Tag: academy awards

Oscar Predictions: Honk for Jesus. Save Your Soul.

Honk for Jesus. Save Your Soul. (that’s how the title is indeed punctuated) is based on a 2018 short film and the elongated version is a mockumentary starring Regina Hall and Sterling K. Brown as Atlanta megachurch leaders whose congregation isn’t as mega as it used to be. Adamma Ebo directs the indie satire which premiered at Sundance.

Reviews so far translate to 85% on Rotten Tomatoes, but plenty of them point out that it’s flawed. Praise for the leads is there. In 2018, Hall picked up some critics awards for Support the Girls. It doesn’t appear that’ll happen here. My Oscar Prediction posts will continue…

Oscar Predictions: Am I Ok?

Comedian Tig Notaro and actress Stephanie Allynne, who are married in real life, direct the tale of a same sex couple in Am I Ok?, which debuted at Sundance. The dramedy stars Dakota Johnson and Sonoya Mizuno with a supporting cast featuring Jermaine Fowler, Kiersey Clemons, Molly Gordon, Sean Hayes, and Notaro herself.

Critical reaction stands at 83% on Rotten Tomatoes though there’s a few notices that skew negative. Johnson is having a busy Sundance as Cha Cha Real Smooth is being called a crowdpleaser where some reviews hail it as her career best work.

Am I Ok? is unlikely to nab any awards buzz. Johnson’s other effort could be a different story. My Oscar Prediction posts will continue…

Oscar Predictions: Cha Cha Real Smooth

Cha Cha Real Smooth comes from writer/director Cooper Raiff and its Sundance premiere is garnering solid buzz (86% on Rotten Tomatoes so far). The filmmaker himself stars as a bar mitzvah party starter who befriends a single mom (Dakota Johnson). Leslie Mann and Brad Garrett costar.

Many reviews indicate this could be a breakout crowdpleaser. Whether that word-of-mouth means anything to awards voters is questionable. However it’s worth mentioning that Johnson is receiving some career best talk. Ever since (or in spite of) her breakout role in Fifty Shades of Grey, the actress is slowly becoming a bit of a critical darling. Her recent supporting turn in The Lost Daughter was well received and she’s got another lead part in another fest offering Am I Ok? (which I’ll get to on the blog shortly).

I doubt Cha Cha is the role that nabs Johnson her first Academy mention, but it’s worth keeping an eye on. My Oscar Prediction posts will continue…

Oscar Predictions: Resurrection

It’s happened a lot lately where films in the psychological thriller/horror realm feature lead female performances that have social media buzzing for their awards attention. Think Toni Collette in Hereditary or Lupita Nyong’o for Us. 

We could see that happen again with Rebecca Hall in Resurrection, which played at Sundance over the weekend. From director Andrew Semans, the dark tale features Hall confronting an ex flame and abuser (Tim Roth). The critical reaction is a bit mixed (76% currently on Rotten Tomatoes). However, the most positive reviews are really positive and nearly all write-ups praise Hall’s work (as well as Roth).

A quick study of the reviews will indicate this is not an Academy friendly experience. Don’t be surprised if there’s an Internet drumbeat for Hall to be recognized. She’s coming off a strong 2021 – making her directorial debut in the praised Passing and starring in the horror flick The Night House. 

Yet Collette and Nyong’o couldn’t make the Oscar cut and I wouldn’t expect Hall to. My Oscar Prediction posts will continue…

Oscar Predictions: Breaking

Blogger’s Note (08/23): This post has been updated from its original January 24th publication to reflect the title change from 892 to Breaking. 

Abi Damaris Corbin’s debut dramatic thriller 892 has premiered at Sundance and features a performance from John Boyega that’s already drawing critical kudos. The pic recounts the events surrounding Lance Corporal Brian Brown-Easley’s attempted robbery of a Marietta, GA bank in the summer of 2017. Costars include Nicole Beharie, Connie Britton, and Michael K. Williams in one of his final roles. It opens August 26th.

Boyega is, of course, best known as Finn from the most recent Star Wars trilogy. He recently nabbed a Golden Globe for Steve McQueen’s acclaimed TV anthology Small Axe. With 892, reviews are calling it some of his finest work. As far as Williams (who passed away in September 2021), perhaps there could be a push for a posthumous Supporting Actor nod.

Yet the notices themselves (81% on Rotten Tomatoes) don’t point to this being a major awards contender and it could be a struggle for Boyega or Williams to garner any momentum in next year’s Actor derby. My Oscar Prediction posts will continue…

Oscar Predictions: Fire of Love

Romance and volcanoes dominate the doc Fire of Love, which debuted at Sundance over the weekend and already ignited a heated bidding war. The French offering from filmmaker Sara Dosa is one of the most discussed pics of the fest and the Rotten Tomatoes rating stands at 100%.

Centered on a couple and their devotion to capturing volcanic imagery, Love was quickly picked up by National Geographic’s documentary division and should be out later this year. It could follow a similar path to The Rescue, another acclaimed Nat Geo pickup that appears destined to nab a Documentary Feature nomination from the Academy in a couple weeks (and it could win).

Sundance has already produced a potential shortlist contender here and my Oscar Prediction posts will continue…

Oscar Predictions: Living

From a randy aging rock star in Love Actually to Dave Jones in the Pirates of the Caribbean franchise, Bill Nighy has been turning up in notable roles for years. Yet the acclaimed English thespian hasn’t gotten his awards bait role to date. That could change with Living, which has premiered at Sundance over the weekend.

Set in 1950s London, the remake of Akira Kurosawa’s 1952 pic Ikiru casts Nighy as a government worker diagnosed with a terminal illness. Costars include Aimee Lou Wood, Alex Sharp, and Tom Burke. Kazuo Ishiguro, who wrote the source material for 1993’s The Remains of the Day (which nabbed Best Picture and acting noms) is the screenwriter. Initial reviews (under 10 thus far) give it a 100% Rotten Tomatoes score.

For a well-regarded actor of Nighy’s stature, this certainly seems like something that could be catnip for BAFTA voters. Whether the Academy follows suit might be determined by how robust its campaign is and that, of course, remains to be seen in the days and months ahead. My Oscar Predictions posts will continue…

Oscar Predictions: Good Luck to You, Leo Grande

From 1992-1995, Emma Thompson scored a remarkable five Oscar nominations – winning twice. The first was for her lead role in 1992’s Howards End. The second was a screenplay win for 1995’s Sense and Sensibility. The other three nods were for The Remains of the Day and Sensibility (both lead) and supporting for In the Name of the Father.

In the quarter century plus since, the Academy has yet to call her name again. That could change with Good Luck to You, Leo Grande which premiered at Sundance. From director Sophie Hyde, the comedic drama finds Thompson as a retiree who enlists the services of a sex worker (Daryl McCormack of Peaky Blinders).

Early reviews are hailing the performances of both leads. With the right eventual distributor, I wouldn’t be surprised if Thompson in particular is in the mix for awards attention. If Oscar doesn’t bite, she could at least be in line for a Best Actress nod in the Musical/Comedy category at next year’s Golden Globes. Thompson made the cut with HFPA in 2019 for Late Night and the buzz for Grande might be larger. My Oscar Predictions posts will continue…

Oscar Predictions: Call Jane

Based on a dozen reviews thus far out of Sundance, Phyllis Nagy’s Call Jane stands at 92% on Rotten Tomatoes. Focused on the real life Jane Collective from the 1960s (a group of women who fought for reproductive rights prior to Roe v Wade), Elizabeth Banks stars alongside Sigourney Weaver, Kate Mara, and Chris Messina.

While its rating is high, most reviews so far are in the three star range. Nagy makes her feature film debut after drawing acclaim for her Carol screenplay in 2015. Banks’s lead performance is drawing solid notices but it’s the supporting work from Weaver garnering a bit of buzz. Despite appearing in a whole lot of high profile pics over the decades, she hasn’t been nominated for an Oscar since 1988. She was actually up twice that year – in lead for Gorillas in the Mist and supporting for Working Girl. Her first nod came two years prior for Aliens. She’s never won.

A campaign for Weaver could be Jane‘s only real shot at awards recognition a year from now. Time will tell and my Oscar Prediction posts will continue…

Oscar Predictions: When You Finish Saving the World

The 2022 Sundance Film Festival is underway and, if history is any judge, we could see films and performances that may be talked about come Oscar time a year from now. In 2021, CODA premiered at the fest in January and it looks to be on its way to a Best Picture nod a couple weeks from now. In 2020, Judas and the Black Messiah also got its start and (with the elongated Academy schedule from that frame) hit the BP derby. In 2020, three BP nominees (The Father, Minari, Promising Young Woman) made their initial stops in Park City, Utah.

Sundance’s opening night selection is When You Finish Saving the World and it marks the directorial debut of Jesse Eisenberg. A Best Actor nominee back in 2010 for The Social Network, the dramedy stars Julianne Moore and Finn Wolfhard. Early buzz is mixed and the Rotten Tomatoes score sits at 73%. Most critical reaction indicates the characters are unpleasant to watch with reviews pretty divided on its overall effectiveness.

Eisenberg also wrote the screenplay and Emma Stone serves as a producer. And while World has received some praise, this is highly unlikely to be an awards breakout. My Oscar Prediction posts will continue…