Category: Oscar Predictions

Oscar Predictions: Everything Everywhere All at Once

Prior to its theatrical release on March 25th, Everything Everywhere All at Once has premiered at South by Southwest over the weekend. The sci-fi comedy comes from directors Daniel Kwan and Daniel Scheinert, who are collectively known as Daniels. This is the follow-up to their acclaimed 2016 surrealist debut Swiss Army Man with Paul Dano and Daniel Radcliffe. Everything features Michelle Yeoh experiencing numerous multiverses of action with a supporting cast including Ke Huy Quan, Stephanie Hsu, Jenny Slate, James Hong, and Jamie Lee Curtis. Quan, by the way, you may know as Short Round from Indiana Jones and the Temple of Doom and Data from The Goonies. 

When the Internet chatter broke last night, lots of bloggers were raving about this unconventional pic with particular praise toward Yeoh. The veteran actress has had acclaimed performances in Crouching Tiger, Hidden Dragon and Crazy Rich Asians, but she’s yet to surface for awards attention. The original screenplay (from the filmmakers) is also being touted for its boldness.

That said, this could be a prime example of a movie that has its fervent champions and doesn’t materialize in Oscar discussions (despite inevitable Twitter talk). The Rotten Tomatoes score is currently 67% with both Variety and Hollywood Reporter logging so-so reviews. If A24 does mount a campaign, they’ll have supporters but that may not be enough. My Oscar Prediction posts will continue…

Oscar Predictions: The Adam Project

Hitting Netflix today is Shawn Levy’s The Adam Project, a sci-fi adventure that re-teams the director with his Free Guy lead Ryan Reynolds. Costars include Mark Ruffalo, Jennifer Garner, Walker Scobell, Catherine Keener, and Zoe Saldana.

Focused on a 12-year-old who meets his fighter pilot future self, many reviews are kindly comparing this Project to 80s era Spielberg product. The Rotten Tomatoes score is a decent though not overly impressive 70%.

Since it’s available for some theatrical showings, this will be eligible for Oscar consideration. Levy and Reynolds, as mentioned, collaborated just last year for Free Guy and that resulted in a box office hit and a slot in the Visual Effects race (where it will almost certainly lose to Dune in two weeks).

Based on the write-ups, Free Guy appears to be a flashier experience than Adam and I doubt this manages to garner any awards attention. My Oscar Prediction posts will continue…

Oscars 2021: The Case of J.K. Simmons

The performance of J.K. Simmons in Being the Ricardos is my fourth Case Of post for the Supporting Actor nominees. If you didn’t catch the first three, they are linked here:

Oscars 2021: The Case of Ciaran Hinds

Oscars 2021: The Case of Troy Kotsur

Oscars 2021: The Case of Jesse Plemons

The Case for J.K. Simmons:

He’s a well-respected Hollywood veteran and the Academy’s voters dug the acting troupe from Ricardos as Nicole Kidman and Javier Bardem were also nominated.

The Case Against J.K. Simmons:

This nomination was a bit of a surprise. Simmons got in despite no love from SAG or the Globes (though Critics Choice did mention him). The film itself failed to nab Picture or screenplay nods. Of the three Ricardos hopefuls, only Kidman stands a decent chance at winning.

Previous Nominations: 1

Whiplash (Supporting Actor – 2014, WON)

The Verdict:

Seven years ago, Simmons was the overwhelming favorite to take this race in Whiplash and he did. For Ricardos, I would rank him fifth out of five for the contenders.

My Case Of posts will continue with Steven Spielberg’s direction of West Side Story…

Oscar Predictions: Turning Red

Turning Red is the latest Pixar title and it is out Friday on Disney Plus. The coming-of-age tale comes from director Domee She, who won an Oscar in 2018 for her short film Bao (also from Disney/Pixar).

The review embargo is up today and the result so far is 93% on Rotten Tomatoes. Red was originally slated for a theatrical release but the pandemic altered that plan. It will follow in the footsteps of Soul, Raya and the Last Dragon, and Luca. What do they all have in common besides their studio? All were nominated or won (in Soul‘s case) for the Animated Feature Oscar.

With bicoastal limited theatrical showings, Red will qualify for next year’s Academy consideration. For 2021, 60% of the animated movies (Raya, Luca, Encanto) are Mouse Factory products.

While it’s certainly early, critical reaction here indicates this could easily make the cut. It’s also worth noting that Billie Eilish and brother Finneas O’Connell penned some original tunes that could be Original Song hopefuls. If that pans out, Eilish could be gunning for her second nod in a row as she’s currently up for “No Time to Die”. There’s also Ludwig Goransson who scored Red and he’s a previous Oscar winner for Black Panther. 

The other Pixar product comes this summer with Lightyear. I wouldn’t write Red‘s inclusion in blue ink yet, but don’t be surprised if it’s listed a year from now. My Oscar Prediction posts will continue…

Oscars 2021: The Case of Andrew Garfield

Andrew Garfield’s acclaimed performance as Rent playwright Jonathan Larson in Tick, Tick… Boom! is next up in my Case Of posts for this year’s Best Actor contenders. If you missed the first two, you can peruse them here:

Oscars 2021: The Case of Javier Bardem

Oscars 2021: The Case of Benedict Cumberbatch

The Case for Andrew Garfield:

Garfield received some career best notices for Lin-Manuel Miranda’s Netflix musical drama. It also helps that the actor had a banner 2021. In addition to Boom!, critics lauded his work as Jim Bakker alongside Oscar nominated Jessica Chastain in The Eyes of Tammy Faye and he reprised his web slinger role in the box office behemoth Spider-Man: No Way Home. At the Golden Globes, he took the gold for Best Actor in Musical/Comedy.

The Case Against Andrew Garfield:

The Globes divide their lead races into Drama and Musical/Comedy. Will Smith received the Drama trophy for King Richard and he also just won the SAG Award. In other words, Garfield is definitely behind Smith and likely third in line after Benedict Cumberbatch for The Power of the Dog. 

Previous Nominations: 1

Hacksaw Ridge (2016 – Actor)

The Verdict:

Mr. Garfield probably has a better shot in 2021 than he did five years ago for Hacksaw Ridge, but he’s still in the middle of the pack and has yet to have a signature victory that proves he’s a threat to the frontrunners.

My Case Of posts will continue with the Supporting Actress hopefuls and Judi Dench in Belfast…

Oscar Predictions: The Batman

You have to go back to 2008’s The Dark Knight to find the last Batfilm to receive an Oscar nomination. It landed the most of them. While famously missing Best Picture (it’s often called the flick that caused the Academy to expand beyond five nominees), it garnered eight nods and won Supporting Actor (Heath Ledger) and Sound Editing. The other nominations were for Sound Mixing, Art Direction, Cinematography, Makeup, Film Editing, and Visual Effects. 1989’s Batman was 1 for 1 in its nominations with Art Direction while follow-up Batman Returns was up for Makeup and Visual Effects and Batman Forever received a mention for Sound Effects Editing. Batman Begins from 2005 made the Cinematography final five. Batman and Robin, The Dark Knight Rises, Batman v Superman: Dawn of Justice, and Justice League all failed to show up at the big show.

That history lesson is, of course, given to you because reboot The Batman  with Robert Pattinson opens Friday and the review embargo lifted today. Early critical reaction has resulted in an 87% Rotten Tomatoes score thus far. Some write-ups are calling it masterful. Others are more mixed in the praise with some complaints of over length in particular.

So what are its Oscar prospects? As I see it, pretty strong in many of the races mentioned above. That includes Sound (now just one competition), Visual Effects, Production Design (what was Art Direction), Makeup and Hairstyling, Cinematography, and even Original Score (from Michael Giacchino). Director Matt Reeves, taking over the franchise, has experience in the VE derby with Dawn of the Planet of the Apes and War for the Planet of the Apes. 

Those down the line nods could be plentiful for The Batman. However, I don’t see it getting Best Picture, Director, Adapted Screenplay, or nominations for its actors. It won’t be for lack of social media chatter. We have seen numerous comic book adaptations receive fervent support online (from The Dark Knight to Deadpool to Avengers: Endgame to Spider-Man: No Way Home). Only Black Panther and Joker have made the BP cut. I don’t envision The Batman being the third, but tech nods should happen. My Oscar Prediction posts will continue…

Oscar Predictions: The Outfit

Graham Moore is an Oscar winner in Adapted Screenplay for 2014’s The Imitation Game. One year later, Mark Rylance scored an upset Supporting Actor victory for Bridge of Spies. Moore makes his directorial debut for the 1950s set crime pic The Outfit in which Rylance stars as a tailor serving dangerous types. The supporting cast includes Zoey Deutch, Dylan O’Brien, and Johnny Flynn.

The pic debuted at the Berlin Film Festival last weekend and is slated for theaters next month. Reviews from Germany are positive if not gushing and it holds a 91% score on Rotten Tomatoes. So is The Outfit suited for awards attention?

Probably not. However, Rylance is drawing some raves and there’s kudos for tech aspects such as production design. And I suppose any movie about a tailor (The Outfit‘s running time takes place in one setting) could be a hopeful for costume design. It’s also worth noting that Alexandre Desplat (who’s received 11 nominations and won 2) did the score.

I find it unlikely that voters will recall The Outfit later this year, but perhaps Focus Features will set their sights on a campaign. My Oscar Prediction posts will continue…

Oscars 2021: The Case of Paul Thomas Anderson

Now that I’ve completed by Case Of posts for the 10 Best Picture contenders, I’m moving on to the 25 hopefuls for Best Director, Actress, Actor, Supporting Actress, and Supporting Actor. I’ll alternate alphabetically among the categories between them and that means Paul Thomas Anderson’s behind the camera work for Licorice Pizza is first up!

The Case for Paul Thomas Anderson:

Prior to Pizza being delivered in 2021, PTA as he’s called had already received 8 nominations from the Academy between his producing, directing, and writing. He’s 0 for 8. He has three more at bats with his 70s set coming-of-age tale in Picture, Director, and Original Screenplay. In other words, there could be an overdue factor at play.

The Case Against Paul Thomas Anderson:

Licorice Pizza tied CODA with the fewest amount of nods for the BP nominees. Unlike his previous BP contenders There Will Be Blood and Phantom Thread, there were no acting nominations for his ensemble. And there’s simply the fact that Jane Campion (The Power of the Dog) is the major frontrunner.

Previous Nominations: 2 (for directing only)

There Will Be Blood (2007); Phantom Thread (2017)

The Verdict:

There’s a decent chance that PTA’s zero wins streak will be broken at the ceremony, but it would come in Original Screenplay (where it appears to be down to Pizza or Belfast). It will not be broken here.

My Case Of posts will continue with Jessica Chastain in The Eyes of Tammy Faye…

Oscars 2021: The Case of Drive My Car

Ryusuke Hamaguchi’s three hour Japanese drama Drive My Car is the next Case Of post covering the 10 Best Picture nominees for this year’s Academy Awards. If you didn’t catch the first three, they’re right here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

The Case for Drive My Car:

Since premiering at the Cannes Film Festival last summer where it won Best Screenplay, Hamaguchi’s import is one of the critical darlings of 2021. It holds the best Rotten Tomatoes score of the bunch at 98%. Car performed better than expected with a total of four nods: Picture, Director, Adapted Screenplay, and International Feature Film,.

The Case Against Drive My Car

The film’s inclusion into the BP derby was a question mark going into nomination morning. While it hopes to become the second non-English language pic to win the big prize (two years after Parasite), its real possibility for a victory lies with the international race.

The Verdict

Drive My Car is an easy pick to take International Feature Film and anything else being called would constitute a major upset. However, do not expect the raves to put it in gear for one in Best Picture.

My Case Of posts will continue with Dune…

Oscar Predictions: Marry Me

Jennifer Lopez is back in rom com territory tomorrow with Marry Me, which debuts in theaters and Peacock streaming. It’s hoping to be a midsize Valentine’s Day frame hit. The reviews are in and they’re not half bad with a current Rotten Tomatoes score of 60%.

You’d be correct in wondering why this material warrants an Oscar post. This is due to the soundtrack in which the star contributes numerous tracks. Some singles are already out such as “Pa’ Ti + Lonely” (a duet with her costar Maluma) and “On My Way”.

Universal could focus on either of them or other ditties for an Original Song push. If Lopez does manage to find herself in the mix, it would mark her first Academy nod. As you may recall, J-Lo was heavily favored to land a Supporting Actress mention two years ago for Hustlers and her omission was a surprise. There’s plenty of songs to come in the next year, but it stands to reason that she’ll be campaigned for her musical contributions. My Oscar Prediction posts will continue…