A24 is hoping audiences make some noise for Heretic when it debuts November 8th. The horror thriller comes from Scott Beck and Bryan Woods, who wrote the blockbuster A Quiet Place and recently directed the megaflop 65. Sophie Thatcher and Chloe East costar as Mormon missionaries who knock on Hugh Grant’s wrong door.
Critics opened up to Heretic upon its screening at the Toronto Film Festival. The Rotten Tomatoes score is a certified fresh 95% with Metacritic at 71. Moviegoers have had plenty of scary material to feast on in 2024 and that could limit its potential. I could see a start in the $11.5 million range that Speak No Evil managed in September.
Heretic opening weekend prediction: $11.2 million
For my The Best Christmas Pageant Ever prediction, click here:
A24 has premiered Heretic at the Toronto Film Festival before it hits multiplexes on November 15th. The psychological horror pic casts Sophie Thatcher and Chloe East as Mormon missionaries who knock on Hugh Grant’s wrong door. Scott Beck and Bryan Woods co-direct. They are best known for penning the wildly successful A Quiet Place in 2018. On the flip side, they helmed and scripted Adam Driver’s dino adventure 65 last year. It was a box office and critical failure.
Early reaction from Canada indicates that Heretic mostly succeeds. The Rotten Tomatoes score is 89 with Metacritic at 67. Critics are certainly directing their applause to Grant in his creepy role. Despite four Golden Globe nominations for feature films (all in Musical/Comedy and he won for 1994’s Four Weddings and a Funeral), the Academy has yet to mention his name. That won’t change here as this genre rarely gets noticed by the voters. My Oscar Prediction posts will continue…
The title card for 65 doesn’t emerge onscreen until 16 minutes into the runtime. That’s actually about one-sixth of the way through and (I think) it’s meant to serve as a surprise reveal. The trailer already spoiled it because (umm… spoiler alert?) that number refers to 65 million years ago on Earth when so-so looking CG dinosaurs roamed freely. I suspect a lot more roamed freely, but this movie’s budget might not have supported Jurassic Park or World level sizes.
Mills (Adam Driver) is a pilot on the planet Somaris whose sick daughter (Chloe Coleman) causes him to take on a two-year expedition to pay for her treatment. When an asteroid field causes his ship to crash, he lands on a planet filled the aforementioned creatures. It turns out (as we find either via TV spots, trailers, or after 16 minutes) that this extinction level event is about to make the dinos disappear. Alien Mills has collided into our planet at an inopportune time. He discovers one survivor from the accident – a preteen who speaks a foreign language named Koa (Ariana Greenblatt). The duo must find the other half of the wreckage lying atop a mountain that contains an escape hatch.
It’s a long haul to that locale as their words are lost in translation and future relics hunt them down. They do manage to bond and, yes, there are correlations to his ill offspring. The script from directors Scott Beck and Bryan Woods (who’ve done much better when they penned A Quiet Place) injects some humor into their interplay for about two or three minutes. A tone of somberness rules this for the remaining hour and a half.
As they make their uphill climb to safety, I was disappointed in how flat 65 feels. The effects are mostly bland. Of course, technicians haven’t really improved dino design since Jurassic Park 30 years ago and this is no exception. There is some occasional striking production design. Driver is a fine actor with a nothing part and there’s little character development with Koa either. At its best, this is serviceable. For the most part, what is happening on Earth is unremarkable.
Blogger’s Update (03/29): I am significantly revising my His Only Son estimate from $6.1M to $3.9M. That puts it in sixth instead of third.
There could be a photo finish at this weekend’s box office between the premiere of Dungeons & Dragons: Honor Among Thieves and second frame of John Wick: Chapter 4 after it managed a franchise best premiere. Other than Thieves, the faith-based drama His Only Son also rises in multiplexes. You can peruse my detailed prediction posts on both newbies here:
While Dungeons certainly has a rabid fanbase and reviews are quite strong, I do wonder how limited its potential is with non-fans who may have zero interest. If this hit $40 million, I wouldn’t be surprised. Same goes for $25 million. That puts me in the middle.
Wick delivered the aforementioned series peak for Keanu and company (more on that below). If the sophomore frame dip is similar to predecessor John Wick: Chapter 3 – Parabellum, it might find itself just behind Dungeons in second. I’m expecting a close battle.
His Only Son, like other titles in its genre, could outdo expectations just as Jesus Revolution did a few weeks ago. My mid single digits projections put it in third with sequels Creed III, Shazam! Fury of the Gods, and Scream VI all in close proximity in the 4-6 slots.
There was little doubt that John Wick: Chapter 4 would continue each entry improving upon the opening of the other. The question was by how much. With the best reviews of the quartet, 4 got off to a $73.8 million start. That’s well beyond the $56 million achieved by the third chapter. I went on the highest end of anticipated ranges with $85.5 million. It didn’t get there, but this is a terrific result.
Shazam! Fury of the Gods plummeted 69% in weekend #2 with $9.7 million. I was more generous at $12.9 million. The DCEU sequel (with $45 million) has made less in 10 days than its 2019 predecessor made in its first three. There’s no way to sugarcoat it. This is a bomb that may struggle to make $75 million domestically.
Creed III was third with $8.3 million, in line with $8.8 million take for $140 million after four weeks.
Scream VI was fourth and also did $8.3 million (I predicted a little more at $9.4 million). The horror sequel is at $89 million as it slashes to $100 million plus.
Finally, 65 rounded out the top five with $3.2 million (I said $3 million) for a weak $27 million after three weeks.
And that does it for now, folks! Until next time…
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John Wick: Chapter 4 is set to easily achieve a franchise best record this weekend. It’s the only new wide release burning up the screens and you can peruse my detailed prediction post on it here:
When I did my initial projection last week, I had Keanu and company hitting close to $70 million. Sizzling buzz now has me projecting in the mid 80s for a series that keeps growing financially with each entry.
The rest of the top 5 will be holdovers. Shazam! Fury of the Gods got off to a middling start (more on that below) and it should fall a bit further than the 54% decline of its predecessor in 2019.
It could be a close call for #3 between Scream VI (which I have dipping in the mid 40s) and Creed III (which could see a lower 40s fall). 65 looks to round out the high five.
Here’s how I see it shaking out:
1. John Wick: Chapter 4
Predicted Gross: $85.5 million
2. Shazam! Fury of the Gods
Predicted Gross: $12.9 million
3. Scream VI
Predicted Gross: $9.4 million
4. Creed III
Predicted Gross: $8.8 million
5. 65
Predicted Gross: $3 million
Box Office Results (March 17-19)
Shazam! Fury of the Gods could’ve used Irish luck or any other type as it came nowhere near the $53 million that its predecessor debuted at. The DCEU sequel made $30.1 million. While it managed to barely top my $27.9 million call, this is a subpar start to be kind. On the heels of Ant-Man and the Wasp: Quantumania not matching expectations, there seems to be some superhero fatigue. With a B+ Cinemascore (compared to part 1’s “A”), look for this to suffer substantial declines in the weeks ahead.
Scream VI was second after a franchise high opening with $17.3 million. That’s right on pace with my $17.6 million forecast for a ten-day haul of $75 million (just below the $81 million that #5 earned in total stateside).
Creed III was third with $15.3 million (I said $16.5 million) for a three-week tally of $127 million. That puts it beyond the $115 million that part II made overall.
65 was fourth with $5.8 million, a smidge ahead of my $4.8 million projection. Adam Driver’s dino adventure stands at a muted $22 million thus far.
Ant-Man and the Wasp: Quantumania rounded out the top five with $4.2 million, in line with my $4.3 million prediction. Total is $205 million.
**Blogger’s Update (03/16): My Shazam! estimate continues to fall as I’m taking it down from $32.9M to $27.9M. Also bumping Scream VI from $16.6 to $17.6M and Creed III from $15.4M to $16.5M
Shazam! Fury of the Gods will keep the run of sequels in first place going at the box office, but it could deliver a so-so start. The DCEU follow-up to 2019’s original is the only wide release of the weekend and you can peruse my detailed prediction post on it here:
Zachary Levi’s superhero hopes to top the $53 million earned by its predecessor four years ago. I have it falling about $10 million shy of that mark in the low 40s which would be considered a letdown. This is especially true considering the recent franchise best starts for the Creed and Scream series. ***Blogger’s Update (03/15): Two days before its premiere, I have significantly lowered my estimate from $42.9M to $32.9M
Speaking of, it could be a close race for #2 between Scream VI and Creed III. The former slashed it way to a terrific debut (more on that below). Given its genre, a hefty sophomore decline is likely while Creed III may not suffer a steep drop.
A ginormous fall will probably greet 65 after the premiere. Adam Driver’s battle with dinosaurs managed only a C+ Cinemascore grade which means word-of-mouth may cause a second weekend percentage plummet close to its title number. It should be in a tight battle with Ant-Man and the Wasp: Quantumania for fourth position.
Here’s how I envision that top 5 looking:
1. Shazam! Fury of the Gods
Predicted Gross: $27.9 million
2. Scream VI
Predicted Gross: $17.6 million
3. Creed III
Predicted Gross: $16.5 million
4. 65
Predicted Gross: $4.8 million
5. Ant-Man and the Wasp: Quantumania
Predicted Gross: $4.3 million
Box Office Results (March 10-12)
Scream VI needed to pass the $34 million earned by Scream 3 in 2000 to achieve the franchise’s high mark. It did so easily with $44.4 million, just edging my $42.6 million call. With a B+ Cinemascore (same as last year’s Scream which was Scream 5 and just not called that), audiences are liking what they’re seeing. As mentioned, it should still see a dip in the high 50s to low 60s range.
Creed III fell a respectable 53% to second with $27.2 million, punching past my $25 million take. The threequel from director and star Michael B. Jordan has amassed $101 million in ten days on its way to becoming the largest earner of the trilogy.
65 was third with $12.3 million. While that beats my $10.7 million prediction, that’s a meager beginning considering its reported large budget. Per above, expect this to become extinct quickly.
Ant-Man and the Wasp: Quantumania was fourth with $7.1 million compared to my $6.5 million estimate. The MCU adventure is approaching the double century club at $198 million. It might barely outpace its predecessor from 2018.
Cocaine Bear rounded out the top five with $6.2 million. My prediction? $6.2 million! The three-week total is $51 million.
Sports comedy Champions with Woody Harrelson kicked off in sixth with a blah $5.1 million. I said it would make… $5.1 million! The good news is its A Cinemascore and it will hope for small percentage losses in the frames ahead.
Finally, Jesus Revolution was seventh with $5.1 million and I said… (you guessed it!) $5.1 million. The three-week gross is $39 million.
Adam Driver often turns up in prestige pics with awards buzz, but 65 is a rare exception. The prehistoric action thriller comes from directors Scott Beck and Bryan Woods, who wrote A Quiet Place. That acclaimed feature nabbed a Sound Editing nom back in 2018. The 65 buzz is rather silent and it could be a big budget flop for Sony.
With a 25% Rotten Tomatoes rating, most critics are far from impressed. Yet with its lead battling dinosaurs, tech races like Sound and Visual Effects could be in the mix. Not so fast. Even the creatures are being called subpar versions of what the Jurassic Park/World franchise have given us. And if all the Jurassic follow-ups couldn’t achieve VE nominations, there’s no real chance for 65 to make noise anywhere. My Oscar Prediction posts will continue…
Ghostface terrorizes NYC in Scream VI, Adam Driver fights dinosaurs in 65, and Woody Harrelson is ordered to coach a basketball team with intellectual disabilities in Champions. They are the newcomers hitting screens this Friday and my detailed prediction posts on the trio can be accessed here:
Just as Creed III smashed its franchise best record this past weekend (more on that below), Scream VI could be poised for the same. To do so, it would need to slash past the $34 million achieved by Scream 3 in 2000. I’m projecting it will do so with room to spare.
Creed III should fall to second in round 2. A mid to high 50s decline could give it a clean $25 million after its fantastic start.
65 appears likely for a third place start. Yet I’ve got the dino action pic barely topping $10 million. Considering its reported $90 million price tag, that would be a troubling premiere for the Sony property.
I’m not anticipating much out of Champions and my estimate ties it with the third frame of Jesus Revolution. That would mean holdovers Ant-Man and the Wasp: Quantumania and Cocaine Bear would be in a close contest for the four and five spots.
Here’s how I envision it looking:
1. Scream VI
Predicted Gross: $42.6 million
2. Creed III
Predicted Gross: $25 million
3. 65
Predicted Gross: $10.7 million
4. Ant-Man and the Wasp: Quantumania
Predicted Gross: $6.5 million
5. Cocaine Bear
Predicted Gross: $6.2 million
6. Jesus Revolution
Predicted Gross: $5.1 million
7. Champions
Predicted Gross: $5.1 million
Box Office Results (March 3-5)
The month of March began with a potent punch at multiplexes as Creed III amassed $58.3 million. I way lowballed it at $39.2 million. Marking the directorial debut of its star Michael B. Jordan, it easily outpaced its predecessors. For context – Creed II, over the five-day Thanksgiving frame in 2018, made $55 million. In a month filled with potential blockbusters, the return of Adonis a promising pace.
Ant-Man and the Wasp: Quantumania fell to second after two weeks on top with $12.8 million. I was more generous at $14.6 million. The 60% drop was another troubling development for the threequel. Its total is $187 million.
Cocaine Bear was third with $11.1 million in its sophomore outing compared to my $13.2 million take. The 52% decline isn’t too shabby for its genre as the ten-day tally is $41 million.
Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village started in line with expectations in fourth with $10.1 million. I was close with $9.8 million. Expect a hefty dip in the range of 70% or more coming up.
Jesus Revolution rounded out the top five in weekend #2 with $8.4 million. I had it raised higher at $11.3 million. The $30 million two-week gross remains rock solid.
Finally, Operation Fortune: Ruse de Guerre re-teaming Guy Ritchie and Jason Statham meekly rolled out in seventh with $3.1 million (I said $4 million).
The writers of A Quiet Place are hoping to make some noise at the box office when 65 opens on March 10th. Scribes Scott Beck and Bryan Woods handle directorial and scripting duties for the sci-fi thriller. The number refers to “million years ago” as pilot Adam Driver becomes stranded on Earth where dinosaurs roam and attack. Costars include Ariana Greenblatt, Chloe Coleman, and Nika King.
Reportedly made for a substantial price tag of over $90 million, 65 risks hefty losses for Sony. Buzz seems to be muted and theaters could be a quiet place where it’s playing. Some potential viewers may be distracted by Scream VI debuting against it. It also may not help that this isn’t based on known IP and that Driver, while certainly an acclaimed actor, isn’t a box office draw.
I’ll say this manages to top double digits, but not by much.
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