Writer/director Miranda July unveiled her comedic heist drama Kajillionaire back in January at the Sundance Film Festival. The pic is headlined by Westworld star Evan Rachel Wood with a supporting cast that includes Richard Jenkins, Debra Winger, and Gina Rodriguez.
Slated for a limited theatrical opening in late September with a VOD debut on October 16th, it received positive notices from critics and stands at 92% currently on Rotten Tomatoes. As to whether this receives much attention from awards voters, it could potentially be more of a factor at the Golden Globes if Focus Features places it in the Musical/Comedy competitions.
Even that could be a reach as its studio will need to mount a spirited campaign. Best Picture and Original Screenplay at the Oscars seems highly unlikely. It will, however, be worth watching if any of the actors gain any traction. My suspicion is that it would be Jenkins and Winger. The former could be competing against himself with the upcoming drama The Humans. Winger is a thrice nominated performer who hasn’t been in the mix since Shadowlands back in 1993. In my first round of ranked predictions two weeks ago, I placed her 8th in Supporting Actress, but she fell to 13th last week.
Bottom line: Kajillionaire has a limited path to any legitimate attention at the big show. My Oscar Watch posts will continue…
There is one new entry populating the multiplexes this weekend and it’s the rom com The Broken Hearts Gallery, which will attempt to bring in a teen audience. You can peruse my detailed prediction post on it here:
I have already downgraded my estimate for it from an initial $4.3 million to just $2.3 million. That should be good enough for a second place showing behind Christopher Nolan’s Tenet.
And now… about Tenet. All eyes were on the time shifting mega budget epic over the long Labor Day weekend. There’s good news and bad news. By Labor Day, Warner Bros reported that the pic had taken in $20.2 million domestically. That is well below the $36.9 million that I had it pegged at by that date. And it’s absolutely on the lowest end of its expected range.
On the flip side, Tenet stands at a sturdy $152 million gross worldwide thus far. The expectation is that its weekend to weekend drop-offs in the United States should be fairly minor as moviegoers are just getting accustomed to heading back out to their local theater.
On the other hand, the pic received a so-so B Cinemascore grade from audiences. That indicates some crowds weren’t wowed by the experience. Having said that, Tenet is the only major release playing for the entire month of September before Wonder Woman 1984 arrives early next month (we hope).
I will say Tenet should only dip to the mid teens for this upcoming frame with the caveat that we are truly in unknown territory. As for the scant holdovers, The New Mutants dropped 57% in its sophomore frame. That steep fall meant a gross of $3 million over the holiday compared to my more generous $3.8 million take. Its total is $11.7 million. Russell Crowe’s Unhinged was third with $1.8 million. My guess? $1.8 million! The overall tally is $11.4 million.
Here are my top 3 estimates for the weekend ahead:
When it comes to picking up hardware at awards shows for her acting, Regina King has been killing it lately. She’s won three Emmys for two different TV shows in the past half decade and may well win a fourth in a couple of weeks for HBO’s Watchmen. In 2019, King took Supporting Actress at the Oscars for If Beale Street Could Talk.
And now the Venice Film Festival has opened up real possibilities for her feature film directorial debut. One Night in Miami is based on the 2013 stage play by Kemp Powers, who adapted his own work here. It tells the fictionalized story of a real historical meeting involving Cassius Clay (before the name change to Ali) on the night he defeated Sonny Liston for the heavyweight title. The champ met with some other familiar names – Malcolm X, football star Jim Brown, and soul crooner Sam Cooke.
Reviews are out based on the Venice screening and Miami will be traveling to the Toronto Film Festival later this week. The verdict is strong so far with a 100% Rotten Tomatoes rating. Simply put, this feels like a legitimate contender for Oscar attention.
The acting placements will be interesting to watch. Of the four leading characters, conventional wisdom is that all four will contend in Supporting Actor. They are Kingsley Ben-Adir as Malcom X, Eli Goree as Clay, Aldis Hodge as Brown, and Leslie Odom, Jr. as Cooke. The whole quartet is receiving raves, but I’d give it a slight edge for Ben-Adir to emerge out of the pack. If he does so, he would be the second performer nominated for playing X behind Denzel Washington for Spike Lee’s Malcolm X. If Goree were to emerge, he would also be the second actor recognized for playing Ali after Will Smith portrayed him in Michael Mann’s Ali.
Furthermore, a directing nod for King would make its own history as she would be the first African-American female to make the final cut (only five women have been nominated total in the Academy’s history). Powers could in the mix for his Adapted Screenplay and a Best Picture nod seems possible. Also of note: Odom performs a closing credits song titled “Speak Now” which is being mentioned as a probable contender in Original Song.
Bottom line: one night in Venice has upped the visibility for One Night in Miami to be a player on the circuit. My Oscar Watch posts will continue…
Vanessa Kirby, who’s had a varied career thus far on Netflix’s The Crown and action tentpoles like Mission Impossible – Fallout and Hobbs & Shaw, is having quite a solid Venice Film Festival. Currently underway overseas, the actress received plenty of raves for her work in Pieces of a Woman and that’s led to some awards buzz.
She also stars in The World to Come, a 19th century set drama in which she engages in a forbidden romance with Katherine Waterston. Their spouses are played by Christopher Abbott and Casey Affleck. Norwegian filmmaker Mona Fastvold is behind the camera. While some critics have pointed out some flaws, World is currently spinning with a 100% Rotten Tomatoes score and drawing comparisons to the acclaimed Portrait of a Lady on Fire from last year.
That said, I’m a bit skittish on this getting any major Oscar attention. It’s not clear what the category placement would be for the four leads. Both Waterston and Kirby could cancel each other out in lead actress (or supporting) and I suspect the latter’s better chances are with the aforementioned Pieces.
Bottom line: despite the early acclaim, it could be a tall order for World to come to the attention of the Oscar deciders. My Oscar Watch posts will continue…
Certain Netflix viewers know Vanessa Kirby best as Princess Margaret on the hit series The Crown. Action fans recognize her from her participation in two huge franchises with her roles in Mission: Impossible – Fallout and Hobbs & Shaw. Now Kirby may get on the radar of awards voters with Pieces of a Woman, which has screened at the Venice Film Festival.
The drama comes from Hungarian filmmaker Kornel Mundruczo, perhaps best known stateside for his 2014 feature White God. Kirby stars alongside Shia LaBeouf as an expectant couple whose joy turns to sorrow as a result of a home birth situation. Costars include Ellen Burstyn, Jimmie Fails, and Molly Parker. The most high profile name is its executive producer Martin Scorsese.
Critics have been careful not to let loose many spoilers in their reviews, but the Rotten Tomatoes score is a solid 88%. The write-ups seem to agree that this is a breakout role for Kirby. As to whether she can contend for a nod, questions abound. Will Woman pick up domestic distribution by the submission deadline? Is this subject matter too grim for this to pick up steam with the Academy? There’s also the matter of The World to Come. It also features the actress, screened at Venice, and is also picking up some chatter (it will be my next Oscar Watch post).
Bottom line: Kirby has entered the mix in Venice, but a lot of uncertainty surrounds her potential inclusion. I would also add that Burstyn could potentially get mentions in Supporting Actress though it’s feasible that Kirby will get the bulk of attention. Burstyn is, of course, a legendary performer who’s already won an Oscar (for 1974’s Alice Doesn’t Live Here Anymore) and received five other nominations. Her previous nod came 20 years ago for Requiem for a Dream. My Oscar Watch posts will continue…
The Venice Film Festival is underway and something very British has premiered in the form of The Duke. The 1960s set true life heist dramedy comes from Notting Hill director Roger Michell, who also steered Peter O’Toole to his final Oscar nod in 2006’s Venus. The pic is headlined by two gold statue recipients with Jim Broadbent (Supporting Actor for 2001’s Iris) and Helen Mirren (Actress for 2006’s The Queen).
Initial word of mouth is strong. Based on a handful of reviews, the Rotten Tomatoes score stands at 100% with critics calling this heartfelt… and very British. The Duke is slated to open in the UK in November and it’s likely to hit stateside prior to the Academy’s February deadline.
Distributor Neon will need to work its marketing mojo to get this on the radar of awards voters, but it’s feasible. The best hope could be with Broadbent’s performance and that could play out more with the Golden Globes if the film is submitted in the Musical/Comedy section. The Oscars could be a taller order. My Oscar Watch posts will continue…
We have arrived at Week #2 for my Oscar predictions in the eight major categories. I do so as the Venice Film Festival has kicked off with Telluride and Toronto slated to virtually get underway in the coming days. That means quite a few Oscar Watch posts will be up in short order, including for several of the features predicted below.
Since last Thursday, I’ve written only two Watch entries. Mulan isn’t likely to be a factor in any of the big races, but it could definitely contend for some technical categories. The forthcoming horror pic Antebellum didn’t impress critics and won’t be mentioned again here. If you would like to peruse those posts, you can do so here:
When I wrote my initial guesstimates one week ago, it was on the following day that movie lovers across the globe were hit with tragic news. The loss of Chadwick Boseman to colon cancer has shocked and saddened all of us. Despite his acclaimed performances in 42, Get On Up, and his iconic work as Black Panther, Mr. Boseman has yet to receive a nomination from the Academy. Last Thursday, I already had him listed at #2 in Supporting Actor for the upcoming Ma Rainey’s Black Bottom. He is now listed first as is his costar Viola Davis in Best Actress.
Here are some other developments of note:
I am still higher on Spike Lee’s Da 5 Bloods (which also featured Boseman) than some other prognosticators. I have it listed for inclusion in Best Picture, Actor (Delroy Lindo), and Original Screenplay. However, its numbers have fallen a bit and I am taking Spike Lee out of my Director five.
My estimated eight Best Picture nominees has remained intact with some shifting in the rankings.
Aaron Sorkin (The Trial of the Chicago 7) and Paul Greengrass (News of the World) are in for Director with the aforementioned Spike Lee and Francis Lee (Ammonite) out.
The five in Actress has not changed. In Actor, I’ve made the move to take Bill Murray’s performance in On the Rocks and put it in the supporting field. That allows for Tom Hanks (News of the World) to move up. In general, I have soured a bit on Rocks. You’ll see below that its numbers have dropped precipitously.
Supporting Actress also includes the same five women and that’s also the case with Supporting Actor.
Though I don’t have it in the top five, I’ve corrected French Exit to be listed in Adapted Screenplay as opposed to Original. Soul replaces The French Dispatch in Original for the moment while The Father vaults over West Side Story in Adapted.
As you’ll see, there’s plenty of new faces being mentioned for the first time that didn’t make the list last week and others who have dropped.
Let’s get to it!
Best Picture
Predicted Nominees:
1. Mank (Previous Ranking: 1)
2. Nomadland (PR: 2)
3. The Trial of the Chicago 7 (PR: 4)
4. Dune (PR: 6)
5. News of the World (PR: 7)
6. Ammonite (PR: 5)
7. Da 5 Bloods (PR: 3)
8. West Side Story (PR: 8)
Other Possibilities:
9. Ma Rainey’s Black Bottom (PR: 16)
10. Soul (PR: 14)
11. Judas and the Black Messiah (PR: 12)
12. The French Dispatch (PR: 9)
13. One Night in Miami (PR: Not Ranked)
14. Hillbilly Elegy (PR: 10)
15. Minari (PR: 18)
16. The Father (PR: 17)
17. Annette (PR: 13)
18. Stillwater (PR: 21)
19. The United States vs. Billie Holiday (PR: 22)
20. Respect (PR: Not Ranked)
21. Tenet (PR: 15)
22. The Midnight Sky (PR: Not Ranked)
23. Next Goal Wins (PR: 24)
24. French Exit (PR: 25)
25. I’m Thinking of Ending Things (PR: 20)
Dropped Out:
On the Rocks
C’Mon C’Mon
The Eyes of Tammy Faye
Best Director
Predicted Nominees:
1. David Fincher, Mank (PR: 1)
2. Chloe Zhao, Nomadland (PR: 2)
3. Denis Villeneuve, Dune (PR: 4)
4. Aaron Sorkin, The Trial of the Chicago 7 (PR: 6)
5. Paul Greengrass, News of the World (PR: 7)
Other Possibilities:
6. Spike Lee, Da 5 Bloods (PR: 3)
7. Francis Lee, Ammonite (PR: 5)
8. Steven Spielberg, West Side Story (PR: 8)
9. Wes Anderson, The French Dispatch (PR: 9)
10. Regina King, One Night in Miami (PR: Not Ranked)
11. George C. Wolfe, Ma Rainey’s Black Bottom
12. Ron Howard, Hillbilly Elegy (PR: 11)
13. Shaka King, Judas and the Black Messiah (PR: 12)
14. Florian Zeller, The Father (PR: Not Ranked)
15. Christopher Nolan, Tenet (PR: 13)
Dropped Out:
Sofia Coppola, On the Rocks
Leos Carax, Annette
Charlie Kaufman, I’m Thinking of Ending Things
Best Actress
Predicted Nominees:
1. Viola Davis, Ma Rainey’s Black Bottom (PR: 2)
2. Frances McDormand, Nomadland (PR: 1)
3. Kate Winslet, Ammonite (PR: 3)
4. Michelle Pfeiffer, French Exit (PR: 4)
5. Jennifer Hudson, Respect (PR: 5)
Other Possibilities:
6. Amy Adams, Hillbilly Elegy (PR: 6)
7. Carey Mulligan, Promising Young Woman (PR: 14)
8. Rachel Zegler, West Side Story (PR: 7)
9. Andra Day, The United States vs. Billie Holiday (PR: 11)
10. Jessica Chastain, The Eyes of Tammy Faye (PR: 8)
11. Marion Cotillard, Annette
12. Julianne Moore, The Glorias (PR: 9)
13. Elisabeth Moss, Shirley (PR: 15)
14. Jessie Buckley, I’m Thinking of Ending Things (PR: 13)
15. Sophia Loren, The Life Ahead (PR: Not Ranked)
Dropped Out:
Rashida Jones, On the Rocks
Best Actor
Predicted Nominees:
1. Delroy Lindo, Da 5 Bloods (PR: 1)
2. Anthony Hopkins, The Father (PR: 3)
3. Gary Oldman, Mank (PR: 2)
4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)
5. Tom Hanks, News of the World (PR: 6)
Other Possibilities:
6. Eddie Redmayne, The Trial of the Chicago 7 (PR: Not Ranked)
7. Joaquin Phoenix, C’Mon C’Mon (PR: 7)
8. Matt Damon, Stillwater (PR: 13)
9. Adam Driver, Annette (PR: 8)
10. Steven Yeun, Minari (PR: Not Ranked)
11. Michael Fassbender, Next Goal Wins (PR: 12)
12. Andrew Garfield, The Eyes of Tammy Faye (PR: 10)
13. Trevante Rhodes, The United States vs. Billie Holiday (PR: 14)
14. Ansel Elgort, West Side Story (PR: 9)
15. Jesse Plemons, I’m Thinking of Ending Things (PR: Not Ranked)
Dropped Out:
Bill Murray, On the Rocks (moved to Supporting Actor)
Timothee Chalamet, Dune
Ben Affleck, The Way Back
Best Supporting Actress
Predicted Nominees:
1. Saoirse Ronan, Ammonite (PR: 1)
2. Glenn Close, Hillbilly Elegy (PR: 2)
3. Olivia Colman, The Father (PR: 3)
4. Helena Zengel, News of the World (PR: 5)
5. Ariana DeBose, West Side Story (PR: 4)
Other Possibilities:
6. Amanda Seyfried, Mank (PR: 7)
7. Meryl Streep, The Prom (PR: 14)
8. Toni Collette, I’m Thinking of Ending Things (PR: 6)
9. Abigail Breslin, Stillwater (PR: 9)
10. Natasha Lyonne, The United States vs. Billie Holiday (PR: Not Ranked)
11. Audra McDonald, Respect (PR: Not Ranked)
12. Jayne Houdyshell, The Humans (PR: Not Ranked)
13. Debra Winger, Kajillionaire (PR: 8)
14. Mary J. Blige, Respect (PR: 11)
15. Kristin Scott Thomas, Rebecca (PR: Not Ranked)
Dropped Out:
Gaby Hoffman, C’Mon C’Mon
Rebecca Ferguson, Dune
Nicole Kidman, The Prom
Elisabeth Moss, Next Goal Wins
Best Supporting Actor
Predicted Nominees:
1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 2)
2. David Strathairn, Nomadland (PR: 1)
3. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 3)
4. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 5)
5. Lakeith Stanfield, Judas and the Black Messiah (PR: 4)
Other Possibilities:
6. Tom Pelphrey, Mank (PR: 7)
7. Bill Murray, On the Rocks (PR: Not Ranked – moved from Best Actor)
8. Tom Burke, Mank (PR: 6)
9, Mark Rylance, The Trial of the Chicago 7 (PR: 12)
10. Jeremy Strong, The Trial of the Chicago 7 (PR: Not Ranked)
11. Richard Jenkins, The Humans (PR: Not Ranked)
12. Kingsley Ben-Adir, One Night in Miami (PR: Not Ranked)
13. Lucas Hedges, French Exit (PR: 9)
14. Jonathan Majors, Da 5 Bloods (PR: 10)
15. David Alvarez, West Side Story (PR: 8)
Dropped Out:
Jesse Plemons, Judas and the Black Messiah
Clarke Peters, Da 5 Bloods
Oscar Isaac, Dune
Forest Whitaker, Respect
Best Original Screenplay
Predicted Nominees:
1. Mank (PR: 1)
2. The Trial of the Chicago 7 (PR: 2)
3. Ammonite (PR: 4)
4. Da 5 Bloods (PR: 3)
5. Soul (PR: 6)
Other Possibilities:
6. The French Dispatch (PR: 5)
7. Minari (PR: 10)
8. Judas and the Black Messiah (PR: 8)
9. Stillwater (PR: 11)
10. Promising Young Woman (PR: 15)
11. Annette (PR: 13)
12. C’Mon C’Mon (PR: 9)
13. On the Rocks (PR: 7)
14. Red, White, and Water (PR: Not Ranked)
15. Tenet (PR: 14)
Dropped Out:
French Exit (moved to Adapted Screenplay)
Best Adapted Screenplay
Predicted Nominees:
1. Nomadland (PR: 1)
2. News of the World (PR: 3)
3. Dune (PR: 2)
4. The Father (PR: 6)
5. Ma Rainey’s Black Bottom (PR: 5)
Other Possibilities:
6. Hillbilly Elegy (PR: 7)
7. I’m Thinking of Ending Things (PR: 8)
8. West Side Story (PR: 4)
9. One Night in Miami (PR: 13)
10. The United States vs. Billie Holiday (PR: 10)
11. French Exit (PR: Not Ranked – moved from Original Screenplay)
12. Next Goal Wins (PR: 9)
13. The Humans (PR: Not Ranked)
14. The Eyes of Tammy Faye (PR: 11)
15. Respect (PR: 14)
Dropped Out:
The White Tiger
The Midnight Sky
I’ll be back at it with updated predictions next Thursday!
After its theatrical release was scrapped due to the COVID-19 pandemic, Disney’s live-action version of their 1998 animated tale Mulan is set to stream on Disney+ beginning tomorrow for a fee of $30. With a reported budget of around $200 million, this is certainly one of the highest profile features to ever (if ever) hit the PVOD circuit.
Over the past decade, the Mouse Factory has made billions of dollars with this sub genre of bringing their well-known drawn properties to a human scale. And there’s already a history of these pics garnering technical nominations at the Oscars.
The review embargo for Mulan lapsed on the eve of its release and reaction thus far is mostly on the positive side. Niki Caro’s remake is generating praise for its action sequences and overall visuals. Some of the reviews are a bit less kind. The Rotten Tomatoes meter is currently 73%. That’s a marked improvement over last year’s Aladdin (57%) and The Lion King (52%). Yet it falls short of the highs of The Jungle Book (94%) or Cinderella (84%). It’s actually right in range with 2017’s Beauty and the Beast, which scored 71%.
Let’s take that trip down memory lane for Disney’s output in this genre, shall we? In 2010, Alice in Wonderland won both Art Direction (now Production Design) and Costume Design and was nominated for its Visual Effects. 2014’s Maleficent also received a nod for its costuming and that happened a year later with Cinderella. In 2016, The Jungle Book was victorious for its Visual Effects. Beauty and the Beast received nominations the next year for Production Design and its costumes. Christopher Robin got a Visual Effects nod in 2019. And last year, The Lion King picked up a Visual Effects mention while Maleficent: Mistress of Evil was nominated for Makeup and Hairstyling.
You’ll notice that none of these pictures landed attention in the major categories and I don’t expect that Mulan will change that. When it comes to down the line nominations, I do expect this will contend in Production Design and Costume Design especially. Visual Effects and Makeup and Hairstyling are also possibilities and maybe even Cinematography. And there’s also the matter of Best Original Song. Christina Aguilera, who sang the track “Reflection” over the end credits 22 years ago, has composed some original works here. She recently put out the single “Loyal Brave True” and it certainly could contend.
Bottom line: Mulan is unlikely to be the first live-action Disney remake to compete for the big prizes, but it should carry on the tradition of its technical achievements being noticed. My Oscar Watch posts will continue…
Blogger’s Note (09/08): I am downgrading my original estimate from $4.3 million down to just $2.3 million. Simply put, this probably would have been better off going the streaming route.
Sony Pictures is hoping that a young audience will turn out for next weekend’s The Broken Hearts Gallery. The romantic comedy comes from first time director Natalie Krinsky and was originally scheduled for a July release before the COVID-19 pandemic altered the plans. Executive produced by Selena Gomez, it stars Geraldine Viswanathan (best known for Blockers and HBO’s Bad Education) and Dacre Montgomery (Billy from Netflix’s Stranger Things). Costars include Utkarsh Ambudkar, Molly Gordon, and Bernadette Peters.
I’m a bit skeptical that this has any breakout potential. Many similar pics in this genre are based on novels with a hoped for built-in audience. Gallery doesn’t have that advantage or much star power to lure its intended demographic into the multiplex. The best hope for Sony is that this crowd is simply starved for anything to go see.
I don’t believe that’ll be enough to get this over $3 million.
The Broken Hearts Gallery opening weekend prediction: $2.3 million
Blogger’s Note (09/02): On the eve of its premiere, I am upping my four and five day estimates for Tenet up to $30.3M and $36.9M, respectively.
It is quite safe to assume that Labor Day weekend has never been the most interesting box office frame before in a calendar year. Traditionally it’s a slow one when studios don’t bother to put out potential hits as the blockbusters of summer wind down and companies ready their fall product.
2020 has upended all of that due to the COVID-19 pandemic and Christopher Nolan’s Tenet is by far the highest profile release this holiday weekend has ever witnessed. After a delay from July, the twisty thriller with John David Washington and Robert Pattinson is finally set to invade IMAX and regular screens on Thursday (with previews slated throughout this week). You can peruse my detailed prediction post on it here:
Tenet rolled out in numerous international markets (as well as our neighbor to the north) this past weekend and it blew away expectations with $53 million. That bodes quite well for its U.S. bow this week. A four-day weekend in the mid to high 20s is my best guesstimate with upwards of $30 million when factoring in the Thursday tally. And if this projection changes, I have a feeling it will go up.
This juggernaut will easily rule the weekend. In fact, based on minimal competition in September, it will probably be #1 for the entire month. As for current holdovers, The New Mutants should dip to 2nd with Unhinged in third position. I expect the sophomore dip for Mutants to be more pronounced than that of Unhinged.
And with that, I am moving from a top 2 predictions last weekend to a whole top 3 as the box office comeback kicks into high gear for September! All estimates are for the four-day long frame unless otherwise indicated.
1. Tenet
Predicted Gross: $30.3 million (Friday to Monday prediction); $36.9 million (Thursday to Monday)
2. The New Mutants
Predicted Gross: $3.8 million
3. Unhinged
Predicted Gross: $1.8 million
Box Office Results (August 28-30)
Fox’s long-delayed and critically drubbed The New Mutants was a trouble production well before anyone knew what the coronavirus was. Originally set for 2018, this title in the X-Men Universe finally limped into theaters. That said, considering the circumstances, its performance was right at about the significantly lowered expectations at $7 million. I said $6.9 million.
Unhinged dropped to second with $2.6 million and that’s on pace with my $2.8 million estimate. The Russell Crowe road rage pic has taken in $8.8 million in two weeks.
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