office Results (April 19–21)

As mentioned, the Easter frame was hardly hopping as many moviegoers decided to save their cash for Endgame. The Curse of La Llorona, as expected, posted the lowest start ever for a Conjuring Cinematic Universe title. However, its $26.3 million haul did scare up more than my $20.1 million projection.

Shazam! dropped to second after two weeks in first with $16.4 million, ahead of my $14 million forecast. The total is $120 million.

Faith based drama Breakthrough was no Heaven Is for Real in third with $11.2 million from to Friday to Sunday and $14.7 million since its Wednesday premiere. That’s quite a bit under my respective expectations of $16.9 million and $22 million.

Captain Marvel had a remarkable increase from the previous weekend with $9.1 million for fourth place. That’s well above my $6 million estimate as the MCU behemoth reached $400 million domestically, right in time for her Endgame appearance.

Little rounded out the top five with $8.3 million (I said $7.8 million) for $29 million in two weeks.

Finally, the DisneyNature doc Penguins fell flat with just $2.2 million for 12th place and $3.2 million counting its Wednesday jumpstart. I was higher at $3.5 million and $5 million.

That does it for now, folks! Until next time…

Avengers: Endgame Box Office Prediction

This current massively successful phase of the Marvel Cinematic Universe draws to a close next weekend with the release of Avengers: Endgame. There’s an excellent chance that it achieves the largest opening weekend gross of all time with the grand finale. Endgame follows up directly with last summer’s Avengers: Infinity War, which is the current record holder with $257 million.

Anthony and Joe Russo return in the directors chairs with a core group of familiar heroes battling Josh Brolin’s Thanos. They include Robert Downey Jr.’s Iron Man, Chris Evans as Captain America, Chris Hemsworth’s Thor, Scarlett Johansson’s Black Widow, Brie Larson as Captain Marvel, Mark Ruffalo’s Hulk, Paul Rudd’s Ant-Man, and Jeremy Renner’s Hawkeye. That’s just scratching the surface, by the way. The events (spoiler alert if you’ve been in a year-long coma) of Infinity War dissolved numerous other beloved characters into dust including Chadwick Boseman’s Black Panther, Tom Holland’s Spider-Man, Benedict Cumberbatch’s Doctor Strange and the majority of the Guardians of the Galaxy (Chris Pratt, Zoe Saldana, Dave Bautista) save for Bradley Cooper voicing Rocket. It’s quite likely you’ll see them again. And also in the roles we’ve seen them in before… there’s Gwyneth Paltrow, Karen Gillan, Danai Gurira, Tessa Thompson, Don Cheadle, Jon Favreau, Anthony Mackie, Elizabeth Olsen, Paul Bettany, and Evangeline Lilly. Oh… and Letitia Wright and Sebastian Stan and Tom Hiddleston.

Whew. Back to the numbers crunching. When early tickets went on sale a couple of weeks ago, Endgame smashed every record in sight. Its YouTube trailer views are off the charts. Audiences know this is the culmination of what we’ve paid billions of dollars for over the past decade plus. Yes, there’s a three-hour runtime which is unprecedented for the MCU.

I have a feeling that won’t matter when it comes to reaching a premiere level we’ve yet to witness. No other movie is daring to compete against it and most holdovers will be earning $10 million and less. In other words, multiplexes will clear a ton of real estate for this.

Initial estimates put Endgame around $250 million, but the buzz has this inching upwards. I believe that’s a correct assumption. While I don’t believe this will hit $300 million (as the rosiest projections suggest), a gross just north of $285 million seems feasible. If it achieves that mark, the endgame here will indeed set records.

Avengers: Endgame opening weekend prediction: $289.6 million

April 19-21 Box Office Predictions

It’s Easter weekend at the box office and we have three new pictures opening. There’s The Darkness (The Curse of La Llorona), The Light (Breakthrough), and The Penguins (Penguins). Two of them will attempt to dislodge Shazam! from its two-week perch in the top spot. Yet this holiday frame will likely be known as “the one before Avengers: Endgame opened”. You can peruse my detailed prediction posts on the newcomers here:

https://toddmthatcher.com/2019/04/09/the-curse-of-la-llorona-box-office-prediction/

https://toddmthatcher.com/2019/04/09/breakthrough-box-office-prediction/

https://toddmthatcher.com/2019/04/10/penguins-box-office-prediction/

The Curse of La Llorona takes place in the Conjuring Cinematic Universe, but it hasn’t really been marketed heavily as such. Therefore I believe it will easily have the lowest debut of the franchise, but still manage to top the charts.

Breakthrough has the potential to do just that with faith-based crowds. I do question whether it can manage to achieve what Heaven Is for Real accomplished five Easter’s ago ($29 million for its five-day gross). Debuting on Wednesday, I’ll say mid teens for the traditional weekend and low 20s when factoring in the extra days.

Penguins is the latest DisneyNature venture. The latest efforts in the series have earned between $4-$5 million for their starts. This opens on Wednesday as well, so I’ll put it a touch under. My $3.5 million Friday to Sunday projection ($5 million five-day) puts this outside my top five.

Shazam! should slide to third after two weeks in first position with Little coming in fourth. As for the five-spot, I’m saying Captain Marvel. It should experience a smaller percentage decline than Hellboy and Dumbo. That could be good enough to take it from sixth to fifth before she joins her superhero pals next weekend in Endgame.

And with that, my take on the holiday weekend:

1. The Curse of La Llorona

Predicted Gross: $20.1 million

2. Breakthrough

Predicted Gross: $16.9 million (Friday to Sunday); $22 million (Wednesday to Sunday)

3. Shazam!

Predicted Gross: $14 million

4. Little

Predicted Gross: $7.8 million

5. Captain Marvel

Predicted Gross: $6 million

Box Office Results (April 12–14)

As expected, Shazam! retained its perch on top with $24.4 million, a bit lower than my $28.2 million prediction. The DC tale is sniffing the century mark after ten days with $94 million.

The Regina Hall comedy Little led four newcomers in second with $15.4 million, managing to exceed my $14 million projection.

The story of the weekend was the pitiful performance of Hellboy. The comic book based reboot bombed with just $12 million in third, under my $17.4 million take. This potential franchise pretty much ended before it began.

Pet Sematary was fourth in its sophomore outing with $9.7 million (I said $10.5 million). Total is $40 million.

I incorrectly had Dumbo outside the top five and it made $9.4 million to bring its tally to $90 million.

College romance After was eighth and topped most estimates with $6 million. I was much lower at $3.7 million.

Finally, Laika Animation has its worst opening by a lot. Missing Link, despite positive reviews, couldn’t find an audience. It took in just $5.9 million for ninth. I was considerably higher at $11.7 million.

And that does it for now, folks! Until next time…

The Depths of Hellboy

Over the past year and change, the superhero genre has been flush with massive successes such as Black Panther, Avengers: Infinity War, Aquaman, Captain Marvel, and current box office champ Shazam!, which has dutifully met expectations. The upcoming Avengers: Endgame is looking to set the all time opening record in two weeks. Something was bound to eventually get lost in the shuffle and that turned out to be Hellboy this weekend.

The film rebooted the Dark Horse Comics franchise that debuted in 2004 with Guillermo del Toro behind the camera and Ron Perlman as the horn clad anti-hero. A 2008 sequel, Hellboy II: The Golden Army, built on the grosses of its predecessor.

Neil Marshall took over directorial duties for the new Hellboy with David Harbour of “Stranger Things” cast as the title character. All along the way, the marketing campaign seemed curiously muted. It was as if Lionsgate might have known they had a dog on their hands. And they did. The review embargo didn’t lift until late this week. Rotten Tomatoes has been ripe with bad critical reaction with a 15% score. CinemaScore audiences haven’t been kind either with a lowly C rating.

On Sunday, the initial results have Hellboy in third place with just $12 million. Not only is that behind the second frame of Shazam!, it’s after the debut of the Regina Hall comedy Little. To put that in perspective, the 2004 Hellboy made $23 million out of the gate. The Golden Army took in $34 million. For both of those films, the opening weekends represented a hefty chunk of the overall earnings. In the case of the second installment, it fell hard in its sophomore frame due to another comic boom sequel premiering called The Dark Knight. With its toxic word of mouth, I expect this version to tumble at least 60% in weekend #2 and probably more.

If there’s any silver lining for the studio, it’s that the reboot cost a reported $50 million. That’s certainly low on the scale for this genre. Yet we can be sure this iteration of the character is a one-off. And we’ve found out what the depths of Hellboy are on a financial level and it’s not pretty.

Oscar Watch: Dumbo

Disney’s live-action version of their 1941 classic Dumbo arrives in theaters on Friday and the review embargo was lifted today. Tim Burton’s take on the flying elephant is the first of four Mouse Factory updates on their animated tales hitting screens in 2019.

The advance word out is quite mixed with a Rotten Tomatoes score of just 51%. No one seriously expected this would contend for Best Picture, but previous Disney updates in recent years have fared well with Oscar voters with technical nods.

Burton’s own Alice in Wonderland in 2010 won Best Art Direction (now Production Design) and Costume Design and landed a nomination in Visual Effects. Costume Design nods were received by Maleficent in 2014 and by Cinderella the following year. In 2016, The Jungle Book emerged victorious in Visual Effects. Beauty and the Beast nabbed nods for Production and Costume Design.

That’s a solid track record. Where’s that leave Dumbo? Tough to say at this juncture. Even the negative skewing reviews have praised the visuals. Yet there will be a lot of competition and that includes the other three live-action updates arriving later: Aladdin, The Lion King, and Maleficent: Mistress of Evil. Even more potentially serious competitors include Avengers: Endgame and the next Star Wars.

Costume Design and Production Design remain more realistic possibilities. Bottom line: Dumbo could continue the recent tradition of this sub genre getting down the line category attention, but competition will be key. My Oscar Watch posts will continue…

Captain Marvel Movie Review

By the time the strains of “Just a Girl” blare over the speakers during a climactic fight scene, there is no doubt that Captain Marvel has adequately placed itself as a bridge between Avengers epics. That’s not an especially high bar in the Marvel Cinematic Universe, but it answers the most important question needed before April’s Avengers: Endgame – who’s this new heroine that’s going to help the team we’re accustomed to seeing?

That would be Brie Larson as Vers. She’s part of the Kree alien race with persistent flashbacks to an old life on C53, a planet otherwise known as Earth. Her mentor is Yon-Rogg (Jude Law), who helps her hone her mysterious superpowers. The flashback mentor is Mar-Vell (get it?) and she takes the form of Annette Bening as an all-knowing being who may have taught Vers in a previous life that’s fuzzy to her.

Since this is the MCU, we correctly suspect that purported good guys may become bad guys and vice versa. Vers and her team are battling another race called the Skrulls, led by Talos (Ben Mendelsohn, always solid). They can take the form of any being they wish, so we see Mr. Mendelsohn in his bespectacled British form and in impeccable creature makeup.

Vers’s interactions with the Skrulls involves a crash landing in Los Angeles. Not today’s L.A., mind you, but 1995 L.A. where relics of the past like Blockbuster Video and two-way pagers exist. This time frame is mined for humor and its soundtrack that includes Nirvana and Salt n Pepa. We also meet Nick Fury (Samuel L. Jackson) in his pre eyepatch days and a rookie Agent Coulson (Clark Gregg).

The Earth bound action gets us to a place where we can call Vers the Captain now. And clad in her Nine Inch Nails t-shirt, it get us one step closer to her joining Captain America, Tony Stark, and others decades later.

Captain Marvel is yet another origin story and it follows the tried and true MCU blueprint. Luckily for us, that familiar path includes picking directors (Anna Boden and Ryan Fleck) that are unconventional choices (they’re known for indie dramas like Half Nelson). It includes humorous touches that work and plenty of them come in the feline form of Goose, who steals some sequences.

Have there been stronger intros in this franchise before? Absolutely. As the first female MCU hero with a stand-alone tale, Larson is spirited. Is her back story as inspiring as what the DCU provided in Wonder Woman? I’d have to say no. And like many MCU pics before it, the villains here are standard – even with fine actors playing them. We will see if Larson’s character can become a fan favorite in this vast world. I’d say the jury is currently unsure. At the conclusion of Avengers: Infinity War, we learned she was needed. Captain Marvel provides some decently entertaining history as to why.

*** (out of four)