**Blogger’s Update (06/20): We have yet to even see a theater count for The Exorcism so I’m downgrading my estimate from $6.2 million to $3.2 million
The Bikeriders and The Exorcism enter a marketplace in which Inside Out 2 greatly exceeded expectations last weekend. The summer box office is finally looking up, but the two new entries could struggle for exposure. My detailed prediction posts on them can be accessed here:
There’s no doubt that Inside Out 2 will be perched in 1st for a second weekend. A high 30s to low 40s decline would put it in the low to mid 90s. A sequel in its third frame – Bad Boys: Ride or Die – should remain in the runner-up slot with a mid 30s to 40% ease.
Now we get to the newbies. With decent reviews and the star power of Austin Butler, Tom Hardy, and Jodie Comer, The Bikeriders could still sputter with a third place showing. I think the big question is whether it reaches double digits and I have it barely accomplishing that minor goal.
As for The Exorcism, Russell Crowe’s second horror pic in as many years dealing with the subject matter probably won’t reach the $10 million that The Pope’s Exorcist did in April of 2023.
The five spot may go to holdover Kingdom of the Planet of the Apes in its seventh week of release and here’s how I have the high five playing out:
1. Inside Out 2
Predicted Gross: $93.6 million
2. Bad Boys: Ride or Die
Predicted Gross: $21.3 million
3. The Bikeriders
Predicted Gross: $10.5 million
4. Kingdom of the Planet of the Apes
Predicted Gross: $4.1 million
5. The Exorcism
Predicted Gross: $3.2 million
Box Office Results (June 14-16)
Disney/Pixar were feeling all the happy emotions as Inside Out 2 blasted past forecasts for the 2nd best animated opening of all time. That would also be the 2nd largest Pixar haul behind record holder Incredibles 2. The sequel to the 2015 Oscar winning blockbuster posted $154.2 million, way beyond my $92.4 million call. It’s also the biggest 2024 premiere thus far.
Bad Boys: Ride or Die only fell 40% after its huge start with $33.7 million, riding past my $29.8 million take. The fourth entry in the three-decade old franchise has amassed $113 million.
Kingdom of the Planet of the Apes actually rose 2% to $5.5 million in third, dwarfing my $3.1 million projection as this sequel’s six-week tally is $158 million.
The over performance of Inside Out 2 caused other family friendly titles to plummet. The Garfield Movie was fourth with $4.7 million (I said $6.1 million) for $78 million in four weeks. IF was fifth with $3.6 million (I said $4.9 million) for $101 million in five weeks.
Finally, The Watchers was sixth in its sophomore frame with $3.5 million compared to my $2.9 million prediction. The two-week total is $13 million.
No, this is not a family friendly version of Oliver Stone’s 2012 drugs drama with John Travolta and Salma Hayek. Instead Swiss animator looks to make it two Best Animated Feature Oscar noms in a row with Savages (or Sauvages in French). The environmentally conscious stop-motion tale premiered at Cannes with stateside distribution still being worked out. The voice cast includes Babette De Coster, Martin Verset, Laetitia Dosch, and Benoit Poelvoorde.
The filmmaker’s previous full-length work was 2016’s My Life as a Zucchini, which made the contending quintet at the 89th Academy Awards (ultimately falling short to Zootopia). Reviews for Savages stand at 100% on RT based on a handful of write-ups. I would expect to see it in the mix for the 97th ceremony a few months down the road so be conscious of it. My Oscar Prediction posts will continue…
In 1974, filmmaker Bernardo Bertolucci and Marlon Brando were respectively nominated for Director and Actor for their work in Last Tango in Paris. Jessica Palud’s Being Maria recounts the making of that controversial picture with a focus on its leading lady. Anamaria Vartolomei portrays Maria Schneider with Guiseppe Maggio as Bertolucci and Matt Dillon as Brando.
After premiering at Cannes last month, the French release is slated for next week with a domestic rollout still TBD. With a 75% Rotten Tomatoes score, even the positive notices are measured in their praise. The source material managed to be a contender half a century ago. This won’t. My Oscar Prediction posts will continue…
**Blogger’s Update (06/20): We have yet to even see a theater count for The Exorcism so I’m downgrading my estimate from $6.2 million to $3.2 million
The Exorcism looks to quench the moviegoing public’s thirst for mixing Russell Crowe with demonic possessions on June 21st. The horror flick arrives only a year behind the lead playing The Pope’s Exorcist. Those two pics aren’t related as Joshua John Miller directs with a supporting cast including Ryan Simpkins, Sam Worthington, Chloe Bailey, Adam Goldberg, Adrian Padsar, and David Hyde Pierce.
In April of 2023, The Pope’s Exorcist managed to open at the higher end of its expected range with a little over $9 million and an eventual $20 million gross. It is fair to wonder if genre enthusiasts are pining for another helping of its star and subject matter.
Scary movies have struggled in 2024 and this might need divine intervention to exceed $10 million for its start. I doubt it will.
The Exorcism opening weekend prediction: $3.2 million
Ghostlight, co-directed by Kelly O’Sullivan and Alex Thompson, was a highlight of this year’s Sundance Film Festival according to numerous critics. The indie drama casts an actual family of aspiring actors as the central characters. Focused on a grieving father pulled into the world of community theater, the cast includes Keith Kupferer, Katherine May Kupferer, and Tara Mallen. They are, respectively, father, daughter, and mother in real life. Dolly De Leon (who likely came close to a Supporting Actress nom for Triangle of Sadness in 2022) is among the costars.
With a 100% Rotten Tomatoes score, IFC Films (who picked up distribution rights after the Utah fest in January) could make a play for awards attention. I don’t know if the film can break through in the way that Coda did back in 2021. Probably not, but you never know if critics groups put it in the conversation a few months down the line. My Oscar Prediction posts will continue…
Focus Features is hoping audiences wanna take a ride with The Bikeriders on June 21st. The 1960s set crime drama comes is written and directed by Jeff Nichols with a cast including Jodie Comer, Austin Butler, Tom Hardy, Michael Shannon, Mike Faist, and Norman Reedus.
The pic was first seen at Telluride nearly ten months ago and delayed from its original December release date due to the actors strike. It stands to reason that the studio wanted their leads out promoting the project which scored mostly positive reviews (84% on RT).
That star power of Elvis and Venom may not be enough to give this a wide audience. I’m not convinced this will make its reported $40 million budget back with the eventual domestic gross. That might mean a low double digits start and I’m a bit skeptical it even reaches the teens.
The Bikeriders opening weekend prediction: $10.5 million
Of the 23 Best Animated Feature Oscar winners (the category didn’t start until 2001), Disney/Pixar has taken 11 of them. The Mouse Factory itself has picked up an additional four through their traditionally animated tales. One of the Pixar winners is 2015’s Inside Out and the sequel is out this weekend. Kelsey Mann makes his directorial debut with a voice cast including Amy Poehler, Phyllis Smith, Lewis Black, Tony Hale, Liza Lapira, Maya Hawke, Ayo Edebiri, Adéle Exarchopoulos, Paul Walter Hauser, Kensington Tallman, Diane Lane, and Kyle MacLachlan.
Due to Disney and Pixar’s aforementioned track record, it’s no surprise that Inside Out 2 was the frontrunner for gold sight unseen. With the review embargo lifted, is that still true? Probably, but it’s not a slam dunk.
Reviews are unsurprisingly positive with a 91% RT score. Some of the reaction has critics in their feels as they say it’s on par with the original that managed a 98% Fresh rating. Other write-ups, while mainly of the thumbs up variety, say it doesn’t match its predecessor.
Disney has lost the Academy’s animated prize for two years running. In 2022, Guillermo del Toro’s Pinocchio defeated Turning Red. Last year, The Boy and the Heron flew by Elemental. If the Oscars were held today, Inside Out 2 would likely emerge victorious. However, the year is only half over and other contenders are hoping to challenge it in the months to come. My Oscar Prediction posts will continue…
Disney/Pixar looks to dominate the box office charts in a way they haven’t for some time with Inside Out 2. The sequel to the 2015 hit is the only newcomer in the marketplace and you can peruse my detailed prediction post on it here:
After some fairly underwhelming grosses for the studio, Out could exceed the $90 million premiere achieved by its predecessor nine summers ago. I have it just doing so for what would be the fifth largest Pixar opening in its nearly three decade history.
Bad Boys: Ride or Die got off to a sizzling start (more on that below) and a mid to high 40s decline would have it in the $30 million range for its sophomore outing.
Spots 3 and 4 are likely to be a family friendly zone with The Garfield Movie and IF. Both will probably see slightly heftier declines than this past weekend considering the Mouse Factory competition.
Ishana Night Shyamalan’s horror debut The Watchers failed to attract genre viewers and I suspect its second weekend will see a dip in the 60% region. Thatcould mean Kingdom of the Planet of the Apes stays in fifth with The Watchers in sixth.
Here’s how I see it playing out:
1. Inside Out 2
Predicted Gross: $92.4 million
2. Bad Boys: Ride or Die
Predicted Gross: $29.8 million
3. The Garfield Movie
Predicted Gross: $6.1 million
4. IF
Predicted Gross: $4.9 million
5. Kingdom of the Planet of the Apes
Predicted Gross: $3.1 million
6. The Watchers
Predicted Gross: $2.9 million
Box Office Results (June 7-9)
Will Smith can breathe a sigh of relief as Bad Boys: Ride or Die topped estimates with a boisterous $56.5 million. While that’s under the $62 million that 2020 predecessor Bad Boys for Life achieved, it’s still an impressive number considering this summer of underachievers. I didn’t give it enough credit with a $47.3 million forecast. For Smith, it’s a sign that moviegoers are willing to shell out their bucks after The Slap. Don’t be surprised to see him and Martin Lawrence back for a fifth adventure.
The Garfield Movie was second with a meager 29% slide at $10 million, ahead of my $8.9 million call. The three-week total is $68 million as it hopes to reach $100 million domestically.
IF only fell 25% for third at $7.8 million, in range with my $7.4 million projection. It is approaching nine digits with $93 million after four weeks.
The aforementioned The Watchers couldn’t capitalize on the Shyamalan family name as poor reviews sunk it. The gross was just $7 million for fourth compared to my $10.2 million estimate.
Kingdom of the Planet of the Apes rounded out the top five with $5.4 million (I said $6 million) for five-week earnings of $149 million.
Lastly, Furiosa: A Mad Max Saga plummeted another 61% in sixth with $4.2 million. I was kinder at $5.7 million as the prequel has only hit $58 million after three weeks.
My first Oscar predictions for the month of June shows that box office matters and the poor performance of Furiosa: A Mad Max Saga causes it to fall out of my 25 BP hopefuls. Meanwhile the acclaimed Iranian drama The Seed of the Sacred Fig rises 12 sports to #10 in BP with His Three Daughters falling out. Fig’s maker Mohammad Rasoulof is in the directing quintet for the first time.
The aforementioned Daughters is not just out in BP. Natasha Lyonne drops in Actress in favor of Karla Sofia Gascón in Emilia Pérez while Danielle Deadwyler (The Piano Lesson) replaces Carrie Coon in Supporting Actress.
In Actor, it is Sebastian Stan (The Apprentice) back in over Glen Powell (Hit Man). Yet the news isn’t all bad for that latter picture as I’m projecting the screenplay contests for the first time. Hit Man grabs a spot in Adapted Screenplay.
A reminder – the placement of performers is uncertain at press time. One example is Saldaña and Karla Sofia Gascón for Pérez. They could easily be switched and contend in one another’s races. In fact, I had it the other way around until now. There’s also Saoirse Ronan. I have her as a double nominee for The Outrun in lead and Blitz in supporting. She could be campaigned for Best Actress in both.
It will all shake out soon enough and here’s where I have nominations standing at the moment!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 2) (E)
3. Conclave (PR: 4) (+1)
4. Sing Sing (PR: 3) (-1)
5. Anora (PR: 7) (+2)
6. Queer (PR: 5) (-1)
7. Emilia Pérez (PR: 9) (+2)
8. The End (PR: 6) (-2)
9. The Piano Lesson (PR: 10) (+1)
10. The Seed of the Sacred Fig (PR: 22) (+12)
Other Possibilities:
11. Joker: Folie à Deux (PR: 11) (E)
12. The Apprentice (PR: 12) (E)
13. His Three Daughters (PR: 8) (-5)
14. Nickel Boys (PR: 23) (+9)
15. Nightbitch (PR: 14) (-1)
16. Maria (PR: 20) (+4)
17. The Fire Inside (PR: 15) (-2)
18. A Real Pain (PR: 24) (+6)
19. Hit Man (PR: 19) (-1)
20. Dídi (PR: 17) (-3)
21. Bird (PR: 19) (-2)
22. All We Imagine as Light (PR: Not Ranked)
23. Here (PR: 21) (-2)
24. Kinds of Kindness (PR: 13) (-11)
25. Gladiator II (PR: Not Ranked)
Not Ranked:
Furiosa: A Mad Max Saga
Civil War
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Sean Baker, Anora (PR: 5) (+1)
5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 15) (+10)
Other Possibilities:
6. Jacques Audiard, Emilia Pérez (PR: 9) (+3)
7. Luca Guadagnino, Queer (PR: 6) (-1)
8. Joshua Oppenheimer, The End (PR: 4) (-4)
9. Todd Phillips, Joker: Folie à Deux (PR: 10) (+1)
10. Greg Kwedar, Sing Sing (PR: 8) (-2)
11. Malcolm Washington, The Piano Lesson (PR: 12) (+1)
12. Payal Kapadia, All We Imagine as Light (PR: Not Ranked)
13. Marielle Heller, Nightbitch (PR: 13) (E)
14. Pablo Larrain, Maria (PR: Not Ranked)
15. Ridley Scott, Gladiator II (PR: Not Ranked)
Dropped Out:
Azazel Jacobs, His Three Daughters
Yorgos Lanthimos, Kinds of Kindness
George Miller, Furiosa: A Mad Max Saga
Best Actress
Predicted Nominees:
1. Angelina Jolie, Maria (PR: 1) (E)
2. Mikey Madison, Anora (PR: 3) (+1)
3. Amy Adams, Nightbitch (PR: 4) (+1)
4. Karla Sofia Gascón, Emilia Pérez (PR: Not Ranked) – moved from supporting
5. Saoirse Ronan, The Outrun (PR: 2) (-3)
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)
7. Natasha Lyonne, His Three Daughters (PR: 5) (-2)
8. Tilda Swinton, The End (PR: 8) (E)
9. Marianne Jean-Baptiste, Hard Truths (PR: 12) (+3)
10. Ryan Destiny, The Fire Inside (PR: 9) (-1)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Zendaya, Challengers (PR: 13) (+1)
13. Florence Pugh, We Live in Time (PR: Not Ranked)
14. Noemie Merlant, Emmanuelle (PR: 15) (+1)
15. Demi Moore, The Substance (PR: 10) (-5)
Dropped Out:
Zoe Saldaña, Emila Pérez – moved to supporting
Jodie Comer, The Bikeriders
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. André Holland, The Actor (PR: 4) (E)
5. Sebastian Stan, The Apprentice (PR: 6) (+1)
Other Possibilities:
6. Glen Powell, Hit Man (PR: 5) (-1)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (E)
8. John David Washington, The Piano Lesson (PR: 8) (E)
9. Jesse Plemons, Kinds of Kindness (PR: 10) (+1)
10. George MacKay, The End (PR: 9) (-1)
11. Sebastian Stan, A Different Man (PR: 13) (+2)
12. Kingsley Ben-Adir, Bob Marley: One Love (PR: 11) (-1)
13. Andrew Garfield, We Live in Time (PR: Not Ranked)
14. Tom Hanks, Here (PR: 14) (E)
15. Paul Mescal, Gladiator II (PR: 15) (E)
Dropped Out:
Paul Bettany, The Collaboration
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 1) (E)
2. Saoirse Ronan, Blitz (PR: 2) (E)
3. Zoe Saldaña, Emilia Pérez (PR: Not Ranked) – moved from lead
4. Aunjanue Ellis-Taylor, Nickel Boys (PR: 5) (+1)
5. Danielle Deadwyler, The Piano Lesson (PR: 6) (+1)
Other Possibilities:
6. Valeria Golino, Maria (PR: 11) (+5)
7. Carrie Coon, His Three Daughters (PR: 4) (-3)
8. Joan Chen, Dídi (PR: 7) (-1)
9. Emily Watson, Small Things like These (PR: Not Ranked)
10. Lesley Manville, Queer (PR: 10) (E)
11. Catherine Keener, Joker: Folie à Deux (PR: 9) (-2)
12. Elizabeth Olsen, His Three Daughters (PR: 8) (-4)
13. Toni Collette, JurorNo. 2 (PR: 12) (-1)
14. Naomi Watts, Emmanuelle (PR: 15) (+1)
15. Erin Kellyman, Blitz (PR: 14) (-1)
Dropped Out:
Karla Sofia Gascón, Emilia Pérez – moved to lead
Robin Wright, Here
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 1) (E)
2. Samuel L. Jackson, The Piano Lesson (PR: 2) (E)
3. Stanley Tucci, Conclave (PR: 3) (E)
4. Kieran Culkin, A Real Pain (PR: 4) (E)
5. Brian Tyree Henry, The Fire Inside (PR: 5) (E)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: 6) (E)
7. Drew Starkey, Queer (PR: 7) (E)
8. John Lithgow, Conclave (PR: 8) (E)
9. Adam Pearson, A Different Man (PR: 10) (+1)
10. Michael Shannon, The End (PR: 12) (+2)
11. Harris Dickinson, Blitz (PR: 9) (-2)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Brendan Gleeson, Joker: Folie à Deux (PR: 13) (E)
Tuesday is said to alternate between a fairy tale reality and a deadly sober one in Daina O. Pusić’s directorial debut. Julia Louis-Dreyfus stars as a mother caring for her dying daughter in the A24 and BBC co-production. Lola Petticrew, Leah Harvey, and Arinzé Kene (voicing the character of Death) are among the supporting players.
Out in limited release this weekend after premiering at Telluride last fall, it continues a run of critically appreciated Louis-Dreyfus works that veer from her comedic roots. Tuesday stands at 88% on RT. Last year’s You Hurt My Feelings got even better reviews for its star and the film itself. It was another A24 title that failed to generate awards attention and I doubt this will either. My Oscar Prediction posts will continue…
