2018 Weekly Oscar Predictions: November 1st Edition

My first Oscar predictions in the month of November come with reductions and expansions. I am slimming the list of 25 Best Picture possibilities to 15 and the other major categories from 15 to 10. As you can see, I am also including all of the other feature-length races for the first time from Documentary to Animated Feature to Foreign Language Feature and the techs.

So what are the developments worth discussing? Well…

  • In these initial projections for all races, A Star Is Born and First Man tie for most nominations with 12 apiece. Truth be told, I’m skeptical that First Man will get there. Its poor box office performance could hinder its possibilities in some races. While I’m relatively confident it will score multiples nods in the technical categories, both director Damien Chazelle and star Ryan Gosling are questionable, even though I currently have them both getting honored.
  • In Best Picture, BlacKkKlansman rises from 6th to 4th in the list of predicted nominees. It’s a good week in general for the Spike Lee pic as I’m including Adam Driver for the first time in the list of predicted Supporting Actor nominees, replacing Sam Rockwell in Vice.
  • We got a surprise announcement this week as Kenneth Branagh’s All Is True will open in late December for a qualifying run. The director stars as William Shakespeare in the late stages of his life with a supporting cast including Judi Dench and Ian McKellen. I will likely wait for some buzz before possibly listing it as a predicted nominee. In addition to Picture, Director, acting slots, and screenplay – it has the potential in down the line races such as Costume Design and Production Design. It will certainly be one to keep an eye on.
  • For Foreign Language Feature, Roma is tops in my first predictions while it maintains its #2 spot in Best Picture. Pixar finds itself in familiar territory with Incredibles 2 leading Animated Feature. In what should be a competitive Documentary Feature race, Free Solo starts out at #1 with Three Identical Strangers close behind.

And with that, here’s what November brings as far as Oscar predictions!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. The Favourite (PR: 3)

4. BlacKkKlansman (PR: 6)

5. Green Book (PR: 4)

6. First Man (PR: 5)

7. If Beale Street Could Talk (PR: 7)

8. Black Panther (PR: 8)

9. Vice (PR: 9)

Other Possibilities:

10. Can You Ever Forgive Me? (PR: 11)

11. Crazy Rich Asians (PR: 13)

12. Widows (PR: 10)

13. The Mule (PR: 12)

14. On the Basis of Sex (PR: 15)

15. Mary Queen of Scots (PR: 14)

Dropped Out:

A Quiet Place

Eighth Grade

Boy Erased

Leave No Trace

The Ballad of Buster Scruggs

Mary Poppins Returns

The Hate U Give

Cold War

Ben Is Back

Hereditary

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Spike Lee, BlacKkKlansman (PR: 4)

4. Yorgos Lanthimos, The Favourite (PR: 3)

5. Damien Chazelle, First Man (PR: 5)

Other Possibilities:

6. Barry Jenkins, If Beale Street Could Talk (PR: 6)

7. Peter Farrelly, Green Book (PR: 7)

8. Ryan Coogler, Black Panther (PR: 9)

9. Adam McKay, Vice (PR: 8)

10. Marielle Heller, Can You Ever Forgive Me? (PR: 10)

Dropped Out:

Steve McQueen, Widows

Clint Eastwood, The Mule

Josie Rourke, Mary Queen of Scots

John Krasinski, A Quiet Place

Jon M. Chu, Crazy Rich Asians

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 2)

3. Viggo Mortensen, Green Book (PR: 3)

4. Willem Dafoe, At Eternity’s Gate (PR: 5)

5. Ryan Gosling, First Man (PR: 4)

Other Possibilities:

6. Robert Redford, The Old Man & The Gun (PR: 8)

7. Rami Malek, Bohemian Rhapsody (PR: 6)

8. Clint Eastwood, The Mule (PR: 7)

9. Hugh Jackman, The Front Runner (PR: 9)

10. Steve Carell, Beautiful Boy (PR: 10)

Dropped Out:

Lucas Hedges, Ben Is Back

Ethan Hawke, First Reformed

Ben Foster, Leave No Trace

John David Washington, BlacKkKlansman

John C. Reilly, Stan and Ollie

Best Actress

1. Glenn Close, The Wife (PR: 1)

2. Lady Gaga, A Star Is Born (PR: 2)

3. Olivia Colman, The Favourite (PR: 3)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Yalitza Aparicio, Roma (PR: 5)

Other Possibilities:

6. Viola Davis, Widows (PR: 6)

7. Felicity Jones, On the Basis of Sex (PR: 8)

8. Nicole Kidman, Destroyer (PR: 10)

9. Julia Roberts, Ben Is Back (PR: 7)

10. Saoirse Ronan, Mary Queen of Scots (PR: 9)

Dropped Out:

Toni Collette, Hereditary

Emily Blunt, Mary Poppins Returns 

Maggie Gyllenhaal, The Kindergarten Teacher

Kiki Layne, If Beale Street Could Talk

Elsie Fisher, Eighth Grade

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 1)

2. Richard E. Grant, Can You Ever Forgive Me? (PR: 4)

3. Timothee Chalamet, Beautiful Boy (PR: 3)

4. Sam Elliot, A Star Is Born (PR: 2)

5. Adam Driver, BlacKkKlansman (PR: 7)

Other Possibilities:

6. Sam Rockwell, Vice (PR: 5)

7. Michael B. Jordan, Black Panther (PR: 8)

8. Daniel Kaluuya, Widows (PR: 6)

9. Russell Hornsby, The Hate U Give (PR: 14)

10. Robert Forster, What They Had (PR: 9)

Dropped Out:

Steve Carell, Vice

Armie Hammer, On the Basis of Sex

Nicholas Hoult, The Favourite 

Russell Crowe, Boy Erased

Tim Blake Nelson, The Ballad of Buster Scruggs

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 1)

2. Emma Stone, The Favourite (PR: 2)

3. Rachel Weisz, The Favourite (PR: 4)

4. Claire Foy, First Man (PR: 3)

5. Amy Adams, Vice (PR: 5)

Other Possibilities:

6. Marina de Tavira, Roma (PR: 7)

7. Natalie Portman, Vox Lux (PR: 6)

8. Nicole Kidman, Boy Erased (PR: 8)

9. Michelle Yeoh, Crazy Rich Asians (PR: 9)

10. Thomasin McKenzie, Leave No Trace (PR: 10)

Dropped Out:

Margot Robbie, Mary Queen of Scots 

Rachel McAdams, Disobedience

Sissy Spacek, The Old Man & The Gun

Kathy Bates, On the Basis of Sex

Dianne Wiest, The Mule

Best Adapted Screenplay

1. BlacKkKlansman (PR: 1)

2. A Star Is Born (PR: 2)

3. If Beale Street Could Talk (PR: 3)

4. Can You Ever Forgive Me? (PR: 4)

5. First Man (PR: 5)

Other Possibilities:

6. Widows (PR: 7)

7. Crazy Rich Asians (PR: 6)

8. The Hate U Give (PR: 11)

9. Leave No Trace (PR: 8)

10. Black Panther (PR: 10)

Dropped Out:

Mary Queen of Scots

Boy Erased

Disobedience

The Sisters Brothers

The Wife

Best Original Screenplay

1. Roma (PR: 1)

2. The Favourite (PR: 2)

3. Green Book (PR: 3)

4. Eighth Grade (PR: 4)

5. Vice (PR: 5)

Other Possibilities:

6. On the Basis of Sex (PR: 10)

7. First Reformed (PR: 6)

8. A Quiet Place (PR: 9)

9. The Ballad of Buster Scruggs (PR: 7)

10. The Mule (PR: 8)

Dropped Out:

Ben Is Back

Private Life

Hereditary

Stan and Ollie

Sorry to Bother You

Best Foreign Language Film

1. Roma

2. Cold War

3. Shoplifters

4. Girl

5. Capernaum

Other Possibilities:

6. Burning

7. Birds of Passage

8. The Guilty

9. Never Look Away

10. Border

Best Animated Feature

1. Incredibles 2

2. Isle of Dogs

3. Ralph Breaks the Internet

4. Mirai

5. Ruben Brandt, Collector

Other Possibilities:

6. Lu Over the Wall

7. Early Man

8. Night is Short, Walk on Girl

9. Teen Titans Go! To the Movies

10. Smallfoot

Best Documentary Feature

1. Free Solo

2. Three Identical Strangers

3. Won’t You Be My Neighbor?

4. RBG

5. Science Fair

Other Possibilities:

6. Minding the Gap

7. Dark Money

8. Crime + Punishment

9. The Price of Everything

10. Quincy

Best Film Editing

1. A Star Is Born

2. Roma

3. First Man

4. The Favourite

5. Vice

Other Possibilities:

6. Widows

7. If Beale Street Could Talk

8. Black Panther

9. BlacKkKlansman

10. July 22

Best Cinematography

1. Roma

2. First Man

3. A Star Is Born

4. If Beale Street Could Talk

5. Cold War

Other Possibilities:

6. The Favourite

7. Black Panther

8. The Ballad of Buster Scruggs

9. Widows

10. Mary Queen of Scots

Best Production Design

1. The Favourite

2. Black Panther

3. First Man

4. Mary Poppins Returns

5. Mary Queen of Scots

Other Possibilities:

6. A Star Is Born

7. Roma

8. Fantastic Beasts: The Crimes of Grindelwald

9. Colette

10. The Nutcracker and the Four Realms

Best Costume Design

1. The Favourite

2. Black Panther

3. Mary Queen of Scots

4. Colette

5. Mary Poppins Returns

Other Possibilities:

6. Crazy Rich Asians

7. A Star Is Born

8. If Beale Street Could Talk

9. Fantastic Beasts: The Crimes of Grindelwald

10. A Wrinkle in Time

Best Makeup and Hairstyling

1. Black Panther

2. Mary Queen of Scots

3. The Favourite

Other Possibilities:

4. Stan and Ollie

5. Vice

6. Mary Poppins Returns

7. A Star Is Born

8. Suspiria

9. Colette

10. A Wrinkle in Time

Best Sound Editing

1. First Man

2. Black Panther

3. A Quiet Place

4. A Star Is Born

5. Incredibles 2

Other Possibilities:

6. Mission: Impossible – Fallout

7. Avengers: Infinity War

8. Roma

9. Mary Poppins Returns

10. Annihilation

Best Sound Mixing

1. First Man

2. A Star Is Born

3. A Quiet Place

4. Black Panther

5. Mary Poppins Returns

Other Possibilities:

6. Bohemian Rhapsody

7. Roma

8. Incredibles 2

9. Avengers: Infinity War

10. Ready Player One

Best Visual Effects

1. First Man

2. Avengers: Infinity War

3. Black Panther

4. Ready Player One

5. Annihilation

Other Possibilities

6. Mary Poppins Returns

7. A Quiet Place

8. A Wrinkle in Time

9. Fantastic Beasts: The Crimes of Grindelwald

10. Ant-Man and the Wasp

Best Original Score

1. First Man

2. If Beale Street Could Talk

3. BlacKkKlansman

4. Roma

5. Green Book

Other Possibilities:

6. Mary Queen of Scots

7. Incredibles 2

8. Colette

9. Suspiria

10. The Sisters Brothers

Best Original Song

1. “Shallow” from A Star Is Born

2. “All the Stars” from Black Panther

3. “I’ll Never Love Again” from A Star Is Born

4. “The Place Where Things Go” from Mary Poppins Returns

5. “We Won’t Move” from The Hate U Give

Other Possibilities:

6. “Time for Change” from On the Basis of Sex

7. “Always Remember Us This Way” from A Star Is Born

8. “Trip a Little Light Fantastic” from Mary Poppins Returns

9. “I’ll Fight” from RBG

10. “Hearts Beat Loud” from Hearts Beat Loud

And that breaks down to the following number of nominations for each feature:

12 Nominations

A Star Is Born, First Man

10 Nominations

The Favourite

8 Nominations

Black Panther, Roma

5 Nominations

BlacKkKlansman, Green Book, If Beale Street Could Talk, Vice

3 Nominations

Can You Ever Forgive Me?, Mary Queen of Scots, Mary Poppins Returns

2 Nominations

A Quiet Place, Cold War, Incredibles 2

1 Nomination

Annihilation, At Eternity’s Gate, Avengers: Infinity War, Beautiful Boy, Colette, Eighth Grade, Ready Player One, The Hate U Give, The Wife, Capernaum, Free Solo, Girl, Isle of Dogs, Mirai, Ralph Breaks the Internet, RBG, Ruben Brandt, Collector, Science Fair. Shoplifters, Three Identical Strangers, Won’t You Be My Neighbor?

Oscar Watch: The Nutcracker and the Four Realms

Disney’s expensive rendering of The Nutcracker and the Four Realms dances into theaters on Friday and it does so with mostly negative reviews. It stands at just 26% on Rotten Tomatoes and the studio may have a rare commercial disappointment on their hands (the budget is a reported $130 million).

So why in the world am I doing an Oscar Watch post on it? Well, the one positive aspect most critics point out is its set design and outfits adorning the actors. That could put Nutcracker in a similar situation with the Mouse Factory’s live-action version of Alice in Wonderland in 2010.

That also received middling reviews (though it did very well financially). It was rewarded with nominations in Art Direction (now called Production Design) and Costume Design. Realms could certainly play in both of those categories and perhaps Makeup and Hairstyling. Wonderland also won Best Visual Effects, but that race could be a reach with this.

Bottom line: even though word-of-mouth is not strong, Nutcracker has a shot at some down-the-line categories.

My Oscar Watch posts will continue…

Best Actress: A Look Back

Back at it again with my look back at major Oscar races from 1990 to the present! We’ve arrived at Best Actress. If you missed my previous posts covering the Supporting performers, you can find them here:

https://toddmthatcher.com/2018/10/25/best-supporting-actor-a-look-back/

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

As I did with those posts, I’m selecting my top 3 least surprising winners and top 3 upsets. I’m also giving you my personal pick for strongest and weakest fields from the past 28 years.

For starters, here’s the list of winners from 1990 to now:

1990 – Kathy Bates, Misery

1991 – Jodie Foster, The Silence of the Lambs

1992 – Emma Thompson, Howards End

1993 – Holly Hunter, The Piano

1994 – Jessica Lange, Blue Sky

1995 – Susan Sarandon, Dead Man Walking

1996 – Frances McDormand, Fargo

1997 – Helen Hunt, As Good As It Gets

1998 – Gwyneth Paltrow, Shakespeare in Love

1999 – Hilary Swank, Boys Don’t Cry

2000 – Julia Roberts, Erin Brockovich

2001 – Halle Berry, Monster’s Ball

2002 – Nicole Kidman, The Hours

2003 – Charlize Theron, Monster

2004 – Hilary Swank, Million Dollar Baby

2005 – Reese Witherspoon, Walk the Line

2006 – Helen Mirren, The Queen

2007 – Marion Cotillard, La Vie en Rose

2008 – Kate Winslet, The Reader

2009 – Sandra Bullock, The Blind Side

2010 – Natalie Portman, Black Swan

2011 – Meryl Streep, The Iron Lady

2012 – Jennifer Lawrence, Silver Linings Playbook

2013 – Cate Blanchett, Blue Jasmine

2014 – Julianne Moore, Still Alice

2015 – Brie Larson, Room

2016 – Emma Stone, La La Land

2017 – Frances McDormand, Three Billboards Outside Ebbing, Missouri

When it comes to Best Actress, I must say it’s probably the race with the least amount of genuine upsets. Nearly every year, there’s a pretty strong front-runner and they win – even more so than in Actor and the Supporting players. Of many non-surprises, here’s my top ones:

3. Holly Hunter, The Piano

Hunter’s work as a mute piano player in Jane Campion’s period piece was the clear favorite over significant competition that included Angela Bassett in What’s Love Got to Do With It? and the previous year’s winner Emma Thompson in The Remains of the Day. 

2. Julia Roberts, Erin Brockovich

One of Hollywood’s biggest stars had already received nods for Steel Magnolias and Pretty Woman and there was little question that Brockovich would earn Roberts her first and only (so far) trip to the Oscar stage.

1. Charlize Theron, Monster

Theron’s metamorphosis into serial killer Aileen Wuornos swept all precursors. The rest of the field was also fairly weak that year, making her the obvious victor.

And now the “upsets”…

3. Kate Winslet, The Reader

While not a surprise when she won Oscar night, the multi-nominated Winslet was expected for much of the year to get a nod for Revolutionary Road instead. Yet it was this Stephen Daldry drama that was selected instead.

2. Marion Cotillard, La Vie en Rose

This was a two-way contest between Cotillard and veteran Julie Christie for Away from Her, with many believing the latter had the edge. It didn’t turn out that way.

1. Hilary Swank, Boys Don’t Cry and Hilary Swank, Million Dollar Baby

This #1 comes with a caveat. It wasn’t much of an upset by the time Swank won her double Oscars. What’s interesting here is that she single-handedly denied two prime opportunities for the winless Annette Bening to get a statue for American Beauty and Being Julia. 

We move to the fields. For weakest field, I’m selecting 1994 when Jessica Lange won for the little-seen Blue Sky. Other nominees were Jodie Foster in Nell, Miranda Richardson in Tom&Viv, Winona Ryder for Little Women, and Susan Sarandon in The Client. 

Strongest group in my opinion goes to 2010 with Natalie Portman’s victorious role in Black Swan. The rest of that impressive field is Annette Bening (The Kids Are All Right), Nicole Kidman (Rabbit Hole), Jennifer Lawrence’s first nomination in Winter’s Bone, and Michelle Williams (Blue Valentine).

Best Actor is next, folks! Stay tuned…

Overlord Box Office Prediction

Horror audiences have been treated to lots of zombies over the past few years on the big and small screen. Yet in Overlord, we get to witness the undead in World War II! That’s the basic premise of the J.J. Abrams produced genre pic out next weekend from director Julius Ray. The cast includes Jovan Adepo, Wyatt Russell, Mathilde Ollivier, Pilou Asbaek, Jacob Anderson, and Bokeem Woodine.

Reviews for this exercise have been strong since it premiered at Fantastic Fest last month and it currently holds an 88% score on Rotten Tomatoes. The opportunity for this to be a cult hit is very real, but its initial box office earnings might be just fair. The Girl in the Spider’s Web presents some direct competition while casual horror enthusiasts may have had their fill with Halloween. A decent comp could be both 28 Days Later and 28 Weeks Later, which respectively made $10 million and $9.8 million for their starts. I’ll put this a bit under those.

Overlord opening weekend prediction: $8.2 million

For my The Grinch prediction, click here:

https://toddmthatcher.com/2018/10/30/the-grinch-box-office-prediction/

For my The Girl in the Spider’s Web prediction, click here:

https://toddmthatcher.com/2018/10/30/the-girl-in-the-spiders-web-box-office-prediction/

The Girl in the Spider’s Web Box Office Prediction

Blogger’s Note (11/08/18): And another revision down to $9.4 million

Blogger’s Note (11/05/18): I am revising my estimate down to $11.7 million from original estimate of $13.7 million

The Girl in the Spider’s Web makes its way to stateside multiplexes next weekend nearly seven years after David Fincher’s The Girl with the Dragon Tattoo. Mr. Fincher is nowhere to be found nor is Rooney Mara as computer hacking heroine Lisbeth. Claire Foy takes over the title role with Don’t Breathe maker Fede Alvarez directing. Costars include Sverrir Gudnason, LaKeith Stanfield, Sylvia Hoeks, Stephen Merchant, and Vicky Krieps.

It’s based on the wildly popular series of novels began by the late Stieg Larsson. This one in particular is adapted from the 2015 book by David Lagercrantz. The long layoff and different personnel involved could present some box office challenges. Reviews are mixed thus far as it stands at 73% on Rotten Tomatoes. There’s also direct competition in the form of Overlord, which will be vying for much of the same audience.

Comparing numbers with Tattoo is a tricky proposition. That eagerly awaited pic’s traditional opening weekend number was $12.7 million, but that’s with a huge asterisk. It opened Christmas weekend of 2011 when the holiday fell on a Sunday. Tattoo rolled out on Wednesday and Monday was counted as part of a long weekend. So its six-day earnings totaled out to $27.8 million. At the end of its run, it made $102 million.

Web is highly unlikely to approach those earnings. While it certainly could technically match Tattoo‘s traditional Friday to Sunday debut, there will be none of that extra holiday dough. I actually think a fair comp is September’s Peppermint with Jennifer Garner at $13.4 million and that’s right in the range of where I have Spider landing.

The Girl in the Spider’s Web opening weekend prediction: $9.4 million

For my The Grinch prediction, click here:

https://toddmthatcher.com/2018/10/30/the-grinch-box-office-prediction/

For my Overlord prediction, click here:

https://toddmthatcher.com/2018/10/30/overlord-box-office-prediction/

The Grinch Box Office Prediction

Blogger’s Note: on the eve of its premiere, I’m giving this a bump from $56.4 million to $63.4 million

Illumination Entertainment’s The Grinch looks to be a profitable one when it hits theaters next weekend. The animated take on the Dr. Seuss classic features the voice of Benedict Cumberbatch as the grumpy Christmas hating character. Other voice over work is provided by Cameron Seely, Rashida Jones, Kenan Thompson, Angela Lansbury, and Pharrell Williams. Scott Mosier and Yarrow Cheney (who co-directed Illumination’s The Secret Life of Pets) are the filmmakers.

In 2000, the live-action version of this tale with Jim Carrey was a massive smash for Universal (Illumination’s parent company). There has been plenty of family pics over the last couple of months and The Grinch will get plenty more competition in following weekends. Both Fantastic Beasts: The Crimes of Grindelwald and Ralph Breaks the Internet are on deck.

That said, Illumination has had an impressive track record during this decade with the Despicable Me/Minions franchise and Pets. This is their first foray into the month of November, but plenty of other studios have planted their animated flag into the same time frame. In 2012, Wreck-It Ralph took in $49 million for its start. Two years later, Big Hero 6 made $56 million. In 2015, The Peanuts Movie started with $44 million and Trolls premiered to $46 million a year later. Yet the best comp could end up being 2000’s How the Grinch Stole Christmas, which bowed to $55 million. I’ll put it just over that as this Grinch looks to leg out well throughout the holiday season.

The Grinch opening weekend prediction: $63.4 million

For my The Girl in the Spider’s Web prediction, click here:

https://toddmthatcher.com/2018/10/30/the-girl-in-the-spiders-web-box-office-prediction/

For my Overlord prediction, click here:

https://toddmthatcher.com/2018/10/30/overlord-box-office-prediction/

Box Office Predictions: November 2-4

Blogger’s Note (10/30/18): My estimate for Bohemian Rhapsody has increased from $31.8M to $41.8M

A flurry of box office activity greets November as three new releases are unveiled. We have the Queen musical extravaganza Bohemian Rhapsody, Disney’s fantasy adventure The Nutcracker and the Four Realms, and Tyler Perry directed Tiffany Haddish comedy Nobody’s Fool. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2018/10/23/bohemian-rhapsody-box-office-prediction/

https://toddmthatcher.com/2018/10/24/the-nutcracker-and-the-four-realms-box-office-prediction/

https://toddmthatcher.com/2018/10/24/nobodys-fool-box-office-prediction/

Rhapsody appears poised to, ahem, be the champion. How much it earns is very much in question. Forecasts have it anywhere between $25-$35 million. Reviews have been mixed, but the band’s fan base and rocking trailers have the potential to make the point moot. The film has the potential to over perform ($40 million is in the cards), but I’m estimating it ends up falling in the middle of current projections. **Note updated above.

As for The Nutcracker, it’s risky to underestimate the marketing power of the Mouse Factory. That said, buzz for this seems curiously muted. While it should have no problem nabbing the runner-up spot, I believe it will do so with less than $20 million.

Tiffany Haddish has had a pair of hits with Girls Trip last summer and Night School just a month ago. The latter had the benefit of featuring Kevin Hart. My prediction for Fool gives it about half of what School made out of the gate. That could put it in a battle for third place with the third weekend of current champ Halloween, with A Star Is Born rounding out the top five.

And with that, my top 5 take on as November comes in:

1. Bohemian Rhapsody

Predicted Gross: $41.8 million

2. The Nutcracker and the Four Realms

Predicted Gross: $19.4 million

3. Nobody’s Fool

Predicted Gross: $14.5 million

4. Halloween

Predicted Gross: $14.1 million

5. A Star Is Born

Predicted Gross: $9.7 million

Box Office Results (October 26-28)

As expected, Halloween easily topped the charts for the second weekend in a row with $31.4 million, a bit below my $35.4 million estimate. The latest pairing of Michael Myers and Laurie Strode has taken in $126 million. That already gives it the all-time franchise earner by far (the previous record was 2007’s remake at $58 million).

For the fourth weekend in a row, A Star Is Born held the #2 spot with $14 million, a tad higher than my take of $13.3 million. It’s up to $148 million with $200 million in its sights.

Venom was third with $10.6 million (I was right there at $10.5 million) for an overall tally of $187 million.

Goosebumps 2: Haunted Halloween was fourth with $7.2 million (I said $6.9 million) for $38 million thus far.

None of the newcomers performed well. Hunter Killer managed just a fifth place showing with $6.6 million, not matching my $8.2 million prediction.

Jonah Hill’s directorial debut Mid90s expanded nationally with middling results in 10th with $2.9 million (I said $3.6 million).

In 12th place was Johnny English Strikes Back with $1.6 million compared to my $1.3 million projection. Faith-based drama Indivisible was 13th with $1.5 million (I said $1 million).

And that does it for now, folks! Until next time…

You Were Never Really Here Movie Review

When You Were Never Really Here ends, you may think you just witnessed a lot more gory violence than you actually did. That’s because the character of Joe (Joaquin Phoenix) lives in a universe drenched in depravity. Lynne Ramsay’s latest feature wallows in that world in the same way some of Paul Schrader’s directorial and written works do. Like Taxi Driver, we witness a Big Apple underground that is rotten to the core. Joe even has a nagging dental issue like Nick Nolte did in Affliction. This is not to suggest Ramsay is a knock off artist. Far from it. She’s a talent that saturates this with sadistic style, even if it ultimately lacks in substance. I couldn’t quite escape a feeling that this is Taken for the art house crowd, but it’s well done.

Joe is a former solider who served in Iraq and in the FBI. Quick flashbacks reveal the horrors he’s seen not only there, but in a troubled childhood. He now works in the shadows as a blunt force for hire who rescues trafficked girls. When not on assignment, he cares for his sickly mother (Judith Richards). A state senator (Alex Manette) utilizes his services to track down his young teen daughter (Ekaterina Samsonov).

This latest job leads to some revelations about the individuals behind the abduction. However, the film’s plot is less of a focus than Joe’s mental state while keeping up with it. The traumas of what’s to come have to compete with his stress disorders of prior ones. In a career filled with fine performances, Phoenix impresses again. With his unkept beard and near Terminator like concentration on inflicting pain on some real bad guys, he’s hard to turn away from. That’s even when the cruelty (both seen and implied) is occurring.

The picture is lean (clocking in at an hour and a half) and filled with mean spirits. It’s a credit to the lead actor, Ramsey’s filmmaking abilities, and an ace score by Jonny Greenwood that we stay with it.

*** (out of four)

BlacKkKlansman Movie Review

Spike Lee mixes laughter with anger in the truth is stranger than fiction tale BlacKkKlansman. While it takes some liberties with historical accuracies (set seven years earlier than when its events actually transpired), there’s no mistaking Lee’s connecting of the then with the now. He’s not a subtle filmmaker and this finds him in his feisty and stylish element.

It’s 1972 and we know that from the strategically placed Nixon re-election signs. There’s also discussions on who’s a better movie hero – Superfly or Shaft? Ron Stallworth (John David Washington) is a rookie cop hired as the first black officer in Colorado Springs. His superiors assign him to go undercover at a civil rights rally to monitor behavior. That leads Stallworth requesting a more unconventional operation, especially for the era. He wishes to infiltrate the local chapter of the Ku Klux Klan, a group whose actions are more worthy of keeping tabs on. The color of his skin obviously presents a challenge. So while he establishes a relationship with Klansmen over the phone, it’s fellow detective Flip Zimmerman (Adam Driver) who joins them.

The main characters of the local Klan organization are the untrusting Felix (Jasper Paakkonen), the too trusting Walter (Ryan Eggold), and trusted to be always drunk Ivanhoe (Paul Walter Hauser). Stallworth’s telephone skills eventually put him in touch with Grand Wizard David Duke (Topher Grace). It so happens that the Klan’s targets could involve Stallworth’s love interest Patrice (Laura Harrier), the president of the black student union.

BlacKkKlansman is a police procedural for much of its running time with numerous excursions in grander issues. There’s a wonderfully edited sequence going back and forth between two very different rallies discussing the same subject – D.W. Griffith’s incendiary 1915 epic The Birth of a Nation. While this is set 46 years ago, the screenplay explores that time over 100 years ago in riveting fashion. It also touches on the present day in Charlottesville with fierce urgency.

There are times when Lee is saying that little has really changed. Washington (whose voice in particular resembles his father Denzel’s) shows himself to be a promising performer. Some of the biggest laughs come from his phone banter with the clueless Duke. Driver’s character has perhaps the most interesting story arc. He’s a non-practicing Jew who’s at first ambivalent about his assignment. His disgust with the people he’s infiltrated with soon matches that of Stallworth. The romance with Patrice is a bit underwritten, but it’s a minor quibble.

Tonal shifts are abundant here. It serves less as a distraction than a message that humor can be found through the pain of racism and the characters who display it. The images of Charlottesville also show both rallies in that event and it’s a heart wrenching scene. BlacKkKlansman, through light and dark moments, is a stark reminder of our past and present that is Lee’s own rallying cry.

***1/2 (out of four)

Sorry to Bother You Movie Review

In one sense, Boots Riley’s Sorry to Bother You is conventional with its pro-labor and anti-corporate message. How it gets there is wildly unconventional, often original, occasionally hilarious, and clearly from a new filmmaker making his voice and views heard. Riley comes from the world of hip hop and his political perspectives are unmistakable in short tracks. With nearly two hours to work with here, his words can’t possibly be as tight and controlled. This film is messy, but rarely a mess. Like the best music in the genre, it’s not easily forgotten. Similar to a bass line or lyric that won’t escape you, moments here have the same effect.

LaKeith Stanfield is Oakland native Cassius Green, who’s struggling to find a job that pays the bills. He lives in a garage with his artsy girlfriend Detroit (Tessa Thompson). He owes lots of back rent to his uncle (Terry Crews) that owns the property. While the Golden State area looks current, the picture is set in an alternate reality. There’s a massive conglomerate that goes by WorryFree. We see ads on TV that promote a life of not paying bills and free housing. The catch? A lifetime contract of servitude. It’s absolutely an allegory for the director’s view of today’s workforce. While WorryFree seemingly appeals to many, this is not so for Cassius, Detroit, and lots of protesters.

Instead, Cassius finds work as a telemarketer and he initially finds it mundane and challenging. That is until a coworker (Danny Glover) imparts his secret of success. That recipe is using his “white voice”. Those voices are provided by recognizable faces for main characters including David Cross, Lily James, and Patton Oswalt. Cassius suddenly finds himself climbing the corporate ladder once the modulation happens. It leads him to gain the designation of “Power Caller”. That means moving to a swanky floor where only the Caucasian voice is allowed to be used. This also means he becomes a scab to his fellow workers and to Detroit. His financial rise soon puts him in touch with the leaders of WorryFree and its CEO Steve Lift (Armie Hammer).

Once that partnership is forged, Sorry to Bother You veers into genuinely unexpected directions (trust me on this one). Riley, however, never strays too far from the overall message. He’s got a fine cast to deliver it. Stanfield (best known for his supporting role in Get Out) is terrific and we’ve certainly never seen Hammer like this before. There are some genuine laugh out loud moments. One involves a passive aggressive argument Cassius has with friend and coworker Salvador (Jermaine Fowler). Another pertains to Steve’s unexpected reaction to Cassius’s reaction when a key plot point is revealed.

When we get to the third act, its unconventional tone gallops into an entirely new gear. It’s not totally successful, but I found myself admiring Riley’s kitchen sink approach to it. For viewers looking for something that’s often remarkably different, Bother hits those notes with enough frequency for a solid recommendation.

***1/2 (out of four)