August 28-30 Box Office Predictions

August at the box office should close out like July did with Spider-Man: Brand New Day ruling the charts. Coyote vs. Acme, the live-action/animated hybrid with a bumpy journey to theaters and Ridley Scott’s post-apocalyptic drama The Dog Stars are the fresh challengers to the throne and you can peruse my detailed prediction posts on the newcomers here:

Warner Bros axed Coyote as a tax write-off as the Looney Tunes tale (shot in 2022) finally was picked up by Ketchup Entertainment. They hope to squeeze an opening weekend in the high teens though my low teens projection could mean third place.

That’s because the MCU’s Spidey adventure should see a fifth weekend in 1st with a drop in the low to mid 40s. The Odyssey could rise from third to second as Insidious: Out of the Further could see a sophomore frame plummet in the 60% range.

I’m putting Further in a close race with The Dog Stars for fourth place as I don’t see the latter finding much of an audience.

Here’s how I see the top five shaking out:

1. Spider-Man: Brand New Day

Predicted Gross: $23.2 million

2. The Odyssey

Predicted Gross: $15.6 million

3. Coyote vs. Acme

Predicted Gross: $13.8 million

4. Insidious: Out of the Further

Predicted Gross: $9.4 million

5. The Dog Stars

Predicted Gross: $8.3 million

Box Office Results (August 21-23)

The sixth entry of the Insidious horror franchise was no match for Tom Holland as Brand New Day spent a fourth weekend as the champ. Spidey took in $39 million, just ahead of my $38 million prediction for $854 million total. This week it will become the second highest grossing domestic feature in history (unadjusted for inflation) behind Star Wars: The Force Awakens ($936 million).

Insidious: Out of the Further settled for second with $25.1 million, under my $29.7 million call. While its numbers are just fine considering the reported $18 million budget, it did not match the $33 million that predecessor The Red Door opened to in 2023.

The Odyssey was third with $19.7 million compared to my $17.1 million take as the epic adventure has amassed $539 million in six weeks. It has now surpassed The Dark Knight ($534 million) to become Christopher Nolan’s largest stateside earner.

PAW Patrol: The Dino Movie was fourth in weekend #2 with $9.1 million, in line with my $9.6 million forecast. The animated sequel stands at $35 million.

The End of Oak Street, another dino movie, rounded out the top five with $8.7 million (I said $8.2 million) for $37 million after two weeks.

Jason Statham’s Mutiny was sixth with $7.7 million as the star’s latest action thriller premiered close to my $7.7 million projection.

Tony, focused on a formative summer in the life of Anthony Bourdain, expanded nationwide and was seventh with $5 million compared to my $6 million prediction. The overall tally is $6.6 million.

Finally, comedy Spa Weekend fizzled in ninth with $3 million though that is ahead of my $2.3 million prognosis.

And that does it for now, folks! Until next time…

August 21-23 Box Office Predictions

For the first time in several weeks, we could have a competition for the #1 spot with Insidious: Out of the Further potentially challenging Spider-Man: Brand New Day‘s fourth frame at the box office. We also have Mutiny with Jason Statham hoping to land in the top five. You can peruse my detailed prediction posts on the newcomers here:

The sixth entry in a 13-year-old steady horror franchise, Further could scare up the mid 30s or higher in a best case scenario. If so, Spidey could be prevented from a fourth weekend atop the charts. Yet my near $30 million projection should put it in the runner-spot assuming Tom Holland’s hero sees a decline in the mid 40s to 50% range.

Mutiny could make $10 million or so if it hits the top end of its range, but my estimate would put it in sixth. I didn’t do individual posts predicting the opening grosses for Spa Weekend (a comedy with Leslie Mann and Isla Fisher) or the nationwide expansion of Anthony Bourdain early years biopic Tony. I don’t figure either will place higher than 6th. I’ll say $6 million for Tony and just $2.3 million for Spa.

The Odyssey should drop to 3rd after three weeks in 2nd in the high teens with PAW Patrol: The Dino Movie and dino movie The End of Oak Street in 4th and 5th. As for the latter, it may suffer a significant decline considering the meh B Cinemascore grade.

Here’s how I have the top 6 shaking out:

1. Spider-Man: Brand New Day

Predicted Gross: $38 million

2. Insidious: Out of the Further

Predicted Gross: $29.7 million

3. The Odyssey

Predicted Gross: $17.1 million

4. PAW Patrol: The Dino Movie

Predicted Gross: $9.6 million

5. The End of Oak Street

Predicted Gross: $8.2 million

6. Mutiny

Predicted Gross: $7.5 million

Box Office Results (August 14-16)

Spider-Man: Brand New Day achieved the second best third outing at domestic multiplexes ever with $70.7 million, swinging beyond my $60.2 million call. That’s well behind the $90 million third weekend for Star Wars: The Force Awakens and just in front of Avatar‘s $68 million. The MCU’s return to dominance stands at $786 million stateside thus far.

The Odyssey, despite serious competition, held in second with $23.6 million and ahead of my $21 million prediction. The epic tale grew to $505 million after five weeks.

David Robert Mitchell’s The End of Oak Street with Anne Hathaway and lots of CG prehistoric creatures had a softish landing in third with $21 million, easily under my $31.1 million take. As mentioned, so-so word-of-mouth might cause faster extinction in theaters.

PAW Patrol: The Dino Movie was fourth with $20.2 million, a tad below predecessor The Mighty Movie though ahead of my $18.7 million projection.

Katseye: Wild Hearts was fifth with $3.9 million. It admittedly was not on my radar and I didn’t do a prediction post for the documentary about the L.A. based pop group.

Finally, The Brink of War from Angel Studios faltered in seventh with $2.6 million (I said $4.5 million). Older audiences didn’t turn up for the drama about Reagan and Gorbachev’s 1986 summit in Iceland.

And that does it for now, folks! Until next time…

Oscar Predictions: Tony

Concentrating on a formative year in the mid 1970s for the late chef and travel show host Anthony Bourdain, biopic Tony has a limited theatrical engagement beginning August 7th before nationwide expansion on August 21st. Matt Johnson (BlackBerry) directs with Dominic Sessa in the title role. Costars include Emilia Jones, Dagmara Dimińczyk, Rich Sommer, Stavros Halkias, Leo Woodall, and Antonio Banderas.

Many reviews are praising unconventionality in an often conventional genre with 97% on Rotten Tomatoes and a 71 Metacritic. The latter score is more indicative of limited awards prospects. A24 might be more preoccupied with Jesse Eisenberg’s The Debut and Olivia Wilde’s The Invite. Sessa, who garnered acclaim for his big screen debut in 2023’s The Holdovers, is once again getting high marks. However, the distributor would have to really push him in a Best Actor derby that is already looking crowded. My Oscar Prediction posts will continue…

Oscar Watch – Roadrunner: A Film About Anthony Bourdain

The Tribeca Film Festival, cofounded by Robert De Niro and celebrating its 20th year, kicked off this weekend with the premiere of one of 2021’s highest profile documentaries. Roadrunner: A Film About Anthony Bourdain recounts the life and tragic 2018 death of its chef, author, TV host, and renowned traveler title subject. The film comes from Morgan Neville and he’s had a hit or miss relationship with Oscar voters.

Neville’s 20 Feet from Stardom from 2013, which told the tale of background singers working for musical legends, won Best Documentary Feature at the big show. His two follow-ups were both acclaimed and each missed the final five nominated selections from the Academy. 2015’s Best of Enemies, focused on the relationship between political commentators William F. Buckley and Gore Vidal, was shortlisted for the category but didn’t hear its name called on nomination morning. In 2018, one of the biggest snubs was Won’t You Be My Neighbor? not garnering attention.The director’s bio about the legendary Mister Rogers was a box office smash as far as docs are concerned. It was considered a shoo-in for a nod with a chance to win. Yet that never materialized.

Early reviews for Roadrunner indicate that Neville has fashioned another engrossing look at a familiar television presence. However, trying to guess what the Academy’s branch of documentary voters will do is consistently a tricky proposition. Expect this pic to be on the radar screen for inclusion, but whether it makes the cut is uncertain. My Oscar Watch posts will continue…