Hotel Transylvania 3: Summer Vacation Box Office Prediction

Adam Sandler’s animated franchise is back in theaters next weekend when Hotel Transylvania 3: Summer Vacation debuts. The Sony Pictures series moves to the summer season after its first two entries managed to set records in the month of September. While its star’s live-action efforts have gone the Netflix route, part 3 looks to score with family audiences in a more crowded marketplace than the parts I and II went up against.

Genndy Tartakovsky is back in the director’s chair. Besides Sandler, returning voices include Andy Samberg, Selena Gomez, Kevin James, David Spade, Steve Buscemi, Keegan-Michael Key, Molly Shannon, Fran Drescher, Mel Brooks and newcomers Kathryn Hahn and Jim Gaffigan.

As mentioned, kids and their parents have been receptive to this 3D monster mash on two occasions. In September 2012, the original premiered to $42.5 million with eventual domestic earnings of $148 million. That set the all-time largest debut for that month. Three years later, Hotel Transylvania 2 opened in September 2015 and made $48.4 out of the gate to break the month’s record held by its predecessor. It ended up at $169 million. The series held the 1-2 September spot until last year when It obliterated the record.

When it comes to competition for eyeballs, Incredibles 2 should be winding down though still grossing in the mid to possibly high teens. Marvel’s AntMan and the Wasp will only be in its second weekend and likely going strong. That said, Transylvania has proven itself before and I imagine it too will manage a low to mid 40s start even with the change of seasons. By doing so, that should put it in line for the #1 spot over AntMan and the debut of Dwayne Johnson’s Skyscraper.

Hotel Transylvania 3: Summer Vacation opening weekend prediction: $43.6 million

For my Skyscraper prediction, click here:

https://toddmthatcher.com/2018/07/03/skyscraper-box-office-prediction/

Oscar Watch: Incredibles 2

This should come as no surprise, but reviews out today for Incredibles 2 (out Friday) are pretty encouraging. The sequel from Pixar/Disney arrives 14 years after the original, which stands as one of the vaunted studio’s high marks. The current Rotten Tomatoes score for part 2 stands at 97%.

As I would with any Pixar offering, we turn to its Oscar viability and that takes us on a trip down memory lane. The Best Animated Feature category at the Academy Awards has been around since 2001. That means the first three Pixar tales (Toy Story, A Bug’s Life, Toy Story 2) existed in a time when the category did not. I would say all three would have been nominated had the race been around (and the Toy stories likely both would have been victorious).

Since 2001, Pixar pics have won 9 times and they are as follows:

2003: Finding Nemo

2004: The Incredibles

2007: Ratatouille

2008: Wall-E

2009: Up

2010: Toy Story 3

2012: Brave

2015: Inside Out

2017: Coco

There have been two occasions where a Pixar movie was nominated and lost. In 2001, Monsters Inc. couldn’t get over Shrek. In 2006, Happy Feet took the prize over Cars. 

Five Pixar features have failed to garner a nomination. Four were sequels. The only outlier is 2015’s The Good Dinosaur. The others:

2011: Cars 2

2013: Monsters University

2016: Finding Dory

2017: Cars 3

Which brings us back to Incredibles 2. So where does this stand? Note that this sequel is the only one to a predecessor that won before. And seeing that early reviews are overwhelmingly glowing (even though some say it doesn’t match #1), I’ll predict this Pixar sequels makes the final five come next year. The director, Brad Bird, is also responsible for two of the Pixar statues (The Incredibles and Ratatouille). There will certainly be competition (Isle of Dogs was already released and seems assured a spot) and its possibility to win is still a giant question mark. Yet these superheroes seem primed for a return engagement down the red carpet.

My Oscar Watch posts will continue…

https://www.youtube.com/watch?v=p3lhNu7ci5g

Incredibles 2 Box Office Prediction

Disney/Pixar is back on the summer scene as Incredibles 2 blasts into theaters next weekend. The superhero comedy sequel is the follow-up to the studio’s sixth blockbuster that opened in November 2004. Fourteen years later, this is Pixar’s 20th assured mega grosser. Brad Bird, who made the original, is back in the director’s seat after shepherding live-action pics Mission: Impossible – Ghost Protocol and Tomorrowland. Returning voices from the original cast include Craig T. Nelson, Holly Hunter, Samuel L. Jackson, Sarah Vowell, and John Ratzenberger. Fresh voices for part 2 include Jonathan Banks, Bob Odenkirk, Catherine Keener, Isabella Rossellini, and Sophia Bush.

The question mark here is not whether Incredibles 2 is another huge hit for Pixar (it will be). Rather, the question is whether it sets the all-time opening record for the Mouse Factory’s multi-billion dollar subsidiary. In order to do so, it would need to surpass the current one held by 2016’s Finding Dory. That sequel earned $135 million in the same weekend two summers ago.

For some context, the predecessor to Dory (2003’s Finding Nemo) made $70 million out of the gate with an eventual gross of $339 million. As for the first Incredibles? It did exactly the same in its first weekend ($70 million) and went on to earn $261 million domestically. Of course, most Pixar titles take on long shelf lives and introduce themselves to a new generation of youngsters. The Incredibles is no exception and stands as one of the most appreciated studio offerings.

I see no reason why Incredibles 2 wouldn’t perform very similarly to Dory. That said, I’m reluctant to project that it will get to $150 million plus or anything in that stratosphere. I’ll say this just manages to achieve a personal Pixar high. In doing so, just as Nemo and Incredibles got to the same number in weekend 1, so essentially will the sequels.

Incredibles 2 opening weekend prediction: $138.1 million

For my Tag prediction, click here:

https://toddmthatcher.com/2018/06/05/tag-box-office-prediction/

For my Superfly prediction, click here:

https://toddmthatcher.com/2018/06/07/superfly-box-office-prediction/

Sherlock Gnomes Box Office Prediction

Seven years after its predecessor posted solid box office numbers, animated sequel Sherlock Gnomes debuts in theaters next weekend. Produced by Paramount Animation and MGM, the 3D computer drawn comedy is the follow-up to 2011’s Gnomeo and Juliet. Returning voices include James McAvoy (Gnomeo), Emily Blunt (Juliet), Michael Caine, and Maggie Smith. Known faces bringing fresh voices to the follow-up include Chiwetel Ejiofor, Mary J. Blige, and Johnny Depp. Elton John contributes some music.

In February 2011, Gnomeo debuted to $25 million and ended up with $99.9 million overall. Fun fact: that makes it the highest grossing domestic earner of all time to not join the century club. One problem with Gnomes matching the first: a lot of the kiddos who went to see Gnomeo are now preteens or teenagers. Unlike Pixar sequels, there may not be enough goodwill for this to warrant them returning or bringing in a fresh batch of youngsters.

That said, competition for family audiences is rather light. I’ll predict Sherlock ends up in the low to mid teens for its start.

Sherlock Gnomes opening weekend prediction: $13.7 million

https://www.youtube.com/watch?v=TR-sefx8ncI

For my Pacific Rim Uprising prediction, click here:

https://toddmthatcher.com/2018/03/13/pacific-rim-uprising-box-office-prediction/

For my Paul, Apostle of Christ prediction, click here:

https://toddmthatcher.com/2018/03/14/paul-apostle-of-christ-box-office-prediction/

For my Midnight Sun prediction, click here:

https://toddmthatcher.com/2018/03/16/midnight-sun-box-office-prediction/

For my Unsane prediction, click here:

https://toddmthatcher.com/2018/03/16/unsane-box-office-prediction/

Early Man Box Office Prediction

StudioCanal is hoping family audiences will wish to travel to the Stone Age when their stop-motion animated tale Early Man debuts next weekend. Directed by Nick Park, maker of Chicken Run and numerous Wallace & Gromit efforts, the pic features the voices of Eddie Redmayne, Tom Hiddleston, Maisie Williams, and Timothy Spall.

Expected to debut on approximately 2200 screens at press time, Early Man could have trouble finding its intended audience. There is direct competition in the form of the second weekend of Peter Rabbit. Also Jumanji: Welcome to the Jungle should still be making some dough. Most importantly, plenty of kids will be preoccupied with what should be a massive opening for Black Panther.

I’ll project Early Man struggles in its four-day Presidents Day weekend roll out.

Early Man opening weekend prediction: $5.7 million (Friday to Monday estimate)

For my Black Panther prediction, click here:

https://toddmthatcher.com/2018/02/06/black-panther-box-office-prediction/

Oscar Watch: Early Man

We’re just 15 days into the new year, but my first 2018 Oscar Watch post has arrived courtesy of Early Man. The prehistoric stop-motion animated tale opens stateside on February 16 and it’s out in the United Kingdom next Friday. Early reviews are out and the initial Rotten Tomatoes score is a solid 86%.

Featuring the voices of Eddie Redmayne, Tom Hiddleston, Maisie Williams, and Timothy Spall, the family flick comes from director Nick Park. That’s where the Oscar chatter comes into play. Mr. Park has been nominated for the gold statue six times, mostly due to his animated short film efforts. In 2005, his feature length Wallace & Gromit: The Curse of the WereRabbit was victorious for Best Animated Feature. He’s had other acclaimed pictures including 2000’s Chicken Run, which still stands as stop-motion’s largest earner.

There will be plenty of competition rolling out over the calendar year, including high profile releases like The Incredibles 2 and Dr. SeussThe Grinch. Yet it’s fair to say Early Man is an early contender for recognition among animated features.

My Oscar Watch posts will continue…

 

 

 

 

 

 

 

 

 

 

 

 

Ferdinand Box Office Prediction

Next Friday, the makers of the animated Ferdinand hope to siphon some youngsters and their parents away from Star Wars: The Last Jedi. The 20th Century Fox title (which happens to be the former studio of Luke Skywalker and company) is based on the 1936 children’s novel The Story of Ferdinand, which tells the tale of a kindly bull. John Cena provides the voice of said bull with Kate McKinnon, Anthony Anderson, Bobby Cannavale, Gina Rodriguez, and Peyton Manning also lending their sounds. Carlos Saldanha, who made some of the Ice Age and Rio features, directs.

Competition is significant. Many kids should be preoccupied with Disney’s franchise juggernaut that opens the same day. And there’s also Coco, which should still be pulling in some coin in weekend #4.

That said, Fox employed a similar strategy two years ago when Alvin and the Chipmunks: The Road Chip opened directly opposite Star Wars: The Force Awakens. That gamble resulted in an OK $14.2 million debut yet it experienced small declines over the following holiday weekends.

Ferdinand has the benefit of not being at the tail end of a waning franchise, as Chipmunks was. That might cause it to make a bit more out of the gate and probably hold better in future frames. I’ll go high teens for its start.

Ferdinand opening weekend prediction: $18.6 million

https://www.youtube.com/watch?v=n7RkOfN8KvE

For my Star Wars: The Last Jedi prediction, click here:

https://toddmthatcher.com/2017/12/04/star-wars-the-last-jedi-box-office-prediction/

Coco Box Office Prediction

Blogger’s Note (11/21): On the eve of its premiere, I’m revising my estimate up a bit from $50.5 million in the three-day to $54.1 million and $74.6 million for the five-day.

Disney/Pixar looks to brings hordes of family audiences in over the Thanksgiving holiday once again when Coco debuts next Wednesday. The musical fantasy centers around the Mexican holiday Day of the Dead and features the voices of Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, and Edward James Olmos. It’s directed by Lee Unkrich, who last made Toy Story 3 for the studio.

The animated flick is already setting box office records in Mexico, which should be no major surprise given its setting. Reviews (as they typically are for Pixar) are solid with a current 96% Rotten Tomatoes score.

So how well will Coco perform stateside? Looking over the history of Disney’s Thanksgiving releases, there are several models to choose from. On the high-end, 2013’s Frozen took in $67.3 million for the three-day traditional Friday to Sunday portion of the weekend and $93.9 million for the five-day Wednesday to Sunday gross. On the low-end, 2015’s The Good Dinosaur only managed $39.1 million from Friday to Sunday and $55.4 million for the five-day. I don’t believe Coco will achieve the Frozen peak or the Dinosaur low.

Going back to just last year, Moana earned $56.6 million for the three-day and $82 million from Wednesday-Sunday. That would be on the higher end of expectations here, but it’s certainly feasible. Like Moana, our 2017 Disney offering has good buzz and looks to be the front-runner for Best Animated Feature at the Oscars.

Yet I believe it may fall a bit below that and the best model I see goes back seven years to Tangled, which took in $48.7 million for the three-day and $68.7 million for the five-day. I’ll estimate Coco gets just above that.

Coco opening weekend prediction: $54.1 million (Friday to Sunday), $74.6 million (Wednesday to Sunday)

For my Roman J. Israel, Esq. prediction, click here:

https://toddmthatcher.com/2017/11/19/roman-j-israel-esq-box-office-prediction/

The Star Box Office Prediction

Sony Pictures is hoping family and faith-based audiences make the journey to The Star next weekend. The animated tale is centered around some talking animals and their adventures as the first Christmas is occurring. Some familiar faces in both the film and music world provide voices including Steven Yeun, Gina Rodriguez, Keegan-Michael Key, Tyler Perry, Kristin Chenoweth, Zachary Levi, Tracy Morgan, Anthony Anderson, Mariah Carey, Kelly Clarkson, Kris Kristofferson, Christopher Plummer, Ving Rhames, Gabriel Iglesias, Patricia Heaton, and even Oprah Winfrey.

Made for a small reported budget of just $18 million, The Star will hope to shine brightly with its intended audience before Pixar’s Coco arrives just five days later for the Thanksgiving holiday.

Prognosticating for this one is a little tricky. I could certainly see it exceeding expectations with a gross high in the teens. However, I believe a more likely scenario is an opening weekend in the lower double digits to maybe lower teens with hope that it holds over well the following holiday weekend (even with the Coco competition).

The Star opening weekend prediction: $10.3 million

For my Justice League prediction, click here:

https://toddmthatcher.com/2017/11/07/justice-league-box-office-prediction/

For my Wonder prediction, click here:

https://toddmthatcher.com/2017/11/08/wonder-box-office-prediction/

Oscar Watch: Coco

Ahead of its Thanksgiving weekend stateside debut, Pixar’s Coco has screened for critics and as is par for the course for the studio, reviews are exceedingly positive. The concept of the latest creation is centered around Mexico’s Day of the Dead holiday. Early critical reaction suggests it brings Pixar’s typical blend of heart and humor. Lee Unkrich, who co-directed Monsters Inc. and Finding Nemo and branched out solo with Toy Story 3 is behind the camera. Voices included Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, and Edward James Olmos.

Since 2001 when the Academy created the Best Animated Feature category, Pixar has won eight times. The most recent was two years ago for Inside Out. So let’s get this out of the way right now – Coco is unquestionably the major front runner not just for a nomination in that race, but to win.

The real question is whether or not it stands a chance at sneaking into the Best Picture race. Only two of the studio’s works have – Up in 2009 and Toy Story 3 the following year. The answer is probably not. While notices out this weekend are strong, it will likely follow the normal path of contending only in the animated portion of the evening’s festivities.

My Oscar Watch posts will continue…