Box Office Predictions: March 11-13

Four new titles debut this weekend at the box office to try and challenge Zootopia after its record breaking debut. They are: semi-sequel 10 Cloverfield Lane, Sacha Baron Cohen comedy The Brothers Grimsby, Biblical drama The Young Messiah, and rom com The Perfect Match. You can read my detailed prediction posts on each here:

As I see it, Disney’s Zootopia should fairly easily control the #1 spot for the second weekend in a row, unless Cloverfield significantly exceeds my prognosis. The real battle among the newcomers could be for the #3 slot and I have Messiah slightly edging Grimsby. The number five position could be a battle between holdovers London Has Fallen and Deadpool as I believe the former will have a higher percentage dropoff than the latter. Opening on a limited number of screens, my $4.1M prediction for The Perfect Match should keep it outside the top six.

And with that, my top 6 predictions for this weekend:

Zootopia

Predicted Gross: $41.6 million (representing a drop of 44%)

2. 10 Cloverfield Lane

Predicted Gross: $28.3 million

3. The Young Messiah

Predicted Gross: $12.7 million

4. The Brothers Grimsby

Predicted Gross: $11.4 million

5. London Has Fallen

Predicted Gross: $9.9 million (representing a drop of 54%)

6. Deadpool

Predicted Gross: $9.4 million (representing a drop of 44%)

Box Office Results (March 4-6)

Disney had a banner weekend as Zootopia had the largest traditional animation opening ever for the studio at a blazing $75 million, soaring past my meager $54.4M projection. The animal tale can also claim highest animated debut for the month of March. As mentioned, it should easily stampede its competitors and remain in first next weekend.

Action sequel London Has Fallen couldn’t match its predecessor Olympus Has Fallen‘s $30M premiere from three years ago. The badly reviewed follow-up earned $21.6 million, under my $24.6M prediction and I look for it to lose over half its audience in its sophomore frame.

Deadpool dropped to third with $16.7 million (in line with my $16.9M estimate) for an incredible tally of $311M.

Tina Fey’s so-so reviewed war comedy Whiskey Tango Foxtrot had a soft opening for fourth with $7.4 million, a tad below my $8.4M projection.

In fifth, box office dud Gods of Egypt took a nosedive from its dismal debut last weekend with $5.1 million (I was slightly kinder with $5.8M) for a total of $23M.

Finally, British horror offering The Other Side of the Door opened in limited fashion with only $1.2 million (compared to my $2.1M estimate) for just 16th place.

And that’ll do it for now, friends! Until next time…

The Perfect Match Box Office Prediction

Rom com The Perfect Match hopes to line up moviegoers when it debuts next weekend. Music video director and Honey maker Bille Woodruff is behind the camera with Terrence J, Cassie Ventura, Donald Faison, Paula Patton, Lauren London, Joe Pantoliano, and Brandy Norwood among the cast members.

Lionsgate is hopeful the flick will reach its intended African American audience and these movies often do significantly exceed expectations. Having said that, Match does seem to have a limited footprint in its marketing campaign and I’m not sure this half of the $9 million that Baggage Claim, a similarly themed pic, did three years ago. It also doesn’t that it’s opening on only a reported 850 screens that must be accounted for as well.

The Perfect Match opening weekend prediction: $4.1 million

For my 10 Cloverfield Lane prediction, click here:

https://toddmthatcher.com/2016/03/03/10-cloverfield-lane-box-office-prediction/

For my The Brothers Grimsby prediction, click here:

https://toddmthatcher.com/2016/03/03/the-brothers-grimsby-box-office-prediction/

For my The Young Messiah prediction, click here:

https://toddmthatcher.com/2016/03/03/the-young-messiah-box-office-prediction/

The Young Messiah Box Office Prediction

Two weeks before the Easter holiday, faith based drama The Young Messiah rises in theaters next weekend hoping to take advantage of the season. Produced by Home Alone and Harry Potter helmer Chris Columbus, Messiah features Adam Greaves-Neal as a young Jesus with Sean Bean costarring.

Shot for a reported small budget of $16.8 million, this shouldn’t have much trouble recouping costs and then some (especially if it experiences meager declines in weekends two and three, which seems feasible). These Christian themed pics are typically tough to project and often do open larger than expected. Just in mid February, Risen (a similarly themed tale appealing to the same audience) took in $11.8 million. That seems a reasonable range for Messiah.

I’ll say it reaches just beyond that and, in doing so, I have it debuting even higher than Sacha Baron Cohen’s The Brothers Grimsby opening against it.

The Young Messiah opening weekend prediction: $12.7 million

For my 10 Cloverfield Lane prediction, click here:

https://toddmthatcher.com/2016/03/03/10-cloverfield-lane-box-office-prediction/

For my The Brothers Grimsby prediction, click here:

https://toddmthatcher.com/2016/03/03/the-brothers-grimsby-box-office-prediction/

For my The Perfect Match prediction, click here:

https://toddmthatcher.com/2016/03/03/the-perfect-match-box-office-prediction/

The Brothers Grimsby Box Office Prediction

Sacha Baron Cohen is back in his first starring role in nearly four years with action comedy The Brothers Grimsby and the effort looks to be a real test of his drawing power. From Now You See Me director Louis Leterrier and costarring Mark Strong, Penelope Cruz, Rebel Wilson, Ian McShane, Isla Fisher, and Gabourey Sidibe – Grimsby may represent a low mark for Cohen’s headlining output.

He burst onto the film scene in 2006 with Borat to the tune of a $26 million opening and improved those numbers with Bruno‘s $30 million premiere three years. His last vehicle, 2012’s The Dictator, managed $17 million out of the gate. That number would probably be on the higher end of expectations for this, which is managing an OK 50% on Rotten Tomaotes and looks unlikely to be a breakout hit like he’s experienced in years past.

While Grimsby should reach double digits, I believe it may not get much beyond that for a disappointing haul.

The Brothers Grimsby opening weekend prediction: $11.4 million

For my 10 Cloverfield Lane prediction, click here:

https://toddmthatcher.com/2016/03/03/10-cloverfield-lane-box-office-prediction/

For my The Young Messiah prediction, click here:

https://toddmthatcher.com/2016/03/03/the-young-messiah-box-office-prediction/

For my The Perfect Match prediction, click here:

https://toddmthatcher.com/2016/03/03/the-perfect-match-box-office-prediction/

10 Cloverfield Lane Box Office Prediction

Is it a sequel? Is it not a sequel? Audiences will find out next Friday when the mysterious 10 Cloverfield Lane debuts. Producer J.J. Abrams (you may have heard of him) describes the picture as a “blood relative” to 2008’s Cloverfield, the sci fi found footage monster flick which scored with audiences to the tune of a $40 million opening. Its final domestic gross was $80M.

This kind of, sort of sequel is as steeped in mystery as its predecessor was eight years ago. Mary Elizabeth Winstead and John Goodman star and the effective survivalist bunker trailer and TV spots (including a Super Bowl ad) have genre lovers quite curious.

How that interest generates to its debut is a bit up in the air. As shown above, the original had a splashy opening but fell quickly (it’s not often a film’s opening weekend is responsible for half its overall take). 10 Cloverfield Lane is not expected to match what the 2008 iteration made, but it could still make a tidy sum.

My suspicion is that this will at least make half of the $40 million Cloverfield did out of the gate and could even threaten to top $30 million. I’ll predict it doesn’t quite get there and an opening in the mid to higher 20s seems more probable.

10 Cloverfield Lane opening weekend prediction: $28.3 million

For my The Brothers Grimsby prediction, click here:

https://toddmthatcher.com/2016/03/03/the-brothers-grimsby-box-office-prediction/

For my The Young Messiah prediction, click here:

https://toddmthatcher.com/2016/03/03/the-young-messiah-box-office-prediction/

For my The Perfect Match prediction, click here:

https://toddmthatcher.com/2016/03/03/the-perfect-match-box-office-prediction/

Box Office Predictions: March 4-6

A quartet of new releases start out the month of March at the box office this weekend. They are Disney Animation’s Zootopia, action sequel London Has Fallen, Tina Fey war comedy Whiskey Tango Foxtrot, and British horror entry The Other Side of the Door. You can read my detailed prediction posts on each here:

https://toddmthatcher.com/2016/02/25/zootopia-box-office-prediction/

https://toddmthatcher.com/2016/02/25/london-has-fallen-box-office-prediction/

https://toddmthatcher.com/2016/02/25/whiskey-tango-foxtrot-box-office-prediction/

https://toddmthatcher.com/2016/02/25/the-other-side-of-the-door-box-office-prediction/

Zootopia should have no trouble ending the three week domination of Deadpool atop the charts while I expect London to hit the #2 spot, putting Ryan Reynolds’ vulgar superhero in the three spot with Whiskey placing fourth. Box office dud Gods of Egypt should be fifth in its second weekend, as long as its anticipated hefty decline doesn’t allow Kung Fu Panda 3 to remain in the top five. As for The Other Side of the Door, it’s only opening on around 500 screens and my $2.1 million prediction for it leaves it far outside the top five.

And with that, my predictions for the weekend:

Zootopia

Predicted Gross: $54.4 million

2. London Has Fallen

Predicted Gross: $24.6 million

3. Deadpool

Predicted Gross: $16.9 million (representing a drop of 45%)

4. Whiskey Tango Foxtrot

Predicted Gross: $8.4 million

5. Gods of Egypt

Predicted Gross: $5.8 million (representing a drop of 58%)

Box Office Results (February 26-28)

As anticipated, Deadpool maintained the #1 position for the third weekend in a row. The three new entries were, as Donald Trump might say, “low energy”. Ryan Reynolds’ phenomenon took in $31.1 million (compared to my $28M forecast) for a total of $285M.

Gods of Egypt proved to be the first massive bomb of the year as the inexplicably budgeted $140 million action fantasy grossed just $14.1 million, which was on pace with my $13.9M estimate.

Animated sequel Kung Fu Panda 3 was third in weekend #5 with $8.8 million, in line with my $8.2M projection for a total gross of $128M.

Biblical drama Risen was fourth in its sophomore frame with $6.8 million, right there with my $7.1M prediction for a ten day total of $22M.

Two newcomers had soft debuts for the fifth and sixth slots. Heist thriller Triple 9 earned $6.1 million (just below my prediction of $6.9M) for fifth while Olympic drama Eddie the Eagle was iced in sixth with only $6 million (I was much kinder with an $11.2M estimate).

And that’ll do it for now. folks! Until next time…

Oscars 2015 Reaction

Well – after months of prognosticating the nominees and the winners of the 2015 Oscars, the season officially came to a close last night. This was a truly unpredictable year at the Academy Awards and it bore out with my so-so performance at just 13/21 on predictions. There were some REAL surprises last night and plenty of races that went according to plan. Let’s break it down with my various takes on the telecast and the winners:

The three picture race for the top category was just that with Tom McCarthy’s Spotlight winning over presumed front runner The Revenant (which was my prediction). The journalistic expose won only one other category (Original Screenplay, which I correctly predicted) and it’s the first Best Picture winner to be victorious in only two categories since 1952’s The Greatest Show on Earth.
Speaking of history, expected recipient Alejandro G. Inarritu is the first Director to win (for The Revenant) twice in a row (2014’s Birdman) in 65 years.
The sixth time was finally the charm for Leonardo DiCaprio as he picked up a golden statue for The Revenant, as he was widely expected to.
The female acting competitions went according to plan: Brie Larson in Actress for Room and Alicia Vikander for The Danish Girl in Supporting. Same goes for Foreign Language Film (Son of Saul), Animated Feature (Inside Out), Adapted Screenplay (The Big Short), and Documentary (Amy), even though I went with the upset pick of Cartel Land.
Sylvester Stallone was the heavy favorite in Supporting Actor for Creed, but the Academy instead went with Mark Rylance’s work in Bridge of Spies. This category has had a history of upsets (Alan Arkin in Little Miss Sunshine over Eddie Murphy in Dreamgirls circa 2006) and this is indeed another one.
It was a good night in the technical categories for George Miller’s Mad Max: Fury Road as it picked up six awards: Sound Editing, Sound Mixing, Production Design, Costume Design, Editing, and Makeup and Hairstyling. It was nominated in Cinematography, but that went as anticipated to The Revenant. The big shocker in the tech categories was Ex Machina‘s out of nowhere win for Visual Effects. This truly was a massive upset as I would have picked it fifth to win over competitors Mad Max, The Revenant, Star Wars: The Force Awakens, and The Martian.
While Best Score went as planned to legendary Ennio Morricone for The Hateful Eight (for which he learned a long and deserved standing O), the Song category honored Sam Smith’s Spectre theme “Writing’s on the Wall” over expected winner “Til It Happens to You” by Lady Gaga from The Hunting Ground, just moments after her peformance was introduced by Vice President Joe Biden.
As for the show itself, Chris Rock’s handling of the #OscarsSoWhite controversy was handled with the edgy humor you’d expect from one of the greatest stand up comedians of all time. The telecast, per usual, was way longer than it should have been. The idea, however well intended, to allow winners to thank various people via a scroll at the bottom of the screen didn’t serve its intended purpose. Look for it to be gone next year. As solid as Rock was in his hosting duties, I couldn’t help but watch Louis C.K.’s brilliant introduction of the Best Documentary Short Subject race and hope that the Academy tabs him to host like… next year.

And there you have it! Another Oscar season that’s come and gone. Before we know it, I’ll be predicting the 2016 films and performers that could be recognized a year from now…

San Andreas Movie Review

It’s Dwayne “The Rock” Johnson vs. Mother Nature in disaster pic San Andreas, which gives us impressive visuals of destruction and a screenplay that feels like it was written by a computer program. With its 90s action score pounding into our heads, this is essentially a near two hours of buildings and landmarks being decimated. The Golden Gate Bridge has a bad day, as has become tradition in these proceedings.

While millions of people are subject to the earthquakes and tsunamis wrought here, San Andreas concentrates on fire and rescue worker Ray Gaines (Johnson), his estranged wife (Carla Gugino), and their daughter (Alexandra Daddario). Their family dynamic (with Ray’s divorce papers having just arrived in the mail) is the stuff of lazy Screenplays 101. Gugino is now dating a stuffy British real estate tycoon (Ioan Gruffudd). The separated couple is still mourning the tragic drowning of their other daughter and if you think the circumstances in which she perished will be presented to our protagonist again, you have seen movies before.

A subplot involves a seismologist played by Paul Giamatti and he gets to yell warnings to his fellow citizens. This is a good thing because Giamatti has shown since Private Parts that he’s terrific at yelling stuff and it’s fun to watch him do it here.

Most of our time, however, is spent with the Gaines clan as they fly, drive, boat, tandem parachute jump, and bad wisecrack their way to finding each other. The daughter is joined in her journey by a British hunk (Hugo Johnstone-Burt) and his little brother (Art Parkinson) that adds another romantic angle.

Lost veteran Carlton Cuse has sole script credit and I was a bit surprised how lackluster it is. You might find yourself mouthing the predictable lines — “Let’s go get our daughter!!” — before the actual characters utter them. That said, I can’t deny that San Andreas is directed well by Brad Peyton and Johnson is sturdy and dependable as the anchor. This is nothing special but it’s certainly no disaster and is passable enough for a lazy couch day.

**1/2 (out of four)

Deadpool Movie Review

I love it when a plan comes together and Ryan Reynolds’ plan to bring a proper version of Deadpool to moviegoers pans out in a big and raunchy way. It marks the actor’s fourth appearance in a comic book based picture after Blade: Trinity, Green Lantern, and X-Men Origins: Wolverine, where he also played Mr. Pool. Those entries weren’t too memorable. The fourth time turns out to be the charm.

What sets Deadpool apart from Spideys and Avengers and Caped Crusaders is the level of R rated debauchery, amped up violence, and profanity not often found in the Marvel or DC universes. Yes, we see it in Iron Man and the Guardians of the Galaxy, but not quite like this. The alter ego here is Wade Wilson, a former special forces operative who makes his dough as a mercenary. He doesn’t see himself as a good guy and he isn’t, though most of the jobs he takes have whiffs of virtue. Early on, Wade fools around and falls in love with escort Vanessa (Morena Baccarin) and life is going well until a dire cancer diagnosis. Choosing to undergo experimental treatment for his illness, he leaves his girl and soon figures out that he’s been duped and is subjected to torturous experiments by a shadowy group led by British mutant Ajax (Ed Skrein). It leaves our antihero badly deformed and indestructible, hence the need for his superhero costume. Additionally, it leaves him pining for sweet and bloody revenge. Deadpool is soon joined in his journey by two X-Men – Colussus (Stefan Kapicic) and the entertaingly named Negasonic Teenage Warhead (Brianna Hildebrand).

Along the way, Reynolds frequently breaks the fourth wall and talks to us in the audience. The screenplay fluctuates between his origin story and the here and now. It is a pic with its wicked tongue planted in its cheek. Much of what comes out of his mouth is hilarious and un-PC in a genre where a sense of sameness (see Avengers: Age of Ultron) has creeped in. Even the lead performer’s previous failures in spandex are slyly addressed. From the 80s inspired synth score coupled with Wham! and Salt n Pepa to a sex scene montage that shows our lead lovers freaky holiday progression, Deadpool isn’t afraid to be way out there. The gamble usually pays off.

Truth be told, Skrein’s villain and sidekick (Gina Carano) are forgettable. And there is the occasional joke that falls flat. Most, however, land. Reynolds has been working hard to get this character his own explicit feature for some time and it’s clear that he and screenwriters Rhett Reese and Paul Wernick and first time director Tim Miller have their hearts in the proceedings. For an actor whose performances are a mixed bag, Reynolds’ sarcastic wit is absolutely perfect for this part, similar to what we’ve seen with Robert Downey Jr. and Chris Pratt in their franchises.

Deadpool shakes up the comic book worlds we are now accustomed to seeing every three months or so and gives Mr. Reynolds some nice retribution on screen and in a genre where his previous efforts weren’t too fun. This one is tremendous fun.

***1/2 (out of four)

The Other Side of the Door Box Office Prediction

**Blogger’s note (Friday, February 26) – due to announced screen count of only about 500, I’m revising my original prediction of $4.1 million to just $2.1 million

British supernatural horror flick The Other Side of the Door opens next weekend and will try to bring in genre fans. Other may find that door closed, as this low budget entry from director Johannes Roberts (who’s helmed a number of scare pics you’ve likely never heard of) seems to be gaining little traction stateside. Sarah Wayne Callies from TV’s “The Walking Dead” and Jeremy Sisto star.

Early reviews have been weak and this probably will be lucky to gross half of what January’s The Boy accomplished with $10.7 million. I’ll say it doesn’t and this should be streaming on VOD quite soon.

The Other Side of the Door opening weekend prediction: $2.1 million