Two years ago, the faith based drama God’s Not Dead turned into quite the sleeper hit. After opening with a surprisingly robust $9.2 million, it held firmly in subsequent weekends to the tune of a $60 million overall gross.
Now we have a sequel opening next weekend and God’s Not Dead 2 has plenty of similarities to the original. For one – a rather eclectic cast. Part one boasted both TV’s Hercules (Kevin Sorvo) and Superman (Dean Cain). The sequel has Melissa Joan Hart of “Sabrina, the Teeange Witch” fame, “Desperate Housewives” alum Jesse Metcalfe, the late Tennesse Senator and actor Fred Thompson, Mike Tyson’s ex Robin Givens, and fourth Ghostbuster Ernie Hudson. I wasn’t kidding, folks!
The original was made on a reported $2 million budget and while I couldn’t find a reported price tag for this, it’s probably not much and it shouldn’t have much trouble turning a profit. However, that doesn’t mean it’ll earn as much as its predecessor. There has been a bunch of similar genre pics in recent weeks (Miracles from Heaven, Risen, The Young Messiah) and that could have some effect.
I look for this to open in the same range as the first and perhaps just above it, but it may not have the legs to get to an eventual $60M domestic tally.
God’s Not Dead 2 opening weekend prediction: $9.6 million
This past weekend, comedic drama Hello, My Name Is Doris impressed box office observers by making nearly a million dollars on just 128 screens. The film premiered at the SXSW Film Fesitval days ago to positive response with a current rating of 85% on Rotten Tomatoes.
The bulk of the film’s praise has been devoted to its lead star, Sally Field, playing an older woman romancing a younger man. If distributor Roadside Attractions is able to mount a credible campaign, Field could find herself in line for her fourth nomination in just under 40 years. In 1979, she was victorious in Best Actress for her title role in Norma Rae and in 1984, won again for Places in the Heart. In 2012, she was nominated in Supporting Actress in Lincoln.
This is highly likely to be the only category where Doris could be a factor. Costars including Max Greenfield, Stephen Root, Natasha Lyonne, and Tyne Daly shouldn’t garner attention. While reviews are strong, March is awfully early in the Academy’s season and her inclusion may depend on how solid the race for Actress becomes (a question mark currently).
That said, Field is a beloved performer whose track record with the Academy has been sterling over four decades. They’re capable of liking her – really, really liking her. It’d be foolish to completely count her out.
Two iconic superheroes look to set an all-time March opening weekend record as Batman v Superman: Dawn of Justice debuts Friday, along with rom com sequel My Big Fat Greek Wedding 2. You can peruse my detailed prediction posts on each here:
As outlined in the individual prediction on Dawn of Justice, it stands a real shot at becoming March’s biggest opener if it manages to get past the $152 million accomplished by The Hunger Games four years ago. I’m predicting that it will.
As for Greek Wedding 2, it’s the sequel to the highest earning romantic comedy in box office history. However, I believe the 14 year gap with this sequel could mean an opening in the low teens.
When it comes to holdovers, Zootopia should drop to second after 3 weeks on top while The Divergent Series: Allegiant looks to suffer a much heftier drop in its sophomore frame than Miracles from Heaven, which should capitalize on the Easter weekend. In fact, I see a genuine photo finish for the three spot between Wedding, Miracles, and Allegiant.
And with that, my top five predictions for the weekend:
Batman v Superman: Dawn of Justice
Predicted Gross: $166.4 million
2. Zootopia
Predicted Gross: $23.4 million
3. My Big Fat Greek Wedding 2
Predicted Gross: $13.1 million
4. TheDivergentSeries: Allegiant
Predicted Gross: $12.7 million
5. Miracles from Heaven
Predicted Gross: $10.9 million
Box Office Results (March 18-20)
Disney’s Zootopia made it three weeks in a row on top with $37.1 million, a bit higher than my $32M forecast. The smash hit animated pic has earned $200M thus far and reaching above $300M now looks to be a foregone conclusion.
The results were not so hot for The Divergent Series: Allegiant, which posted the lowest numbers by far of the franchise to date. While 2014’s Divergent premiered to $54 million and Insurgent made $52 million, Allegiant managed just $29 million compared to my $43.7M prediction. This doesn’t bode well for part two of Allegiant, out next summer.
The faith based drama Miracles from Heaven debuted in third with a sturdy $14.8 million (just under my $15.8M projection) and a five day total of $18.3 million since its Wednesday opening (I said $20.8M). As mentioned, look for this continue to perform solidly this coming Easter frame.
10 Clovefield Lane was fourth in its second weekend with $12.5 million (I said $10.1M) and its two week total is $45M. Deadpool rounded out the top five with $8 million (I was close with $7.2M) for a cume of $340M.
And that’ll do it for now, friends! Until next time…
Todd Haynes’s Carol takes its source material from Patricia Highsmith’s 1952 novel, written at a time when its subject matter was considered taboo and where its hopeful conclusion was unfathomable to many of the readers. There’s a Hitchcock connection here as Highsmith is primarily known for writing the book in which Strangers on a Train is based, but The Price of Salt (in which Carol is based) tells a lesbian romance in which she used an alias to release it. Sixty plus years later, the film serves as an often engaging and very well acted tale of a different time in which this particular love story was considered toxic.
Set in New York City in the 1950s (with beautiful production design and first rate cinematography), Cate Blanchett plays the title character. She’s a well to do housewife with a young daughter going through a rough divorce. Her estrangement from her husband (an always solid Kyle Chandler) is not explored in great depths, but we soon learn part of the issue was her affair with a long time friend (Sarah Paulson, who’s currently giving Emmy worthy work on FX’s O.J. limited series). Carol meets Therese (Rooney Mara) in a department store as she’s Christmas shopping and the two are quickly taken with one another. Therese, an aspiring photographer, is stuck in a listless relationship with Richard (Jake Lacy) and she quickly begins to accept Carol’s overtures for lunch dates and eventually, a road trip. As their relationship grows, so does the drama surrounding Carol’s divorce proceedings in which her sexuality can be used as an excuse for her to lose custody of her child.
This picture moves along at a pace that some critics would describe as deliberate, which can fairly be called slow in this case. The screenplay by Phyllis Nagy focuses on the couple with the supporting characters relegated to the sidelines. It’s quite helpful that Blanchett and Mara both give strong performances. Ms. Blanchett has the flashier role, but Mara is equally as impressive with a quieter role in which she believably conveys this young woman figuring herself out with a woman who’s grown more comfortable with who she is.
I’m sure this source material was considerably more shocking in its era and Carol now stands as a technically pleasing love affair with two actresses shining in their parts.
Next weekend, My Big Fat Greek Wedding 2 will deal with something its predecessor never had to: expectations. The 2002 original (with a puny $5 million budget) came out of nowhere to become the highest grossing romantic comedy of all time, grossing $241 million domestically and earning an Oscar nomination for Best Original Screenplay.
Original stars Nia Vardalos and John Corbett are back, along with returnees Lainie Kazan, Michael Constantine, Andrea Martin, and Joey Fatone and newbies John Stamos and Rita Wilson (who co-produces like last time alongside her hubby Tom Hanks).
While the first Wedding was a rousing success story that defied any prognostications, it doesn’t help that it occurred fourteen years ago. That’s a long time between sequels and it hinders the possibility of younger audiences turning out that might not even be aware of the original’s existence. This is obviously aiming for female counter programming against Batman v Superman: Dawn of Justice, which should draw a huge male audience.
Comedy sequels (especially long gestating ones) are a risky proposition, as Ben Stiller just learned with Zoolander No. 2. If this manages to reach $20 million or beyond in its opening weekend, that should be considered a win. Obviously, this stands zero shot at even reaching a third of its sleeper hit predecessor. I’m actually skeptical this reaches $15M and I’ll predict it won’t.
My Big Fat Greek Wedding 2 opening weekend prediction: $13.1 million
For my Batman v Superman: Dawn of Justice prediction, click here:
Technically it may be a follow up to 2013’s Man of Steel, but next weekend’s Batman v Superman: Dawn of Justice is considerably more than that. This is Warner Bros kick off to a slew of Justice League and stand alone comic book adaptations that unloads the top characters in the DC Universe arsenal. It is the first pairing of the two most iconic superheroes on Earth, with Henry Cavill reprising his role as Supes and Ben Affleck becoming the fifth high profile actor over the last quarter century plus to don the Bat Suit (excluding Will Arnett’s voice over work in The LEGO Movie). Zack Snyder, who made Steel, returns to direct with that predecessor’s performers Amy Adams, Diane Lane, and Laurence Fishburne back. Jesse Eisenberg makes his debut as Lex Luthor (with hair!), Jeremy Irons is butler Alfred, and Gal Gadot is Wonder Woman, soon to be in her own pic. Same goes for Jason Momoa as Aquaman, in addition to other cameos.
To say a lot is riding on Justice is quite an understatement. Its reported budget is at least $250 million and it’s had a vigorous marketing campaign that has lasted for months. The success of its future franchise entries are likely to be directly tied to its performance. Early speculation on its opening weekend possibilities are varied. While trailer reaction to February’s Deadpool and the upcoming Captain America: Civil War has been quite strong, there’s been a decidedly more mixed reception here. Some feel this might not reached the $132 million reached by Deadpool, which would be considered pretty disappointing. On the other hand, pre-release tracking is strong and outpacing both the Ryan Reynolds dirty superhero tale and Furious 7, which made $147 million out of the gate. This should, at the least, achieve becoming the highest Superman opening, topping Steel’s $116 million. It has a quite realistic shot at best March premiere if it manages to fly past the $152 million achieved by 2012’s The Hunger Games.
So where do I come out here? This is a tough call. I don’t see this making less than $125 million. I’m also skeptical that a gross matching or opening higher than, say, last year’s Avengers sequel at $191 million is a stretch (though you never know). My feeling is that this might open in range with the last two Dark Knight entries, which opened to $158 and $160 million, respectively. If it tops that, that would give it the distinction of largest start for a Bat flick. I’ll predict it comes just beyond those numbers.
Batman v Superman: Dawn of Justice opening weekend prediction: $166.4 million
For my My Big Fat Greek Wedding 2 prediction, click here:
Two wildly different 2016 animated features could both find themselves in the Best Animated Feature category come Oscar time next year.
The first is Disney’s Zootopia, which has ruled the box office kingdom for the last two weeks and looks to reach an eventual gross of $275-$300 million domestically. With a fantastic 99% Rotten Tomatoes score and bragging rights for being the biggest opener of all time for a traditionally animated tale, there is little doubt it will be among the five nominees. It could even win, though its biggest competitor might be Disney/Pixar’s Finding Nemo sequel Finding Dory, which is out this summer.
Our second possibility is Sausage Party, which screened in a rough cut at the South by Southwest Festival last night. Billed as the first hard R rated CG flick, Party comes from the minds of Seth Rogen and his writing/producing partner Evan Goldberg. In addition to Mr. Rogen, featured voices include Kristin Wiig, Jonah Hill, Michael Cera, James Franco, Danny McBride, Craig Robinson, Edward Norton, and Salma Hayek. It’s not out until August, but word of mouth from the festival is strong and this looks to be a potential sleeper hit come summer. This isn’t your typical animated material that the Academy would recognize, but it might be tough for them to ignore.
We’ll see how this race plays out as more competition is released in the coming months, but we may already have a couple of major possibilities in the mix.
Two new entries populate the multiplexes this weekend as third YA franchise entry The Divergent Series: Allegiant and faith based drama Miracles from Heaven debut. You can find my detailed prediction posts on each here:
While I have Allegiant opening below its predecessors Divergent and Insurgent, it should still manage to end the two week dominance of Zootopia atop the charts. I have Miracles posting a solid third place showing and it could play well into Easter weekend in its sophomore frame if word of mouth is strong.
As for holdovers, Disney’s Zootopia should fall to the runner up position and keep its terrific returns coming. 10 Cloverfield Lane was a hit with the critics but only received a middling B- Cinemascore grade, so I look for its second week drop to be big. Deadpool should round out the top five.
And with that, my top five predictions for the weekend:
The Divergent Series: Allegiant
Predicted Gross: $43.7 million
2. Zootopia
Predicted Gross: $32 million (representing a drop of 37%)
3. Miracles from Heaven
Predicted Gross: $15.8 million (Friday to Sunday), $20.8 million (Wednesday to Sunday prediction)
4. 10 Cloverfield Lane
Predicted Gross: $10.1 million (representing a drop of 58%)
5. Deadpool
Predicted Gross: $7.2 million (representing a drop of 35%)
Box Office Results (March 11-13)
Zootopia continued to rule the box office kingdom this weekend with an even smaller than expected drop in weekend #2. The Disney animated tale, fresh off its record setting opening frame, grossed $51.3 million (outpacing my $41.6M estimate) for a $143M total.
10 Cloverfield Lane couldn’t come to close to matching its predecessor’s $40 million premiere in 2008, but managed a respectable $24.7 million (compared to my $28.3M prognosis). Considering its reported small budget, it should turn a nice profit.
London Has Fallen was third in its sophomore weekend with $10.8 million, just above my $9.9M prediction for a ten day total of $39M.
Fourth place was massive hit Deadpool with $10.8 million (a bit higher than my prediction of $9.4M) for a four week tally of $328M.
In fifth was the Tina Fey comedy Whiskey Tango Foxtrot with $4.6 million for a ten day total of $14M. I incorrectly had it outside my top 6 predictions.
That’s because I grossly overestimated two newcomers. There was one exception: rom com The Perfect Match was sixth with $4.2 million. I said $4.1M. At least I was close on that one…
As for The Young Messiah and The Brothers Grimsby… not so much. The faith based drama Messiah opened in seventh at just $3.2 million, way below my generous $12.7M estimate. As for Sacha Baron Cohen’s critically reviled Grimsby, it fared even slightly worse in 8th place with $3.2 million compared to my generous $11.4M estimate.
And that’ll do it for now, folks! Until next time…
Arriving the week before Easter, the Christian themed drama Miracles from Heaven is out on Wednesday and hopes to bring in a faith based audience. Based on a true story and bestselling novel by Christy Beam, Jennifer Garner stars as a mom whose young daughter suffering from a rare disorder experiences a miraculous cure. Costars include Kylie Rogers, Martin Henderson, and Queen Latifah.
Miracles arrived amidst a series of Christian dramas that includes Risen, The Young Messiah, and God’s Not Dead 2 on April 1. There are signs that this could be the best performer. The novel has a following and this seeks to capitalize on its pre Easter release date.
I’ll predict Heaven achieves a mid teens gross over the traditional weekend and could reach above $20M over the five day rollout.
Miracles from Heaven opening weekend prediction: $15.8 million (Friday to Sunday), $20.8 million (Wednesday to Sunday)
For my The Divergent Series: Allegiant prediction, click here:
Shailene Woodley and company are back next weekend in The Divergent Series: Allegiant, the third entry in the YA adaptations from author Veronica Roth. The dystopian sci fi pic arrives in the same March slot as its predecessors, 2014’s Divergent and last year’s Insurgent. Director Robert Schwentke is back behind the camera and costars include Theo James, Miles Teller, Ansel Elgort, Naomi Watts, Jeff Daniels, Octavia Spencer, and Zoe Kravitz.
Second installment Insurgent saw a slight dip from the first entry. While Divergent debuted to $54 million and eventually grossed $150M domestic, Insurgent opened at $52 million with an overall $130M tally. Reviews for Allegiant haven’t been kind… it sits at 0% currently on Rotten Tomaotes and I look for its returns to continue diminishing. Even the third and fourth Hunger Games pics saw dips from the first two and this should follow suit.
I’ll say this first Allegiant (the second part arrives in March 2017) will be the first of the series to fall below the $50M mark out of the gate with low to mid 40s being more probable.
The Divergent Series: Allegiant opening weekend prediction: $43.7 million
For my Miracles from Heaven prediction, click here:
