Ever since the dawn of this blog three and a half years ago, I’ve long considered doing a top 100 Prince songs. For those who don’t know me, let me profess that Prince has been my singular favorite musical artist since I’ve been a young kid. I was fortunate enough to see him in concert 14 times. I know the ins and outs of his 39 albums and many B sides very well.
I mainly never did it for one reason: it’s really difficult to find videos of his work online as Prince was fiercely protective of his catalogue. That means good luck finding his stuff on YouTube or iTunes, etc… Tidal, by the way, has many on his albums on display.
Now – with the shocking and frankly devastating news from Thursday, I’m compiling my personal top 100 songs from his storied career that spanned nearly 40 years. These will be in ten installments and we begin with 100-91:
If you wish to educate yourself on some of the finest work from this genius, I encourage you to seek these out and I’ll have numbers 90-81 up tomorrow!
Next weekend, the video game based 3D animated feature Ratchet & Clank plays in theaters and will try to gain a fanboy audience and a family audience who may still be distracted by The Jungle Book. The pic features the voices of Paul Giamatti, John Goodman, Bella Thorne, Rosario Dawson, and Sylvester Stallone.
I’m not confident at all that this will manage to ratchet up any business. Films based on video games have a shoddy track record and the aforementioned competition (Disney’s Jungle juggernaut should still be #1) could hinder its potential.
I’ll predict this just clears $5 million and that Ratchet & Clank will be available for viewing on PlayStation consoles in short order.
Ratchet & Clank opening weekend prediction: $5.2 million
Director Garry Marshall is back in holiday themed comedy mode as Mother’s Day hits screens next weekend. This follows 2010’s Valentine’s Day, which took in an amazing $52 million out of the gate. The following year’s New Year’s Eve couldn’t keep up and its toxic reviews helped lead to a muted $13 million debut.
Mother’s Day doesn’t have the cavalcade of stars that the previous entries did, but it does feature Jennifer Aniston, Julia Roberts, Kate Hudson, and Jason Sudeikis. Open Road Films is hopeful this can attract a female crowd while the males could be tempted by Key and Peele’s Keanu, premiering on the same day.
I’ll predict Mother’s Day does manage to outpace New Year’s Eve by a bit, but it won’t come near the love audiences showed for Valentine’s Day.
Mother’s Day opening weekend prediction: $14.7 million
The comedic stylings of Key (Keegan-Michael Key) and Peele (Jordan Peele) come to the big screen with Keanu, out next weekend. The R rated laugher centers around a cat theft and our leads getting caught up with some violent criminals. Method Man, Gabrielle Union, Nia Long, Will Forte, Luis Guzman, and, yes, Keanu Reeves costar.
Keanu’s dynamic duo are known for their hit Comedy Central show, which just ended its run last year. Their first film vehicle premiered at the South by Southwest Film Festival to solid buzz and its Rotten Tomatoes score stands at 75%.
Will audiences follow Key and Peele to the multiplex? If this got to over $20 million in its premiere, Warner Bros would be over the moon. I believe a more likely result is in the mid to high teens.
Michael Dougherty’s Krampus begins with a stampede at a mall set to “It’s Beginning to Look a Lot Like Christmas”. These are the Black Friday throw downs we’ve grown accustomed to seeing. In some ways, it is scarier and more amusing that what follows for the rest of the film. That said, this anti-Christmas tale is not without its occasional charms and pleasingly out there moments.
For those unfamiliar, Krampus is a centuries old European legend (you can Google) of a ghoulish monster that preys on families who’ve lost their faith in Santa Claus. The yuppie suburbanite Engel family (led by parents Adam Scott and Toni Collette) has almost attained that status, with their young son Max (Emjay Anthony) being the holdout. That changes when their relatives come to visit – they’re a not so well to do clan that consists of David Koechner (think Cousin Eddie with more firearms), his wife and their four children. There’s also aunt Dorothy (Conchata Ferrell), whose solution to the non family fun consists of plenty of Schnapps to keep warm and slightly zoned out.
Speaking of warm, when an out of the blue blizzard hits, the house loses power and connection to the outside world. Adam Scott’s mother called Omi (an effectively creepy Krista Stadler) makes certain a constant hot fire is burning and it’s not just to keep the group comfrotable and aunt Dorothy even more toasted. She knows the story of Krampus first hand and that backstory is relayed in a nifty stop motion animation sequence and she’s trying to keep the anti-Claus from coming down the chimney for more than milk and cookies.
Krampus has his set of little helpers to wreak havoc on the family and this allows for gingerbread menaces and more. It also allows for some knowingly chintzy CG effects and some genuinely impressive ones, too. The title character does look pretty imposing. In fact, when we move into the third act, I really wanted to hang out with him a little more.
Dougherty is known most for his screenplays for superhero tales like X2 and Superman Returns. This is his second directorial feature after 2007’s Trick ‘r’ Treat, a Halloween themed horror anthology which became a cult favorite. That also had some demented and funny moments and was a little overrated in some circles. Krampus may attain that same status. The PG-13 vibe is actually welcome here and this does often feel like it could have been made 30 years ago when that rating was churning out similar genre titles like Gremlins or Critters. It’s a picture when a swear word (spoken by our kid protagonist) feels pleasingly well placed and kind of retro cool.
Yet I can’t deny that Krampus isn’t too frightening and that some of the hoped for laughs grow tiresome. It has plenty of spirit, but never attains the level of Xmas horror classic that it wishes to be. Dougherty has now done two fright fests built around the holidays to moderate success. Perhaps his Arbor or Columbus Day take will be that third charm.
Disney should have another fantastic weekend on top of the charts with The Jungle Book, which far exceeded expectations this past weekend for a swinging debut (more on that below).
That means this weekend’s major newcomer The Huntsman Winter’s War could be in for a rough road. You can find my detailed prediction on it here:
As I see it, the sort of prequel/sort of sequel to 2012’s Snow White and the Huntsman will come in with under half of the $56 million made by its predecessor. That’ll put it firmly in second, but below expectations and far below Mowgli and company.
As for holdovers, I look for Barbershop: The Next Cut to lose not quite half its audience with Zootopia and The Boss rounding out the top five.
There is one other newcomer this week – Elvis & Nixon with Michael Shannon and Kevin Spacey recreating the true life tale of The King visiting the 37th POTUS at the White House. There is yet to be a screen count for it, which makes predicting tough. Here’s my quick take: the film seems like an obvious choice for a Netflix or HBO premiere and not theatrical. I’ll say it makes $1.3 million.
And with that, my top five predictions for the weekend:
The Jungle Book
Predicted Gross: $59 million (representing a drop of 43%)
2. The Huntsman Winter’s War
Predicted Gross: $26.3 million
3. Barbershop: The Next Cut
Predicted Gross: $11.2 million (representing a drop of 45%)
4. Zootopia
Predicted Gross: $5 million (representing a drop of 40%)
5. The Boss
Predicted Gross: $4.9 million (representing a drop of 50%)
Box Office Results (April 15-17)
It was a joyous week for Disney as Jon Favreau’s well-reviewed live-action remake of The Jungle Book took in an astonishing $103.2 million, way beyond my $74.6M projection. Just weeks after the studio made a killing with their animated animals of Zootopia, Mowgli and the CG animals here have given the Mouse Factory another smash. A sequel is already in development and it’s less than three weeks before their next blockbuster – Captain America: Civil War.
Barbershop: The Next Cut premiered in the runner-up spot with $20.2 million, under my $23.1M estimate. The Ice Cube three-quel came 12 years after the second installment and marked the lowest debut of the franchise (just barely below the $20.6M achieved by the original).
Melissa McCarthy’s The Boss dropped hard to third with $9.9 million compared to my $13.5M prognosis. Its two-week total is $4oM.
Batman v Superman: Dawn of Justice also under performed my estimate with $9 million (I said $11.1M) for a total gross of $311M.
The aforementioned Zootopia was fifth with $8.1 million for a $307M total and I incorrectly had it outside my top five.
That’s because I gave too much credit to the Kevin Costner/Ryan Reynolds thriller Criminal, which tanked in sixth with $5.7 million. I said $9.3M.
And that’ll do it for now, folks! Until next time…
When Meryl Streep is starring in any movie, it’s automatic for Oscar prognosticators to take notice. Such is the case with Florence Foster Jenkins, the comedic drama biopic of an opera singer known for her awful voice. Streep is the title character.
The pic, directed by The Queen’s Stephen Frears and co-starring Hugh Grant, will be released in the United Kingdom in early May but won’t get its domestic release until late August. So while American audiences will have to wait awhile, critics have not. Early word is quite positive and Streep has once again been singled out for her work. It’s also said the be quite a crowd pleaser and that could only increase the likelihood that its star receives her 20th — yes, 20th — Oscar nod.
Nearly four years after the original performed above expectations at the box office, the dark fairy tale sequel The Huntsman Winter’s War invades theaters next weekend and hopes to reach the levels of its predecessors. That could turn out to a fairy tale wish for Universal Pictures.
In the summer of 2012, Snow White and the Huntsman cast Kristen Stewart (still hot off the Twilight franchise) as the former title character with Liam Hemsworth costarring as the latter. Charlize Theron also was in the mix as the Evil Queen alongside Sam Chaflin and Nick Frost. Everyone with the exception of Stewart is back with Emily Blunt and Jessica Chastain included this time around. Snow White director Rupert Sanders has been replaced with Cedric Nicolas-Troyan.
While reviews for the original were mixed, it blasted out of the gate with a $56 million opening weekend and $155 million eventual domestic gross. Yet its reviews practically look glowing compared to this follow-up. Snow White ended up with 48% on Rotten Tomatoes. Winter’s War currently sits at just 18%. Even audiences who went to see the predecessor gave it only a middling “B” Cinemascore grade.
This begs the question: are audiences clamoring for this sequel, which reportedly cost $115 million to produce? I suspect the answer is no. Winter’s War arrives during the second weekend of The Jungle Book, which should still be doing big business and two weeks before the juggernaut likely to be Captain America: Civil War. This could be somewhat lost in the shuffle.
I believe this will struggle to make even half of what Snow White made during its roll-out and will end up as a large-scale disappointment that many moviegoers won’t be bashful about sleeping on.
The Huntsman Winter’s War opening weekend prediction: $26.3 million
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