Tag: academy awards

Roma Takes New York

One of the oldest critics group weighed in on the best of the year this morning as the New York Film Critics Circle bestowed their honors. And the writers of the Big Apple clearly took to Roma, which was victorious for Best Picture, Director (Alfonso Cuaron), and Cinematography.

There’s little doubt the Mexican drama will get a nomination at the Oscars. However, the NYFCC top prize certainly doesn’t ensure a win at the big race. Far from it. You have to go back to 2011 since the Oscar and NYFCC recipients matched – The Artist. 

Roma has held the #2 spot in my estimated nominees for weeks behind A Star Is Born. For now, I don’t see that changing.

For Best Actor, Ethan Hawke won for First Reformed and I don’t expect that will be the last of his critics group trophies. Hawke has established himself as a real threat to make the final 5 for the Academy. Additionally, the Screenplay award went to Reformed, furthering boosting the prospect of Paul Schrader getting his first Oscar nod in Original Screenplay.

The NYFCC is known for throwing a surprise in the acting categories (think Tiffany Haddish for Girls Trip) and this year was no different. Best Actress went to Regina Hall for the acclaimed indie dramedy Support the Girls. While the exposure here only helps, the Actress race is very crowded and Hall’s inclusion seems quite unlikely at the moment.

Richard E. Grant took Supporting Actor for Can You Ever Forgive Me? in what is shaping up to be a genuine three-person race between him, Mahershala Ali (Green Book), and Sam Elliot (A Star Is Born). Regina King got Supporting Actress for If Beale Street Could Talk as she appears to be the soft front-runner, with Amy Adams (Vice) and the women of The Favourite (Emma Stone, Rachel Weisz) lurking.

In down-the-line categories, Animated Feature went to Spider-Man: Into the Spider-Verse (which may just establish itself as a threat to Incredibles 2). Minding the Gap got the Non-Fiction race and Cold War took Best Foreign Language Film.

Other groups will be weighing in soon and I’ll have all the coverage right here!

Oscar Watch: Spider-Man: Into the Spider-Verse

Over the past 16 years, we’ve witnessed numerous iterations of the famed web slinging superhero Spider-Man. From Tobey Maguire to Andrew Garfield to Tom Holland and two franchise reboots, the character has been omnipresent in our multiplexes. So the idea of an animated version might have seemed like overkill when Sony announced Spider–Man: Into the Spider–Verse, which creates a world in which multiple people can be the iconic character.

Critical reaction out today suggests otherwise. Spider–Verse stands at 100% on Rotten Tomatoes with over 30 reviews in. Some write-ups claim it’s the best Spidey feature since 2004’s Spider–Man 2. Select others claim it’s the best of the whole bunch (this will be seventh stand-alone entry).

Will Oscar notice? It seems highly likely. That would mean a nod in Best Animated Feature. It marks a fourth near “sure thing “ in that race, including current box office champ Ralph Breaks the Internet and Isle of Dogs. The raves bestowed upon this suggests it could even stand a better chance at winning than those pictures. Yet it could be a tall order to overcome the Pixar juggernaut involving other superheroes – Incredibles 2.

Bottom line: Spider–Verse is into the Animated Feature mix in a major way. It’s out stateside on December 14. My Oscar Watch posts will continue…

NBR Goes Green

The National Board of Review bestowed its annual honors today for the pictures of 2018 and they went green. That means it was a very good day for Peter Farrelly’s race relations drama Green Book and it might have come at just the right moment. It won Best Film at a time when its box office performance has been lackluster and lead Viggo Mortensen got into hot water for remarks at a recent event. The last three winners of the NBR top prize (Mad Max: Fury Road, Manchester by the Sea, The Post) all received Picture nominations at the Oscars (it’s worth pointing out that none of them won).

I don’t expect Green Book to emerge victorious at the Academy Awards, but this does help its case for a nomination. The NBR is also unique in that it names 10 other movies as their favorites beyond the big recipient. The list this year is as follows:

The Ballad of Buster Scruggs

Black Panther

Can You Ever Forgive Me?

Eighth Grade

First Reformed

If Beale Street Could Talk

Mary Poppins Returns

A Quiet Place

Roma

A Star Is Born

Over the past decade or so, usually 5-7 of those 11 honorees go on to Oscar recognition. In addition to Green Book, I’m currently assuming Black Panther, If Beale Street Could Talk, Roma, and A Star Is Born are in. That’s five. I’m also growing more confident that Mary Poppins Returns could manage to reach the final nine or ten nominees. The rest remain question marks. Eighth Grade and First Reformed seem to be gaining steam, but I’m uncertain they’ll get all the way to the top. The three that I believe are least likely are Can You Ever Forgive Me?, A Quiet Place, and Buster Scruggs. 

Bradley Cooper took Directing honors for A Star Is Born and he’s already a safe bet for Academy inclusion. His costars Lady Gaga and Sam Elliot took the Actress and Supporting Actor races. All in all, it was a fine day for A Star Is Born. Elliot’s win is a boost for him and it’s a little surprising they didn’t name Green Book costar Mahershala Ali, considering the film’s other successes today.

Speaking of Green Book, the aforementioned Mr. Mortensen took Best Actor. He’s looking good for an Oscar nod, but I still put him behind Cooper and Christian Bale (Vice) when it comes to winning possibilities.

Regina King’s work in If Beale Street Could Talk earned her Supporting Actress and she’s a lock for Oscar inclusion.

Paul Schrader’s original screenplay for First Reformed was honored for the second day in a row after its Gotham Award. For the past couple of weeks, I’ve had Reformed just on the outside of my nominated predictions in that category. I foresee that changing on Thursday when I update them… though I’m uncertain which entry falls out between The Favourite, Roma, Vice, and Eighth Grade. Barry Jenkins took Adapted Screenplay for Beale Street and he’s got a real shot at the gold statue.

The notable snubs on the list are primarily BlacKkKlansman, The Favourite, First Man and Vice. However, it’s worth noting again that plenty of movies have missed the NBR cut and managed Oscar glory.

As for some down the line honorees – Incredibles 2 won Best Animated Film, RBG took Best Documentary, and Cold War got Best Foreign Language Film. All seem bound for the final five a couple of months from now.

And there’s your NBR report, folks! The New York Film Critics are on deck next and I’ll have a recap of that one Thursday!

Gotham Takes a Ride

The Gotham Awards were held this evening in the Big Apple and the annual ceremony honoring the year’s best in independent filmmaking provided a couple of legitimate surprises. Chloe Zhao’s Western The Rider was a surprise winner for Best Feature, beating out the favored The Favourite and If Beale Street Could Talk. The Rider premiered all the way back in April after originally screening at Cannes in May 2017. The acclaimed film from director Chloe Zhao has not been on my Oscar radar screen whatsoever.

Should it be? If you look at Gotham’s winners for the last few years, you may deduce that the answer is yes. From 2014-2016, the honored feature (Birdman, Spotlight, Moonlight) went on to win Best Picture in the biggest race of all. Call Me by Your Name from last year got a nomination. On the flip side, the recipients from 2012 and 2013 (Moonrise Kingdom and Inside Llewyn Davis) failed to garner Academy recognition. The Rider will more than likely fall in that camp, unlike fellow nominees The Favourite and Beale Street. The other two features nominated were Madeline’s Madeline (an Oscar non-factor) and First Reformed (more on that in a minute).

The Actress race also provided an unexpected winner in the way of Toni Collette for Hereditary. She won out over Glenn Close, who seems bound for an Oscar nod in The Wife. Best Actress is crowded this year, but the fourth and fifth slots seem open to several leading ladies. If Collette can manage some critics awards (which are coming very soon), expect her name to earn more chatter. For the time being, I still believe a nomination is a reach. That could change.

For Actor, Ethan Hawke was a victor for First Reformed. Unlike Actress, this year’s crop of potential Actors at the Oscars is a little weaker. Hawke seems to be gaining momentum at the right time. Last week, I included him in my predicted five for the first time. I feel better and better about it.

Speaking of First Reformed, Paul Schrader (who also directed it) picked up the Screenplay award. Somehow he has never been Oscar nominated… not even for his Taxi Driver screenplay over four decades ago. In order to get his first, his original script would need to knock out one of the following contenders in that race: The Favourite, Roma, Green Book, Eighth Grade, or Vice. That could be a tall order, but it’s certainly possible.

Check back tomorrow as the National Board of Review (a significant precursor) unveils their winners. I’ll have reaction to that with updated Oscar predictions on Thursday!

2018 Weekly Oscar Predictions: November 22nd Edition

My weekly Oscar predictions are here and there’s been significant developments in the past seven days!

  • Vice, Mary Poppins Returns, and Mary Queen of Scots have all held industry screenings. All experienced positive word of mouth. Vice jumps four spots in Best Picture and Poppins is just barely on the outside of my predicted nominees. It could continue to climb. Scots is more of a question mark, but it could gather momentum.
  • Barry Jenkins (If Beale Street Could Talk) enters my Best Director five, replacing Peter Farrelly (Green Book). The latter slips in several rankings this week due to its lackluster box office performance.
  • For the first time, Ethan Hawke’s work in First Reformed is a predicted nominee. He replaces Willem Dafoe (At Eternity’s Gate).
  • Emily Blunt is in for Poppins, vaulting over Yalitza Aparicio (Roma).
  • In Supporting Actor, it’s Adam Driver (BlacKkKlansman) back in over Sam Rockwell (Vice).
  • For Supporting Actress, Rachel Weisz (The Favourite) returns over Nicole Kidman for Boy Erased.

Let’s get to it!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. The Favourite (PR: 5)

4. If Beale Street Could Talk (PR: 6)

5. Vice (PR: 9)

6. BlacKkKlansman (PR: 4)

7. Green Book (PR: 3)

8. Black Panther (PR: 8)

9. First Man (PR: 7)

Other Possibilities:

10. Mary Poppins Returns (PR: Not Ranked)

11. Widows (PR: 10)

12. Can You Ever Forgive Me? (PR: 11)

13. Mary Queen of Scots (PR: Not Ranked)

14. Eighth Grade (PR: Not Ranked)

15. The Mule (PR: 14)

Dropped Out:

Boy Erased

Crazy Rich Asians

A Quiet Place

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Yorgos Lanthimos, The Favourite (PR: 5)

4. Barry Jenkins, If Beale Street Could Talk (PR: 6)

5. Spike Lee, BlacKkKlansman (PR: 3)

Other Possibilities:

6. Adam McKay, Vice (PR: 9)

7. Peter Farrelly, Green Book (PR: 4)

8. Damien Chazelle, First Man (PR: 7)

9. Ryan Coogler, Black Panther (PR: 8)

10. Rob Marshall, Mary Poppins Returns (PR: Not Ranked)

Dropped Out:

Marielle Heller, Can You Ever Forgive Me? 

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 3)

3. Viggo Mortensen, Green Book (PR: 2)

4. Rami Malek, Bohemian Rhapsody (PR: 4)

5. Ethan Hawke, First Reformed (PR: 7)

Other Possibilities:

6. Ryan Gosling, First Man (PR: 6)

7. Willem Dafoe, At Eternity’s Gate (PR: 5)

8. Clint Eastwood, The Mule (PR: 8)

9. Robert Redford, The Old Man & The Gun (PR: 9)

10. Lucas Hedges, Boy Erased (PR: 10)

Best Actress

1. Lady Gaga, A Star Is Born (PR: 2)

2. Olivia Colman, The Favourite (PR: 3)

3. Glenn Close, The Wife (PR: 1)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Emily Blunt, Mary Poppins Returns (PR: 9)

Other Possibilities:

6. Yalitza Aparicio, Roma (PR: 5)

7. Viola Davis, Widows (PR: 6)

8. Julia Roberts, Ben Is Back (PR: 8)

9. Nicole Kidman, Destroyer (PR: 7)

10. Saoirse Ronan, Mary Queen of Scots (PR: Not Ranked)

Dropped Out:

Felicity Jones, On the Basis of Sex

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 1)

2. Richard E. Grant, Can You Ever Forgive Me? (PR: 3)

3. Sam Elliot, A Star Is Born (PR: 2)

4. Timothee Chalamet, Beautiful Boy (PR: 4)

5. Adam Driver, BlacKkKlansman (PR: 6)

Other Possibilities:

6. Sam Rockwell, Vice (PR: 5)

7. Michael B. Jordan, Black Panther (PR: 7)

8. Daniel Kaluuya, Widows (PR: 8)

9. Steve Carell, Vice (PR: Not Ranked)

10. Russell Hornsby, The Hate U Give (PR: 9)

Dropped Out:

Russell Crowe, Boy Erased

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 1)

2. Amy Adams, Vice (PR: 3)

3. Emma Stone, The Favourite (PR: 2)

4. Claire Foy, First Man (PR: 4)

5. Rachel Weisz, The Favourite (PR: 6)

Other Possibilities:

6. Nicole Kidman, Boy Erased (PR: 5)

7. Margot Robbie, Mary Queen of Scots (PR: Not Ranked)

8. Natalie Portman, Vox Lux (PR: 7)

9. Michelle Yeoh, Crazy Rich Asians (PR: 8)

10. Meryl Streep, Mary Poppins Returns (PR: Not Ranked)

Dropped Out:

Marina de Tavira, Roma

Linda Cardellini, Green Book

Best Adapted Screenplay

1. If Beale Street Could Talk (PR: 2)

2. BlacKkKlansman (PR: 1)

3. A Star Is Born (PR: 3)

4. Can You Ever Forgive Me? (PR: 4)

5. Widows (PR: 5)

Other Possibilities:

6. First Man (PR: 6)

7. The Hate U Give (PR: 8)

8. Boy Erased (PR: 7)

9. Crazy Rich Asians (PR: 9)

10. Leave No Trace (PR: Not Ranked)

Dropped Out:

Black Panther

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 3)

3. Green Book (PR: 2)

4. Vice (PR: 5)

5. Eighth Grade (PR: 4)

Other Possibilities:

6. First Reformed (PR: 6)

7. A Quiet Place (PR: 8)

8. Private Life (PR: 7)

9. The Ballad of Buster Scruggs (PR: 9)

10. The Mule (PR: 10)

Best Foreign Language Film

1. Roma (PR: 1)

2. Cold War (PR: 2)

3. Shoplifters (PR: 3)

4. Girl (PR: 4)

5. Capernaum (PR: 5)

Other Possibilities:

6. Birds of Passage (PR: 7)

7. Burning (PR: 6)

8. Never Look Away (PR: 8)

9. I Am Not a Witch (PR: Not Ranked)

10. Border (PR: 10)

Dropped Out:

The Guilty

Best Animated Feature

1. Incredibles 2 (PR: 1)

2. Isle of Dogs (PR: 2)

3. Ralph Breaks the Internet (PR: 3)

4. Spider–Man: Into the Spider–Verse (PR: 5)

5. Mirai (PR: 4)

Other Possibilities:

6. Early Man (PR: 8)

7. Ruben Brandt, Collector (PR: 7)

8. Smallfoot (PR: 6)

9. Lu Over the Wall (PR: 9)

10. Teen Titans Go! To the Movies (PR: 10)

Best Documentary Feature

1. Won’t You Be My Neighbor? (PR: 1)

2. Three Identical Strangers (PR: 3)

3. Free Solo (PR: 2)

4. RBG (PR: 4)

5. Minding the Gap (PR: 5)

Other Possibilities:

6. Amazing Grace (PR: 6)

7. Crime + Punishment (PR: 8)

8. Dark Money (PR: 7)

9. Quincy (PR: 10)

10. Jane Fonda in Five Acts (PR: 9)

Best Film Editing

1. A Star Is Born (PR: 3)

2. First Man (PR: 2)

3. Roma (PR: 1)

4. The Favourite (PR: 8)

5. Vice (PR: 5)

Other Possibilities:

6. If Beale Street Could Talk (PR: 4)

7. Black Panther (PR: 6)

8. Widows (PR: 7)

9. Mary Poppins Returns (PR: Not Ranked)

10. Green Book (PR: 10)

Dropped Out:

BlacKkKlansman

Best Cinematography

1. Roma (PR: 1)

2. The Favourite (PR: 4)

3. A Star Is Born (PR: 3)

4. If Beale Street Could Talk (PR: 5)

5. First Man (PR: 2)

Other Possibilities:

6. Black Panther (PR: 6)

7. Cold War (PR: 10)

8. The Ballad of Buster Scruggs (PR: 9)

9. Widows (PR: 8)

10. BlacKkKlansman (PR: 7)

Best Production Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Poppins Returns (PR: 4)

4. Mary Queen of Scots (PR: 5)

5. First Man (PR: 3)

Other Possibilities:

6. Roma (PR: 7)

7. Crazy Rich Asians (PR: Not Ranked)

8. A Star Is Born (PR: 6)

9. Fantastic Beasts: The Crimes of Grindelwald (PR: 8)

10. The Nutcracker and the Four Realms (PR: Not Ranked)

Dropped Out:

If Beale Street Could Talk

Best Costume Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Poppins Returns (PR: 4)

4. Mary Queen of Scots (PR: 3)

5. Colette (PR: 6)

Other Possibilities:

6. Crazy Rich Asians (PR: 7)

7. Fantastic Beasts: The Crimes of Grindelwald (PR: 5)

8. Bohemian Rhapsody (PR: 10)

9. The Nutcracker and the Four Realms (PR: 8)

10. If Beale Street Could Talk (PR: 9)

Best Makeup and Hairstyling

1. Black Panther (PR: 1)

2. Mary Queen of Scots (PR: 3)

3. Vice (PR: 5)

Other Possibilities:

4. The Favourite (PR: 2)

5. Stan & Ollie (PR: 4)

6. Colette (PR: 6)

7. Mary Poppins Returns (PR: 9)

8. A Star Is Born (PR: 8)

9. Suspiria (PR: Not Ranked)

10. A Wrinkle in Time (PR: 7)

Best Sound Editing

1. First Man (PR: 1)

2. Black Panther (PR: 2)

3. A Star Is Born (PR: 3)

4. Roma (PR: 5)

5. A Quiet Place (PR: 4)

Other Possibilities:

6. Incredibles 2 (PR: 6)

7. Mary Poppins Returns (PR: 8)

8. Ready Player One (PR: 10)

9. Mission: Impossible – Fallout (PR: 7)

10. Avengers: Infinity War (PR: Not Ranked)

Dropped Out:

Widows

Best Sound Mixing

1. First Man (PR: 2)

2. A Star Is Born (PR: 1)

3. Black Panther (PR: 4)

4. A Quiet Place (PR: 3)

5. Mary Poppins Returns (PR: 5)

Other Possibilities:

6. Roma (PR: 7)

7. Bohemian Rhapsody (PR: 6)

8. Incredibles 2 (PR: 8)

9. Ready Player One (PR: 10)

10. Avengers: Infinity War (PR: Not Ranked)

Dropped Out:

Widows

Best Visual Effects

1. First Man (PR: 1)

2. Avengers: Infinity War (PR: 2)

3. Mary Poppins Returns (PR: 6)

4. Ready Player One (PR: 3)

5. Black Panther (PR: 4)

Other Possibilities:

6. Annihilation (PR: 5)

7. Solo: A Star Wars Story (PR: 7)

8. A Wrinkle in Time (PR: 9)

9. Ant–Man and the Wasp (PR: Not Ranked)

10. A Quiet Place (PR: 8)

Dropped Out:

Fantastic Beasts: The Crimes of Grindelwald

Best Original Score

1. If Beale Street Could Talk

2. First Man

3. Mary Poppins Returns (PR: 5)

4. Mary Queen of Scots (PR: 3)

5. BlacKkKlansman (PR: 4)

Other Possibilities:

6. Colette (PR: 10)

7. Widows (PR: 6)

8. The Ballad of Buster Scruggs (PR: Not Ranked)

9. Roma (PR: 9)

10. Green Book (PR: 7)

Dropped Out:

The Sisters Brothers

Best Original Song

1. “The Shallow” from A Star Is Born

2. “The Place Where Lost Things Go” from Mary Poppins Returns

3. “I’ll Fight” from RBG (PR: 4)

4. “All the Stars” from Black Panther (PR: 3)

5. “I’ll Never Love Again” from A Star Is Born (PR: 5)

Other Possibilities:

6. “We Won’t Move” from The Hate U Give (PR: 7)

7. “Revelation” from Boy Erased (PR: 6)

8. “Always Remeber Us This Way” from A Star Is Born (PR: 8)

9. “Time for Change” from On the Basis of Sex (PR: 8)

10. “A Place Called Slaughter Race” from Ralph Breaks the Internet (PR: Not Ranked)

Dropped Out:

”Hearts Beat Loud” from Hearts Beat Loud

And that translates to the following number of nominations for each picture:

12 Nominations

A Star Is Born

10 Nominations

The Favourite

9 Nominations

First Man

8 Nominations

Black Panther

7 Nominations

Mary Poppins Returns

6 Nominations

If Beale Street Could Talk, Vice

5 Nominations

BlacKkKlansman

4 Nominations

Green Book, Mary Queen of Scots

3 Nominations

Can You Ever Forgive Me?

2 Nominations

A Quiet Place, RBG

1 Nomination

Bohemian Rhapsody, First Reformed, The Wife, Beautiful Boy, Widows, Eighth Grade, Cold War, Shoplifters, Girl, Capernaum, Incredibles 2, Isle of Dogs, Ralph Breaks the Internet, Spider–Man: Into the Spider–Verse, Mirai, Won’t You Be My Neighbor?, Three Identical Strangers, Free Solo, Minding the Gap, Colette, Avengers: Infinity War, Ready Player One

Happy Thanksgiving y’all!

Oscar Watch: Mary Poppins Returns

Disney’s Christmas box office smash is expected to be Mary Poppins Returns, the sequel to the 1964 classic original. It comes from Rob Marshall, who directed 2002’s Best Picture winner Chicago. Even with the Oscar pedigree behind it, it was a legitimate question as to whether this would garner any awards chatter or just settle for raking in tons of dough.

The film has screened for the Screen Actors Guild and journalists. While official reviews are under embargo, the buzz indicates it’s in many ways a worthy follow-up to what came over a half century prior. This especially applies to Emily Blunt, taking over the iconic title role from Julie Andrews (who won the Oscar as Poppins). Best Actress is crowded this year. At this juncture, I’d say Lady Gaga (A Star Is Born), Glenn Close (The Wife), and Olivia Colman (The Favourite) are locks or darn close to it. That leaves two spots and plenty of contenders to fill them. The showings for Poppins indicate Blunt is a prime contender to get one. As a side note, she could be in excellent shape for Actress at the Golden Globes for Musical/Comedy.

As for other performers, it’s certainly possible Blunt gets all the attention. Lin-Manuel Miranda seems a longshot in Supporting Actor. In Supporting Actress, it’s another category that is already filling up. Yet if anyone could sneak in, it’s Meryl Streep (who would be going for an unprecedented 22nd nod). Marshall has already directed her to one of them before in Supporting Actress for 2014’s Into the Woods.

Before its unveiling, the pic was already thought to be a contender in numerous down the line races: Costume Design, Production Design, Score, Original Song, Visual Effects and both Sound categories. That still holds true.

When it comes to Best Picture, that’s much more of a question mark. I’d say chances have undoubtedly improved, but it could depend on how others rise and fall in the coming weeks.

Bottom line: with Blunt leading the charge, Mary Poppins Returns could have awards voters singing its praises. My Oscar Watch posts will continue…

Oscar Watch: Vice

One of my most eagerly anticipated Oscar Watch entries screened for the first time yesterday in the form of Vice, Adam McKay’s biopic of Vice President Dick Cheney with Christian Bale in the lead. While official reviews are embargoed until next month, plenty of social media reaction is available. The verdict? Just as Mary Queen of Scots proved to be a potential contender at the AFI Fest earlier this week, so too has this and perhaps more so.

In particular, word of mouth on Bale’s work is rapturous. He could easily find himself in the mix for not only a nomination, but for a Lead Actor win (his most serious competition appears to be Bradley Cooper in A Star Is Born). Amy Adams plays wife Lynne and reviews suggest she’s a lock for a Supporting Actress nod. It would mark her sixth nomination and she’s yet to win. As for Sam Rockwell in Supporting Actor as George W. Bush, that appears less certain but possible (he won that race last year for Three Billboards Outside Ebbing, Missouri).

For the past several weeks, I’ve had Vice at #9 in a bit of a placeholder position in Best Picture. I feel more confident today that it gets in and I foresee its ranking rising when I update predictions on Thursday. Same goes for McKay’s direction and his original screenplay, where it faces stiff competition from The Favourite, Green Book, and Roma. McKay’s last screenplay (2015’s The Big Short) won him an Adapted Screenplay gold statue. In down the line slots, Editing and especially Makeup and Hairstyling are possibilities.

Bottom line: Vice has likely solidified itself as a contender, with Bale and Adams as threats to win their respective fields. My Oscar Watch posts will continue…

Oscar Watch: Amazing Grace

Amazing Grace is a surprise late entry into the Documentary race at this year’s Oscars and it could be poised to make beautiful noise like its subject – the legendary late singer Aretha Franklin. This is a concert film shot in 1972 by famed director Sydney Pollack. After being shelved for over four decades, Grace was unveiled at the AFI FIlm Festival this week.

Reviews are strong across the board and it’s at 100% on Rotten Tomatoes. The pic will undoubtedly receive plenty of attention considering Aretha’s recent passing. That said, 2018 has been a banner year for docs. Just some of its significant competitors include Won’t You Be My Neighbor?, Free Solo, RBG, Three Identical Strangers, and Minding the Gap.

Bottom line: there’s a lot of features competing for attention, but awards voters could certainly pay a little respect to Amazing Grace. My Oscar Watch posts will continue…

Oscar Watch: Creed II

Three years ago, the biggest surprise of Oscar night was Sylvester Stallone losing Best Supporting Actor to Mark Rylance in Bridge of Spies. The legendary performer was nominated for his seventh portrayal of Rocky Balboa in Creed, nearly 40 years after Rocky won Best Picture.

Creed was an unexpected critical and box office smash with a knockout score of 95% on Rotten Tomatoes. However, Oscar attention was reserved for Stallone only. Creed II opens on Wednesday and reviews are out. The tale of the tape indicates a mostly satisfying if predictable experience that serves as a follow-up to Rocky IV. The Tomato meter currently sits at 72%.

While its predecessor was heralded for Stallone’s work, early critical reaction here is more focused on Michael B. Jordan’s return in the title role. Yet any awards attention he receives will be for his supporting role in Black Panther, I suspect.

Bottom line: Creed II may please fans of the franchise. Like the Rocky sequels, don’t expect awards voters to punch ballots for it. My Oscar Watch posts will continue…

Oscar Watch: Mary Queen of Scots

At this year’s AFI Film Festival, there were two high-profile Oscar contenders screening for the first time. A week ago, it was On the Basis of Sex and I believe it lessened its chances at nominations. Last night, it was Mary Queen of Scots and we could have a potential contender on our hands.

The Josie Rourke directed historical drama casts Saoirse Ronan (nominated in 2015 and 2017 in Actress for Brooklyn and Lady Bird) in the title role with Margot Robbie (nominated last year for I, Tonya) as Queen Elizabeth I.

Early reviews suggest it’s a winner and it stands at 100% on Rotten Tomatoes. The critical notices don’t automatically vault it into Best Picture, though I’d say its chances have improved. It may find itself in direct competition for votes with another female led historical film The Favourite, which also has reviews on its side. Scots is expected to play in down the line races like Costume Design, Production Design, and Makeup and Hairstyling.

The biggest question mark was the reaction to Ronan and Robbie’s work. Buzz from AFI suggests they could both find themselves in the mix for Actress and Supporting Actress, respectively.

Bottom line: Mary has a brighter outlook for Academy attention based on last night. Expect this to appear on some category lists next Thursday when I update my predictions. My Oscar watch posts will continue…