Cannes Do Spirit

The Cannes Film Festival, originally scheduled for May in the French Riviera, was canceled this year due to the COVID-19 pandemic. However, an announcement today confirmed that the long running fest will exist in some form. And like everything in 2020… it’s a little confusing. A lineup announcement of 56 pictures was put out as being in the Cannes fold. However, these titles will premiere at various other events scheduled later in the year such as the Toronto and Telluride festivals, among others.

Awards watchers know that Cannes is a fertile breeding ground for Oscar hopefuls. Just last year, Bong Joon-Ho’s Parasite won top Cannes prize the Palme d’or and eventually won Best Picture at the Academy Awards. Some other titles (among many) that premiered at Cannes and got Oscar attention include Apocalypse Now, The Piano, Pulp Fiction, and The Pianist. 

So what are some significant 2020 Cannes contenders that could vie for Oscar gold? I’ll give you a quintet and we start with Wes Anderson’s The French Dispatch. The latest effort from the acclaimed filmmaker is his live-action follow-up to 2014’s The Grand Budapest Hotel which nabbed a leading nine nominations at that year’s Oscars. The cast is filled with familiar faces and many Anderson regulars including Benicio del Toro, Adrien Brody, Tilda Swinton, Frances McDormand, Timothee Chalamet, Bill Murray, Owen Wilson, Edward Norton, Saoirse Ronan, Willem Dafoe, and Anjelica Huston. It is obviously high on the list for potential players throughout awards season.

Ronan also costars in Ammonite, a period drama from director Francis Lee. Her costar is Kate Winslet and between the two of them they have 11 Academy nominations. Expect plenty of chatter as to their viability in the performance races.

Steve McQueen is premiering not one, but two pictures with the Cannes label – Lovers Rock and Mangrove. The director saw his 2013 pic 12 Years a Slave awarded Best Picture. Both of his new titles focus on race relations in the United Kingdom.

Finally, Pixar is in the mix with Soul. Originally scheduled for summer, it was pushed back to November and is rightfully seen as a top tier contender in the Animated Feature derby. Featuring the voices of Jamie Foxx and Tina Fey, Soul is directed by Pete Docter. He’s responsible for two of the studio’s most acclaimed entries and Oscar winners – 2009’s Up and 2015’s Inside Out.

I would suspect that the 51 other Cannes selections could wind up in the mix as well (especially in the International Feature Film race). Time will tell, but the Cannes label will carry on in 2020 (albeit under unforeseen and unique circumstances).

Arctic Dogs Box Office Prediction

Entertainment Studios is hoping that family audiences warm to their animated comedy Arctic Dogs next weekend. Budgeted at around $50 million, it risks being a costly flop. From director Aaron Woodley, Dogs voice cast includes Jeremy Renner (who’s been experiencing bad publicity involved with his personal life), Heidi Klum, James Franco, John Cleese, Omar Sy, Michael Madsen, Laurie Holden, Anjelica Huston, and Alec Baldwin (pulling double duty with new releases along with Motherless Brooklyn).

The pic marks the first animated effort from the relatively new studio, which has only found success with its 47 Meters Down shark tales. I suspect they won’t find much profitability with these talking animals.

Double digits seems like an impossibility here and it could struggle to reach $5 million.

Arctic Dogs opening weekend prediction: $4.5 million

For my Terminator: Dark Fate prediction, click here:

https://toddmthatcher.com/2019/10/22/terminator-dark-fate-box-office-prediction/

For my Motherless Brooklyn prediction, click here:

https://toddmthatcher.com/2019/10/23/motherless-brooklyn-box-office-prediction/

For my Harriet prediction, click here:

https://toddmthatcher.com/2019/10/26/harriet-box-office-prediction/

John Wick: Chapter 3 – Parabellum Movie Review

John Wick: Chapter 3Parabellum brings us back into the franchise where the forecast is usually stylishly rainy and dripping with violence. There’s a 100% chance of Keanu Reeves finding creative ways to kill people. Our third iteration does what you expect from a sequel. It increases the action so Mr. Wick fights more. His poor dog met an unfortunate end in Chapter 1 that kicked all of this off. In Parabellum, dogs don’t die. They fight too.

Just as part 2 picked up immediately after its predecessor, this does as well. As you’ll recall, our title character has been excommunicated by the High Table, the organization that governs the unlimited supply of assassins that populate New York City and beyond. He’s a marked man with a $14 million bounty on his head and a dwindling supply of markers causing people to help him. Those individuals include Oscar winning women like Halle Berry and Anjelica Huston.

Wick can no longer have a safe space in the Continental Hotel, managed by Winston (Ian McShane) and his trusty concierge (Lance Reddick). That place provided many highlights in the first two pictures, but our man branches out here. After an excursion to Rome in #2, Wick’s passport gets him to Casablanca here. That’s where he teams with Berry and does a Clark Griswold style desert journey that does give him a respite from the cool looking rain.

Calling the shots is the Adjudicator (an effective Asia Kate Dillon). She’s in charge of punishing the folks who’ve helped Wick out in the past. This includes Winston and the returning Bowery King (Laurence Fishburne, still having a ball). Our head henchman who wants the collect the Wick murder money is Zero (Mark Dacascos) and his character is quite fun. He may have a task to complete, but he’s also a total fanboy of the legend he’s hunting. Their interplay is an added bonus.

Parabellum is ultimately about how well the action scenes work. Director Chad Stahelski and Reeves once again dig deep into their bag of martial arts inspired tricks. And a decent sized portion of the fight sequences are downright thrilling. Perhaps this series will eventually run of gas and the choreography of Reeves in sadistic motion delivering headshots won’t be as satisfying. Not yet.

*** (out of four)

John Wick: Chapter 3 – Parabellum Box Office Prediction

Blogger’s Note (05/15): My estimate has risen from $37.8 million to $45.8 million

Keanu Reeves is back in theaters next weekend as America’s favorite dog loving hitman when John Wick: Chapter 3Parabellum debuts. The action thriller hopes to build upon the momentum of 2017’s highly successful sequel. Chad Stahelski returns as director with familiar series faces including Laurence Fishburne, Lance Reddick, Ian McShane, and John Leguizamo. New stars in our third edition include Halle Berry, Mark Dacascos, Asia Kate Dillon, and Anjelica Huston.

Mr. Reeves found himself in an unexpected new franchise five years ago when John Wick opened to $14 million with a $43 million overall domestic gross. While that might not seem like enough to automatically warrant a follow-up, the pic achieved critical kudos and cult status when it arrived on demand. Three years later, Chapter 2 made $30 million for its start and $92 million total.

Parabellum has a solid shot at topping the opening weekend of its predecessor, which also garnered glowing reviews. I’ll say mid to high 30s is where this ends up.

John Wick: Chapter 3Parabellum opening weekend prediction: $45.8 million

For my A Dog’s Journey prediction, click here:

https://toddmthatcher.com/2019/05/10/a-dogs-journey-box-office-prediction/

For my The Sun Is Also a Star prediction, click here:

https://toddmthatcher.com/2019/05/10/the-sun-is-also-a-star-box-office-prediction/