If you’d told me in the spring that Puss in Boots: The Last Wish was better suited for an Animated Feature Oscar nomination than Disney’s Lightyear or Strange World, I might’ve questioned your awards prognosticating abilities. With its embargo lifted prior to the December 21st theatrical bow, this appears to be the case.
The DreamWorks Animation sequel is being praised as equal to or better than the 2011 predecessor. You may remember that it’s originally a spin-off from the massive Shrek franchise. Joel Crawford (who last made The Croods: A New Age) directs as Antonio Banderas and Salma Hayek return to voice the title kitty and his love interest. Other performers behind the mic include Harvey Guillén, Florence Pugh, Olivia Colman, Ray Winstone, John Mulaney, and Da’Vine Joy Randolph.
Early reviews have this at 100% on Rotten Tomatoes and that’s beyond the 86% that the first Boots earned (we are still at under 10 write-ups so it could come down). The aforementioned Shrek from 2001 is actually the first movie to win the Academy’s animated prize. In 2004, Shrek 2 was nominated but lost to Disney’s The Incredibles. The third and fourth tales of the jolly green monster didn’t make the cut. However, Puss in Boots was among 2011’s quintet. Rango took the gold.
This is a strange year in the Animated Feature race. Of Disney’s trio of hopefuls, only Turning Red appears safe for inclusion. The frontrunner is Guillermo del Toro’s Pinocchio from Netflix. The steamer’s Wendell and Wild and My Father’s Dragon could also get in. We have A24’s Marcel the Shell with Shoes On and The Bad Guys (also from DreamWorks). I haven’t had Puss in Boots: The Last Wish in the top 10 of possibilities. After seeing the initial reaction, it definitely will make that jump. When I update my projections on Thursday, it could even enter the high five. My Oscar Prediction posts will continue…
Despite submitting 10 pictures for consideration (including eight from 2013-20), the nation of Pakistan has yet to receive a nomination in the International Feature Film Oscar race. Could that change with Joyland?
The directorial debut of Saim Sadiq, the family drama won the Jury Prize when it premiered at the Cannes Film Festival in May. It also picked up a nod for Best International Film at the Independent Spirit Awards earlier this week. The Rotten Tomatoes score is 100%.
We have plenty of potential heavy hitters in IFF for 2022 including likely frontrunners All Quiet on the Western Front and Decision to Leave. Pakistan has a non-existent track record of making the eventual cut, but Joyland might be its most promising contender so far. I haven’t listed it in my top five (or even top 10 yet), but I wouldn’t completely discount its viability. My Oscar Prediction posts will continue…
Documentarian Matthew Heineman is no stranger to tackling hot button issues and awards voters have rewarded his features in the past. 2015’s Cartel Land was an Oscar nominee for Documentary Feature. Additional acclaim was bestowed upon 2017’s City of Ghosts and last year’s The First Wave, which took us into a NYC hospital at the height of the COVID epidemic. Heineman’s lone fictional work was 2018’s A Private War, in which Rosamund Pike nabbed a Golden Globe Best Actress nod in the Drama competition.
His latest is the Nat Geo produced Retrograde, recounting America’s final nine months in the Afghanistan War. It’s out already on an awards qualifying run prior to a December 11th Hulu bow. Initial reviews are typical for the filmmaker at 96% on Rotten Tomatoes.
Both Ghosts and Wave didn’t make the Academy’s cut. If Retrograde can manage to make the shortlist, it could certainly vie for one of the five spots. Based on recent history, I’m not yet comfortable slotting it there. My Oscar Prediction posts will continue…
Disney, be it through their traditionally animated works or especially Pixar, has had a stranglehold on the Best Animated Feature race at the Oscars. The category began in 2001. Of the 21 winners, 15 are from the Mouse Factory. That includes 9 out of the last 10 (the outlier is Spider-Man: Into the Spider-Verse).
The Disney domination appears fragile in 2022. Their adventure tale Strange World, focused on a legendary group of explorers, hits multiplexes over the Turkey Day weekend. Don Hall and Qui Nguyen direct with a voice cast including Jake Gyllenhaal, Dennis Quaid, Jaboukie Young-White, Gabrielle Union, and Lucy Liu.
With its review embargo up, the Rotten Tomatoes meter is at 72%. That’s pretty low for this studio’s product. The Pixar offering from earlier in the year, Turning Red, sits at 95%. Now that World has been seen, it appears Red is Disney’s strongest contender to take the Academy’s prize. In fact, Strange World could miss the top five altogether.
However, Red is expected to come up short to Guillermo del Toro’s Pinocchio from Netflix. We were waiting to see if Strange could present a challenge. It will not and my Oscar prediction posts will continue…
Two weeks have passed since my previous Oscar predictions and the biggest news is that there’s a new #1 in Best Picture. For quite some time, I’ve had Steven Spielberg’s The Fabelmans in first position. It would still make plenty of sense to keep it there. However, I’ve had a nagging feeling that this frontrunner is vulnerable. And my gut (at the moment) tells me that Everything Everywhere All at Once is a major threat for the victory. Stephanie Hsu is back in Supporting Actress for Everything over Carey Mulligan (She Said).
This isn’t the only development in the last 14 days. Damien Chazelle’s eagerly awaited Babylon held screenings. The buzz is wildly mixed, but I still believe it should perform well with nominations.
Another big change in BP is that Avatar: The Way of Water has surfaced in the top 10 (where it’s yet to place before). She Said, which had a very disappointing box office showing this weekend, dips to 11th.
There are changes in Best Actor. For the first time, I’m elevating Tom Cruise to the top five in Best Actor. He does so at the expense of Hugh Jackman in The Son, whose wide release was just delayed to January. That indicates to me that Sony Pictures Classics is losing faith in the pic (which received plenty of negative reviews). They may focus the bulk of their attention on Bill Nighy in Living.
In Supporting Actor, I’ve put Paul Dano back in for The Fabelmans. That means Spielberg’s movie would have the double supporting nominees instead of The Banshees of Inisherin (Barry Keoghan has moved to sixth).
There’s modifications in Animated Feature with Marcel the Shell with Shoes On and My Father’s Dragon entering the quintet and Wendell and Wild and Strange World falling out. Holy Spider is back in International Feature Film to the detriment of Bardo. In Documentary Feature, Fire of Love returns with Last Flight Home out.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1 . Everything Everywhere All at Once (Previous Ranking: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. The Banshees of Inisherin (PR: 5) (+2)
4. Women Talking (PR: 4) (E)
5. Babylon (PR: 3) (-2)
6. Top Gun: Maverick (PR: 6) (E)
7. Tár (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 9) (E)
10. Avatar: The Way of Water (PR: 13) (+3)
Other Possibilities:
11. She Said (PR: 10) (-1)
12. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
13. Decision to Leave (PR: 12) (-1)
14. All Quiet on the Western Front (PR: 11) (-3)
15. Elvis (PR: 14) (-1)
Dropped Out:
Glass Onion: A Knives Out Mystery
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 3) (+1)
3. Damien Chazelle, Babylon (PR: 2) (-1)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tár (PR: 5) (E)
Other Possibilities:
6. Martin McDonagh, The Banshees of Inisherin (PR: 8) (+2)
7. Park Chan-wook, Decision to Leave (PR: 7) (E)
8. Edward Berger, All Quiet on the Western Front (PR: 6) (-2)
9. James Cameron, Avatar: The Way of Water (PR: 9) (E)
10. Joseph Kosinski, Top Gun: Maverick (PR: Not Ranked)
Dropped Out:
Ruben Ostlund, Triangle of Sadness
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (Previous Ranking: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Jennifer Lawrence, Causeway (PR: 9) (+2)
8. Viola Davis, The Woman King (PR: 8) (E)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)
10. Rooney Mara, Women Talking (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Tom Cruise, Top Gun: Maverick (PR: 7) (+2)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Hugh Jackman, The Son (PR: 5) (-2)
8. Paul Mescal, Aftersun (PR: 10) (+2)
9. Jeremy Pope, The Inspection (PR: 8) (-1)
10. Will Smith, Emancipation (PR: Not Ranked)
Dropped Out:
Adam Driver, White Noise
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Kerry Condon, The Banshees of Inisherin (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 5) (-1)
7. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 9) (+2)
8. Dolly De Leon, Triangle of Sadness (PR: 7) (-1)
9. Nina Hoss, Tár (PR: 8) (-1)
10. Angela Bassett, Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
Jean Smart, Babylon
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Ben Whishaw, Women Talking (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 6) (+2)
5. Judd Hirsch, The Fabelmans (PR: 4) (-1)
Other Possibilities:
6. Barry Keoghan, The Banshees of Inisherin (PR: 5) (-1)
7. Brad Pitt, Babylon (PR: 7) (E)
8. Mark Rylance, Bones and All (PR: 8) (E)
9. Eddie Redmayne, The Good Nurse (PR: 10) (+1)
10. Woody Harrelson, Triangle of Sadness (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Triangle of Sadness (PR: 4) (E)
5. Tár (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. The Menu (PR: 10) (+3)
8. Aftersun (PR: 8) (E)
9. Decision to Leave (PR: 7) (-2)
10. Bardo (PR: Not Ranked)
Dropped Out:
Broker
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities:
6. White Noise (PR: 6) (E)
7. Bones and All (PR: 7) (E)
8. Top Gun: Maverick (PR: 8) (E)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. The Son (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 6) (+3)
4. My Father’s Dragon (PR: 8) (+4)
5. The Bad Guys (PR: 5) (E)
Other Possibilities:
6. Wendell and Wild (PR: 3) (-3)
7. Strange World (PR: 4) (-3)
8. The Sea Beast (PR: 7) (-1)
9. Lightyear (PR: 9) (E)
10. Minions: The Rise of Gru (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 2) (+1)
2. All Quiet on the Western Front (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Saint Omer (PR: 5) (+1)
5. Holy Spider (PR: 7) (+2)
Other Possibilities:
6. Bardo (PR: 4) (-2)
7. Argentina, 1985 (PR: 8) (+1)
8. The Quiet Girl (PR: Not Ranked)
9. EO (PR: 9) (E)
10. Alcarras (PR: 10) (E)
Dropped Out:
Klondike
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Fire of Love (PR: 6) (+1)
Other Possibilities:
6. The Territory (PR: 7) (+1)
7. Moonage Daydream (PR: 8) (+1)
8. Good Night Oppy (PR: 9) (+1)
9. Last Flight Home (PR: 5) (-4)
10. Sr. (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Empire of Light (PR: 4) (E)
5. Bardo (PR: 6) (+1)
Other Possibilities:
6. Top Gun: Maverick (PR: 7) (+1)
7. All Quiet on the Western Front (PR: 5) (-2)
8. The Banshees of Inisherin (PR: 8) (E)
9. Everything Everywhere All at Once (PR: 10) (+1)
10. Emancipation (PR: Not Ranked)
Dropped Out:
Black Panther: Wakanda Forever
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 5) (+1)
5. Mrs. Harris Goes to Paris (PR: 4) (-1)
Other Possibilities:
6. The Fabelmans (PR: 7) (+1)
7. Living (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 10) (+2)
9. Corsage (PR: 9) (E)
10. Three Thousand Years of Longing (PR: 8) (-2)
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 3) (+1)
3. The Fabelmans (PR: 4) (+1)
4. Babylon (PR: 2) (-2)
5. Avatar: The Way of Water (PR: 8) (+3)
Other Possibilities:
6. Women Talking (PR: 5) (-1)
7. Elvis (PR: 6) (-1)
8. The Banshees of Inisherin (PR: 9) (+1)
9. All Quiet on the Western Front (PR: 7) (-2)
10. Tár (PR: Not Ranked)
Dropped Out:
Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. The Batman (PR: 4) (E)
5. Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 5) (-1)
7. The Woman King (PR: 10) (+3)
8. X (PR: 7) (-1)
9. Amsterdam (PR: Not Ranked)
10. Corsage (PR: Not Ranked)
Dropped Out:
Three Thousand Years of Longing
All Quiet on the Western Front
Best Original Score
Predicted Nominees:
1. Babylon (PR: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. Women Talking (PR: 5) (+2)
4. Guillermo del Toro’s Pinocchio (PR: 7) (+3)
5. Avatar: The Way of Water (PR: 9) (+4)
Other Possibilities:
6. The Banshees of Inisherin (PR: 4) (-2)
7. Empire of Light (PR: 3) (-4)
8. She Said (PR: Not Ranked)
9. White Noise (PR: Not Ranked)
10. The Batman (PR: Not Ranked)
Dropped Out:
Tár
Bardo
All Quiet on the Western Front
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (E)
3. “Naatu Naatu” from RRR (PR: 3) (E)
4. “Nobody Like U” from Turning Red (PR: 4) (E)
5. “Applause” from Tell It Like a Woman (PR: 6) (+1)
Other Possibilities:
6. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 10) (+4)
7. “This Is a Life” from Everything Everywhere All at Once (PR: 5) (-2)
8. “Carolina” from Where the Crawdads Sing (PR: 8) (E)
9. “New Body Rhumba” from White Noise (PR: 9) (E)
10. “Stand Up” from Till (PR: 7) (-3)
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 4) (+1)
4. Black Panther: Wakanda Forever (PR: 3) (-1)
5. The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Guillermo del Toro’s Pinocchio (PR: 7) (+1)
7. Everything Everywhere All at Once (PR: 6) (-1)
8. All Quiet on the Western Front (PR: 10) (+2)
9. The Woman King (PR: Not Ranked)
10. Glass Onion: A Knives Out Mystery (PR: 9) (-1)
Dropped Out:
Empire of Light
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 7) (+4)
4. The Batman (PR: 6) (+2)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 8) (+2)
7. Babylon (PR: 3) (-4)
8. Black Panther: Wakanda Forever (PR: 4) (-4)
9. The Fabelmans (PR: 9) (E)
10. Nope (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 5) (+1)
5. Black Panther: Wakanda Forever (PR: 4) (-1)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Doctor Strange in the Multiverse of Madness (PR: 8) (+1)
8. RRR (PR: 7) (-1)
9. Good Night Oppy (PR: 10) (+1)
10. All Quiet on the Western Front (PR: 9) (-1)
And that equates to these movies garnering these numbers of nominations:
10 Nominations
The Fabelmans
9 Nominations
Babylon, Everything Everywhere All at Once
7 Nominations
Avatar: The Way of Water, Women Talking
6 Nominations
Top Gun: Maverick
5 Nominations
The Banshees of Inisherin, Elvis, The Whale
4 Nominations
Black Panther: Wakanda Forever, Tár
3 Nominations
Guillermo del Toro’s Pinocchio
2 Nominations
All Quiet on the Western Front, The Batman, Living, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, Close, Decision to Leave, Descendant, Empire of Light, Glass Onion: A Knives Out Mystery, Holy Spider, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, My Father’s Dragon, Navalny, RRR, Saint Omer, She Said, Tell It Like a Woman, Till, The Woman King
The nation of Ireland has a brief and unremarkable history in the International Feature Film competition at the Academy Awards. Beginning in 2007, they’ve submitted 8 features for consideration in the foreign race. Only one (2015’s Viva) made the shortlist and it did not make the final five.
In 2022, the Irish could finally get lucky with The Quiet Girl. The directorial debut from Colm Bairéad received raves after its premiere at the Berlin Film Festival earlier this year. That acclaim has continued as it has played other European fests. The drama set in the early 80s stars Carrie Crowley, Andrew Bennett, Catherine Clinch, and Michael Patric.
There’s a bunch of viable hopefuls in IFF this year. Decision to Leave and All Quiet on the Western Front seem to be the favorites and there’s easily 10-12 others looking to fill three slots.
Ireland may not have the track record, but there’s a first time for everything and The Quiet Girl is capable of making a little noise with the right campaign. My Oscar Prediction posts will continue…
We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.
There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).
Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.
Call Me by Your Name
Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.
Does It Make the Final Five?
No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.
Darkest Hour
Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.
Does It Make the Final Five?
No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.
Dunkirk
Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.
Does It Make the Final Five?
Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.
Get Out
Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.
Does It Make the Final Five?
Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.
Lady Bird
Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.
Does It Make the Final Five?
Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.
Phantom Thread
Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).
Does It Make the Final Five?
No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.
The Post
Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.
Does It Make the Final Five?
No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.
Three Billboards Outside Ebbing, Missouri
A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.
Does It Make the Final Five?
Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.
If you weren’t keeping score, here’s my projected 2017 five:
Sr. refers to Robert Downey Sr. and it recounts his directing and acting career in addition to his final years (he passed last summer). Best known for the underground 1969 satire Putney Swope, the film streams on Netflix December 2nd. His very famous son also appears in the documentary from Chris Smith, maker of 2019’s buzzy Fyre.
After a premiere at Telluride in September, Sr. also played the New York Film Festival. Early reviews are solid across the board with 100% on Rotten Tomatoes. Netflix always has docs to campaign for at Oscar time. Their biggest hopeful might be Descendant, but they’ll likely promote this one too (especially with the high profile Hollywood connection and Downey Jr. making the rounds).
I’ve had Sr. in and out of my top ten of possibilities in Doc Feature, but not yet in the high five. We’ll see if it manages to rise in the coming weeks. My Oscar Prediction posts will continue…
We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:
We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.
As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.
Arrival
Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.
Does It Make the Final Five?
No, but I’ll admit I went back and forth here. There’s certainly an argument to be made that it gets in due to the high number of nominations. However, the Actress snub and it not making the Golden Globe five for Drama make me more comfortable leaving it out. **As a side note – I didn’t let my personal take on it interfere as it’s probably my favorite picture of 2016.
Fences
Denzel Washington starred and directed this adaptation of the August Wilson play. Washington landed an Actor nom while costar Viola Davis won Supporting Actress. The Adapted Screenplay was also up.
Does It Make the Final Five?
No. Had it materialized in Director, I might think twice but this was probably 7th at best of the nine contenders.
Hacksaw Ridge
Mel Gibson made a filmmaking comeback in the World War II drama. He was up for his direction and Andrew Garfield earned a Best Actor spot. It won Sound Mixing and Film Editing and was up for Sound Editing.
Does It Make the Final Five?
Yes. Despite its screenplay not being mentioned, the Editing victory puts it in for me. In the 21st century, the winner of the race has missed BP exactly once (2011’s The Girl with the Dragon Tattoo).
Hell or High Water
Taylor Sheridan is best known these days for co-creating TV’s hit Yellowstone. He earned an Original Screenplay nod for this neo-Western that was also up for Supporting Actor (Jeff Bridges) and Film Editing.
Does It Make the Final Five?
No. Director David Mackenzie wasn’t up and the 0 for 4 showing is a sign the final five wasn’t reachable.
Hidden Figures
Theodore Melfi’s true life look at African-American female mathematicians at NASA during the 1960s was a gigantic hit – blasting off to $170 million domestically. Besides BP, Octavia Spencer was up for Supporting Actress as was the Adapted Screenplay.
Does It Make the Final Five?
No in spite of its box office. Of the nine nominees, it got the smallest number of noms and took home zero. It was also missed the Golden Globe and Critics Choice lists.
La La Land
Damien Chazelle won Best Director for his musical and Emma Stone was crowned Best Actress. The total number of nominations was 14 – which tied All About Eve and Titanic for the most ever. Other victories were Score, Song, Cinematography, and Production Design. The other mentions were Actor (Ryan Gosling), Original Screenplay, Sound Editing, Sound Mixing, Costume Design, and Film Editing.
Does It Make the Final Five?
A big and obvious yes. When Dunaway accidentally proclaimed it BP, no one was surprised since it was the frontrunner. It was very likely the runner-up in votes.
Lion
Garth Davis’s drama finds Dev Patel searching for his birth parents and it found its way to five other nods for Patel in Supporting Actor, Nicole Kidman for Supporting Actress, Adapted Screenplay, Score, and Cinematography. It did not win any of them.
Does It Make the Final Five?
Yes. I will admit that this could be a stretch and Arrival might be the pick of others. I just think that there would have been enough sentiment for this one to make the final cut even without directing and editing mentions.
Manchster by the Sea
Kenneth Lonergan got a directing nod for this grief filled drama and Casey Affleck won Best Actor. Lucas Hedges and Michelle Williams were up for the supporting derbies while Lonergan won Original Screenplay.
Does It Make the Final Five?
Yes. The screenplay and Actor wins solidify this and it was probably third of the five behind Moonlight and La La Land.
Will Ferrell, Ryan Reynolds, and Octavia Spencer headline Spirited, a musical comedy take on A Christmas Carol. Slated for an Apple TV rollout on November 18th, it has a limited theatrical release this Friday. Sean Anders, who collaborated with Ferrell on both Daddy’s Home pics, directs.
The brief cinematic run leaves it Oscar eligible, but don’t expect this spin on the Dickens classic to garner much attention. It is worth discussing whether the Hollywood Foreign Press Association puts it on their radar for the Golden Globes. They have Musical/Comedy designations and seeing it nominated for Picture and Actor (Ferrell or Reynolds) is feasible.
However, the current 59% Rotten Tomatoes meter is not encouraging. There are certainly years where the Musical/Comedy acting lists allow for performances from films with mixed reviews. I wouldn’t totally discount Ferrell. He’s a two-time GG hopeful in Supporting Actor for 2005’s The Producers and lead actor for Musical/Comedy for 2006’s Stranger Than Fiction. I would say the competition would need to be pretty weak for his third nod. My Oscar (and Golden Globe) prediction posts will continue…
All My Life... I Wanted To Be A Blogster 