Tag: Alicia Vikander

Todd’s Oscar Predictions: November Edition

We have arrived at my third round of Oscar predictions for the month of November. Some has changed, some has stayed the same. We’ll go through each of the six major categories one by one…

Let’s go!

BEST SUPPORTING ACTRESS

This is the one category where I’ve made no changes, though any of the others listed as possibilities could find their way in. Most have Jane Fonda in the mix already, but I’m not quite there yet.

TODD’S PREDICTIONS  in SUPPORTING ACTRESS

Joan Allen, Room

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Alicia Vikander, The Danish Girl

Kate Winslet, Steve Jobs

Other Possibilities:

Elizabeth Banks, Love and Mercy

Jane Fonda, Youth

Diane Ladd, Joy

Rachel McAdams, Spotlight

Isabella Rossellini, Joy

Julie Walters, Brooklyn

BEST SUPPORTING ACTOR

And here we have the most changes of any category! Coming out of nowhere last week was Sylvester Stallone’s acclaimed performance in Creed and as of now, here appears to be a strong contender for a nod and maybe even the win. I’m also including Mark Ruffalo and re-including Idris Elba. Falling out are Benicio del Toro, Robert De Niro, and Tom Hardy, though they all remain possibles. This category has a whole lot of potential nominees, but only five slots available.

TODD’S PREDICTIONS for SUPPORTING ACTOR

Idris Elba, Beasts of No Nation

Michael Keaton, Spotlight

Mark Ruffalo, Spotlight

Mark Rylance, Bridge of Spies

Sylvester Stallone, Creed

Other Possibilities:

Christian Bale, The Big Short

Bradley Cooper, Joy

Paul Dano, Love and Mercy

Benicio del Toro, Sicario

Robert De Niro, Joy

Joel Edgerton, Black Mass

Harrison Ford, Star Wars: The Force Awakens

Tom Hardy, The Revenant

Samuel L. Jackson, The Hateful Eight

Harvey Keitel, Youth

Jason Mitchell, Straight Outta Compton

Kurt Russell, The Hateful Eight

Jacob Tremblay, Room

BEST ACTRESS

Four slots seem to be rather safe and have been for awhile: Cate Blanchett, Brie Larson, Jennifer Lawrence, and Saoirse Ronan. The fifth slot could legitimately be any of the others listed, but for now I’ve removed Carey Mulligan and replaced her with Blythe Danner.

TODD’S PREDICTIONS for ACTRESS

Cate Blanchett, Carol

Blythe Danner, I’ll See You in My Dreams

Brie Larson, Room

Jennifer Lawrence, Joy

Saoirse Ronan, Brooklyn

Other Possibilities:

Emily Blunt, Sicario

Carey Mulligan, Suffragette

Charlotte Rampling, 45 Years

Maggie Smith, The Lady in the Van

Charlize Theron, Mad Max: Fury Road

Lily Tomlin, Grandma

BEST ACTOR

Only one change here as I currently feel the massive box office success of The Martian will get Matt Damon in. That takes Michael Caine out. Watch out for Will Smith, though, even though I don’t yet have him in the final  cut.

TODD’S PREDICTIONS for ACTOR

Matt Damon, The Martian

Johnny Depp, Black Mass

Leonardo DiCaprio, The Revenant

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

Other Possibilities:

Michael Caine, Youth

Bryan Cranston, Trumbo

Tom Hanks, Bridge of Spies

Michael B. Jordan, Creed

Will Smith, Concussion

BEST DIRECTOR

Two changes here as I believe Danny Boyle may miss out and George Miller won’t be the wild card pick I predicted in October. This puts David O. Russell and Ridley Scott in.

TODD’S PREDICTIONS for DIRECTOR

Lenny Abrahamson, Room

Alejandro Gonzalez Inarritu, The Revenant

Tom McCarthy, Spotlight

David O. Russell, Joy

Ridley Scott, The Martian

Other Possibilities:

Danny Boyle, Steve Jobs

Ryan Coogler, Creed

John Crowley, Brooklyn

Cary Fukanaga, Beasts of No Nation

Todd Haynes, Carol

Tom Hooper, The Danish Girl

George Miller, Mad Max: Fury Road

Steven Spielberg, Bridge of Spies

Quentin Tarantino, The Hateful Eight

BEST PICTURE

I am still predicting nine nominees out of the possible five-ten and I’ve made two changes. I’m putting Carol back in the mix and The Martian in for the first time. That leaves out Bridge of Spies and The Danish Girl, though both remain major contenders. It’s worth noting that Steve Jobs, due to its disastrous box office performance, is not even close to a shoo in  and it could fall off.

TODD’s PREDICTIONS for PICTURE

Brooklyn

Carol

The Hateful Eight

Joy

The Martian

The Revenant

Room

Spotlight

Steve Jobs

Other Possibilities:

Beasts of No Nation

The Big Short

Bridge of Spies

Creed

The Danish Girl

Inside Out

In the Heart of the Sea

Mad Max: Fury Road

Sicario

Star Wars: The Force Awakens

Straight Outta Comption

And that does it for my November Oscar predictions, folks! I’ll have the December predictions up shortly before Christmas…

Burnt Box Office Prediction

After his Oscar nominated smash hit American Sniper early this year, Bradley Cooper may experience his second box office disappointment with Burnt, out next weekend. The comedic drama features Cooper as a formerly drug addicted chef trying to rebuild his life. Costars include Sienna Miller, Uma Thurman, Daniel Bruhl, Alicia Vikander and Emma Thompson.

Reviews have not been strong as Burnt currently sits at just 31% on Rotten Tomatoes. It appears to be following a similar path to this summer’s Aloha with Cooper, which debuted to only $9.6 million. I wouldn’t be surprised if this suffers a similarly unimpressive fate and fails to reach double digits out of the gate.

Burnt opening weekend prediction: $8.9 million

For my Our Brand Is Crisis prediction, click here:

https://toddmthatcher.com/2015/10/22/our-brand-is-crisis-box-office-prediction/

For my Scouts Guide to the Zombie Apocalypse prediction, click here:

https://toddmthatcher.com/2015/10/22/scouts-guide-to-the-zombie-apocalypse-box-office-prediction/

Todd’s October Oscar Predictions: Best Supporting Actress

Tonight we begin my second round of Oscar predictions in the six top categories and it begins with Best Supporting Actress. Since my initial round of estimates, the list of possible nominees in this race has been diminished greatly – from 24 names to just 10 that I see as real possibilities.

Three of my original five nominees remain: Jennifer Jason Leigh in Quentin Tarantino’s The Hateful Eight, Rooney Mara in Todd Haynes’s Carol, and Kate Winslet in Danny Boyle’s Steve Jobs. We also have the inclusion of Alicia Vikander in Tom Hooper’s The Danish Girl. Originally I predicted her in the Actress race but it’s since become clear that her studio will make their campaign in this category. As for another earlier predicted nominee, Elizabeth Olsen in I Saw the Light – that pic has since been met with mostly poor reviews and just got pushed to 2016.

So who’s our fifth? Names being bandied about include Rachel McAdams in Spotlight, Jane Fonda in Youth, Julie Walters in Brooklyn (who I predicted last time), Elizabeth Banks in Love and Mercy, and Diane Ladd in Joy (there’s not much buzz yet for her, but director David O. Russell’s last three films have resulted in four nominations in this category). Yet for now I’ll go with Joan Allen in Room, the upcoming indie pic that is getting raves from critics and film festival crowds. We’ll see how much changes when my third round comes in November and I’ll have Supporting Actor up tomorrow.

TODD’S BEST SUPPORTING ACTRESS PREDICTIONS (ROUND TWO)

Joan Allen, Room

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Alicia Vikander, The Danish Girl

Kate Winslet, Steve Jobs

Other Possibilities:

Elizabeth Banks, Love and Mercy

Jane Fonda, Youth

Diane Ladd, Joy

Rachel McAdams, Spotlight

Julie Walters, Brooklyn

2015 Early Oscar Predictions: Best Actress

This evening on the blog, we continue on with my very early and first predictions for the 2015 Oscars and we’ve come to Best Actress. This category, just like Supporting Actor and Actress, yielded two out of the five nominees when I made my predictions in 2014 with 1 other that was nominated being mentioned as an other possibility.

Astonishingly, the group of actresses that could be honored in 2015 encompasses seven out of the eight past winners of the award. 2007 winner Marion Cotillard is getting buzz for Macbeth, though it’s unclear whether she’ll be campaigned for here or in supporting. 2008 winner Kate Winslet has this fall’s The Dressmaker. 2009 winner Sandra Bullock headlines this October’s Our Brand is Crisis. 2011’s Meryl Streep had Ricki and the Flash last month. It’s always foolish to count her out, but the film’s low box office and mixed critical response could hinder her chances. 2012’s Jennifer Lawrence teams with David O. Russell again for Joy and her two previous films with him both landed her Oscar nods and a win for Silver Linings Playbook. 2013’s Cate Blanchett seems practically guaranteed a nod for Todd Haynes’s Carol, which premiered to raves at Cannes. 2014’s Julianne Moore has Freeheld out soon and it could make her a contender again.

Ultimately, however, my early predictions only have two of these women ending up with nominations. Alicia Vikander (who made a splash already this year with Ex Machina) is bound to get attention for Tom Hooper’s The Danish Girl. Carey Mulligan stars in the womens voting rights drama Suffragette. Saoirse Ronan has already gotten raves on the festival circuit for this autumn’s immigration tale Brooklyn.

More possibilities abound. Veteran comedian/actress Lily Tomlin is being praised for the indie pic Grandma. Emily Blunt stars in the action drama Sicario this September. Angelina Jolie directs and stars in By the Sea. And we can’t count out Charlize Theron in this summer’s Mad Max: Fury Road, even though it’s difficult for the action genre to give us acting nominees. It is worth noting that it happened with Sigourney Weaver nearly 30 years ago with Aliens.

This race looks to be one of the most competitive with a whole lot of huge stars going for the prize. And here’s my first take:

TODD’S EARLY PREDICTIONS – BEST ACTRESS

Cate Blanchett, Carol

Jennifer Lawrence, Joy 

Carey Mulligan, Suffragette

Saoirse Ronan, Brooklyn

Alicia Vikander, The Danish Girl

 

Other Possibilities:

Emily Blunt, Sicario

Sandra Bullock, Our Brand is Crisis

Marion Cotillard, Macbeth

Angelina Jolie, By the Sea

Julianne Moore, Freeheld

Meryl Streep, Ricki and the Flash

Charlize Theron, Mad Max: Fury Road

Lily Tomlin, Grandma

Kate Winslet, The Dressmaker 

For my previous posts with early predictions on Supporting Actor and Actress, click here:

https://toddmthatcher.com/2015/09/01/2015-early-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2015/08/30/2015-early-oscar-predictions-best-supporting-actress/

The Man from U.N.C.L.E. Box Office Prediction

A summer action pic based on a popular 1960s spy TV show? No, not Mission: Impossible – Rogue Nation, but The Man from U.N.C.L.E. which opens next Friday. Don’t expect this to reach close to Rogue numbers. Sherlock Holmes director Guy Ritchie is behind the camera with Man of Steel Henry Cavill and Lone Ranger Armie Hammer in the leads. Ex Machina’s Alicia Vikander and Hugh Grant are among the supporting players.

While the marketing campaign has been fairly robust, it’s hard to see U.N.C.L.E. breaking through in any significant way. Straight Outta Compton, debuting the same day, appears poised for a splashy start while Fantastic Four will be entering weekend #2 with Rogue Nation likely doing pretty strong biz in its third frame. None of the stars here are capable of opening a picture and familiarity with the TV show from 50 years is limited.

Add that up and I’ll predict this $75 million budgeted effort doesn’t reach $20 million out of the gate.

The Man from U.N.C.L.E. opening weekend prediction: $18.6 million

For my Straight Outta Compton prediction, click here:

https://toddmthatcher.com/2015/08/06/straight-outta-compton-box-office-prediction/

Ex Machina Movie Review

Alex Garland’s Ex Machina shares similar themes of romance with an artificial intelligence being to that of Spike Jonze’s Her. Oh, but the tone is quite different. This low budget sci-fi feature announces a director with a visual style not unlike Kubrick and one suspects we’ll be seeing lots more from Garland in the future. We’ve seen similar material before, but never presented in the manner it is here and that makes Ex Machina an exciting experience.

The pic gets right into the plot as computer programmer Caleb (Domhnall Gleeson) is selected by his boss Nathan (Oscar Isaac) to travel to his gorgeous remote estate. Nathan is the founder and CEO of Bluebook, the largest search engine site in the world. Caleb is unsure of why he’s given this assignment but soon finds out that is to judge whether Nathan’s AI design Ava (Alicia Vikander) passes the Turing test. In other words, Caleb is to determine whether Ava passes for a human.

We witness their interaction through a series of sessions, with the eccentric, alcoholic, and probably dangerous Nathan monitoring their every moment of conversation. Almost. Intermittent periods of power blackouts allow Caleb and Ava to speak more frankly and Caleb soon discovers than Nathan’s intentions could be more sinister than he’s leading his employee to believe. As their sessions grow, Caleb develops an attraction for Ava and she becomes more and more human to him. She reciprocates his feelings.

The themes of the human race dealing with artificial intelligence in a sexual way are, once again, becoming a more common theme in cinema. Where Ex Machina succeeds is generating considerable tension in the dynamic between its two test subjects (there’s never much doubt Caleb is being tested too) and Nathan. Some of the movie’s most significant developments occur in the blackout periods generated by lost power and by Nathan’s love of hard liquor. We are constantly second guessing Nathan’s motives and soon begin to question Ava’s.

Isaac is given the juicy role here and he delivers another terrific performance once again. Gleeson is the straight man who convincingly plays the truly strange new world he’s found himself in. Yet Ex Machina hinges on the work of Vikander, who excels at creating this manufactured woman who quickly tugs at Caleb’s emotions.

There is no doubt that Garland is a real talent and he delivers a tight and often claustrophobic universe to let his three main players interact in (the only other major supporting player is Sonoyo Mizuno as Nathan’s non English speaking housemaid). With each subsequent session, the suspense escalates and we’re never quite sure where it’s all leading up to. When it does, the ending feels a tad predictable but also feels appropriate. This is not the sci-fi experience we’ve grown used to with an over reliance of effects. They’re here, but Ex Machina earns its worthiness from a director who confidently knows how to tell this story.

***1/2 (out of four)