The reboot of Vacation may make you long for the days of European Vacation, which came 30 years before it. Not the original Vacation from 1983, which this pic is most inspired by. Not Christmas Vacation from 1989. This new entry doesn’t deserve to be mentioned in the same breath as those two franchise highlights. I’m saying this is substandard to the Griswolds overseas adventure, which was certainly nothing special and this is more on the level of 1997’s unfortunate Vegas Vacation when the series ran out of steam.
Our fifth flick concentrates on grown up Rusty (Ed Helms) and his bored wife (Christina Applegate) taking their two boys to Walley World, the famed amusement park from the original. What follows is an R rated celebration of sex jokes, poop jokes, and pedophilia jokes (yep) that does little to capture the spirit of when Chevy Chase and Beverly D’Angelo took their brood from Chicago to California the first time around. There’s plentiful nods to the ’83 pic and even Clark and Ellen show up for a surprisingly unfunny cameo where Chevy essentially bumbles around for five minutes. Sister Audrey appears in the form of Leslie Mann, now married to weatherman hunk Chris Hemsworth (who does manage to provide a few weak laughs). Cousin Eddie is nowhere to be found (let’s assume he went to Canada).
Vacation isn’t terrible but the majority of its jokes are obvious lowbrow and tired ones mixed in with intermittent genuine laughs. The new Griswolds incarnation is uninspired and this is not a Vacation we need.
At one moment in Brad Bird’s Tomorrowland, one of the lead characters exclaims, “Can’t you just be amazed and move on?” It’s a line that Disney would surely like us to follow with this earnest, visually pleasing, sometimes preachy and totally uneven tale sprung from the minds of Bird and cowriter Damon Lindelof. There is a lot to admire about Tomorrowland and seeing an original picture presented with such a big budget and lots of tech wizardry is among them. Yet it’s hard to love it. Tomorrowland is mainly centered on optimism and it doesn’t hesitate to occasionally lecture us about a generation that dared to stop dreaming, according to its filmmakers. This is primarily centered on lack of focus with the space program and loss of interest in advancing science. Here we have a mega budget sci fi tale with a point of view and a supremely talented director behind the camera to tell it. There are moments during Tomorrowland that left me greatly optimistic for where the story would go to next and individual sequences that were flat out terrific. The faded optimism came with a plot that never really pays off and a third act that doesn’t match up with the first two. It results in being Bird’s least satisfying overall experience, though he’s set quite a bar with The Iron Giant, The Incredibles, Ratatouille, and Mission: Impossible – Ghost Protocol.
The movie begins with young Frank Walker at the World’s Fair in New York circa 1964. He’s invented a jetpack that sadly doesn’t fly. Nevertheless, his unbridled enthusiasm in science draws the attention of Athena (Raffie Cassidy), a young girl who gives him a pin emblazoned with a big T. Frank soon discovers that this pin transports him to Tomorrowland, a land many dimensions away that looks quite futuristic. We soon learn this is a place where dreamers can go to dream and invent things to keep the future rolling along without the interference of Earthly distractions like money and politics. Turns out Athena is no little girl and she’s a programmed robot tasked with finding those special people to populate Tomorrowland.
When the story switches to present day, Athena’s new pupil is Casey (Britt Robertson), an energetic and endlessly curious teen whose dad (Tim McGraw) is a NASA engineer who doesn’t get much work. She gets a pin as well, but her journey isn’t an easy one. It includes meeting a grown up Frank (George Clooney), whose feelings on Tomorrowland have changed through the years and not in a positive way. They may be well founded as Tomorrowland’s leader David Nix (Hugh Laurie) has a rather warped view on us Earth folk.
For a picture stressing the virtue of the idea behind Tomorrowland, we don’t spend much time there. Most of the action is set back on this planet and a lot of what we see is quite entertaining. Raffie Cassidy has the most challenging role of all and she gives a winning performance. Robertson and Clooney may be stars and they are both just fine, but Cassidy’s butt kicking robo girl steals the show. A scene in a hobby shop with Keegan-Michael Key and Kathryn Hahn and a sequence in which the Eiffel Tower is harboring an underground rocket ship are particular highlights.
As I stated, a lot to admire. However, by the time Laurie’s Nix is essentially preaching the plot to us in the third act, I felt a little underwhelmed. I realize this Utopias world he spoke of didn’t get explored much here. And while lessons about destroying the planet are important, it’s not like we haven’t heard it all before. I still would recommend making this trip because there is enough to like, but temper that optimism a little perhaps.
Next weekend at the box office, we will finally get the answer to the following question: how much has America been clamoring for a Jem and the Holograms movie adaptation? The answer, I suspect, is not much.
Based on the 1980s animated TV series, Jem is a music infused fantasy starring mostly relative unknowns such as Aubrey Peeples (Jem), Stefanie Scott, and Hayley Kiyoko. Juliette Lewis figures into the mix somehow, too. The pic looks to bring in a younger female audience, but it’s unlikely they remember anything about the cartoon from 30 years ago.
Jem‘s saving grace is its teeny $5 million budget and at least Universal Pictures shouldn’t see much of a loss here. However, I’m skeptical it grosses even that small budget during its first weekend out. With five films opening wide next weekend, I anticipate this finishing last among them.
Jem and the Holograms opening weekend prediction: $4.1 million
For my The Last Witch Hunter prediction, click here:
Bill Murray headlines the comedy Rock the Kasbah, out next weekend and it hopes to join the many successful genre pics Mr. Murray has graced over the past three decades plus. Oscar winner Barry Levinson directs Murray as a has-been rock agent looking to reclaim his mojo in Afghanistan, of all places. The stellar supporting cast includes Bruce Willis, Kate Hudson, Zooey Deschanel, and Danny McBride.
Last year around the same time period, Murray’s St. Vincent opened to positive buzz and an eventual $44 million domestic gross. Rock the Kasbah may have trouble replicating that kind of business. For starters, the buzz on Kasbah isn’t as hot as that of Vincent and there’s also plenty of adult competition in the form of Steve Jobs and the second weekend of Bridge of Spies, among others. On the other hand, this really is the only comedy out there among lots of dramas and horror type flicks.
As I see it, this modestly budgeted $15 million pic might struggle to reach double digits in weekend number one and its best hope might be small drop-offs in subsequent weekends for a respectable gross.
Rock the Kasbah opening weekend prediction: $7.8 million
For my The Last Witch Hunter prediction, click here:
It’s being billed as the final installment in a successful franchise that began in 2009 and this coming Friday marks the sixth entry in the Paranormal Activity series with The Ghost Dimension. Due to a number of factors, it’s probable that this franchise “finale” may go out with a bit of a whimper.
First off, the found footage horror pic furthers along a series of films that began losing its box office potency with its last effort, The Marked Ones. It opened in January of 2014 to $18.3 million on its way to a meager $32M domestic gross. For comparison sake, 2010’s Paranormal Activity 2 made $40 million out of the gate and ended up at $84M stateside. The third edition was the high point with a $52 million debut and $104M overall haul. The fourth Activity is when things started to decline with a $29 million opening and $53M overall take.
Perhaps even more importantly, The Ghost Dimension is rolling out on far less screens than its predecessors due to Paramount’s decision to release the pic only 17 days after its theatrical release. Many cinema chains have balked at that decision and simply chosen against allowing Dimension to play on their screens. It’s slated to be on about 1400 screens (the fifth entry debuted on over 2800).
Due to those factors, I’m predicting the ceiling for Dimension is low double digits and I’ll actually say it falls just short of that mark.
Paranormal Activity: The Ghost Dimension opening weekend prediction: $9.7 million
For my The Last Witch Hunter prediction, click here:
The last time audiences were exposed to a film about Apple founder Steve Jobs, it was Ashton Kutcher playing him in 2013’s Jobs, which got mostly negative reviews and sputtered at the box office with only $16 million.
What a difference two years makes. This Friday comes Steve Jobs, with Oscar winning director Danny Boyle behind the camera and Oscar winning screenwriter Aaron Sorkin penning the script. Michael Fassbender plays the title role with Kate Winslet, Seth Rogen, and Jeff Daniels in the supporting cast. Since it premiered on the film festival circuit weeks ago, it’s been subject to fervent Oscar buzz. Chances are excellent that it will receive nominations for Picture, Director, Actor (Fassbender), and Supporting Actress (Winslet). Reviews have been strong.
All this positive buzz means Steve Jobs could gross the highest among the four other pictures it’s premiering against. The most obvious comparison for an opening weekend would be 2010’s The Social Network (also written by Sorkin), which debuted to over $22 million. Jobs could certainly reach that margin, but Social Network did have considerably less competition in its first weekend. I’ll predict this gets to high teens out of the gate and settles in for a nice run throughout the awards season.
Steve Jobs opening weekend prediction: $19.6 million
For my The Last Witch Hunter prediction, click here:
Vin Diesel puts the car in park and stars in his first non franchise sequel in over seven years as The Last Witch Hunter hits screens next Friday. The supernatural action pic features Diesel in the title role with Rose Leslie, Elijah Wood, and Michael Caine in the supporting cast.
Other than his voice only role in 2014’s Guardians of the Galaxy, Diesel’s screen appearances in the last few years has been limited to the Fast and Furious series and the third entry in the Riddick series. The last time he starred in a franchise hopeful that wasn’t ongoing was 2008’s Babylon A.D., which stumbled with a $9.4 million debut.
Diesel seems confident in Hunter‘s box office appeal and has hinted that a sequel is forthcoming. However, in order for that to occur, this needs to at least come close to reaching its reported $90 million budget. That could be tricky stateside. There’s a lot of competition out there and some supernatural genre fans could turn their attention instead to the latest Paranormal Activity flick, which opens against it.
I’ll predict The Last Witch Hunter manages a gross in the mid teens, which is likely not enough to scare up anticipation for Diesel’s sequel. There’s always Fast 8.
The Last Witch Hunter opening weekend prediction: $15.8 million
It’s a very bustling weekend at the box office as four new titles make their debuts: Steven Spielberg’s Cold War thriller Bridge of Spies with Tom Hanks, family friendly Goosebumps, Guillermo del Toro’s gothic horror offering Crimson Peak and faith based football drama Woodlawn. You can read my detailed prediction posts on each one of them here:
Even with the slew of high profile premieres, they all could fall behind Ridley Scott’s critically acclaimed and audience pleasing The Martian, which looks to three peat. After a great second weekend, the pic is likely to only lose about a third of its audience once again. As I see it, only Bridge of Spies and or Goosebumps could dethrone it, but I’m doubtful.
As for other holdovers, Hotel Transylvania 2 should continue its stellar run in week #4 while box office bomb Pan will probably lose over half its audience, leaving it flailing in sixth place.
And with that, my top 6 projections for what promises to be a fascinating weekend:
The Martian
Predicted Gross: $24.6 million (representing a drop of 33%)
2. Bridge of Spies
Predicted Gross: $21.2 million
3. Goosebumps
Predicted Gross: $19.4 million
4. Hotel Transylvania 2
Predicted Gross: $16 million (representing a drop of 31%)
5. Crimson Peak
Predicted Gross: $15.8 million
6. Pan
Predicted Gross: $6.8 million (representing a drop of 55%)
My prediction for Woodlawn, opening on a relatively low 1500 screens, is $4.3 million and that probably puts it in ninth place.
BOX OFFICE RESULTS (OCTOBER 9-11)
As expected, The Martian kept rolling along with its impressive numbers while new entries to the weekend all failed to gain an audience. The Ridley Scott/Matt Damon sci fi blockbuster added $37 million to its coffers, right on pace with my $36.8M estimate to bring its total to $108 million (matching its reported budget).
Hotel Transylvania 2 remained in runner up position with $20.4 million, in line with my $21.7M projection for a three week haul of $116 million.
Another family offering, Peter Pan origin tale Pan, stumbled badly to the tune of a $15.3 million start. This is below my $17.6M prediction. With a rumored budget of $150 million, this represents a massive bomb for Warner Bros and it will struggle to even earn a third of that budget domestically. Ouch.
Holdovers populated spots 4-6: The Intern with $8.6 million compared to my $8M estimate to bring its total to $49 million; Sicario with $7.5 million compared to my $6.9M estimate to bring its total to nearly $27 million; and Maze Runner: The Scorch Trials with $5.3 million for a $70 million overall gross. I incorrectly had Maze outside the top six.
That’s because I gave far too much credit to Robert Zemeckis’s The Walk, which expanded nationwide and posted a paltry seventh place showing of only $3.7 million. I predicted $11.9M. Oops. This easily gave the Oscar winning director of Forrest Gump the worst opening of his long career and pretty much snuffed out any chance of the critically respected effort garnering Academy Awards attention.
Finally, the Andrew Garfield/Michael Shannon thriller 99 Homes opened in limited fashion. I said it’d eek out a $1.8 million gross, but it managed just $647,000.
And that’ll do it for now, folks! Until next time…
This Friday, the faith based sports drama Woodlawn hits screens and it’s the latest in a steady stream of pictures in the genre to roll out. The desegregation football true story features Sean Astin, Jon Voight and Sherri Shepherd and comes from the makers of Moms’ Night Out, which made just $4.2 million in its debut in May 2014.
Woodlawn is slated to premiere on around 1500 screens, a relatively low number. In August of 2014, another Christian themed gridiron drama, When the Game Stands Tall, opened to $8.3 million on over 2600 screens. It would stand to reason that Woodlawn’s gross will be quite a bit lower, due to theater count alone.
Add it all up and I have it opening to just over what Moms’ Night Out earned for a pretty muted start.
I’m going to keep this post short and sweet. Today, my movie blog turns 3 years old!
It’s been great. I’m truly humbled that people take the time to read the thoughts in my head and reviews and box office predictions and anything else I choose to write about. 2015 is already the most viewed year of the blog in its three year history. I’ve said I’d probably write this blog even if people didn’t read it, but it’s better when they do! So thank you.
As for the future, I’m going to keep doing what I’m doing. The blog has evolved as its existence has gone on and I anticipate the same. The reviews and weekly box office predictions and Oscar talk will never cease. Yet who knows what I’ll choose to write about next week? Next year? That’s the fun part.
In a previous post, I referred to a love of movies as The NeverEnding Story. It’s so true. Just in the next three months, there’s a new Bond feature coming. A new Quentin Tarantino effort. A new frickin Star Wars, people!!!
We’ll watch and experience it together I hope and I’m grateful for your eyes reading it.
All My Life... I Wanted To Be A Blogster 