This weekend, Star Wars: The Force Awakens looks poised and primed to demolish box office records. It’s sold $100 million in pre-sale tickets (a previously unimaginable figure). The Disney marketing machine has been in hyper drive. Hyperbole it is not to say this is the most eagerly anticipated picture of the 21st century.
Over the last few months, I’ve been writing my Oscar predictions and now it’s to the point where I’m doing weekly predictions as we draw closer to the actual nominations coming in January. Through it, Star Wars has hung out there like a giant question mark. If it got rave reviews, could it potentially become a player not just to smash records, but to enter the Oscar fray?
Today the landscape has become clearer as the review embargo has been lifted on the eve of its release. And the word that’s emerged is glowing like Luke Skywalker’s lightsaber. Based on 127 reviews so far, The Force Awakens stands at a magnificent 97% on Rotten Tomatoes. I’ll confess that I’m being careful not to read the reviews (I’ll be seeing it Sunday and my own review will be on the blog that day), but the consensus is undeniably that this is a welcome return to the most beloved franchise in history.
Does that mean The Force Awakens could become the first entry in the series to nab a Best Picture nomination since the original in 1977? Yes… it does. Is it guaranteed? No and my predictions on Friday likely won’t have it making the cut. However, as it premieres to what could be history making numbers and with critics on its side, the forces could align to include it and possibly J.J. Abrams in the directing race. Stay tuned…
And now we’ve arrived at my weekly Oscar predictions for the eight biggest categories and yes, things have changed in one week. Most notably, many critics precursor awards have been announced and just in the last 48 hours, nominations for the SAG and Golden Globe awards have been revealed. The past week’s activity has given a huge boost to Mad Max: Fury Road‘s inclusion into the Best Picture race and I’m including it for the first time. Other pics that have received some momentum: Carol, Trumbo (in acting races), and possibly The Big Short.
For the first time, I’m ceasing to list my predicted nominees and other possibilities alphabetically. We are now switching to where I’m listing according to my thoughts on their probability of being nominated.
And here we go, my friends:
Best Picture
Spotlight
The Revenant
Room
Carol
Mad Max: Fury Road
The Martian
Brooklyn
Bridge of Spies
The Hateful Eight
Other Possibilities:
10. Inside Out
11. The Big Short
12. Creed
13. Steve Jobs
14. Beasts of No Nation
15. Straight Outta Compton
16. The Danish Girl
17. Son of Saul
18. Anomalisa
19. Trumbo
20. Joy
21. Sicario
22. Love and Mercy
23. Star Wars: The Force Awakens
What’s Changed Since Last Week – In: Mad Max: Fury Road, Out: Inside Out
Best Director
Tom McCarthy, Spotlight
Alejandro Gonzalez Inarritu, The Revenant
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Todd Haynes, Carol
Other Possibilities:
6. Lenny Abrahamson, Room
7. Steven Spielberg, Bridge of Spies
8. Quentin Tarantino, The Hateful Eight
9. John Crowley, Brooklyn
10. Ryan Coogler, Creed
11. Cary Fukanaga, Beasts of No Nation
12. Adam McKay, The Big Short
13. Laszlo Nemes, Son of Saul
14. Danny Boyle, Steve Jobs
15. David O. Russell, Joy
16. Tom Hooper, The Danish Girl
17. J.J. Abrams, Star Wars: The Force Awakens
What’s Changed Since Last Week – In: Todd Haynes. Out: Lenny Abrahamson
Best Actor
Leonardo DiCaprio, The Revenant
Eddie Redmayne, The Danish Girl
Michael Fassbender, Steve Jobs
Johnny Depp, Black Mass
Bryan Cranston, Trumbo
Other Possibilities:
6. Matt Damon, The Martian
7. Will Smith, Concussion
8. Michael B. Jordan, Creed
9. Ian McKellen, Mr. Holmes
10. Tom Hanks, Bridge of Spies
11. Michael Caine, Youth
12. Steve Carell, The Big Short
13. Geza Rohrig, Son of Saul
What’s Changed Since Last Week – In: Bryan Cranston. Out: Matt Damon
Best Actress
Brie Larson, Room
Saoirse Ronan, Brooklyn
Cate Blanchett, Carol
Charlotte Rampling, 45 Years
Jennifer Lawrence, Joy
Other Possibilities:
6. Blythe Danner, I’ll See You in My Dreams
7. Charlize Theron, Mad Max: Fury Road
8. Sarah Silverman, I Smile Back
9. Helen Mirren, Woman in Gold
10. Maggie Smith, The Lady in the Van
11. Lily Tomlin, Grandma
12. Carey Mulligan, Suffragette
What’s Changed Since Last Week – NO CHANGES
Best Supporting Actor
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
Michael Keaton, Spotlight
Paul Dano, Love and Mercy
Idris Elba, Beasts of No Nation
Other Possibilities:
6. Mark Ruffalo, Spotlight
7. Christian Bale, The Big Short
8. Tom Hardy, The Revenant
9. Benicio del Toro, Sicario
10. Michael Shannon, 99 Homes
11. Jacob Tremblay, Room
What’s Changed Since Last Week – In: Paul Dano and Idris Elba. Out: Tom Hardy and Mark Ruffalo
Best Supporting Actress
Alicia Vikander, The Danish Girl
Rooney Mara, Carol
Jennifer Jason Leigh, The Hateful Eight
Kate Winslet, Steve Jobs
Jane Fonda, Youth
Other Possibilities:
6. Kristen Stewart, Clouds of Sils Maria
7. Helen Mirren, Trumbo
8. Joan Allen, Room
9. Elizabeth Banks, Love and Mercy
10. Rachel McAdams, Spotlight
11. Alicia Vikander, Ex Machina
What’s Changed Since Last Week: NO CHANGES
Best Original Screenplay
Spotlight
The Hateful Eight
Inside Out
Bridge of Spies
Son of Saul
Other Possibilities:
6. Love and Mercy
7. Straight Outta Compton
8. 99 Homes
9. Joy
10. Sicario
11. Ex Machina
12. Trainwreck
What’s Changed Since Last Week – IN: Son of Saul. Out: Love and Mercy
Best Adapted Screenplay
Carol
Steve Jobs
Room
Brooklyn
The Big Short
Other Possibilities:
6. The Revenant
7. The Martian
8. Anomalisa
9. Beasts of No Nation
10. Trumbo
11. Creed
12. The Danish Girl
What’s Changed Since Last Week – In: The Big Short. Out: Anomalisa.
And that’ll do it for this week’s predictions! Stay tuned for next Friday’s picks…
Just one week ago, I wrote a blog post detailing the Oscar prospects for David O. Russell’s latest Joy, which comes out on Christmas. Seven days ago, I believed its prospects for a nomination in Best Picture were still fairly decent. Some of this was due to Mr. Russell’s track record over the decade. His last three pictures – The Fighter, Silver Linings Playbook, American Hustle – all were nominated, as was Russell. Those three movies represent an astounding 11 acting nominations with three wins. And the advance word of mouth on Joy was cautiously optimistic enough that I still felt it stood a good shot at Academy attention.
What a difference a week makes. The official embargo on Joy reviews was lifted this morning and a clearer picture has emerged. Bottom line: Joy will not be nominated for Best Picture. David O. Russell will not be nominated for Director. None of the supporting players that includes Robert De Niro, Bradley Cooper, Edgar Ramirez, Virginia Madsen, Diane Ladd, and Isabella Rossellini will hear their names called. Reviews have been extremely mixed. While some critics have heaped praised, other prominent reviewers have called it his worst movie. While the number is bound to fluctuate, it currently stands at just 53% on Rotten Tomatoes. The Fighter? 90%. Silver Linings Playbook? 92%. American Hustle? 93%. You get the idea.
The only bright spot is that Jennifer Lawrence’s inclusion in Best Actress still appears be solid. Writers have singled out her work and the superstar looks to land her third recognition in a row for a Russell directed effort.
The Joy bubble bursting will surely give rise to another film that many prognosticators had under their bubbles for Picture predictions, including my own. This could represent good news for pictures ranging from Mad Max: Fury Road to Creed to Son of Saul to Anomalisa to The Big Short.
One thing is nearly certain: Russell’s joyful Oscar streak looks to be finished.
As critics organizations have started handing out their year end best of honors starting last week, two stories have stood in the forefront: the love fest enveloping Mad Max: Fury Road and the lack of attention to what many consider to be Oscar’s soft front runner. That would be Tom McCarthy’s Spotlight, the true life story of Boston Globe reporters exposing the Catholic Church priest sex abuse scandal. In fact, when Boston’s online critics organization bestowed their awards over the weekend, many assumed they would select Spotlight due to the geographic factor alone. They went with Max.
Today, however, two organizations from both coasts feted Spotlight with some love. It also finally got some hometown attention as the Boston Society of Film Critics named it their Best Picture. Just a few hours later, the Los Angeles Film Critics Association followed suit, making it a very good day for Spotlight.
Director McCarthy, on the other hand, was not picked by either coast in the Director race. Boston went with Todd Haynes for Carol and Los Angeles picked George Miller for Mad Max with Haynes as their runner up.
Truth be told, Spotlight winning the L.A. award may not be the greatest harbinger. In the 21st century, only one feature that won its top category went onto win the Oscar: 2009’s The Hurt Locker. The Los Angeles group is also known for making some out of left field choices in the acting races and they did with their supporting choices. Michael Shannon took Supporting Actor for the little seen 99 Homes and he’s not considered much of a threat in the Academy hunt. Runner up: Mark Rylance, whose chances are considerably better for Bridge of Spies. For Supporting Actress, they went with Alicia Vikander and she is widely expected to be nominated come Oscar time. Yet L.A. honored her for Ex Machina and not the film everyone expects her nomination for, The Danish Girl. Runner up: Kristen Stewart for Clouds of Sils Maria and Ms. Stewart won in Boston today. Her previously thought to be improbable Oscar nod keeps growing more probable everyday.
For Best Actress, it was a nice day for Charlotte Rampling, who won on both coasts. Her performance in little seen drama 45 Years has also been gaining attention and that could well translate into an Academy notice. L.A.’s runner up was Brooklyn’s Saoirse Ronan and her Oscar chances are excellent.
Los Angeles may have provided a lifeline to Michael Fassbender who took Actor for Steve Jobs. That film’s Oscar chances have taken a hit due to its dismal box office performance and some have begun speculating whether that factor could affect even Fassbender getting noticed. These critics awards help. The runner up was Geza Rohrig for foreign feature Son of Saul. In Boston, there was a tie between Leonardo DiCaprio in The Revenant and Paul Dano in Love and Mercy. DiCaprio is seen by many as the current Academy front runner while Dano is being campaigned for in Supporting Actor at the Oscars (where his inclusion is definitely a question mark).
As always, I’ll keep updating you on these precursors as they continue. Today’s bottom line: a true spotlight on Spotlight.
Another day, another critics organization bestowing their best of in movies for 2015. And like the National Board of Review before it, the Boston Online Film Critics have honored Mad Max: Fury Road as their favorite of the year. Its director, George Miller, was victorious as well. This marks yet another win for the fourth entry in the action franchise and increases momentum for the Academy honoring it for a nod in January. I have yet to include Fury Road among my predicted nominees, but that could change soon.
Perhaps the most surprising thing about Max’s win in Boston was that they didn’t pick Spotlight, the Catholic Church priest scandal expose that centers on Boston Globe reporters. Spotlight was included among their other nine selections of the year’s best along with Creed, Brooklyn, Carol, Clouds of Sils Maria, Bridge of Spies, The Martian, Anomalisa, and Tangerine. Notable pics left off: The Revenant, The Hateful Eight, and Joy.
Boston’s selections also marked a great day for Creed. Michael B. Jordan took Best Actor and Sylvester Stallone got Supporting Actor. While Jordan’s chances at an Oscar nod are up in the air (though he’s got some momentum), Stallone is looking more and more like a lock for inclusion.
The actress categories mirrored what the New York critics did earlier this week. Saoirse Ronan won for lead in Brooklyn and she seems a safe bet for Academy attention. Kristen Stewart picked up her second award for the little seen Clouds of Sils Maria and while I’ve yet to list her as an Oscar nominee, she seems to be coming on strong over the past week.
As always, I’ll keep updating the blog as these awards precursors keep coming. Stay tuned!
We are a bit over a month away from Oscar nominations coming out (January 14th) and it’s time to ramp up my predictions for what and whom will be nominated in the eight top races. I’m adding the two Screenplay categories (Original and Adapted) for the first time and the plan is to make weekly Oscar predictions each weekend until nominations come out. With each race, I’ll inform you what’s changed since the previous predictions post.
And with that, let’s get to predicting, shall we?
Best Picture
Bridge of Spies
Brooklyn
Carol
The Hateful Eight
Inside Out
The Martian
The Revenant
Room
Spotlight
Other Possibilities:
Beasts of No Nation
The Big Short
Creed
The Danish Girl
Joy
Mad Max: Fury Road
Star Wars: The Force Awakens
Steve Jobs
Straight Outta Compton
Changes Since Last Predictions: Bridge of Spies, Inside Out (IN), Joy, Steve Jobs (OUT)
Best Director
Lenny Abrahamson, Room
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Other Possibilities:
Danny Boyle, Steve Jobs
Ryan Coogler, Creed
John Crowley, Brooklyn
Cary Fukanaga, Beasts of No Nation
Todd Haynes, Carol
Tom Hooper, The Danish Girl
David O. Russell, Joy
Steven Spielberg, Bridge of Spies
Quentin Tarantino, The Hateful Eight
Changes Since Last Predictions: George Miller (IN), David O. Russell (OUT)
Best Actor
Matt Damon, The Martian
Johnny Depp, Black Mass
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Other Possibilities:
Michael Caine, Youth
Bryan Cranston, Trumbo
Tom Hanks, Bridge of Spies
Michael B. Jordan, Creed
Ian McKellen, Mr. Holmes
Will Smith, Concussion
Changes Since Last Predictions: NONE
Best Actress
Cate Blanchett, Carol
Brie Larson, Room
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn
Other Possibilities:
Emily Blunt, Sicario
Blythe Danner, I’ll See You in My Dreams
Carey Mulligan, Suffragette
Maggie Smith, The Lady in the Van
Charlize Theron, Mad Max: Fury Road
Lily Tomlin, Grandma
Changes Since Last Predictions: Charlotte Rampling (IN), Blythe Danner (OUT)
Best Supporting Actor
Tom Hardy, The Revenant
Michael Keaton, Spotlight
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
Other Possibilities:
Christian Bale, The Big Short
Paul Dano, Love and Mercy
Benicio del Toro, Sicario
Joel Edgerton, Black Mass
Idris Elba, Beasts of No Nation
Harvey Keitel, Youth
Jacob Tremblay, Room
Changes Since Last Predictions: Tom Hardy (IN), Idris Elba (OUT)
Best Supporting Actress
Jane Fonda, Youth
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs
Other Possibilities:
Joan Allen, Room
Elizabeth Banks, Love and Mercy
Rachel McAdams, Spotlight
Kristin Stewart, Clouds of Sils Maria
Julie Walters, Brooklyn
Changes Since Last Predictions: Jane Fonda (IN), Joan Allen (OUT)
Best Original Screenplay (first prediction in category)
Bridge of Spies
The Hateful Eight
Inside Out
Love and Mercy
Spotlight
Other Possibilities:
Joy
Sicario
Straight Outta Compton
Youth
Best Adapted Screenplay (first prediction in category)
Anomalisa
Brooklyn
Carol
Room
Steve Jobs
Other Possibilities:
The Big Short
Creed
The Martian
The Revenant
And there you have it – folks! The next update will come next weekend…
While its reviews are embargoed for another week and a half or so, Quentin Tarantino’s eagerly awaited The Hateful Eight has conducted industry and critics screenings over the past few days. The celebrated and controversial director’s ninth feature film has been a major question mark as to its Oscar chances ever since the project was announced. Quentin’s last two features, 2009’s Inglourious Basterds and 2012’s Django Unchained, were both nominated for Best Picture so it stood to reason that Eight could follow suit.
The verdict based on word of mouth that’s seeped out? Well, it’s still a bit of a question mark. The Hateful Eight, based on its buzz, seems to be on the bubble of receiving a nod in the big race. Some screenings have indicated a mixed reaction and when it comes to ultra violent awards worthy fare, voters may only recognize Alejandro Gonzalez Inarritu’s The Revenant. Based on these factors, I find it unlikely that Mr. Tarantino will nab his third nomination for Director (after 1994’s Pulp Fiction and Basterds). Where he’s more likely to be honored is in Original Screenplay, for which he’s won twice.
Tarantino pics have a nice history of getting their actors nominated and this is likely to hold true for Jennifer Jason Leigh in Supporting Actress. She could a threat to win. As for the males – Samuel L. Jackson, Kurt Russell, Bruce Dern, and others may cancel themselves out.
The other category where a nomination seems probable is Cinematography, where Robert Richardson’s work shooting in 70 mm is assured to earn him attention.
As the weeks roll along, you can follow how The Hateful Eight tracks as, beginning this weekend, I’ll be doing weekly updates on my Oscar predictions. Stay tuned!
It hasn’t really been looked at too seriously for Oscar attention and now next week’s In the Heart of the Sea has screened for critics. Ron Howard’s epic true story whale tale that inspired Moby Dick stars Chris Hemsworth, Benjamin Walker, Cillian Murphy, Ben Whishaw, and Brendan Gleeson.
For what once appeared as a major potential box office player, Sea seems to be flying under the radar. As mentioned, while it didn’t seem like much of an awards contender, it was always worth mentioning due to Howard’s track record. Plus you just never know… nobody expected Creed to become the legit contender that it certainly has.
Now that reviews are out – it’s safe to say that this will not be hearing its name called for Academy nominations. Both trade papers weren’t too kind. Opening a week before something called Star Wars: The Force Awakens, this could struggle at the box office as well (my prediction post will be up tomorrow, by the way). And today solidified what most of us suspected: there will be no wave of awards attention for Sea.
In 2002, the New York Film Critics Circle (NYFCC) went gaga over Todd Haynes’s drama Far From Heaven, bestowing it with their award for Best Picture, Director, Supporting Actor (Dennis Quaid), and Supporting Actress (Patricia Clarkson). Yet when it came time for Oscar nominations, none of those picks were reflected with the Academy.
Thirteen years later, could history repeat itself again for Mr. Haynes? It’s a worthy question as the NYFCC have showered love upon his latest project, Carol. The 1950s drama centering on a lesbian relationship won big at their ceremony today, taking Picture and Director. The Big Apple critics appreciation for Carol gives it a somewhat needed boost for its Oscar chances. When it screened at film festivals earlier this year, it seemed close to a lock for Picture recognition but its stock has waned some.
As I did yesterday with the National Board of Review’s selections, it’s important to show you how often each critics organization matches what the Academy ends up doing. With the NYFCC, 12 out of their last 15 selections for Best Picture (the ones in the 21st century) have gone onto Oscar nominations in the same category. The exceptions were the aforementioned Heaven, 2001’s Mulholland Drive, and 2006’s United 93.
The same 12/15 ratio extends to the Directing category in which winners were Academy snubbed. Besides Haynes, the others were Mike Leigh for 2008’s Happy Go Lucky and Kathyn Bigelow for 2012’s Zero Dark Thirty.
I believe it’s much more likely that Carol manages a slot in the Picture race come Oscar nomination time than Haynes himself, but we’ll see how that plays out well as my predictions continue to be updated on the blog.
As for the acting races – the NYFCC hit us with two surprises. The biggest was Supporting Actress where they selected Kristen Stewart for her work in the little seen Clouds of Sils Maria. While she’s been mentioned as a possibility, very few prognosticators (this one included) have picked her for a Oscar nomination. I still don’t see it happening, but this win does raise her profile for sure. It’s also worth noting that only 2 of the last 15 NYFCC recipients in this category haven’t received Academy attention (the aforementioned Clarkson for Heaven and Maria Bello in 2005’s A History of Violence). Even more surprising is that the NYFCC didn’t honor Rooney Mara’s work in Carol, since many consider her the most likely winner for the gold statue.
The other surprise was Best Actor, which went to Michael Keaton in Spotlight. The shocker was the category he won for because Mr. Keaton is being campaigned for in Supporting Actor and not lead. It’s highly likely that the Bat/Birdman will be recognized come Oscar time… just not in the race where the NYFCC feted him. Of note: three past winners in the 21st century didn’t get Oscar nods: Paul Giamatti in 2004’s Sideways and the last two recipients: Robert Redford for All is Lost and Timothy Spall as Mr. Turner.
Actress went to Saoirse Ronan for Brooklyn and her Academy nod seems pretty much assured. She joins Room‘s Brie Larson (who won the NBR yesterday), Joy‘s Jennifer Lawrence, and Carol‘s Cate Blanchett as front runners for award attention into the future. As with Actor, three winners out of the past 15 didn’t receive Academy attention: Hope Davis for 2003’s American Splendor, Sally Hawkins for 2008’s Happy Go Lucky, and Rachel Weisz for 2012’s The Deep Blue Sea.
Supporting Actor went to Mark Rylance in Bridge of Spies and he’s also a strong contender in the big race. It is worth noting that the NYFCC has actually picked five out of their last 15 winners that never made it to the Academy’s red carpet: the previously mentioned Quaid in 2002, Steve Buscemi for Ghost World (2001), Eugene Levy in A Mighty Wind (2003), Albert Brooks in Drive (2011), and Matthew McConaughey for Magic Mike and Bernie (2012).
Bottom line: a solid day for Carol and we’ll see if the momentum keeps up as my analysis for the 2015 awards season keeps rolling along…
When it comes to Oscar nominations over the first half of this decade, no director matches the incredible track record of David O. Russell. Let’s do some math, shall we? His last three pictures – 2010’s The Fighter, 2012’s Silver Linings Playbook, 2013’s American Hustle – have scored a combined 25 Academy Award nods. All three were nominated for Best Picture. Russell was in the Directing race for each film. The trio of pics nabbed a total of 11 acting nominations resulting in three victories: Christian Bale (Supporting Actor for The Fighter), Melissa Leo (Supporting Actress for The Fighter), and Jennifer Lawrence (Actress for Silver Linings Playbook).
Therefore, it’s obvious that December’s Joy has been high on the list for potential Oscar attention. Over the weekend, it screened for critics and journalists for the first time. While reviews are officially embargoed until mid December, the word is that Russell likely has his fourth contender in a row. Early buzz makes one thing clear: Lawrence is in line to receive her fourth nomination as the title character in Best Actress. At this point, it’d be a shock if she’s not included. This would mark her third recognition in a row from the Academy working with Russell (winning for Playbook, nominated for Hustle). As for other acting races, it’s murkier. Bradley Cooper would also be going for his third nomination in a row with Russell, but his part is said to be small and he probably won’t be included. Robert De Niro, on the other hand, has potential with his supporting turn. His last nomination was in the same category for Playbook. Diane Ladd is rumored to be the Supporting Actress most in contention over costars Virginia Madsen and Isabella Rossellini.
It would also seem that Joy remains a strong contender for Best Picture recognition and that could extend to Russell’s fourth time in the Director category. As stated, Russell’s films have been an Oscar juggernaut and it’s unlikely to let up here (especially with J Law). A caveat: some of the initial reaction for this isn’t quite as over the moon as the director’s last efforts, so I would write Joy‘s Best Picture nomination and Russell’s down in pencil, not pen until officials reviews are released. Feel free to use a Bic with Lawrence.
