Tag: A24

June 6-8 Box Office Predictions

Ballerina, a spinoff of the John Wick franchise, hopes to step into the #1 spot this weekend and Wes Anderson’s latest comedy The Phoenician Scheme expands nationwide. My detailed prediction posts on the newcomers can be accessed here:

Ballerina Box Office Prediction
The Phoenician Scheme Box Office Prediction

Ana de Armas headlines Ballerina (full title: From the World of John Wick: Ballerina) with series regulars appearing including Keanu Reeves. While I don’t have this approaching the heights of the previous two Wick installments, my mid 30s projection should be enough to top the charts.

As for Phoenician, it had an impressive per screen average in six venues this past frame. My high single digits estimate as it increases to around 1500 locations should mean fourth or fifth place with it performing in line with Anderson predecessor Asteroid City.

Lilo & Stitch and Mission: Impossible – The Final Reckoning, the 1-2 finishers for the past two weekends, should each drop a spot with percentage dips in the mid 40s. I expect Karate Kid: Legends to experience a heftier decline in the mid to high 50s during its sophomore outing.

Here’s how I have the top five playing out:

1. Ballerina

Predicted Gross: $36.8 million

2. Lilo & Stitch

Predicted Gross: $31.9 million

3. Mission: Impossible – The Final Reckoning

Predicted Gross: $15 million

4. The Phoenician Scheme

Predicted Gross: $8.7 million

5. Karate Kid: Legends

Predicted Gross: $8.5 million

Box Office Results (May 30-June 1)

Disney’s Lilo & Stitch continued to reign supreme with $61.8 million, a bit under my $66.4 million call. The live-action remake of the 2002 animated feature has collected $278 million in its ten days of release.

Mission: Impossible – The Final Reckoning was runner-up with $27.2 million, on target with my $28.7 million forecast. Ethan Hunt’s final adventure stands at $122 million after two weeks in play.

Karate Kid: Legends debuted in third with $20.3 million which puts it in line with my $21.3 million prediction. The legacy sequel with Ralph Macchio and Jackie Chan premiered on the lower end of its anticipated range.

Final Destination Bloodlines was fourth with $10.9 million, ahead of my $8 million projection for a three-week tally of $111 million.

Finally, acclaimed A24 horror flick Bring Her Back brought in a so-so $7 million for fifth, not matching my $8.5 million call.

And that does it for now, folks! Until next time…

Oscar Predictions: Bring Her Back

The supernatural horror pic Bring Her Back is out this weekend with critics praising the Philippou brothers’ follow-up to 2023’s Talk to Me. Billy Barratt, Sora Wong, and Sally Hawkins star. Distributed by A24 stateside, early box office numbers are so-so but it has a B+ Cinemascore (quite solid for the genre), 89% on Rotten Tomatoes, and a 75 Metacritic.

This is ground covered before on the blog, but it is a high bar for Academy voters to take notice of movies with horror elements. Recent examples include Get Out and The Substance. They each nabbed BP mentions with nods for their leading performers. While Hawkins in particular is being lauded for her work, I don’t envision Back getting into the mix during awards season. My Oscar Prediction posts will continue…

May 30-June 1 Box Office Predictions

Karate Kid: Legends hopes to kick into high gear at multiplexes this weekend. We also have horror pic Bring Her Back seeking to scare up decent dollars. My detailed prediction posts on the newcomers can be accessed here:

Karate Kid: Legends Box Office Prediction
Bring Her Back Box Office Prediction

The recent success of Cobra Kai on Netflix could assist with Legends performing well. Ralph Macchio and Jackie Chan headline the sixth feature in the franchise that began over 40 years ago. My low 20s estimate puts it in third.

Bring Her Back is the sophomore feature from the Philippou brothers after their 2023 summer sleeper Talk to Me. My high single digits figure puts it in the fourth just ahead of Final Destination Bloodlines in its third outing.

I have the top two slots still belonging to Lilo & Stitch and Mission: Impossible – The Final Reckoning after they propelled the Memorial Day weekend to its highest earnings ever. My guesstimates have both easing in the low to mid 50s percent range.

Here’s how I have the top 5 playing out:

1. Lilo & Stitch

Predicted Gross: $66.4 million

2. Mission: Impossible – The Final Reckoning

Predicted Gross: $28.7 million

3. Karate Kid: Legends

Predicted Gross: $21.3 million

4. Bring Her Back

Predicted Gross: $8.5 million

5. Final Destination Bloodlines

Predicted Gross: $8 million

Box Office Results (May 23-26)

The Mouse House was in celebration mode as Lilo & Stitch achieved the largest Memorial Day weekend in history and surpassed the previous $160 million four-day record held by Tom Cruise’s Top Gun: Maverick. The live-action remake of the 2002 animated feature made $146 million over the Friday to Sunday portion of the holiday frame while amassing $182.6 million counting Monday. While that’s under my respective predictions of $159.7 million and $196.6 million, it is still a scorching start for the Disney property as it will vie for highest domestic earner of summer 2025.

While Tom Cruise’s record was broken by Lilo, he set one of his own as Mission: Impossible – The Final Reckoning was second with $64 million for the three-day and $79 million for the four-day. That’s right on target with my $64.4 million and $80.8 million projections as the eighth and allegedly final Ethan Hunt adventure set a personal best for the franchise. It needed to do so considering the reported $400 million price tag.

Final Destination Bloodlines was third with $24.1 million from Friday to Monday and that’s on pace with my $24.9 million call. The sequel has taken in an impressive $94 million in two weeks.

Thunderbolts*/The New Avengers was fourth with $12.2 million, a shade below my $14 million forecast. The MCU property sits at $174 million in four weeks.

Sinners rounded out the top five with $11.9 million (I went higher at $14.5 million) for $258 million in six weeks.

The Last Rodeo, the latest faith-based drama from Angel Studios, lassoed $5.4 million (Friday-Sunday) and $6.9 million (FRI-MON) in sixth. That’s a bit below my estimates of $6.4 million and $7.8 million.

Posting a commendable per screen average, critically lauded comedy Friendship with Tim Robinson and Paul Rudd was seventh in its nationwide expansion to just over 1000 venues. It made $4.5 million over the three-day and $5.7 million adding Monday. That’s slightly more than my $4.2 million and $5.1 million predictions. It now has $8 million total in its coffers.

Finally, A Minecraft Movie lost steam due to Lilo with $2.9 million in eighth. I was more generous at $4.9 million. The blockbuster has brought in a massive $421 million after eight weeks.

And that does it for now, folks! Until next time…

Oscar Predictions: Highest 2 Lowest

Spike Lee’s crime thriller Highest 2 Lowest has premiered at Cannes prior to A24’s theatrical release in August and Apple TV streaming bow in September. Updating Akira Kurosawa’s High and Low from 1963, Denzel Washington plays a music mogul caught up in a ransom plot. Costars include Ilfenesh Hadera, Jeffrey Wright, ASAP Rocky, and Ice Spice.

Critics are certainly higher than lower for the French unveiling. The Rotten Tomatoes score is 94% with Metacritic at 77. According to reviews, it’s a successful genre exercise. That means, from an awards perspective, it might be a non-player like Spike and Denzel’s previous collaboration Inside Man from 2006 (this marks the fifth time they’ve teamed up).

However, I wouldn’t completely discount Denzel’s chances in Best Actor. If he could make the cut for 2017’s Roman J. Israel, Esq., he could do the same here and nab his 10th overall nom. 2017 was arguably a weak year in that category and we don’t know how the competition this time around will shake out. Mr. Washington likely came close to his 10th mention in supporting last year for Gladiator II. He might be in the arena once again. My Oscar Prediction posts will continue…

Oscar Predictions: Eddington

A contemporary Western set during the early days of COVID, Eddington is Ari Aster’s fourth feature which has premiered at Cannes prior to its July 18th stateside release. A24’s topical tale reunites Aster with his Beau Is Afraid lead Joaquin Phoenix along with Pedro Pascal, Luke Grimes, Deirdre O’Connell, Micheal Ward, Austin Butler, and Emma Stone.

The auteur’s career kicked off with Hereditary and Midsommar, two horror experiences that are among the genre’s best reviewed in recent years. Beau had a considerably more polarizing reaction and Eddington appears to be doing the same. Early reviews have this at 59% on Rotten Tomatoes with a 67 Metacritic.

While the strongest reviews are quite strong, the varied buzz from France likely means this won’t be a serious awards contender. My Oscar Prediction posts will continue…

Oscar Predictions: Friendship

Tim Robinson’s Netflix sketch series I Think You Should Leave with Tim Robinson has generated significant critical praise. His pic Friendship is following suit prior to its limited release on Friday and national expansion on Memorial Day weekend. Written and directed by Andrew DeYoung in his directorial debut, this was initially seen at the Toronto Film Festival last September. Robinson and Paul Rudd headline with Kate Mara, Jack Dylan Grazer, Josh Segarra, and Billy Bryk providing support.

Judging from the trailer, this looks like a comedy by way of A24 which picked up distribution following the Canadian premiere. The Rotten Tomatoes score is 93% with Metacritic at 77. Advertised as a more demented version of I Love You, Man, I don’t see this as an awards play. Despite the kudos, that notion likely extends to the Golden Globes in their Musical/Comedy races unless A24 goes all in with a campaign for Robinson. My Oscar Prediction posts will continue…

Warfare Box Office Prediction

Taken from his real life experiences fighting in the Iraq War, Ray Mendoza co-directs Warfare which releases April 11th. The other filmmaker behind the camera is Alex Garland in his follow-up to Civil War. D’Pharaoh Woon-A-Tai plays Mendoza with a supporting cast including Will Poulter, Cosmo Jarvis, Joseph Quinn, Kit Connor, Finn Bennett, Taylor John Smith, Michael Gandolfini, and Charles Melton.

The A24 release (which also distributed Civil War) is one of a handful of pics next weekend looking to gross around $10 million, give or take. Reviews for Warfare are strong with 93% on Rotten Tomatoes and a 78 Metacritic. Yet I don’t see this approaching the $25 million that Civil over-indexed at during the same April frame last year.

A higher than expected veteran/action fans turnout could push this up beyond my forecast, but I’ll say this falls under $10 million.

Warfare opening weekend prediction: $8.5 million

For my The Amateur prediction, click here:

The Amateur Box Office Prediction

For my Drop prediction, click here:

Drop Box Office Prediction

For my The King of Kings prediction, click here:

The King of Kings Box Office Prediction

For my The Chosen: Last Supper – Part 3 prediction, click here:

The Chosen: Last Supper – Part 3 Box Office Prediction

Oscar Predictions: Warfare

A year after Civil War, Alex Garland is back with his follow-up Warfare on April 11th. This time he’s co-directing with Ray Mendoza, an Iraq War Navy SEAL recounting his own experiences in that theater. The cast includes D’Pharaoh Woon-A-Tai (as Mendoza), Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett, Taylor John Smith, Michael Gandolfini, Joseph Quinn, and Charles Melton.

At just over 90 minutes, Warfare is particularly being lauded for its technical achievements. The Rotten Tomatoes score is at 94% with a 78 Metacritic. I don’t see this as a Best Picture play. Some thought Civil War could sneak in last year though its momentum never truly materialized.

Where this could contend is Best Sound as reviews continuously praise that aspect. Warfare could join other 21st century genre titles like The Hurt Locker, Zero Dark Thirty, Lone Survivor, American Sniper, 13 Hours: The Secret Soldiers of Benghazi, Hacksaw Ridge, Dunkirk, 1917, and All Quiet on the Western Front in the auditory field. It’s early in the game, but don’t be surprised if it does (though it’s worth noting Civil War didn’t make that cut). My Oscar Prediction posts will continue…

Death of a Unicorn Box Office Prediction

After being unveiled at South by Southwest earlier this month, A24’s Death of a Unicorn gallops into theaters March 28th. The latest chapter in the eat the rich comedy horror genre comes from writer/director Alex Scharfman with Paul Rudd and Jenna Ortega headlining. Costars include Will Poulter, Téa Leoni, and Richard E. Grant.

Critical reaction is mixed with 63% on Rotten Tomatoes and a 56 Metacritic. Better reviews could’ve bolstered the buzz. A debut in the neighborhood of Abigail ($10.2 million) is certainly feasible. There is competition from The Woman in the Yard (a more serious scary offering) that could keep genre fans away. I’ll say Unicorn falls under $10 million unless Ortega’s Wednesday fans turn out in larger force than I’m anticipating.

Death of a Unicorn opening weekend prediction: $8.8 million

For my A Working Man prediction, click here:

A Working Man Box Office Prediction

For my The Woman in the Yard prediction, click here:

The Woman in the Yard Box Office Prediction

For my The Chosen: Last Supper – Part 1 prediction, click here:

The Chosen: Last Supper – Part 1 Box Office Prediction

Oscar Predictions: Death of a Unicorn

A24’s Death of a Unicorn has screened at South by Southwest prior to its March 28th theatrical premiere. The horror comedy from Alex Scharfman stars Paul Rudd and Jenna Ortega as a father-daughter who accidentally cause the title of the film to occur. This displeases another unicorn. The supporting cast includes Will Poulter, Téa Leoni, Richard E. Grant, and Anthony Carrigan.

Early reviews are complimentary mixed with so-so notices. The Rotten Tomatoes score is 70% with Metacritic at 60. Unicorn represents the latest feature in a growing eat the rich sub genre that includes Triangle of Sadness, The Menu, Glass Onion: A Knives Out Mystery, and Saltburn. Some of those titles received awards attention. Don’t expect Death to. My Oscar Prediction posts will continue…