Mission: Impossible – Rogue Nation Movie Review

The Mission: Impossible franchise has followed one common thread throughout its near two decade existence: star Tom Cruise has allowed the directors to put their unique spin on each entry. Brian De Palma with the original. John Woo with the follow-up. JJ Abrams with part three and Brad Bird with the fourth. That approach is somewhat abandoned in #5, Rogue Nation. New director Christopher McQuarrie seems content to borrow here and there from what we’ve seen before and let the formula stand without a more personalized approach to the material. While that may lead to a small degree of disappointment, don’t be too dismayed. The formula is the formula is the formula and Mr. Cruise has got it under control.

Rogue Nation finds the IMF (Impossible Missions Force) in a dire position as the CIA (headed by a welcome Alec Baldwin) has folded it to their oversight. This doesn’t sit well with super agent Ethan Hunt (Cruise) who’s in the midst of a mission to take down the shadowy Syndicate, an international crime ring. He may not have the support he’s used to stateside, but Ethan does have his usual suspects around. That includes techie Simon Pegg (who shines with the most screen time he’s had in the series thus far), Jeremy Renner’s field ops head, and Luther (Ving Rhames), who always turns up to help his old buddy. The new face is Ilsa (Rebecca Ferguson), an MI6 agent whose allegiance is constantly in question. It is unknown if Ilsa ever worked with James Bond, but let’s assume so for the coolness factor.

If you know those pictures, you know plot is secondary and the grandly conceived action sequences are the real focus. Cruise does his own stunts (as he incessantly loves to remind us) and this finds him jumping on departing aircrafts, having to hold his breath underwater for lengthy periods of time, and showing off his motorcycle skills on twisty roads. Per usual, we hopscotch from Paris to Vienna to London to Morocco. We get those nifty masks we first saw in 1996.

The fifth go round feels familiar but Cruise brings enormous energy to the series he keeps returning to. Renner sort of gets the short shrift (especially compared to Pegg) and it’s the second franchise along with Avengers where he’s not particularly given anything of substance to do. At least we don’t get a boring and out of left field family backstory like we did in Avengers: Age of Ultron. Ferguson is a welcome presence as she gives her British spy her all.

Even though McQuarrie doesn’t give a unique spin on Ethan and company like Bird accomplished last time with Ghost Protocol, the series is such a well oiled machine that the results are still a lot of fun. And it still mostly shines.

*** (out of four)

Spotlight Box Office Prediction

One box office story that hasn’t been covered much for this weekend is the expansion of Tom McCarthy’s Spotlight, which is steeped in major Oscar buzz. The true story of Boston Globe reporters breaking the Catholic Church priest abuse stories, the pic has received raves from critics (93% on Rotten Tomatoes) and seems a shoo in for a Best Picture nomination (it may win).

With a strong ensemble cast that includes Michael Keaton, Mark Ruffalo, Rachel McAdams, Liev Schrieber, John Slattery, Stanley Tucci, and Billy Crudup, Spotlight expands to 598 screens this weekend. That’s not near the number of theaters of its competitors, but this should have the highest per screen average of any film not featuring Jennifer Lawrence and a bow and arrow.

While it probably won’t reach the top five, this should top $4 million in its expansion and settle in for a healthy run during Academy season.

Spotlight opening weekend prediction: $4.7 million

The Hunger Games: Mockingjay – Part 2 Movie Review

Over the last near four years, The Hunger Games franchise begat the true birth of YA novel adapted pictures that have continued with diverging and maze running. Perhaps more importantly, it gave the masses Jennifer Lawrence who’s gone onto quite an impressive career thanks to this series and David O. Russell with Silver Linings Playbook, American Hustle, and the upcoming Joy. It also gave its studio Lionsgate a serious cash cow and that explains the decision to divide the final installment Mockingjay into two parts. They did so because they knew the cash cow was about to graze and last year’s Part 1 felt incomplete. That picture didn’t feel so much as half a film. Instead it often felt unnecessary and slowly paced with filler where they didn’t need to be. Mockingjay – Part 1 was light on action and often too grim, dark, and plodding for its own good.

Some of those same tenets hold true for Part 2 (the first hour drags a bit), but this experience feels much more satisfying and sends the franchise off with competence. We pick up where we left off with Lawrence’s Katniss fervently marching towards the Capitol to kill President Snow (Donald Sutherland, still relishing his villainous role). There is still a love triangle between the brainwashed Peeta (Josh Hutcherson, whose acting here is better than we’ve seen before) and hunky Gale (Liam Hemsworth), though we correctly sense how it will turn out eventually. And Katniss is still being used by District 13’s President Coin (Julianne Moore) for propaganda purposes as her motives are constantly in question. The goals of Katniss are undeniably noble while we’re not so sure about the President she’s working for.

Part 2 ups the adventure quotient and director Francis Lawrence is serviceable at delivering these sequences. One in an abandoned subway system with some freaky looking creatures is particularly well-constructed and suspenseful. Yet the real suspense lurks with what Katniss will do once reaches her nemesis President Snow and whether he really is the baddest of the bad guys.

The dynamic between Katniss, Peeta, and Gale has been a running theme throughout these movies. A common complaint has been the underwhelming acting of Hutcherson that sort of makes you root for Gale more than you should. It’s not a notion I disagree with. Here, however, Peeta’s struggle with the mind tricks Snow heaped upon him adds a fascinating dimension. In one segment, he tells Katniss “You should cuff me…” and he means in the literal restraint form with zero shades of grey.

As for various performances, Lawrence again shows she was meant for this role and brings an emotional heft that elevates the material. Moore, Sutherland, and Woody Harrelson as returning mentor Haymitch are all pros. Philip Seymour Hoffman is here in limited screen time, which is probably due to his tragic death nearly two years ago. There are a couple of scenes where he should obviously be in it. Elizabeth Banks is given a couple scenes as franchise favorite Effie.

For the most part, Mockingjay – Part 2 is about getting down to the business of Katniss exacting her revenge. And that thirst for revenge only grows during the fairly well-paced proceedings taking place here. The body count piles up. The stakes grow higher and everything feels urgent in a way that it didn’t and really couldn’t in Part 1. Having never read the Suzanne Collins books which these Games are adapted from, I don’t know about the complaints I’ve picked up about a disappointing ending for the series. The actions of Katniss in the third act worked for me and the action displayed here is pretty good stuff. If there’s a quibble to be had, it’s that the first two Hunger Games films had more of a sense of humor and there was fun to be had. The original actually felt rather fresh and 2013’s Catching Fire brought the series to a creative high. It stands as easily as the finest picture of the quartet. The final two are considerably bleaker in tone, but word is that faithfully follows what Collins brought her readers. As I wrote in my review of Part 1, there’s no actual “hunger games” happening anymore in these last two entries. Thankfully, Part 2 concludes The Hunger Games franchise in a mostly sufficient manner.

*** (out of four)

Victor Frankenstein Box Office Prediction

Professor X and Harry Potter in a Frankenstein movie? Sounds like an intriguing proposition as Victor Frankenstein opens over the Thanksgiving holiday. Yet serious competition could keep this concoction (with its reported $90 million budget) from solid earnings.

James McAvoy and Daniel Radcliffe star in the gothic horror flick from director Paul McGuigan, known primarily for TV work on “Sherlock” and “Scandal”, among others. As mentioned, the biggest stumbling block could be adult competition in the form of The Hunger Games and critically acclaimed Creed. 

Radcliffe has done this genre before to positive results as his 2012 pic The Woman in Black debuted to $20 million. However, this was right on the heels of his massive Potter success and it opened in a much less competitive frame. One thought is simply having “Frankenstein” in the title might help a bit, but it didn’t mean much for last year’s I, Frankenstein, which made just $8.6 million for its start.

With a lack of any real buzz going for it, I’ll predict Victor Frankenstein is mostly scared away by the box office fire generated by its competitors.

Victor Frankenstein opening weekend prediction: $10.8 million (Friday to Sunday), $14.8 million (Wednesday to Sunday)

For my The Good Dinosaur prediction, click here:

https://toddmthatcher.com/2015/11/18/the-good-dinosaur-box-office-prediction/

For my Creed prediction, click here:

https://toddmthatcher.com/2015/11/19/creed-box-office-prediction/

Creed Box Office Prediction

With the best reviews of the Rocky franchise since the Oscar winning original nearly forty years ago, Creed enters the box office ring over the Thanksgiving holiday weekend. It hopes to ride some seriously positive buzz to impressive numbers and it may well succeed.

Sylvester Stallone reprises his role as Rocky Balboa for the seventh time. Yet this time, Stallone has handed over the directorial duties to Fruitvale Station‘s Ryan Coogler and that film’s star Michael B. Jordan stars in the role of Apollo Creed’s son trying to make his way to boxing glory. He’s mentored by Stallone iconic Balboa, who’s earned Academy Awards buzz for his performance. It would mark his second nomination and it would be for playing the same role when he was nominated in 1976 for the first Rocky.

Reviews have been strong as Creed currently stands at 86% on Rotten Tomatoes. My feeling is that strong word of mouth should propel this to a healthy Turkey weekend debut and it could subsequently hold up well in further frames.

Creed opening weekend prediction: $19.6 million (Friday to Sunday), $27.4 million (Wednesday to Sunday)

For my The Good Dinosaur prediction, click here:

https://toddmthatcher.com/2015/11/18/the-good-dinosaur-box-office-prediction/

For my Victor Frankenstein prediction, click here:

https://toddmthatcher.com/2015/11/19/victor-frankenstein-box-office-prediction/

Ant-Man Movie Review

Since 2008, the Marvel Cinematic Universe (MCU) has continually exceeded expectations with the product they’ve put out. This was true no more so than in 2008 with the first entry Iron Man, which turned a superhero considered on the B list to A level material. The casting of one Robert Downey Jr. certainly helped. It held true in 2014 when Guardians of the Galaxy, considered the studio’s biggest risk to date, was a comedically charged thrill ride that turned Chris Pratt into a superstar.

We arrive at Ant-Man, directed by Peyton Reed, with some of the same skepticism that surrounded those pictures. This time expectations are not necessarily exceeded. They are merely mostly met and the choice to cast the supremely talented Paul Rudd in the title role doesn’t pay off as much as hoped for.

Rudd is Scott Lang, an expert burglar and safecracker who just got out of prison for some Robin Hood like corporate thefts. His felon status can’t get him a steady job and this estranges him from his beloved little daughter. He reluctantly accepts a theft job “one last time” but all it yields is a strange looking outfit that he believes to be motorcycle gear. It turns out the suit belongs to former S.H.I.E.L.D. scientist Hank Pym (Michael Douglas), who purposely had him lift it. Scott learns the suit is that of the Ant-Man and it has the ability to shrink him to a tiny size. This breakthrough technology was discovered by Pym, who has kept it secret for many years because of the potential danger it could wreak. Pym’s daughter Hope (Evangeline Lilly) works at Pym’s old company along with his former colleague Cross (Corey Stoll). It’s Cross who wishes to use the scientific breakthrough for nefarious warfare purposes and Pym enlists Scott (someone expendable with nothing to lose) to make sure he can’t.

This entails the Ant-Man to learn how to be the Ant-Man and that means getting to work with the actual insects who become his team. It means a number of super cool visual effects as he shrinks to minuscule size. A bathtub being drawn is The Perfect Storm to our hero. And as we also see in the MCU now, they are references to what’s occurred in other films and we get some Avengers exposure, however limited.

As with Iron Man and Thor and Captain America and the Guardians of Marvel’s past, this is the obligatory and needed origin story. The doubts that were expressed upon the film’s announcement centered on whether Ant-Man was a strong enough character to base a movie and hoped for franchise on. I can say the jury, for me, is still deliberating.

Ant-Man is not a straight out comedy yet dabbles into that genre in the same manner Guardians did. The latter did it better. Rudd is a gifted comedic and dramatic performer as we’ve seen time and again yet he never quite makes the instantly gratifying impression that Downey’s Tony Stark or Pratt’s Star Lord did. Douglas seems to be the one actually having the most fun. Lilly isn’t given a whole lot to work with other than her daddy/daughter issues with Pym. Stoll is a serviceable villain at best. Scott’s team of thieving buddies that include Michael Pena and T.I. are given a couple humorous bits.

The whole affair seems to pick up steam in the third act, especially with a delightfully amusing climactic train sequence. Ant-Man is not on the grand scale of what we typically expect from the MCU and that’s ok. Often, however, it can mean its thrills feel minimized. One also wonders how interesting this material may have been had its original director, the highly creative Edgar Wright, not dropped out due to reported creative differences. Having said that, here’s to hoping this sometimes workmanlike production will improve with its sequel like the Captain America and Thor franchises did.

**1/2 (out of four)

The Good Dinosaur Box Office Prediction

Pixar usually isn’t in the business of releasing two titles a year, but they are in 2015 as The Good Dinosaur opens Wednesday for the long Thanksgiving weekend. Indeed this is the first time the Disney owned franchise has put out a double feature in one year and this summer’s Inside Out was the studio’s second highest domestic grosser with $356 million in sales.

The Good Dinosaur has the good fortune of being about dinosaurs in a very strong year for them as Jurassic World ruled the summer frame. Disney has played the Turkey Day box office game before to fine results: 2010’s Tangled made $48 million for the three day weekend and $68 million for the Wednesday to Sunday portion and 2013’s Frozen earned $67 million for the traditional weekend with a $93 million five day gross.

Where will this roam in comparison to those titles? I don’t see this making as much as Frozen, which had rapturous reviews. Dinosaur has received positive notices so far, but not to the fawning level of Frozen (or Inside Out for that matter). I do, however, think it’ll manage to outdo what Tangled did five years ago. I’ll forecast a three day debut in the mid to high 50s with a high 70s gross for the extended frame. That could put it in close competition for the #1 spot with the final Hunger Games, depending on how that performs this weekend and how it holds up in its second.

The Good Dinosaur opening weekend prediction: $56.6 million (Friday to Sunday), $78.9 million (Wednesday to Sunday)

For my Creed prediction, click here:

https://toddmthatcher.com/2015/11/19/creed-box-office-prediction/

For my Victor Frankenstein prediction, click here:

https://toddmthatcher.com/2015/11/19/victor-frankenstein-box-office-prediction/

Oscar Watch: Creed

For younger moviegoers, the thought of Rocky Balboa and Oscar buzz being in the same sentence may seem somewhat comical. Not so. The original Rocky was released nearly forty years ago in 1976 and it punched out some serious competition to win Best Picture. And when I say serious competition, I’m talking about Taxi Driver, Network, and All the President’s Men. Sylvester Stallone earned himself a Best Actor nod, though lost to Network‘s Peter Finch.

As we all know, a number of sequels followed that varied in quality. Stallone did not direct the original as John G. Avildsen was behind the camera (he would win the Director Academy Award for his efforts). Avildsen returned to direct 1990’s Rocky V, which is justifiably and ironically considered the worst of the follow-ups. Yet Stallone would direct the four other sequels (parts II, III, IV, and 2006’s Rocky Balboa).

Stallone has relinquished his directorial duties for next week’s Creed, turning the camera over to Ryan Coogler, who made 2013’s critically lauded Fruitvale Station. The pic focuses on the boxing career of the late Apollo Creed’s son and he’s played by Michael B. Jordan, who starred in Station. Stallone is back for the seventh time as Philadelphia’s favorite fighter and his role here finds him more in the Mickey role as Creed’s trainer.

It may have taken nearly four (or in Rocky speak – IV) decades, but it seems like legitimate Oscar buzz for the franchise is back. The initial reviews were released today and it currently stands at 80% on Rotten Tomatoes, with Entertainment Weekly calling it easily the best of the series since the original.

Creed has been praised for Jordan’s lead performance, though it seems unlikely he would find himself in the mix for Best Actor. Additionally, even with the strong notices, I don’t foresee it being recognized for Picture or Director. So where could voters decide to recognize it?

Back to Stallone. The Academy loves a good story and how about one in which an iconic actor is nominated in Supporting Actor for his most famed role 40 years after he was nominated in lead Actor for that same part? Sounds like a heckuva story to me!

When my third round of Oscar predictions comes later this month, don’t be surprised to find Sly in the mix for Supporting Actor whereas I hadn’t even listed him as a possibility before. Today’s tale of the tape on Creed makes it clear: Stallone could be a contender.

Hercules Movie Review

For all the partially deserved fanboy flack that Brett Ratner gets for his middling X-Men entry, 2006’s The Last Stand, the truth is that the guy knows how to create fairly passable entertainment. I would apply this to everything from Red Dragon to After the Sunset to Tower Heist. His latest is Hercules. This is not a re-teaming with Eddie Murphy focusing on Sherman Klump’s nephew, but a significantly loose reimagining of the Greek god tale with its tongue often firmly planted in the strong cheekbones of its star Dwayne “The Rock” Johnson. If taking on this well worn story sounds like a big undertaking and effort for Mr. Ratner (if only there were a term to better describe that), he doesn’t embarrass himself even if the final product is just mildly satisfying.

Johnson is a natural choice to play the son of Zeus (or is he?) and we find this version of Hercules as a for hire mercenary with a band of merry misfits. They include his young nephew who hates that his legendary uncle won’t let him fight. We have a knife thrower and a dude who doesn’t speak, but we know he will eventually at an “important moment”. And we also know the nephew will get his chance to show his bravery. The most interesting of the Herculean back up group is played by Ian McShane who can apparently see his the details of his own demise. The pic has a little fun with this detail. Rounding out the team is basically Xena, Warrior Princess.

We soon arrive at our hero and team’s latest mission which is to save a village led by a Lord played by John Hurt and his daughter (Rebecca Ferguson) with her young boy who shall be king one day. That is if Hercules and company can save them. Family issues are also front and center with Hercules himself and we learn details of his tragic history relating to why he was banished from Athens.

Our nemesis is someone who may or may not be a centaur and we have a couple of laughs from that detail as well. We get a series of battle sequences and inspirational speeches as the beleaguered village must learn war tricks from the title character. Training montage included. It’s all familiar territory with the one welcome difference being that the screenplay doesn’t take itself seriously like most efforts in the genre.

The vibe gets a bit more toned down in the third act and by that time, these proceedings begin to wear out their welcome. It’s actually the early battle sequences that are most impressive before becoming a little repetitive (some occasional dodgy creature CG doesn’t help). Like Ratner flicks before it, passable is an apt word for description with Hercules.

**1/2 (out of four)

Box Office Predictions: November 20-22

The fourth and final installment of the wildly successful Hunger Games franchise debuts this weekend with Mockingjay – Part 2. Additionally, we have openers with the raunchy Christmas comedy The Night Before featuring Seth Rogen and Joseph Gordon-Levitt and thriller Secret in Their Eyes with Chiwetel Ejiofor, Nicole Kidman, and Julia Roberts. You can read my detailed prediction posts on each here:

https://toddmthatcher.com/2015/11/12/the-hunger-games-mockingjay-part-2-box-office-prediction/

https://toddmthatcher.com/2015/11/14/the-night-before-box-office-prediction/

https://toddmthatcher.com/2015/11/14/secret-in-their-eyes-box-office-prediction/

Jennifer Lawrence and company should very easily top the charts and I’ve predicted the second Mockingjay edition will just manage to top what part 1 opened at.

The real battle could be for #2 as holdover champs Spectre and The Peanuts Movie could compete for the runner-up spot with The Night Before. As for Secret in Their Eyes, this seems to be flying under the radar and I have it a close competition for the five spot with the sophomore weekend of Love the Coopers.

And with that, a top six predictions for the weekend:

  1. Hunger Games: Mockingjay, Part 2

Predicted Gross: $124.2 million

2. The Night Before

Predicted Gross: $16.6 million

3. Spectre

Predicted Gross: $15.3 million (representing a drop of 54%)

4. The Peanuts Movie

Predicted Gross: $14.1 million (representing a drop of 41%)

5. Love the Coopers

Predicted Gross: $5.4 million (representing a drop of 35%)

6. Secret in Their Eyes

Predicted Gross: $5.1 million

Box Office Results (November 13-15)

As anticipated, Spectre and The Peanuts Movie continued to dominate the box office, though the 24th 007 adventure held up a bit better and the Charlie Brown family pic dipped a little further than my projections. Meanwhile, all three new entries didn’t meet my estimates.

Spectre held the top spot for the second weekend in a row with $33.6 million, above my $30.4M prediction for a two week total of $128M while The Peanuts Movie earned $24 million for second place, under my $28.9M projection. Peanuts has made $82M so far.

Third place belonged to newcomer Christmas ensemble comedy Love the Coopers with a middling $8.3 million, under my $11.3M forecast. Ridley Scott’s The Martian was fourth in its seventh weekend with $6.7 million. My estimate? $6.7M! Gold star! That Matt Damon mega-hit stands at $207M domestically. The Chilean mining drama The 33 stumbled with just $5.7 million for fifth place, well under my generous $10M projection.

Finally, the football drama My All-American was DOA for an 11th place showing with only $1.3 million compared to my $3.8M estimate.

And that’ll do it for now, folks! Until next time…