Rooney Mara burst onto the scene in 2011 in the Oscar nominated title role of TheGirlwiththeDragonTattoo. She received her second nomination last year in Supporting Actress with Carol. This weekend’s Telluride Film Festival has opened up the possibility of a third nod in six years with Una.
The drama is an adaptation of the stage play Blackbird, dealing with the serious theme of child molestation. It’s heavy stuff according to early reviews (mostly raves) and critics have singled out Mara’s performance. Benedict Andrews makes his directorial debut here with Ben Mendelsohn and Riz Ahmed among the supporting cast.
Whether or not Mara can get the nomination is based on at least three factors. First and foremost, there is no set release date for it, though it’s likely to get a 2016 awards qualifying run. Second, the studio will need to mount a real campaign for the picture to be widely seen. Finally, the Best Actress race on paper looks as competitive as it’s been in recent memory. Still – Telluride gave the actress some needed exposure for a potential third nomination.
It’s been a decade since Mel Gibson has been behind the camera with Apocalypto and these last 10 years have been bumpy ones for the Braveheart Oscar winner. He’s been the subject of controversies and tabloid fodder. His screen appearances have been primarily limited to B movie action flicks of varying quality.
Yet the Venice Film Festival has vaulted him back into the Oscar race with HacksawRidge, his World War II drama which has screened to positive buzz and some sterling reviews. It stars Andrew Garfield, Vince Vaughn, Sam Worthington, Hugo Weaving, Teresa Palmer, and Rachel Griffiths. The Lionsgate release hits screens stateside in November.
Some of the reaction for Hacksaw has used the C word in describing it for Gibson. As in Comeback. Whether or not Academy voters are willing to overlook his personal life and past transgressions and nominate it for Picture or Director is very much an open question. Even with its solid notices, I have Hacksaw currently on the outside looking in. If the film hits with audiences in two months, that dynamic could change.
The Telluride Film Festival is happening this weekend and that means a slew of autumn Academy hopefuls are getting their first exposure. My Oscar Watch series continues with Ben Younger’s BleedforThis. This is the true life tale of boxer Vinny Paz (Miles Teller), who defied all odds to make it back to the ring after breaking his neck.
Movies focused on the sweet science have had a history with Oscar voters. 1976’s Rocky came out of nowhere to punch out all competitors. 2004’s MillionDollarBaby also won Picture, as did its director (Clint Eastwood), Actress (Hilary Swank), and Supporting Actor (Morgan Freeman). 1980’s RagingBull and 2010’s TheFighter received multiple nods. Just last year, Sylvester Stallone was nominated once again as Mr. Balboa in Creed.
As for the film in question, BleedforThis has received mostly positive notices thus far. However, some have mentioned it borrows plenty of cliches (some from the aforementioned films). It doesn’t appear to be a genuine threat in Picture or Director. Mr. Teller missed out on a nod with 2014’s Whiplash as all attention went to his costar J.K. Simmons in Supporting. The lead actor race looks lighter than usual on paper this year, but he still could face an uphill battle for inclusion. Aaron Eckhart is said to give strong work as his trainer here and he may stand the best chance at recognition (though I’m not currently putting him in).
The Oscar Watch will roll on as further hopefuls are unveiled.
The Telluride Film Festival, as expected, has given us another serious contender in the Oscar race as Barry Jenkins’ Moonlight has just had its premiere. Based on a play, the drama centers on the story of Chiron, an African American gay male growing up in Florida.
The pic debuted to rave reviews and its chances at Academy attention extends to numerous races. My initial round of early predictions has it nabbing a Best Picture nod and today’s buzz solidified that pick. I currently have director Jenkins on the outside looking in, but he’s certainly in the mix (he’s likely to get a nom for his Adapted Screenplay).
As for performers, Trevante Rhodes is among three actors who play Chiron at various stages of his life and he should be campaigned for in Best Actor. He’s got a real shot, as does Mahershala Ali in Supporting Actor as a drug dealer who warms to Chiron. Naomie Harris looks to be a player in Supporting Actress as the lead character’s drug addicted mother and she probably has an edge over singer Janelle Monae as Ali’s girlfriend.
Another day. Another contender in this busy week for Oscar hopefuls.
The Telluride Film Festival gave audiences and critics their first look at Sully, which lands (safely) in theaters Friday. This is the first paring of legends Clint Eastwood (who directs) and Tom Hanks. He plays the real life title character of the pilot credited with the Miracle on the Hudson in 2009.
Early reviews have been solid across the board. It’s no surprise that a bulk of the acclaim has gone to Hanks, who’s said to give a typically great performance. I use that term for a reason as it now appears to be easy for Oscar voters to take him for granted. Exhibit A is 2013’s CaptainPhillips, another heralded true life tale in which the Academy passed him over for Best Actor, even though I believe it to be among his finest work. If Hanks couldn’t get a nod for it, I’m skeptical he will here.
Sully stands a nice chance at connecting with moviegoers, but I don’t feel at this juncture that it’ll get much Oscar attention. This applies to Best Picture, Director, the supporting categories with costars Aaron Eckhart and Laura Linney, and even its huge lead who hasn’t been nominated in 16 years.
We have reached day 6 of my earliest Oscar predictions and that means the big one – Best Picture!
This week, the Venice Film Festival has helped make the scene a little clearer in a couple of ways. For one, Damien Chazelle’s La La Land not only looks like an easy pick for a nomination, but it could potentially be a winner. Tom Ford’s Nocturnal Animals and Denis Villenueve’s Arrival are also in the mix. For now – I’m leaving Arrival out and Animals in (obviously this could certainly change over the next weeks and months).
There’s plenty that we haven’t seen that appear strong – Martin Scorsese’s Silence. Denzel Washington’s Fences. Ang Lee’s Billy Lynn’s Long Halftime Walk. Barry Jenkins’ Moonlight.
And there are others that have already screened at other festivals that look like contenders: Kenneth Lonergan’s Manchester by the Sea. Jeff Nichols’ Loving. This list also includes Nate Parker’s The Birth of a Nation and whether or not news stories involving its director prevent it from being nominated is a legit question. For now, I’ve got it in.
A host of other possibilities abound that have yet to be screened and I’ll be keeping you up to date with numerous prediction posts over the fall. At this juncture, I have nine movies being nominated (there can be anywhere from 9-10).
Another piece of the potential Oscar puzzle has come into focus with Tom Ford’s Nocturnal Animals, which screened at the Venice Film Festival. The thriller has garnered a number of very positive critical notices and looks to be a player come awards season.
The feature is the second directorial feature from famed clothing designer Ford, who drew positive reactions from his first effort – 2009’s A Single Man (which earned Colin Firth a Best Actor nomination). Animals boasts an impressive cast – Amy Adams, Jake Gyllenhaal, Michael Shannon, Laura Linney, Armie Hammer, Isla Fisher, and Aaron Taylor-Johnson.
Based on early word, this looks to be a factor in Best Picture, Director, and Adapted Screenplay (tech categories such as Cinematography and Editing as well). As for the performers, it will be an interesting story to watch with Adams, as she’s likely to compete against herself with Arrival (which also screened at Venice). Gyllenhaal could be in the mix for Actor while Shannon has had a solid 2016 and could compete for Supporting Actor.
Another day. Another strong possibility for Oscar attention. Nocturnal Animals hits screens on November 18th.
Day 5 of my early 2016 Oscar predictions continues with Best Director and this week has already helped solidify the standings of two: Damien Chazelle for La La Land (who looks like a shoo-in for a nod) and Tom Ford for Nocturnal Animals (not guaranteed; but very good chance).
Then there’s Martin Scorsese for Silence. The legendary director has been nominated 8 times for this award, including for five of his last six pictures (winning for 2006’s The Departed). It’s a safe pick to put him in, but the only uncertainty is whether or not Silence is actually released this year.
Ang Lee has won the award twice (for Brokeback Mountain and Life of Pi) and his Billy Lynn’s Long Halftime Walk looks poised for several nominations.
There are many other possibilities: Denzel Washington could land his first directorial attention for Fences. Jeff Nichols’ Loving has already been the subject of much acclaim. Both Barry Jenkins (Moonlight) and Kenneth Lonergan (Manchester by the Sea) could find themselves in the mix, as could Denis Villenueve (Arrival) and Morten Tyldum (Passengers) for their science fiction pics.
Also worth noting: Nate Parker for The Birth of a Nation. This is a tricky one as the movie has been a critical hit yet prevalent stories on his past have called into question whether the Academy will make that a factor. We shall see.
Another potential Oscar contender has arrived at the Venice Film Festival in the form of, um, Arrival. The science fiction drama comes from director Denis Villeneuve, maker of acclaimed pics such as Prisoners and Sicario. It stars Amy Adams, Jeremy Renner, and Forest Whitaker.
Unlike Venice’s premiere selection, La La Land (which debuted to explosive Oscar buzz), Arrival‘s prospects seem a little more murky. Some early reviews have been raves while others are a bit more mixed. Nominations for Best Picture, Director, and Adapted Screenplay seem uncertain at this juncture. The pic could certainly play in some of the technical categories, including Sound Mixing and Editing, Cinematography, and Editing.
The only performer who’s likely to hear her name called is five-time nominee Amy Adams. She’s yet to win. Yet there is bound to be serious competition as Best Actress looks as crowded as it’s been in recent memory. In fact, her biggest competition for recognition could be herself, as she also stars in this fall’s Nocturnal Animals from director Tom Ford.
The unveiling of Arrival across the pond puts it in the conversation for several races at the Academy Awards, but it’s far from assured.
Day #4 of my first 2016 Oscar predictions brings us to Best Actor and in the past two years, even these incredibly early predictions yielded positive results. My 2014 late August/early September Actor predictions gave us four of the five nominees and in 2015 – three.
We start with Michael Keaton. He just missed out on a win in 2014 for Birdman and has had the distinction of appearing in the last two Best Picture winners (Birdman, Spotlight). It’s likely he’ll receive buzz for this December’s The Founder, in which he plays Ray Kroc – inventor of the McDonald’s franchise.
Denzel Washington both stars and directs in Fences, based on an acclaimed play. It’s been 15 years since he won for Training Day and it could be time to hear his name called again.
Casey Affleck has received raves for Manchester by the Sea. Same goes for Joel Edgerton in Jeff Nichols’ Loving. Readers of the previous posts in the Supporting races know that Moonlight looks to make some noise this season and that could extend to its star Trevante Rhodes.
Same goes for La La Land, which could mean a second nomination (ten years after Half Nelson) for Ryan Gosling. There’s Joe Alwyn in the title role of Billy Lynn’s Long Halftime Walk, the latest from double Oscar winner Ang Lee. Woody Harrelson plays the 36th President in LBJ. Double Oscar winner Tom Hanks is Sully. And so on and so on (I’ve even listed Ryan Reynolds in Deadpool as a possibility… even though it’s extremely unlikely).
This finally brings us to Nate Parker, director, writer, and star of The Birth of a Nation, which received raves on the festival circuit earlier this year. It is impossible to know right now how his recent publicity due to a years old rape charge (in which he acquitted) and the suicide of the alleged victim plays out in the minds of voters. For now, I do not have him being nominated. Whether that’s because of the serious competition or other reasons is a factor that is sure to be discussed as the nominations draw closer.
Here’s how I have this initial round shaking out:
TODD’S EARLY OSCAR PREDICTIONS – BEST ACTOR
Casey Affleck, Manchester by the Sea
Joe Alwyn, Billy Lynn’s Long Halftime Walk
Joel Edgerton, Loving
Michael Keaton, The Founder
Denzel Washington, Fences
Other Possibilities:
Ben Affleck, Live by Night
Bryan Cranston, Wakefield
Colin Farrell, The Lobster
Andrew Garfield, Silence
Ryan Gosling, La La Land
Jake Gyllenhaal, Nocturnal Animals
Tom Hanks, Sully
Woody Harrelson, LBJ
Dave Johns, I, Daniel Blake
Joseph Gordon Levitt, Snowden
Matthew McConaughey, Gold
David Oyelowo, A United Kingdom
Nate Parker, The Birth of a Nation
Dev Patel, Lion
Brad Pitt, Allied
Chris Pratt, Passengers
Ryan Reynolds, Deadpool
Trevante Rhodes, Moonlight
Michael Shannon, Midnight Special
Will Smith, Collateral Beauty
Miles Teller, Bleed for This
We’ll hit Best Director tomorrow and then Best Picture!
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