Todd’s Weekly Oscar Predictions: December 15th Edition

Well, folks, it’s been two weeks since I made my last Oscar predictions and a lot has happened in that time period. Both the Golden Globe and SAG nominations have been released, in addition to more critics association bestowing of honors.

The events of the last couple of weeks have led me to this conclusion: La La Land, Moonlight, and Manchester by the Sea are the current hot trio for Best Picture. There was the fascinating omission of La La for a SAG Best Ensemble Award. While I still believe it’s the front runner for the Academy, if it won it would be the first picture to do so without being nominated for the SAG race since 1995’s Braveheart. 

Both SAG and Golden Globe weren’t kind to Martin Scorsese’s Silence, yet I still think it manages to get in the Picture race and nominate its director. Both organizations had their share of shocker nods – for SAG it was Emily Blunt for The Girl on the Train in Actress as opposed to Annette Bening in 20th Century Women. For the Globes, it was Aaron Taylor-Johnson’s getting a nom for Nocturnal Animals in Supporting Actor instead of his more expected costar Michael Shannon.

Here’s where I have all the races standing currently. Let’s get to it:

Best Picture

Predicted Nominees

1. La La Land (Previous Ranking: 1)

2. Moonlight (PR: 3)

3. Manchester by the Sea (PR: 4)

4. Silence (PR: 2)

5. Fences (PR: 5)

6. Lion (PR: 6)

7. Arrival (PR: 7)

8. Hacksaw Ridge (PR: 12)

9. Hidden Figures (PR: 8)

Other Possibilities

10. Hell or High Water (PR: 10)

11. Loving (PR: 9)

12. Jackie (PR: 11)

13. Sully (PR: 13)

14. Nocturnal Animals (PR: 16)

15. 20th Century Women (PR: 15)

16. Patriots Day (PR: 14)

17. Florence Foster Jenkins (PR: Not Ranked)

18. Live by Night (PR: 17)

19. The Jungle Book (PR: 19)

20. Gold (PR: Not Ranked)

Dropped Out:

Passengers

The Founder

Best Director

Predicted Nominees

1. Damien Chazelle, La La Land (PR: 1)

2. Barry Jenkins, Moonlight (PR: 3)

3. Kenneth Lonergan, Manchester by the Sea (PR: 5)

4. Martin Scorsese, Silence (PR: 2)

5. Denis Villeneuve, Arrival (PR: 6)

Other Possibilities

6. Mel Gibson, Hacksaw Ridge (PR: 8)

7. Denzel Washington, Fences (PR: 4)

8. Garth Davis, Lion (PR: 7)

9. David Mackenzie, Hell or High Water (PR: Not Ranked)

10. Jeff Nichols, Loving (PR: 9)

Dropped Out:

Theodore Melfi, Hidden Figures

Best Actor

Predicted Nominees

1. Casey Affleck, Manchester by the Sea (PR: 2)

2. Denzel Washington, Fences (PR: 1)

3. Ryan Gosling, La La Land (PR: 4)

4. Andrew Garfield, Hacksaw Ridge (PR: 9)

5. Tom Hanks, Sully (PR: 3)

Other Possibilities

6. Joel Edgerton, Loving (PR: 6)

7. Viggo Mortensen, Captain Fantastic (PR: 7)

8. Michael Keaton, The Founder (PR: 8)

9. Andrew Garfield, Silence (PR: 5)

10. Matthew McConaughey, Gold (PR: 10)

Best Actress

Predicted Nominees

1. Emma Stone, La La Land (PR: 1)

2. Natalie Portman, Jackie (PR: 2)

3. Annette Bening, 20th Century Women (PR: 3)

4. Amy Adams, Arrival (PR: 5)

5. Isabelle Huppert, Elle (PR: 6)

Other Possibilities

6. Meryl Streep, Florence Foster Jenkins (PR: 8)

7. Ruth Negga, Loving (PR: 4)

8. Jessica Chastain, Miss Sloane (PR: 7)

9. Taraji P. Henson, Hidden Figures (PR: 9)

10. Rebecca Hall, Christine (PR: 10)

Best Supporting Actor

Predicted Nominees

1. Mahershala Ali, Moonlight (PR: 1)

2. Dev Patel, Lion (PR: 3)

3. Lucas Hedges, Manchester by the Sea (PR: 4)

4. Jeff Bridges, Hell or High Water (PR: 6)

5. Michael Shannon, Nocturnal Animals (PR: 2)

Other Possibilities

6. Hugh Grant, Florence Foster Jenkins (PR: Not Ranked)

7. Mykelti Williamson, Fences (PR: 5)

8. Issey Ogata, Silence (PR: Not Ranked)

9. Kevin Costner, Hidden Figures (PR: 10)

10. Ben Foster, Hell or High Water (PR: Not Ranked)

Dropped Out:

Adam Driver, Silence

Liam Neeson, Silence

Stephen Henderson, Fences

Best Supporting Actress

Predicted Nominees

1. Viola Davis, Fences (PR: 1)

2. Naomie Harris, Moonlight (PR: 2)

3. Michelle Williams, Manchester by the Sea (PR: 3)

4. Nicole Kidman, Lion (PR: 4)

5. Octavia Spencer, Hidden Figures (PR: 7)

Other Possibilities

6. Greta Gerwig, 20th Century Women (PR: 5)

7. Helen Mirren, Eye in the Sky (PR: 9)

8. Janelle Monae, Hidden Figures (PR: 6)

9. Felicity Jones, A Monster Calls (PR: Not Ranked)

10. Molly Shannon, Other People (PR: 8)

Dropped Out:

Bryce Dallas Howard, Gold

Best Original Screenplay

Predicted Nominees

1. Manchester by the Sea (PR: 1)

2. La La Land (PR: 3)

3. Hell or High Water (PR: 4)

4. Captain Fantastic (PR: 10)

5. 20th Century Women (PR: 6)

Other Possibilities

6. The Lobster (PR: 7)

7. Jackie (PR: 8)

8. Eye in the Sky (PR: Not Ranked)

9. Florence Foster Jenkins (PR: Not Ranked)

10. I, Daniel Blake (PR: Not Ranked)

Dropped Out:

Moonlight and Loving – *moved to Adapted Screenplay

Patriots Day

Best Adapted Screenplay

Predicted Nominees

1. Moonlight (PR: Not Ranked, was moved from Original Screenplay)

2. Fences (PR: 1)

3. Lion (PR: 3)

4. Silence (PR: 2)

5. Arrival  (PR: 4)

Other Possibilities

6. Hacksaw Ridge (PR: 7)

7. Nocturnal Animals (PR: 6)

8. Loving (Not Ranked – previously listed in Original Screenplay)

9. Hidden Figures (PR: 5)

10. Sully (PR: 8)

Dropped Out:

Elle

Indignation

Best Animated Feature

Predicted Nominees

1. Zootopia (PR: 1)

2. Kubo and the Two Strings (PR: 3)

3. Moana (PR: 2)

4. The Red Turtle (PR: 4)

5. Finding Dory (PR: 5)

Other Possibilities

6. The Little Prince (PR: 6)

7. My Life as a Zucchini (PR: 8)

8. April and the Extraordinary World (PR: 7)

9. Trolls (PR: Not Ranked)

10. Sausage Party (PR: 9)

Dropped Out:

Miss Hokusai

Best Documentary Feature

Predicted Nominees

1. 13th (PR: 1)

2. I Am Not Your Negro (PR: 5)

3. O.J.: Made in America (PR: 2)

4. Gleason (PR: 3)

5. Life, Animated (PR: 4)

Other Possibilities

6. Cameraperson (PR: 7)

7. Weiner (PR: Not Ranked)

8. The Eagle Huntress (PR: 6)

9. Fire at Sea (PR: 8)

10. The Ivory Game (PR: 10)

Dropped Out:

Miss Sharon Jones

Best Foreign Language Film

Predicted Nominees

1. Toni Erdmann (PR: 1)

2. Elle (PR: 4)

3. The Salesman (PR: 6)

4. Land of Mine (PR: 3)

5. Fire at Sea (PR: 2)

Other Possibilities

6. Neruda (PR: 10)

7. The Happiest Day in the Life of Olli Maki (PR: 9)

8. Julieta (PR: Not Ranked)

9. Ma’Rosa (PR: 7)

10. The Ardennes (PR: 8)

Dropped Out:

A Man Called Ove

Best Cinematography

Predicted Nominees

1. La La Land (PR: 1)

2. Moonlight (PR: 3)

3. Silence (PR: 2)

4. Arrival (PR: 4)

5. Jackie (PR: 10)

Other Possibilities

6. Nocturnal Animals (PR: Not Ranked)

7. Lion (PR: 7)

8. Hell or High Water (PR: 9)

9. Hacksaw Ridge (PR: 8)

10. Live by Night (PR: 6)

Dropped Out:

The Jungle Book

Best Costume Design

Predicted Nominees

1. Jackie (PR: 1)

2. La La Land (PR: 2)

3. Allied (PR: 6)

4. Love & Friendship (PR: 3)

5. Fantastic Beasts and Where to Find Them (PR: Not Ranked)

Other Possibilities

6. Live by Night (PR: 4)

7. Florence Foster Jenkins (PR: 8)

8. Silence (PR: 5)

9. Rules Don’t Apply (PR: 7)

10. Fences (PR: 9)

Dropped Out:

Fences

Best Editing

Predicted Nominees

1. La La Land (PR: 1)

2. Moonlight (PR: 3)

3. Silence (PR: 2)

4. Arrival (PR: 6)

5. Hacksaw Ridge (PR: 5)

Other Possibilities

6. Sully (PR: Not Ranked)

7. Lion (PR: 4)

8. Manchester by the Sea (PR: Not Ranked)

9. Fences (PR: 10)

10. Jackie (PR: 7)

Dropped Out:

Hell or High Water

Live by Night

Best Makeup and Hairstyling

Predicted Nominees

1. Jackie (PR: 1)

2. Star Trek Beyond (PR: 7)

3. Hacksaw Ridge (PR: 2)

Other Possibilities

4. Fantastic Beasts and Where to Find Them (PR: 3)

5. Deadpool (PR: Not Ranked)

6. Suicide Squad (PR: 8)

7. Florence Foster Jenkins (PR: Not Ranked)

8. Nocturnal Animals (PR: 9)

9. Doctor Strange (PR: Not Ranked)

10. Rogue One: A Star Wars Story (PR: 4)

Dropped Out:

The BFG

Hidden Figures

Best Original Score

Predicted Nominees

1. La La Land (PR: 1)

2. Lion (PR: 2)

3. Jackie (PR: 4)

4. Moana (PR: 5)

5. Nocturnal Animals (PR: Not Ranked)

Other Possibilities

6. Rogue One: A Star Wars Story (PR: 7)

7.  Moonlight (PR: Not Ranked)

8. The Jungle Book (PR: 6)

9. Florence Foster Jenkins (PR: Not Ranked)

10. The BFG (PR: Not Ranked)

Dropped Out:

Arrival

Hidden Figures

Hacksaw Ridge

Manchester by the Sea

Best Original Song

Predicted Nominees

1. “Audition (The Fools Who Dream)” from La La Land (PR: 1)

2. “We Know the Way” from Moana (PR: 2)

3. “City of Stars” from La La Land (PR: 3)

4. “Letter to the Free” from 13th (PR: 7)

5. “Rules Don’t Apply” from Rules Don’t Apply (PR: 9)

Other Possibilities

6. “Can’t Stop the Feeling” from Trolls (PR: 6)

7. “Drive It Like You Stole It” from Sing Street (PR: Not Ranked)

8. “Dancing with Your Shadow” from Po (PR: 4)

9. “I See Victory” from Hidden Figures (PR: 5)

10. “I’m Still Here” from Miss Sharon Jones (PR: 8)

Dropped Out:

“Runnin” from Hidden Figures

Best Production Design

Predicted Nominees

1. La La Land (PR: 1)

2. Jackie (PR: 3)

3. Silence (PR: 2)

4. Arrival (PR: 5)

5. Live by Night (PR: 4)

Other Possibilities

6. Fences (PR: Not Ranked)

7. Allied (PR: 10)

8. Hacksaw Ridge (PR: 8)

9. Rules Don’t Apply (PR: 7)

10. Love & Friendship (PR: 6)

Dropped Out:

Rogue One: A Star Wars Story

Best Sound Editing

Predicted Nominees

1. Hacksaw Ridge (PR: 1)

2. La La Land (PR: 2)

3. Rogue One: A Star Wars Story (PR: 4)

4. Sully (PR: 9)

5. The Jungle Book (PR: 3)

Other Possibilities

6. Deepwater Horizon (PR: 8)

7. Arrival (PR: 6)

8. Patriots Day (PR: 5)

9. Passengers (PR: 10)

10. Allied (PR: Not Ranked)

Dropped Out:

Silence

Best Sound Mixing

Predicted Nominees

1. La La Land (PR: 1)

2. Hacksaw Ridge (PR: 2)

3. Rogue One: A Star Wars Story (PR: 5)

4. Deepwater Horizon (PR: 7)

5. Arrival (PR: 8)

Other Possibilities

6. The Jungle Book (PR: 6)

7. Sully (PR: 4)

8. Patriots Day (PR: 3)

9. Deadpool (PR: Not Ranked)

10. Passengers (PR: 9)

Dropped Out:

Live by Night

Best Visual Effects

Predicted Nominees

1. The Jungle Book (PR: 1)

2. Rogue One: A Star Wars Story (PR: 3)

3. Arrival (PR: 6)

4. Doctor Strange (PR: 2)

5. Fantastic Beasts and Where to Find Them (PR: 9)

Other Possibilities

6. The BFG (PR: 7)

7. Sully (PR: Not Ranked)

8. Star Trek Beyond (PR: 8)

9. Deadpool (PR: Not Ranked)

10. A Monster Calls (PR: 4)

Dropped Out:

Passengers

Captain America: Civil War

That leaves the following breakdown for nominations:

14 Nominations

La La Land

9 Nominations

Arrival

7 Nominations

Moonlight

6 Nominations

Manchester by the Sea, Silence, Jackie, Hacksaw Ridge

5 Nominations

Lion

4 Nominations

Fences

3 Nominations

Moana, Rogue One: A Star Wars Story

2 Nominations

Hidden Figures, Sully, Hell or High Water, Elle, 13th, Fantastic Beasts and Where to Find Them, The Jungle Book, 20th Century Women, Nocturnal Animals 

1 Nomination

Captain Fantastic, Zootopia, Kubo and the Two Strings, The Red Turtle, Finding Dory, I Am Not Your Negro, O.J.: Made in America, Gleason, Life, Animated, Toni Erdmann, The Salesman, Land of Mine, Fire at Sea, Allied, Love & Friendship, Star Trek Beyond, Rules Don’t Apply, Live by Night, Deepwater Horizon, Doctor Strange. 

And there you have it, folks! Updated predictions will be up next Thursday. Stay tuned…

2016 Golden Globe Nominations Reaction

Well, the Golden Globe nominations are out and there are some genuine surprises to be had.

Not surprising? Damien Chazelle’s La La Land (the current front runner in the Oscar Best Picture derby) leading all nominees with seven with Barry Jenkins’s Moonlight close behind with six.

Surprising? A total shut-out for Martin Scorsese’s Silence and a better than expected showing for Tom Ford’s Nocturnal Animals. 

All in all, my performance guessing the nominees was pretty weak. 64% total in the ten major categories predicted.

Let’s break them down one by one, shall we?

Best Picture (Drama)

My Performance 2/5

Analysis: Ouch. This race threw me for a loop as only Manchester by the Sea and Moonlight were nominated among my five. The three that weren’t: the aforementioned Silence, Arrival, and Fences. In their place: Mel Gibson’s Hacksaw Ridge, Garth Davis’s Lion, and David Mackenzie’s Hell or High Water. Truthfully, none of their inclusions are entirely surprising. Having said that, if I thought I’d get three picks wrong, I probably would have thought Pablo Larrain’s Jackie would get in. This race now appears to be between Manchester and Moonlight.

Best Picture (Musical or Comedy)

My Performance: 3/5

Well… a little better. The three I correctly predicted were La La Land, Florence Foster Jenkins, and 20th Century Women. Warren Beatty’s Rules Don’t Apply and The Lobster didn’t make it in in favor of Deadpool (!) and Sing Street. Bottom line here? La La is going to win this category.

Best Director

My Performance: 3/5

Chazelle, Jenkins, and Lonergan were got in as I said they would, but Martin Scorsese and Denis Villeneuve (Arrival) did not. In their place are Mel Gibson for Hacksaw and the rather surprising inclusion of Tom Ford for Nocturnal Animals, especially considering the movie wasn’t nominated in Drama.

Best Actor (Drama)

My Performance: 4/5

The only incorrect estimate here is that Viggo Mortensen got in for Captain Fantastic instead of Tom Hanks for Sully. Ironically, I did predict Viggo would be nominated in Musical/Comedy here (I thought Fantastic would fall under that genre). The other nominees that I did get: Casey Affleck (Manchester by the Sea), Joel Edgerton (Loving), Andrew Garfield (Hacksaw Ridge), and Denzel Washington (Fences).

Best Actress (Drama)

My Performance: 5/5

Hey, the one and only race where I went 100%! The nominees: Amy Adams (Arrival), Jessica Chastain (Miss Sloane), Isabelle Huppert (Elle), Ruth Negga (Loving), and Natalie Portman (Jackie).

Best Actor (Musical or Comedy)

My Performance: 3/5

To me, the surprise is that the Hollywood Foreign Press didn’t nominate the legendary Warren Beatty for Rules Don’t Apply. As mentioned before, I put Mortensen in here, but he ended up getting nominated for Drama. The three I got right: Colin Farrell (The Lobster), Ryan Gosling (La La Land), and Hugh Grant (Florence Foster Jenkins). The two I didn’t: the pretty shocking nod for Jonah Hill in War Dogs and much deserved love for Ryan Reynolds in Deadpool.

Best Actress (Musical or Comedy)

My Performance: 3/5

Annette Bening (20th Century Women), Emma Stone (La La Land), and Meryl Streep (Florence Foster Jenkins) were all very easy picks to make and they got in. The other two were tougher. I went with Kate Beckinsale in Love & Friendship and Susan Sarandon in The Meddler, but it was Lily Collins (Rules Don’t Apply) and Hailee Steinfeld (The Edge of Seventeen) who made the cut.

Best Supporting Actor

My Performance: 2/5

Ouch again. When it comes to Oscar predictin’, this has been the most unpredictable category of them all and that showed with my GG’s performance here. I correctly named Mahershala Ali (Moonlight) and Dev Patel in Lion. My picks of Lucas Hedges (Manchester), Issey Ogata (the totally ignored Silence), and Michael Shannon (Nocturnal Animals) didn’t come to fruition. Instead, we got the surprise nod for Shannon’s Nocturnal costar Aaron Taylor-Johnson along with Jeff Bridges (Hell or High Water) and Simon Helberg (Florence Foster Jenkins).

Best Supporting Actress

My Performance: 4/5

Correct picks were Viola Davis in Fences, Naomie Harris for Moonlight, Nicole Kidman in Lion, and Michelle Williams for Manchester. It was Octavia Spencer in Hidden Figures that I didn’t get (I said Greta Gerwig in 20th Century Women instead). Spencer’s inclusion is a small surprise, as some of the Oscar chatter has had Janelle Monae more likely to get in for Figures than her costar.

Best Screenplay

My Performance: 3/5

La La Land, Manchester, and Moonlight are in as predicted. No love for Arrival and Silence. In their place? Hell or High Water and Nocturnal Animals.

And there you have it! I’ll have a post up with final predictions on the winners shortly before Jimmy Fallon hosts the proceedings in January…

Oscar Watch: Nocturnal Animals

Another piece of the potential Oscar puzzle has come into focus with Tom Ford’s Nocturnal Animals, which screened at the Venice Film Festival. The thriller has garnered a number of very positive critical notices and looks to be a player come awards season.

The feature is the second directorial feature from famed clothing designer Ford, who drew positive reactions from his first effort – 2009’s A Single Man (which earned Colin Firth a Best Actor nomination). Animals boasts an impressive cast – Amy Adams, Jake Gyllenhaal, Michael Shannon, Laura Linney, Armie Hammer, Isla Fisher, and Aaron Taylor-Johnson.

Based on early word, this looks to be a factor in Best Picture, Director, and Adapted Screenplay (tech categories such as Cinematography and Editing as well). As for the performers, it will be an interesting story to watch with Adams, as she’s likely to compete against herself with Arrival (which also screened at Venice). Gyllenhaal could be in the mix for Actor while Shannon has had a solid 2016 and could compete for Supporting Actor.

Another day. Another strong possibility for Oscar attention. Nocturnal Animals hits screens on November 18th.

Avengers: Age of Ultron Movie Review

Avengers: Age of Ultron moves the Marvel Cinematic Universe onwards while answering the questions we’ve been pondering for years. How is the romantic relationship going between Hulk and Black Widow? What’s going on with Hawkeye’s wife and children out on their family farm?

Wait, what?

These two out of nowhere subplots are emblematic of a pervasive problem with the sequel to the 2012 mega blockbuster. When Joss Whedon made the original three years ago, it was hard to imagine him combining Iron Man, Thor, Captain America, Hulk, Black Widow and Hawkeye into a cohesive and satisfactory experience. Did he ever though and it resulted in one of the greatest superhero tales to reach the screen. With Ultron, many of the fears that were assuaged the first time are present. Here, the struggle is real and Whedon can’t manage to recapture the magic the second time around.

The pic dives headfirst into Avengers action in Eastern Europe with our protagonists obtaining Loki’s old scepter and Tony Stark (Robert Downey Jr.) discovering its artificial intelligence capabilities. This results in the creation of Ultron (voiced by James Spader), a robotic monster hell bent on ending the world… you know, like all MCU villains. We’re also introduced to Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen), characters played by different actors in last year’s in X-Men: Days of Future Past. Incidentally, Quicksilver was used much more effectively in the latter.

Of course, we have most of the Marvel crew back. Scarlett Johannson’s Black Widow, who’s turned into one of the more interesting characters even though her aforementioned romance with Dr. Bruce Banner aka Hulk (Mark Ruffalo) seems to be a forced concoction to earn them more screen time. Same goes for Jeremy Renner’s Hawkeye, who isn’t one of the more interesting players and his previously unseen family history doesn’t help. And there’s Chris Hemsworth’s Thor and Chris Evans’s Captain America, both coming off sequels that improved upon their predecessors. Not the case here. Samuel L. Jackson’s Nick Fury, Don Cheadle’s War Machine and Anthony Mackie’s Falcon appear in more limited fashion. The girlfriends of Iron Man and Thor (Oscar winners Gwyneth Paltrow and Natalie Portman, respectively) are missing.

Where Ultron serviceably succeeds is its action sequences, including a humdinger battle between Hulk and Iron Man. The Marvel team obviously know how to make these glorious battle sequences and they acquit themselves fine here, though nothing matches the brilliance of the 2012 edition’s breathtaking climactic sequence. The issues I had are several and not just the needless subplots. Ultron is not an especially compelling villain. Many of the humorous quips fall flatter than normal. Even Downey Jr. (truly an example of the perfect actor in the perfect role) isn’t as fun this time around.

In a way, I found Age of Ultron comparable to the third Hunger Games entry, Mockingjay – Part 1. It’s necessary to view it so we can move on to the rest. With the MCU, that includes two more Avengers pics and forthcoming Thor and Captain America threequels. Ultron is “must see” viewing for that reason and that reason alone. Yet I hope what comes next elevates beyond the material we are given this time.

**1/2 (out of four)

Avengers: Age of Ultron Box Office Prediction

The 2015 Summer Movie Season kicks off in grand fashion as Avengers: Age of Ultron debuts and looks to Hulk smash records. The mystery surrounding how it performs in its opening is centered on one question: will it have the biggest domestic debut in movie history? In order to do so, it’ll need to top the record currently held by its 2012 predecessor. That magic number is $207.4 million.

All the favorites are back, including director Joss Whedon with Iron Man, Captain America, Thor, Black Widow, Hulk, Hawkeye, and more returning. Newbies include James Spader voicing the title character villain and Aaron Taylor-Johnson and Elizabeth Olsen as Quicksilver and Scarlet Witch. There are two more Avengers features already planned for 2018 and 2019. While a number of reviews say it doesn’t quite match the original, its 80% Rotten Tomatoes rating is solid.

There is little doubt that Ultron is highly primed to become summer’s largest grosser. Whether or not it reaches the $623M eventual mark of The Avengers remains to be seen (that’s good for the 3rd biggest hit ever behind Avatar and Titanic).

Some prognosticators are estimating it may not quite reach the heights of 2012 in its opening. The floor would seem to be in the $180M range, which would be just fine but still $25M under the first. While that’s certainly possible, I do believe Ultron will debut with around the same number of its predecessor… and a bit higher. That means I’m predicting Ultron will set a new benchmark in the category of all-time record openings and Disney and Marvel will be popping the champagne corks come next weekend.

Avengers: Age of Ultron opening weekend prediction: $212.7 million

Godzilla (2014) Movie Review

Let’s say you got invited to a party and were told that Godzilla, the king of movie monsters, was going to be in attendance. You get there and for a while, you hear quite a bit of backstory about him. There’s even a celebrated TV actor who you’re so happy is appearing, even though he overacts almost laughably from time to time. Also, other monsters show up who you’re not as familiar with and feel a little ambivalent towards. Godzilla doesn’t even bother showing up until halfway through the event. Yet when he does it’s pretty cool. You decide that it was worth it.

And so it is with Godzilla and that’s the kind of party director Gareth Edwards chose to throw bringing back the iconic character to the screen. The last time an American studio featured the jolly green giant, it was with Roland Emmerich behind the camera and Matthew Broderick starring in the summer of 1998. That flick was a “disaster movie” in more ways than one and despite its $379 million worldwide total, it was considered a huge critical and commercial disappointment.

The glass is more half full sixteen years later. That celebrated TV actor is Walter Freaking White himself, Bryan Cranston! And, yes, his performance is a touch over the top. Contrary to what its TV spots might lead you to believe, he doesn’t even stick around the party as long as you’d think either. Cranston plays an engineer at a Japanese nuclear power plant who’s been monitoring troubling seismic activity. One of his coworkers is his wife (Juliette Binoche) and she tragically perishes when the seismic activity turns into a full-on disaster at the plant.

Flash forward to fifteen years later when Cranston’s son (Aaron Taylor-Johnson) is now a military bomb technician with a family of his own, while overacting Daddy is still in Japan trying to track what killed his wife. Circumstances bring them together and in contact with other scientists, led by Ken Watanabe and Sally Hawkins. And after about an hour – not only is Godzilla checked in at the party, but so are two MUTOs (Massive Unidentified Terrestrial Organisms). And as scientist Watanabe waxes philosophical about, our title character might be around to stop those other monsters from wreaking even more havoc. The military, led by David Strathairn, naturally disagree.

Godzilla does take its time to get going, but when it does we’re rewarded with some ultra cool action sequences. A MUTO in Las Vegas is a fun sight to see, as is Godzilla’s initial appearance in Hawaii where vacationers are treated to far more than they paid for.

Tayl0r-Johnson (of Kick-Ass fame) is the human star of these proceedings and we get some familiar scenes of him keeping in touch with his wife at home (Elizabeth Olsen) and young son. Home is San Francisco and that means an action set piece located at the Golden Gate Bridge, which brings me to an important point. Can we get a moratorium on the Golden Gate Bridge for big action spectacles??? After X-Men: The Last Stand and Rise of the Planet of the Apes – enough already. There are other bridges in this country.

Nevertheless, director Edwards brings to the table what Roland Emmerich didn’t – a genuine respect and understanding of the monster genre he’s playing in. And the second half of this party in particular has lots of solid moments that make it worthwhile. For the first time in a long time, we have a Godzilla done mostly right.

*** (out of four)

Godzilla Box Office Prediction

The giant green monster is back in theaters this Friday with Godzilla from director Gareth Edwards. This is certainly being seen as one of summer 2014s’s tent pole releases and Warner Bros. is certainly hoping for massive results.

Godzilla has been assisted from some truly terrific trailers and a healthy marketing campaign. Obviously, the name recognition of the title character is off the charts. The real people cast includes Aaron Taylor-Johnson, Elizabeth Olsen, Ken Watanabe, Juliette Binoche, Sally Hawkins, and, yes… Walter freaking White himself… Bryan Cranston! Not everything Godzilla related over the recent past was met with positive results. Sixteen summers ago, Roland Emmerich’s highly publicized Godzilla pic was widely expected to be a huge blockbuster, especially after the director had hit gold with Independence Day two years prior. Instead, it managed only an OK $136 million gross and was widely panned by critics and audiences alike.

The 2014 version is unlikely to suffer the same fate. Reviews so far have generally been fairly positive to mixed. I don’t see Godzilla opening in the neighborhood of the Captain America or Amazing Spider-Man sequels which both topped $90 million. For Godzilla, anything below $70M would likely be seen as disappointing. It is worth noting that much of Godzilla‘s total gross will come from international markets. The most sensible scenario domestically  is a gross just north of $75M, though it could certainly surprise. However, I’ll play it rather safe with this pick.

Godzilla opening weekend prediction: $77.3 million

For my Million Dollar Arm prediction, click here:

https://toddmthatcher.com/2014/05/11/million-dollar-arm-box-office-prediction/