Avatar: The Way of Water surfaces on your 3D and IMAX screens this Friday. It is, of course, James Cameron’s follow-up to 2009’s original which still stands as the biggest worldwide grosser of all time (and third overall domestically). The social media embargo lifted last week and the common refrain was “don’t bet against James Cameron”. I held off on my Oscar speculation until the official review embargo lapsed. That happened today.
Currently at 85% on Rotten Tomatoes (part 1 ended up at 82%), many critics are claiming this is an improvement over the first. Some of the same gripes remain including that it is overlong (3 hours and 12 minutes) and underdeveloped in its screenplay. Praise for its technical work is more universal.
In 2009, Avatar made an Oscar splash with nine nominations: Picture, Director, Art Direction (now Production Design), Cinematography, Film Editing, Original Score, Sound Editing, Sound Mixing (the Sound races are now combined), and Visual Effects. It won 3 – Art Direction, Cinematography, and Visual Effects.
Water has a chance of receiving the same number of nods. On Monday, the Golden Globes put it in their five for Picture (Drama) and Director. I already believe the Academy will make room for this in BP. It should be the second massive international blockbuster (alongside Top Gun: Maverick) in the mix. Cameron showing up in the directing quintet is not as automatic.
Let’s dispense with the easiest items. This is going to win Visual Effects just like its predecessor. That’s one of the slam dunk categories you can cross off already. Production Design and Cinematography and Sound are all probable inclusions. I’m less certain about the score and editing. Then there’s the Weeknd, who contributed the song “Nothing Is Lost (You Give Me Strength)”. I’m not so sure about its strength in that competition. He needs to overcome other superstars such as Lady Gaga, Rihanna, Taylor Swift, and Billie Eilish and that could be a tall order.
You’ll notice I haven’t discussed the performances or the screenplay. While there’s kudos for returnees like Zoe Saldana and Sigourney Weaver (in a different role than in 2009), don’t expect the acting to capture the attention of voters. Given that the writing is the most faulted aspect, don’t hold your breath expecting Cameron and cowriters Rick Jaffa and Amanda Silver to contend.
Bottom line: Avatar: The Way of Water looks to be Cameron’s third movie in a row (after Titanic and Avatar) to be in the BP race. Look for its nomination total to be at least 4-5 and maybe more. In other words, to borrow a phrase from most of Twitter last week, don’t bet against James Cameron. My Oscar Prediction posts will continue…
Theaters owners are counting on Avatar: The Way of Water to save them from drowning in red ink following the second lowest box office frame of 2022. James Cameron’s long in the making sequel is the only new release out and you can peruse my detailed prediction post on it here:
With Oscar buzz (like the 2009 original) and solid reviews, Water could potentially surface with the largest premiere of the year. To do so, it would need to surpass the $187 million that Doctor Strange in the Multiverse of Madness achieved in May. Considering the runtime of over three hours, it may fall a bit short of that. My projection has it behind Multiverse and Black Panther: Wakanda Forever for the third heftiest ’22 haul and the 18th highest debut of all time.
Speaking of Wakanda, it will finally fall to second after five weeks atop the charts. Fellow holdovers Violent Night, Strange World, and The Menu should all slide a spot as well. All of these returnees experienced small declines this weekend, but may dip a tad more due to Avatar overtaking multiplexes.
Here’s how I see the top 5 shaking out:
1. Avatar: The Way of Water
Predicted Gross: $173.1 million
2. Black Panther: Wakanda Forever
Predicted Gross: $5.5 million
3. Violent Night
Predicted Gross: $4.9 million
4. Strange World
Predicted Gross: $2.6 million
5. The Menu
Predicted Gross: $1.9 million
Box Office Results (December 9-11)
As mentioned, it was a sluggish time in theaters as Avatar is on deck to make a splash. Black Panther: Wakanda Forever made it a handful of weekends in first place with $11.2 million. That’s on pace with my $10.6 million prediction as the MCU sequel is up to $409 million.
Violent Night remained in second with a sturdy 35% drop at $8.7 million, in line with my $8.5 million take. The Yuletide shoot-em-up has grossed $26 million in ten days.
Disney’s flop Strange World was third with $3.7 million compared to my $3.1 million estimate. Overall tally is just $30 million.
The Menu was fourth with $2.7 million (I said $2.8 million) for $29 million total.
Devotion rounded out the top five with $2 million. I went with $1.7 million and the aviation drama is at $17 million.
Finally, there was a bit of good news in a bad weekend. A24’s The Whale, in which Brendan Fraser is expected to vie for the Best Actor Oscar, achieved 2022’s best per screen performance. In only six venues, it earned approximately $360k. That $60k average tops Everything Everywhere All at Once, which previously had the year’s strongest average at $50k. It expands across wider on December 21st.
The Hollywood Foreign Press Association, after a controversial couple of years which resulted in no aired telecast for the last ceremony, is moving forward with Jerrod Carmichael hosting the show on NBC in a month. The nominations for the 14 cinematic races were unveiled this morning.
I went 54 for 70 on my picks – an improvement over my previous 2021 performance of 49/70. The big winner: Martin McDonagh’s The Banshees of Inisherin. Its 8 nods led all pictures and landed mentions everywhere it was expected to.
On the flip side, it was a disappointing day for Women Talking. Sarah Polley’s expected Oscar contender managed two nods (Screenplay and Score) and missed out on several races where it was thought to be viable.
Let’s take the competitions one by one with my thoughts, shall we?
Best Motion Picture (Drama)
Nominees: Avatar: The Way of Water, Elvis, The Fabelmans, Tár, Top Gun: Maverick
How I Did: 4/5
Per above, the surprise here is Women Talking not making the cut. I had it in instead of Avatar (which is proving itself to be a highly likely hopeful for Oscar’s BP derby). While The Fabelmans could be considered a soft frontrunner, I would say everything but Tár has a shot to win.
Best Motion Picture (Musical/Comedy)
Nominees: Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Glass Onion: A Knives Out Mystery, Triangle of Sadness
How I Did: 4/5
I went with The Menu over Triangle but the latter’s inclusion was not unexpected. This is almost certainly a battle between Banshees and Everything.
Best Director
Nominees: James Cameron (Avatar: The Way of Water), Daniels (Everything Everywhere All at Once), Baz Luhrmann (Elvis), Martin McDonagh (The Banshees of Inisherin), Steven Spielberg (The Fabelmans)
How I Did: 4/5
Like in Best Drama, I went with Women Talking and its maker Sarah Polley instead of James Cameron. Also like that race, Spielberg might be favored but the others could upset the legend.
Best Actress (Drama)
Nominees: Cate Blanchett (Tár), Olivia Colman (Empire of Light), Viola Davis (The Woman King), Ana de Armas (Blonde), Michelle Williams (The Fabelmans)
How I Did: 4/5
Danielle Deadwyler (Till) failing to make the quintet is unexpected as is de Armas’s nod in the Marilyn Monroe biopic (which garnered plenty of poor reviews). You’re going to want to bet on Blanchett in this one.
Best Actor (Drama)
Nominees: Austin Butler (Elvis), Brendan Fraser (The Whale), Hugh Jackman (The Son), Bill Nighy (Living), Jeremy Pope (The Inspection)
How I Did: 3/5
Jackman and Pope in over my selections of Tom Cruise (Top Gun: Maverick) and Paul Mescal (Aftersun). Mr. Cruise whiffing is noticeable. Perhaps the HFPA is still salty about him giving back his Globes during the height of their controversies. Elvis is the only picture in this group that received more than 1 nomination and Butler could certainly emerge victorious. So could Fraser.
Best Actress (Musical/Comedy)
Nominees: Lesley Manville (Mrs. Harris Goes to Paris), Margot Robbie (Babylon), Anya Taylor-Joy (The Menu), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywher All at Once)
How I Did: 5/5 (!)
This went as anticipated and should continue that way with Yeoh taking the trophy in January.
Best Actor (Musical/Comedy)
Nominees: Diego Calva (Babylon), Daniel Craig (Glass Onion: A Knives Out Mystery), Adam Driver (White Noise), Colin Farrell (The Banshees of Inisherin), Ralph Fiennes (The Menu)
How I Did: 4/5
I went with Tom Hanks (A Man Called Otto) instead of Driver. It doesn’t matter much who the other four gentlemen are. This is Farrell’s to lose.
Best Supporting Actress
Nominees: Angela Bassett (Black Panther: Wakanda Forever), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Dolly de Leon (Triangle of Sadness), Carey Mulligan (She Said)
How I Did: 2/5 (ouch)
Supporting Actress has been a head scratcher all year as I’ve done Oscar projections. That proved true today with my poor performance. I went with Hong Chau (The Whale), Claire Foy (Women Talking), and Janelle Monae (Glass Onion) instead of Bassett, de Leon, and Mulligan. I’d say any of these contestants could win in this wide open field.
Best Supporting Actor
Nominees: Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Brad Pitt (Babylon), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)
How I Did: 3/5
I had Paul Dano (The Fabelmans) and Tom Hanks (yet again for Elvis), but Koeghan and Redmayne made it. Quan is probably out front but I wouldn’t rule Gleeson out.
Best Screenplay
Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Women Talking
How I Did: 5/5 (!)
Finally we get something for Women Talking. Yet this race (like Musical/Comedy) is probably either Banshees or Everything.
Best Animated Feature
Nominees: Guillermo del Toro’s Pinocchio, Inu-Oh, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red
How I Did: 4/5
Inu-Oh is the surprise (I said The Bad Guys instead). Pinocchio is favored but I wouldn’t discount Marcel (which is picking up critics prizes).
Best Foreign Language Film
Nominees: All Quiet on theWestern Front, Argentina, 1985, Close, Decision to Leave, RRR
How I Did: 4/5
This could be a fascinating one. I don’t see Argentina or Close winning (which I left out for Bardo). The other 3 could.
Best Original Score
Nominees: Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Women Talking
How I Did: 4/5
This is where I should’ve left Avatar out as Banshees got in instead. This could be a close one and I’m not ready to pick a leader.
Best Original Song
Nominees: “Carolina” from Where the Crawdads Sing, “Ciao Papa” from Guillermo del Toro’s Pinocchio, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR
How I Did: 4/5
Pop superstar Billie Eilish and “Nobody Like U” was left off for pop superstar Taylor Swift and “Carolina”. Don’t be shocked if this comes down to pop superstars Lady Gaga for “Hold My Hand” and Rihanna for “Lift Me Up”.
That means the following features nabbed these numbers in terms of nominations:
8 Nominations
The Banshees of Inisherin
6 Nominations
Everything Everywhere All at Once
5 Nominations
Babylon, The Fabelmans
3 Nominations
Elvis, Guillermo del Toro’s Pinocchio, Tár
2 Nominations
Avatar: The Way of Water, Black Panther Wakanda Forever, Glass Onion: A Knives Out Mystery, The Menu, RRR, Top Gun: Maverick, Triangle of Sadness, Women Talking
1 Nomination
All Quiet on the Western Front, Argentina, 1985, Blonde, Close, Decision to Leave, Empire of Light, Good Luck to You, Leo Grande, The Good Nurse, The Inspection, Inu-Oh, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Puss in Boots: The Last Wish, She Said, The Son, Turning Red, The Whale, Where the Crawdads Sing, White Noise, The Woman King
The 28th Critics Choice Awards airs January 13th and the nominations are out on Wednesday. Like the Oscars, there are 10 Best Picture contenders. That’s easy. Then it gets a little weird.
The number of nominees in the other races has fluctuated recently from 5-7. I’m basing my estimates on 2021’s allotment, but it could look different come Wednesday morning when the nominees are announced. That means 6 in Director, the acting derbies, Ensemble, Young Performer, and Cinematography and 5 for the rest.
I’ll have a recap up Wednesday evening with my thoughts and how I performed!
Best Picture
Predicted Nominees:
Avatar: The Way of Water
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
She Said
Tár
Top Gun: Maverick
The Whale
The Woman King
Women Talking
Alternate:
Elvis
Best Director
Predicted Nominees:
James Cameron, Avatar: The Way of Water
Daniels, Everything Everywhere All at Once
Todd Field, Tár
Martin McDonagh, The Banshees of Inisherin
Sarah Polley, Women Talking
Steven Spielberg, The Fabelmans
Alternate:
Gina Prince-Bythewood, The Woman King
Best Actress
Predicted Nominees:
Cate Blanchett, Tár
Viola Davis, The Woman King
Danielle Deadwyler, Till
Margot Robbie, Babylon
Michelle Williams, The Fabelmans
Michelle Yeoh, Everything Everywhere All at Once
Alternate:
Olivia Colman, Empire of Light
Best Actor
Predicted Nominees:
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Paul Mescal, Aftersun
Bill Nighy, Living
Alternate:
Diego Calva, Babylon
Best Supporting Actress
Predicted Nominees:
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin
Dolly de Leon, Triangle of Sadness
Claire Foy, Women Talking
Stephanie Hsu, Everything Everywhere All at Once
Carey Mulligan, She Said
Alternate:
Jamie Lee Curtis, Everything Everywhere All at Once
Best Supporting Actor
Predicted Nominees:
Paul Dano, The Fabelmans
Brendan Gleeson, The Banshees of Inisherin
Judd Hirsch, The Fabelmans
Barry Keoghan, The Banshees of Inisherin
Ke Huy Quan, Everything Everywhere All at Once
Ben Whishaw, Women Talking
Alternate:
Eddie Redmayne, The Good Nurse
Best Original Screenplay
Predicted Nominees:
Aftersun
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Tár
Alternate:
Triangle of Sadness
Best Adapted Screenplay
Predicted Nominees:
Glass Onion: A Knives Out Mystery
She Said
Top Gun: Maverick
The Whale
Women Talking
Alternate:
Living
Best Acting Ensemble
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
She Said
The Woman King
Women Talking
Alternate:
The Banshees of Inisherin
Best Young Actor/Actress
Predicted Nominees:
Frankie Corio, Aftersun
Jalyn Hall, Till
Gabriel LaBelle, The Fabelmans
Madeleine McGraw, The Black Phone
Jenna Ortega, X
Sadie Sink, The Whale
Alternate:
Mason Thames, The Black Phone
Best Animated Feature
Predicted Nominees:
The Bad Guys
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red
Alternate:
Wendell and Wild
Best Foreign Language Film
Predicted Nominees:
All Quiet on the Western Front
Decision to Leave
EO
RRR
Saint Omer
Alternate:
Close
Best Comedy
Predicted Nominees:
Babylon
The Banshees of Inisherin
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
Triangle of Sadness
Alternate:
The Menu
Best Cinematography
Predicted Nominees:
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
Empire of Light
The Fabelmans
Top Gun: Maverick
Alternate:
The Banshees of Inisherin
Best Costume Design
Predicted Nominees:
Babylon
Black Panther: Wakanda Forever
Elvis
Mrs. Harris Goes to Paris
The Woman King
Alternate:
Living
Best Editing
Predicted Nominees:
Avatar: The Way of Water
Everything Everywhere All at Once
The Fabelmans
Top Gun: Maverick
Women Talking
Alternate:
Babylon
Best Hair and Makeup
Predicted Nominees:
Babylon
The Batman
Elvis
The Whale
X
Alternate:
The Woman King
Best Production Design
Predicted Nominees:
Avatar: The Way of Water
Babylon
Black Panther: Wakanda Forever
The Fabelmans
Glass Onion: A Knives Out Mystery
Alternate:
Elvis
Best Score
Predicted Nominees:
Babylon
The Banshees of Inisherin
Empire of Light
The Fabelmans
Women Talking
Alternate:
Guillermo del Toro’s Pinocchio
Best Song
Predicted Nominees:
“Carolina” from Where the Crawdads Sing
“Hold My Hand” from Top Gun: Maverick
“Life Me Up” from Black Panther: Wakanda Forever
“Naatu Naatu” from RRR
“This Is A Life” from Everything Everywhere All at Once
Alternate:
“Nobody Like U” from Turning Red
Best Visual Effects
Predicted Nominees:
Avatar: The Way of Water
Everything Everywhere All at Once
Nope
RRR
Top Gun: Maverick
Alternate:
The Batman
That equates to these movies getting these numbers for nominations:
12 Nominations
The Fabelmans
11 Nominations
Everything Everywhere All at Once
9 Nominations
The Banshees of Inisherin
8 Nominations
Women Talking
7 Nominations
Babylon, Top Gun: Maverick
6 Nominations
Avatar: The Way of Water, The Whale
4 Nominations
Glass Onion: A Knives Out Mystery, She Said, Tár, The Woman King
3 Nominations
Aftersun, Black Panther: Wakanda Forever, Elvis, RRR
2 Nominations
All Quiet on the Western Front, Empire of Light, Till, Triangle of Sadness, X
1 Nomination
The Bad Guys, The Batman, The Black Phone, Decision to Leave, EO, Guillermo del Toro’s Pinocchio, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Nope, Puss in Boots: The Last Wish, Saint Omer, Turning Red, Where the Crawdads Sing
The American Film Institute (AFI) said yes to Nope and nope to The Whale and Babylon today as they named their top ten movies of 2022. Jordan Peele’s sci-fi horror tale was perhaps the biggest surprise of the bunch.
The AFI list, in the previous decade, typically gives us seven of the eventual Best Picture contenders at the Oscars. In other words, they’re worth paying attention to. Coupled with Wednesday’s National Board of Review selections, there’s much to discuss. First, here’s the full AFI Ten:
Avatar: The Way of Water
Elvis
Everything Everywhere All at Once
The Fabelmans
Nope
She Said
Tár
Top Gun: Maverick
The Woman King
Women Talking
It’s key to remember that only U.S. made pictures are eligible. That means titles like All Quiet on the Western Front, Decision to Leave, RRR, and The Banshees of Inisherin were not in the mix. However, Banshees received a Special Award similar to what eventual Academy hopefuls like Roma and Parasite nabbed.
I went 7 for 10 on my predictions. I correctly named Avatar, Elvis, Everything Everywhere…, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. I didn’t name Nope, She Said, and Tár. Instead I picked Babylon, Glass Onion: A Knives Out Mystery, and Guillermo del Toro’s Pinocchio. For She Said and Tár especially, these were important nods considering they missed NBR (as did Nope).
Let’s start with the films that made the AFI and NBR lists. I’m counting Banshees with its AFI Special Award shout-out and there’s six more: Avatar: The Way of Water, Everything Everywhere All at Once, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. This is a list you want to be on when it comes to an Oscar BP nom.
In the previous five years, ten pictures that made AFI and NBR were ignored by the Academy. They are 2017’s The Florida Project, Mary Poppins Returns, A Quiet Place, First Reformed, and Eighth Grade (all from 2018), Knives Out and Richard Jewell from 2019, Da 5 Bloods and Soul in 2020, and last year’s The Tragedy of Macbeth.
If history is our guide, at least one of the seven from 2022 will miss out. Looking at the list, The Woman King is probably most vulnerable. That said, I’ve yet it to include it in my Oscar ten and the stock is rising.
In the past five years, only five pics have missed AFI and NBR (including Special Awards) and received a BP nod from the Academy. They are Darkest Hour from 2017, Bohemian Rhapsody and Vice in 2018, The Father in 2020, and last year’s Drive My Car.
What about the movies that didn’t make AFI or NBR in 2022? That list includes Babylon, The Whale, Triangle of Sadness, Guillermo del Toro’s Pinocchio, All Quiet o the Western Front, and Decision to Leave. The last two weren’t eligible for AFI. Nevertheless this isn’t a list you want to be on though the outlook isn’t completely dire.
If history guides us again, 2 of the aforementioned 2022 titles could still get love from Oscar. Perhaps Monday’s Golden Globes nods will save some of them. There’s no doubt that Babylon and The Whale are looking shakier for Academy inclusion after this week. They need some attention from the Hollywood Foreign Press Association.
I’ll have my Golden Globe nominations recap up Monday and if you missed my predictions on them, you can find them here:
The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.
Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.
So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.
It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out,Star Wars: The Force Awakens, and Straight Outta Compton.
Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.
We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.
I’ll have a recap up tomorrow with commentary and how I did!
The National Board of Review, a group of cinephiles out of New York City, bestows its best of every year in early December. Their selections certainly don’t forecast who and what the Academy will eventually name. They do, like many critics organizations, give us potential hints as to who and what’s hot and not as Oscar voters ready their ballots.
For 2022, the NBR went with the year’s most popular picture in Top Gun: Maverick. Named Best Film, Maverick is expected to land a spot in the Academy’s BP ten. Picking it to win is risky business. Of the last 10 NBR victors, only one went on to win BP at the big dance – 2018’s Green Book (and that was a surprise). The last three recipients were The Irishman, Da 5 Bloods, and Licorice Pizza. On the other hand, one three NBR winning films in the 21st century didn’t score an Oscar BP nomination: 2000’s Quills, 2014’s A Most Violent Year, and the aforementioned Bloods from 2020.
The directing prize went to Steven Spielberg for The Fabelmans. He’s ranked #1 in my Oscar picks and has been for quite some time. If he takes Oscar, he’d be the first NBR victor to do so since 2006 when Martin Scorsese won for The Departed.
The matches don’t improve much in the acting derbies. Michelle Yeoh (Everything Everywhere All at Once) was crowned Best Actress. Three of the past 10 winners achieved Oscar glory: Julianne Moore for Still Alice, Brie Larson in Room, and Renee Zellweger as Judy. On a side note, a Cate Blanchett Tàr prize here would’ve been the easy bet. That picture was ignored by NBR even in their selections for the 10 greatest films not named Top Gun: Maverick (more on that below).
Colin Farrell nabbed another lead Actor honor for The Banshees of Inisherin. Two of the previous 10 NBR gentleman made a podium trip at the Oscars: Casey Affleck in Manchester by the Sea and Will Smith last year for King Richard (remember that?). Farrell is emerging as a major threat as is Austin Butler for Elvis (which received no love from this board). Along with Brendan Fraser in The Whale (who needs some critic groups love awfully soon), they make up a three-way tussle for Best Actor.
Janelle Monae is your Best Supporting Actress as her stock is rising. Yet only two of the past 10 winners match Oscar with Regina King for If Beale Street Could Talk and Youn Yuh-Jung for Minari. Brad Pitt is the only Supporting Actor NBR/Academy match of the last decade for Once Upon a Time in Hollywood. Brendan Gleeson in The Bansees of Inisherin will try and join that small club as he emerged over frontrunner Ke Huy Quan in Everything Everywhere.
Original Screenplay went to Banshees while All Quiet on the Western Front was a surprise recipient in Adapted Screenplay over Women Talking (which is widely favored to catch the Academy’s attention).
Other pics making their mark today were Marcel the Shell with Shoes On for Animated Feature, Close in International Feature Film, and Sr. for Documentary Feature. All are expected to vie for consideration at the Oscars.
Finally, the NBR chooses 10 additional features on their best of list. This year they were Aftersun, Avatar: The Way of Water, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Glass Onion: A Knives Out Mystery, RRR, Till, The Woman King, and Women Talking. In addition to Tár and Elvis – you also won’t find The Whale or Babylon or Triangle of Sadness among the picks. Same with She Said and Guillermo del Toro’s Pinocchio.
From 2019-2021, the winning pictures and ten other NBR picks equated to between 5-7 of the Academy’s BP contenders. Right now, I have six of these 2022 films in my Oscar 10: Maverick, Avatar, Banshees, Everything Everywhere, Fabelmans, and Women Talking. That corresponds to what usually occurs between NBR and Oscar.
All in all, a good day for Maverick and company. That said – if you think it is now cruising to Best Picture, history suggests otherwise.
After a couple years of major controversy, the Hollywood Foreign Press Association’s big shindig is back on your television screens with the 80th Golden Globe Awards. The ceremony honoring the year’s best in film and TV returns to NBC on January 10th and the nominations are out on Monday, December 12th.
Readers of my blog are aware that I update my Oscar predictions every week to two weeks. With the Globes, it’s just one shot. As an aside, I don’t forecast the small screen races.
There are 14 categories to consider. As you may recall, the Globes split Drama and Comedy/Musical for Picture and the lead acting derbies. This is not the case with director or supporting. Furthermore, this ceremony has a sole Screenplay race while the Academy differentiates between original and adapted works.
Let’s get to it! For each competition, I’m also giving you my alternate. On Monday, I’ll have a recap up with my thoughts on the nominations and how I performed.
Best Motion Picture – Drama
Elvis
The Fabelmans
Tár
Top Gun: Maverick
Women Talking
Alternate: Avatar: The Way of Water
Best Motion Picture – Musical or Comedy
Babylon
The Banshees of Inisherin
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
The Menu
Alternate: Triangle of Sadness
Best Director
Daniels, Everything Everywhere All at Once
Baz Luhrmann, Elvis
Martin McDonagh, The Banshees of Inisherin
Sarah Polley, Women Talking
Steven Spielberg, The Fabelmans
Alternate: Todd Field, Tár
Best Actress – Drama
Cate Blanchett, Tár
Olivia Colman, Empire of Light
Viola Davis, The Woman King
Danielle Deadwyler, Till
Michelle Williams, The Fabelmans
Alternate: Jennifer Lawrence, Causeway
Best Actor – Drama
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Brendan Fraser, The Whale
Paul Mescal, Aftersun
Bill Nighy, Living
Alternate: Hugh Jackman, The Son
Best Actress – Musical/Comedy
Lesley Manville, Mrs. Harris Goes to Paris
Margot Robbie, Babylon
Anya Taylor-Joy, The Menu
Emma Thompson, Good Luck to You, Leo Grande
Michelle Yeoh, Everything Everywhere All at Once
Alternate: Julia Roberts, Ticket to Paradise
Best Actor – Musical or Comedy
Diego Calva, Babylon
Daniel Craig, Glass Onion: A Knives Out Mystery
Colin Farrell, The Banshees of Inisherin
Ralph Fiennes, The Menu
Tom Hanks, A Man Called Otto
Alternate: Adam Driver, White Noise
Best Supporting Actress
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Claire Foy, Women Talking
Janelle Monae, Glass Onion: A Knives Out Mystery
Alternate: Jessie Buckley, Women Talking
Best Supporting Actor
Paul Dano, The Fabelmans
Brendan Gleeson, The Banshees of Inisherin
Tom Hanks, Elvis
Brad Pitt, Babylon
Ke Huy Quan, Everything Everywhere All at Once
Alternate: Ben Whishaw, Women Talking
Best Screenplay
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Tár
Women Talking
Alternate: Glass Onion: A Knives Out Mystery
Best Animated Motion Picture
The Bad Guys
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red
Alternate: My Father’s Dragon
Best Foreign Language Motion Picture
All Quiet on the Western Front
Argentina, 1985
Bardo
Decision to Leave
RRR
Alternate: Saint Omer
Best Original Score
Avatar: The Way of Water
Babylon
The Fabelmans
Guillermo del Toro’s Pinocchio
Women Talking
Alternate: The Banshees of Inisherin
Best Original Song
“Ciao Papa” from Guillermo del Toro’s Pinocchio
“Hold My Hand” from Top Gun: Maverick
“Lift Me Up” from Black Panther: Wakanda Forever
“Naatu Naatu” from RRR
“Nobody Like U” from Turning Red
Alternate: “Carolina” from Where the Crawdads Sing
And that means I’m projecting the following number of mentions for these pictures:
6 Nominations
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans
5 Nominations
Babylon, Women Talking
4 Nominations
Elvis
3 Nominations
Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, The Menu, Tár
2 Nominations
RRR, Turning Red, The Whale
1 Nomination
Aftersun, All Quiet on the Western Front, Argentina, 1985, Avatar: The Way of Water, The Bad Guys, Bardo, Black Panther: Wakanda Forever, Decision to Leave, Empire of Light, Good Luck to You, Leo Grande, Living, A Man Called Otto, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Puss in Boots: The Last Wish, Till, The Woman King
Hollywood looks to be awoken from its box office slumber when Avatar: The Way of Water surfaces on December 16th. After plenty of delays in the release date, James Cameron’s sequel to his 2009 record breaking phenomenon comes with a reported budget in the neighborhood of $400 million. Clocking in at 3 hours and 12 minutes, the 3D sci-fi epic is the only newcomer on the pre-Christmas weekend and it should dominate the marketplace. Sam Worthington, Zoe Saldana, Stephen Lang, Joel David Moore, CCH Pounder, Giovanni Ribisi, Dileep Rao, and Matt Gerald reprise their roles from part 1. Joining the Pandora universe for the first time are Kate Winslet, Cliff Curtis, Edie Falco, Jermaine Clement, and Brandon Cowell. Sigourney Weaver appears in a different part from 13 years ago.
It’s dangerous to underestimate Cameron. This is only his third feature in a quarter century. 1997’s Titanic withstood shaky buzz during its filming and became the highest grossing film of all time. That record stood for 12 years until it was broken by (you guessed it) Avatar, which also had troubling word-of-mouth until it didn’t. With $785 million domestically (which includes a September re-release which did impressive business), Avatar still ranks fourth all-time stateside behind Star Wars: The Force Awakens, Avengers: Endgame, and Spider-Man: No Way Home. The international tally is $2.1 billion and that ranks as #1.
There are legitimate questions as to the sequel’s potency. 13 years is a long time between entries. Are younger viewers excited for a trip back to the planet with all the blue people? Disney and 20th Century Studios need this to make a splash as a third Avatar arrives in two years with fourth and fifth (and possibly more) editions planned.
One number is easy to know. The Way of Water will have no problem dwarfing the $77 million that Avatar made for its debut before it became the must-see picture for months. It was #1 for 7 weeks. The sequel is expected to take in double that figure with $160 million generally being considered the floor. The ceiling could be $200 million (and perhaps higher) though its length could hinder that possibility. There’s also some older moviegoers who may not feel the need to rush out opening weekend to view it.
I believe $175-185 million is likely for the Sully family as they land in theaters once again. My projection gives it the 14th biggest domestic premiere of all time between Iron Man 3 and Harry Potter and the Deathly Hallows Part 2. That’s also the 3rd largest opening haul of 2022 behind Doctor Strange in the Multiverse of Madness and Black Panther: WakandaForever.
Avatar: The Way of Water opening weekend prediction: $173.1 million
Audiences weren’t digging the leftovers in the first frame of December and it’ll get even worse this weekend. The top 5 could look awfully familiar with Black Panther: Wakanda Forever on top for a fifth time before Avatar: The Way of Water looks to liven up multiplexes beginning December 16th.
There are only two semi-wide newcomers to speak of and I didn’t do individual prediction posts on either. Father Stu: Reborn is a recut version of this spring’s true life drama with Mark Wahlberg and Mel Gibson. It earned a not so heavenly but not terrible $20 million a few months back. This version is PG-13 and not R. I don’t believe it’ll clear $1 million and that puts it outside the top five.
Spoiler Alert, another true life drama and this one featuring Jim Parsons, expands to approximately 600 venues after opening in six theaters this past weekend. It might be lucky to hit a million and that would leave it outside the top five too.
There’s a small chance that Violent Night, the Santa shoot-em-up with David Harbour, could elevate to 1st place after a decent debut (more on that below). However, Black Panther : Wakanda Forever should manage to make it five in a row before James Cameron’s sequel hits.
Meanwhile the battle for third could be close between the third weekend of Disney dud Strange World and the fourth helping of The Menu.
Here’s how I see the top 6 playing out:
1. Black Panther: Wakanda Forever
Predicted Gross: $10.6 million
2. Violent Night
Predicted Gross: $8.5 million
3. Strange World
Predicted Gross: $3.1 million
4. The Menu
Predicted Gross: $2.8 million
5. Devotion
Predicted Gross: $1.7 million
Box Office Results (December 2-4)
MCU sequel Black Panther: Wakanda Forever made it four in a row with $17.5 million. That’s under my projection of $21.3 million as the 62% fall was rather steep considering the lack of competition. The total did rise to $393 million.
Violent Night dropped at the higher end of its range with $13.4 million, outpacing my $9.4 million take. The grisly Yuletide tale could manage to play well over the coming holidays.
Strange World continued the embarrassing returns for the Mouse Factory with only $5 million in its sophomore weekend. I was close with $5.2 million. That’s a mere $25 million in its first 12 days.
The Menu was fourth with $3.4 million (I said $3.1 million) as it’s made $24 million thus far.
Devotion had a turbulent 54% plummet in weekend #2 with $2.7 million. I estimated a bit more at $3.3 million. Overall gross is $13 million.
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