Tag: Adam McKay

Todd’s Weekly Oscar Predictions: December 11 Edition

And now we’ve arrived at my weekly Oscar predictions for the eight biggest categories and yes, things have changed in one week. Most notably, many critics precursor awards have been announced and just in the last 48 hours, nominations for the SAG and Golden Globe awards have been revealed. The past week’s activity has given a huge boost to Mad Max: Fury Road‘s inclusion into the Best Picture race and I’m including it for the first time. Other pics that have received some momentum: Carol, Trumbo (in acting races), and possibly The Big Short.

For the first time, I’m ceasing to list my predicted nominees and other possibilities alphabetically. We are now switching to where I’m listing according to my thoughts on their probability of being nominated.

And here we go, my friends:

Best Picture

  1. Spotlight
  2. The Revenant
  3. Room
  4. Carol
  5. Mad Max: Fury Road
  6. The Martian
  7. Brooklyn
  8. Bridge of Spies
  9. The Hateful Eight

Other Possibilities:

10. Inside Out

11. The Big Short

12. Creed

13. Steve Jobs

14. Beasts of No Nation

15. Straight Outta Compton

16. The Danish Girl

17. Son of Saul

18. Anomalisa

19. Trumbo

20. Joy

21. Sicario

22. Love and Mercy

23. Star Wars: The Force Awakens

What’s Changed Since Last Week – In: Mad Max: Fury Road, Out: Inside Out

Best Director

  1. Tom McCarthy, Spotlight
  2. Alejandro Gonzalez Inarritu, The Revenant
  3. George Miller, Mad Max: Fury Road
  4. Ridley Scott, The Martian
  5. Todd Haynes, Carol

Other Possibilities:

6. Lenny Abrahamson, Room

7. Steven Spielberg, Bridge of Spies

8. Quentin Tarantino, The Hateful Eight

9. John Crowley, Brooklyn

10. Ryan Coogler, Creed

11. Cary Fukanaga, Beasts of No Nation

12. Adam McKay, The Big Short

13. Laszlo Nemes, Son of Saul

14. Danny Boyle, Steve Jobs

15. David O. Russell, Joy

16. Tom Hooper, The Danish Girl

17. J.J. Abrams, Star Wars: The Force Awakens

What’s Changed Since Last Week – In: Todd Haynes. Out: Lenny Abrahamson

Best Actor

  1. Leonardo DiCaprio, The Revenant
  2. Eddie Redmayne, The Danish Girl
  3. Michael Fassbender, Steve Jobs
  4. Johnny Depp, Black Mass
  5. Bryan Cranston, Trumbo

Other Possibilities:

6. Matt Damon, The Martian

7. Will Smith, Concussion

8. Michael B. Jordan, Creed

9. Ian McKellen, Mr. Holmes

10. Tom Hanks, Bridge of Spies

11. Michael Caine, Youth

12. Steve Carell, The Big Short

13. Geza Rohrig, Son of Saul

What’s Changed Since Last Week – In: Bryan Cranston. Out: Matt Damon

Best Actress

  1. Brie Larson, Room
  2. Saoirse Ronan, Brooklyn
  3. Cate Blanchett, Carol
  4. Charlotte Rampling, 45 Years
  5. Jennifer Lawrence, Joy

Other Possibilities:

6. Blythe Danner, I’ll See You in My Dreams

7. Charlize Theron, Mad Max: Fury Road

8. Sarah Silverman, I Smile Back

9. Helen Mirren, Woman in Gold

10. Maggie Smith, The Lady in the Van

11. Lily Tomlin, Grandma

12. Carey Mulligan, Suffragette

What’s Changed Since Last Week – NO CHANGES

Best Supporting Actor

  1. Mark Rylance, Bridge of Spies
  2. Sylvester Stallone, Creed
  3. Michael Keaton, Spotlight
  4. Paul Dano, Love and Mercy
  5. Idris Elba, Beasts of No Nation

Other Possibilities:

6. Mark Ruffalo, Spotlight

7. Christian Bale, The Big Short

8. Tom Hardy, The Revenant

9. Benicio del Toro, Sicario

10. Michael Shannon, 99 Homes

11. Jacob Tremblay, Room

What’s Changed Since Last Week – In: Paul Dano and Idris Elba. Out: Tom Hardy and Mark Ruffalo

Best Supporting Actress

  1. Alicia Vikander, The Danish Girl
  2. Rooney Mara, Carol
  3. Jennifer Jason Leigh, The Hateful Eight
  4. Kate Winslet, Steve Jobs
  5. Jane Fonda, Youth

Other Possibilities:

6. Kristen Stewart, Clouds of Sils Maria

7. Helen Mirren, Trumbo

8. Joan Allen, Room

9. Elizabeth Banks, Love and Mercy

10. Rachel McAdams, Spotlight

11. Alicia Vikander, Ex Machina

What’s Changed Since Last Week: NO CHANGES

Best Original Screenplay

  1. Spotlight
  2. The Hateful Eight
  3. Inside Out
  4. Bridge of Spies
  5. Son of Saul

Other Possibilities:

6. Love and Mercy

7. Straight Outta Compton

8. 99 Homes

9. Joy

10. Sicario

11. Ex Machina

12. Trainwreck

What’s Changed Since Last Week – IN: Son of Saul. Out: Love and Mercy

Best Adapted Screenplay

  1. Carol
  2. Steve Jobs
  3. Room
  4. Brooklyn
  5. The Big Short

Other Possibilities:

6. The Revenant

7. The Martian

8. Anomalisa

9. Beasts of No Nation

10. Trumbo

11. Creed

12. The Danish Girl

What’s Changed Since Last Week – In: The Big Short. Out: Anomalisa. 

And that’ll do it for this week’s predictions! Stay tuned for next Friday’s picks…

Oscar Watch: The Big Short

The last piece of the AFI Film Festival puzzle as it relates to Oscar potential was unveiled Thursday night as Adam McKay’s The Big Short screened. You don’t normally (as in ever before now) see director McKay’s name linked to Academy Awards buzz. We know him best for making Will Ferrell comedies like Anchorman, Talladega Nights, and The Other Guys. 

Yet this comedy with some drama mixed in focuses on the financial and housing crises of recent years and features a stellar cast that includes Steve Carell, Christian Bale, Ryan Gosling, Brad Pitt, Melissa Leo, and Marisa Tomei. And when Paramount pushed it up from a release date in 2016 to Christmas time this year, it was seen by some as a move to put it in the Oscar race.

The verdict? Pretty strong, but reviews haven’t been met with universal acclaim. Some critics have been quite positive though and when it comes to the performances, attention has turned to Carell for Actor and Bale in Supporting Actor (a category he won in 2010 for The Fighter). Even though the Best Actor race is less competitive in 2015 than it’s been in recent year, I still feel Carell is a bit of a long shot for consideration unless the movie really takes off. Same goes for Bale. I would also say its inclusion in Best Picture seems iffy, at best.

As you know, however, these things can change over the next couple of months and The Big Short at least established itself as a potential player in the weeks ahead.

Get Hard Movie Review

Get Hard is a limp premise that wastes the pairing of two talented stars of the genre in a sea of dated jokes. In this film’s world, gay and racial humor is displayed in full force and the writers seem to believe it’s edgy just because it exists on the page and its high profile performers are saying the lines. It doesn’t connect and the result is a pic that will soon be easily forgotten on both Will Ferrell and Kevin Hart’s resumes.

James King (Ferrell) is a hedge fund manager who’s engaged to his boss’s (Craig T. Nelson) materialistic and cliched money grubbing daughter (Alison Brie). Darnell (Hart) runs the car wash business that services King’s building. When King is wrongfully convicted of embezzlement, he enlists Darnell to help him cope with his upcoming ten year stint at San Quentin. You see, King assumes Darnell has done hard time because… well, he’s black and he believes statistically there’s a likelihood of it. When Darnell is promised $30,000 to assist with King’s request, he is perfectly OK with misleading him.

This sets up elaborate scenes in which Darnell simulates prison riots and instructs King on how to stand up for himself. Mostly it involves advice on how not to get raped in the joint. Lots and lots of jokes about it, which are all stale. The filmmakers even go as far as putting King in a situation where he must learn to, um, service a man should he have to. It’s more uncomfortable than funny. Like the entire idea of this venture.

Get Hard is not anywhere close to as dangerous as it wants to be. It must waste some of its running time investigating who really is behind the crimes King is charged with and that part is dull. The rest of the way is gay joke, racial joke, gay joke, racial joke. Mixed in occasionally is tired commentary on how corporate America contains the real bad guys, a thread also common in much more rewarding Ferrell fare like The Other Guys and The Campaign. Even what purports to be the pic’s comedic highlights, like Ferrell accidentally getting injured by a weapon, only reminded me of when he did it better like in Old School. And let’s face it – how many times have we already seen Will use his naked body as a punchline? It’s here too! The main side effect of taking the journey to Get Hard in this case is absence of laughter.

*1/2 (out of four)