This weekend is all about Avengers: Infinity War at the box office as it barrels toward a potentially record-setting debut. The film looks, at the least, poised to set the all-time opening weekend record for the Marvel Cinematic Universe. This is the 19th picture in the MCU as the multi-billion dollar franchise is about to hit its ten-year anniversary.
Infinity will certainly make its mark financially, but could Academy voters take notice? In short – probably not. The pic stands at 85% currently on Rotten Tomatoes. That’s a bit below the original Avengers from 2012 (92%) and a bit above 2015 sequel Age of Ultron (75%). No MCU title or any comic book adaptation has managed a Best Picture nomination and I see no reason to think this will.
Having said that, the Marvel folks stand their best opportunity yet to score a nod in the biggest category of them all. And that would be Black Panther, which was released in February. It stands a real shot. Looking through the Oscar history with this franchise, The Avengers scored a Best Visual Effects nomination in 2012 and lost to Life of Pi. No nominations were given to Ultron.
Bottom line: Infinity War could find itself in the mix for Visual Effects and possibly even the Sound categories. Yet any real MCU love from voters will go to King T’Challa.
A brave airline pilot executes a miraculous landing on the Hudson River…
Ok, wrong movie as Jason Reitman’s Tully is delivered to theaters next weekend. The comedic drama stars Charlize Theron as a frazzled mom who gets some help from a kindly sitter played by Mackenzie Davis. Ron Livingston costars.
Tully debuted at the Sundance Film Festival to strong critical notices and it sits at 93% currently on Rotten Tomatoes. The film reunites Theron with her YoungAdult director and screenwriter Diablo Cody, who also scripted Reitman’s Oscar nominated Juno. It’s a break from the action for Theron after pics including MadMax: FuryRoad, TheFateoftheFurious, and AtomicBlonde.
Scheduled to debut on a rather low 1200 screens, Tully may open to a fairly smallish gross with hopes of legging out well in future weekends.
The forbidden love tale Disobedience debuts stateside in limited release tomorrow and it’s got some glowing reviews on its side. The romantic drama comes from director Sebastian Lelio, whose last picture was the Oscar winner for Foreign Language Film, AFantasticWoman. It casts Rachel Weisz and Rachel McAdams as lovers whose relationship is dangerous in their Orthodox Jewish setting.
Disobedience originally was screened last fall at the Toronto Film Festival and buzz was strong. The current Rotten Tomatoes score is 95%. The two leads (as well as costar Alessandro Nivola) have garnered acclaim for their work. Weisz is a previous winner in 2005 as Supporting Actress for TheConstantGardner. Weisz was nominated in the same category in 2015 for Spotlight.
Distributor Bleecker Street will likely need to mount an exuberant campaign for the film to be remembered come nomination time. However, it’s not outside the realm of possibility that the two Rachel’s could be in the mix (probably with Weisz in Lead and McAdams in Supporting).
***Blogger’s Update II (05/03/18): On the eve of its premiere, I am returning back to original estimate at $11.8 million. Been a whirlwind with this one…
**Blogger’s Update (04/26/18): I have soured considerably on my Overboard estimate. I’m revising my prediction from $11.8 million to just $7.8 million.
Eugenio Derbez and Anna Faris headline the remake Overboard, premiering next weekend. The comedy is based on a 1987 romantic comedy directed by Garry Marshall that starred Goldie Hawn and Kurt Russell. It was considered a moderate success (grossing $27 million at the time). A co-production of Lionsgate and Pantelion, the latter is the same studio that turned Derbez’s How to be a Latin Lover into an unexpected success around the same time last year. That pic opened to $12.2 million and made $32 million domestically.
Rob Greenberg directs with a supporting cast that includes Eva Longoria, John Hannah, and Swoosie Kurtz. The film was originally slated for an April 20th release before being pushed back two weeks (the shift of Avengers: Infinity War likely had something to do with that). Faris has been largely absent from the big screen as she’s concentrated mostly on her CBS sitcom “Mom”. Her last headlining role came with 2012’s What’s Your Number? (which was a disappointment) and we’re a decade from her last hit The House Bunny.
Current theater counts put this at a rather low 1500 screens (it could certainly rise and I wouldn’t be surprised if it does). That’s roughly the number that Latin Lover had. I foresee Overboard posting a similar opening weekend, which should be good enough to come in second to the sophomore frame of the Marvel superheroes.
Overboard opening weekend prediction: $11.8 million
We are in the midst of the spring season currently, but in Hollywood it becomes summer this weekend as Avengers: Infinity War blasts into theaters. The Disney/Marvel property brings together the MCU superheroes of the past decade and looks to break numerous records. You can peruse my detailed prediction post on it here:
As my estimate outlines, I anticipate Infinity falling just short (about $7 million) of the all-time opening record achieved by Star Wars: The Force Awakens in December of 2015. That easily gives it the #2 premiere (well above the $220 million that Star Wars: The Last Jedi made this past December).
All of the oxygen in this late April frame should be sucked up by Iron Man, Captain America, Black Panther, the Guardians of the Galaxy, Thor, and more. This means holdovers may experience some rather rough declines, including Rampage. I also have a feeling Super Troopers 2 (after an opening that exceeded all expectations) is an example of a front-loaded gross and its sophomore fall could be significant. A Quiet Place should drop to second while Amy Schumer’s I Feel Pretty may lose around half of its middling debut audience.
And with that, my top 5 projections for the weekend:
1. Avengers: Infinity War
Predicted Gross: $240.2 million
2. A Quiet Place
Predicted Gross: $11.8 million
3. Rampage
Predicted Gross: $9.1 million
4. I Feel Pretty
Predicted Gross: $7.6 million
5. Super Troopers 2
Predicted Gross: $5.6 million
Box Office Results (April 20-22)
A Quiet Place crept back up into the top spot as the acclaimed horror pic took in $20.9 million, on pace with my $21.6 million projection. Its three-week total stands at a terrific $131 million.
Rampage dropped to second and held up better than I figured in weekend #2 with $20 million compared to my $17 million forecast. The Dwayne Johnson adventure has made $65 million thus far. As mentioned, it could be in for a healthier drop this weekend considering the competition.
Amy Schumer’s I Feel Pretty debuted in third with a just OK $16 million, in line with my $16.2 million prediction. This is lower than the comedian’s previous outings, Trainwreck and Snatched.
While Pretty was a comedy that opened on the lower end of estimates, Super Troopers 2 was fourth and blew away most prognostications. The sequel to the 2002 cult hit made a strong $15.1 million, nearly tripling my $5.2 million estimate.
Truth or Dare rounded out the top five in its sophomore frame with $7.7 million. I was close at $7.9 million. The low-budget Blumhouse horror offering sits at $30 million in its first two weekends.
Due to my low ball take on Troopers, I incorrectly had Blockers fifth. It came in seventh with $6.8 million (I said $5.9 million) for $48 million overall. Ready Player One was sixth with $7.4 million and it’s up to $126 million.
Finally, the Paula Patton thriller Traffik opened in ninth with $3.9 million – a bit above my $3 million take.
As we await the potentially historic debut of Avengers: Infinity War this weekend, we also mark a decade of the vaunted Marvel Cinematic Universe that began in 2008 with Iron Man. Ten years later, Infinity is the 19th feature in a franchise that has grossed nearly $6 billion stateside and almost $15 billion worldwide. With Friday’s release of Infinity, I’m estimating it will have the second highest domestic debut of all time (behind only Star Wars: The Force Awakens).
My blog didn’t begin until the fall of 2012, shortly after the release of the first Avengers feature. That means I have done 12 opening weekend box office predictions for MCU releases prior to Infinity. I thought this might be a good time to take a trip down that lane on how I’ve done with their pictures of the past:
Iron Man 3 (2013)
My Prediction: $172.4 million
Opening: $174.1 million
I started off well with my prediction for Tony Stark’s third franchise entry, which had the benefit of coming right on the heels of The Avengers.
Thor: The Dark World (2013)
My Prediction: $85.6 million
Opening: $85.7 million
My high mark in MCU estimates came here – only $100k off!
Captain America: The Winter Soldier (2014)
My Prediction: $86.3 million
Opening: $95 million
I underestimated Cap a bit here, but not too shabby.
Guardians of the Galaxy (2014)
My Prediction: $74.6 million
Opening: $94.3 million
Yeah… the sizzling buzz for Guardians in summer 2014 caused anticipation to rise and rise. It’s hard to remember now, but this was actually considered a risk for Marvel at the time. The buzz exceeded my take by nearly $20 million bucks.
Avengers: Age of Ultron (2015)
My Prediction: $212.7 million
Opening: $191.2 million
The question with this first Avengers sequel is whether it would top the $207 million achieved by its 2012 predecessor. If so, it would have had the largest domestic opening at the time. I predicted it would and it fell short. Strangely enough, it would be Jurassic World one month later that would earn $208 million and set the debut record until The Force Awakens came along.
Ant-Man (2015)
My Prediction: $73.3 million
Opening: $57.2 million
I gave Paul Rudd and company too much credit here. The Ant-Man is the second lowest MCU debut (only The Incredible Hulk is below it at $55 million). Nevertheless a sequel is on its way this summer.
Captain America: Civil War (2016)
My Prediction: $205.6 million
Opening: $179.1 million
My streak of going over on these predictions continues for the third feature…
Doctor Strange (2016)
My Prediction: $77.3 million
Opening: $85 million
A little low, but at least I got to within $10 million here.
Guardians of the Galaxy Vol. 2 (2017)
My Prediction: $166.4 million
Opening: $146.5 million
AND we’re back to going high…
Spider-Man: Homecoming (2017)
My Prediction: $117.8 million
Opening: $117 million
After some whiffs, finally got back to solid estimating with Spidey’s well-received reiteration.
Thor: Ragnarok (2017)
My Prediction: $107.6 million
Opening: $122.7 million
Positive WOM pushed Thor’s third feature $15 million better than my projection.
Black Panther (2018)
My Prediction: $193.8 million
Opening: $202 million
This was an estimate that kept going up and up. I got pretty close, but still didn’t have it reaching the $200M+ plus number it achieved.
And there you have it! My checkered MCU history. We shall see how that $242.2 million take for Infinity War pans out soon enough…
If you could envision a picture made in a factory for Best Picture consideration, The Post might be it. Two-time Oscar-winning director Steven Spielberg? Check. Three-time winner and most nominated actress ever Meryl Streep? Yep. Two-time recipient Tom Hanks? Indeed. A historical context that has connections to what’s happening today? Present. Luckily, the film itself manages to be an often engrossing experience that is (surprise) quite well-acted and directed. Does it match the high mark of some other journalistic features that cover similar ground? Not in my view.
The Post opens with State Department analyst Daniel Ellsberg (Matthew Rhys) in Vietnam in the late 1960s and his growing realization that the conflict has no end in sight. Ellsberg has access to classified government docs and by the early 1970s, he wishes to expose the top secrets of the U.S. Government’s involvement overseas from the Truman through Nixon administrations. He first leaks some information to the vaunted New York Times, but attention soon turns to The Washington Post, which at this juncture is considered more of a hometown paper. That paper is run by Katharine Graham (Streep) and she’s the first woman to run such an operation. She inherited the Post after the deaths of her father and husband. While the film’s attention is mostly centered on the impending giant story that they may break, we also witness the difficulties Graham experiences as a woman working in a man’s world. This provides some of the best moments and more examples of Streep’s limitless abilities as a performer.
Graham runs in the D.C. social circles and she’s close with many of the figures her journalists look to expose, including Secretary of Defense Robert McNamara (Bruce Greenwood). The paper’s editor is Ben Bradlee (Hanks), a hard charging type who doesn’t think of the corporate exposure landmines that go along with spilling these secrets. Graham must do so because her business is about to go up for public offering and President Nixon isn’t exactly warm-hearted when dealing with media types.
Therein lies the drama with The Post as Graham and Bradlee struggle to do the right thing. The pic clearly reveres it main subjects and the virtuous acts they took. It also adores the bygone and pre-digitized era of the news. There are lovingly crafted shots of the newspapers being developed for print and frenzied reporters furiously typing their copy to meet their deadline. We also witness occasional spurts of dialogue that border on preachy. Screenwriters Liz Hannah and Josh Singer craft a couple of monologues that could warrant a bright red MESSAGE signal across the screen while its actors are speaking.
That said, the story itself is inherently fascinating and it’s told in a well-crafted manner. There are plenty of actors who pop up in supporting roles, including a very nice performance from Bob Odenkirk as an editor who goes way back with Ellsberg and is instrumental in the paper’s expose. This is primarily the Streep and Hanks show, however. And in case you didn’t know, the two can act. Hanks is playing a part made most famous by Jason Robards in All the President’s Men (for which he won a gold statue). It is that movie that you may wish to draw comparisons with. The Post isn’t in that league, but few reach that level of greatness. The Post, rather,is exceedingly competent.
It may feel like winter in many parts of the country even though it’s spring, but next weekend is essentially the start of the summer box office in 2018 when Avengers: Infinity War invades theaters. This is the 19th picture in the Marvel Cinematic Universe that began a decade ago with 2008’s Iron Man and the third installment of the Avengers franchise that kicked off in 2012 (an untitled fourth installment is out next summer).
After 10 years of these superheroes populating our screens in one form or another, Infinity War is the picture that brings them all together. That means we have the Avengers we’re used to seeing together: Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), and Hawkeye (Jeremy Renner). They’ve got a whole lot of company this time around, including Black Panther (Chadwick Boseman), Spider-Man (Tom Holland), Doctor Strange (Benedict Cumberbatch), Ant-Man (Paul Rudd), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Falcon (Anthony Mackie), Loki (Tom Hiddleston), Bucky (Sebastian Stan), and the whole Guardians of the Galaxy gang (Chris Pratt, Zoe Saldana, Dave Bautista, and the vocal work of Bradley Cooper and Vin Diesel). Josh Brolin is main villain Thanos. Other actors from the MCU returning include Gwyneth Paltrow, Idris Elba, Paul Bettany, Letitia Wright, Danai Gurira, Benicio del Toro, Cobie Smulders, Angela Bassett, Tessa Thompson, and Jon Favreau. Brothers Anthony and Joe Russo (who directed 2016’s Captain America: Civil War) are behind the camera. Whew…
The gathering of the entire MCU is one impressive selling point and there’s been developments that have even increased the anticipation for Infinity‘s release. Last summer’s Spider-Man: Homecoming was well-received, as were Guardians and Thor sequels. Yet perhaps more than anything else, this February’s Black Panther turned into a phenomenon – becoming the third highest grossing domestic earner of all time.
Projections have steadily increased in the past few weeks. It is not outside the realm of possibility that Infinity War could have the largest stateside opening of all time. In order to do so, it would need to surpass the $247 million achieved by 2015’s Star Wars: The Force Awakens. To accomplish the 2nd biggest debut, it would need to exceed the $220 million of last year’s Star Wars: The Last Jedi. It will almost certainly achieve the record for an MCU premiere, which is currently held by the original Avengers at $207 million.
I believe this will pass Jedi and rather easily. Getting to the Awakens number is doable, but I’ll project it falls a bit under that milestone.
Avengers: Infinity War opening weekend prediction: $240.2 million
It’s the calm before the Marvel storm at the box office this weekend as three new titles debut: Amy Schumer’s IFeelPretty, comedy sequel SuperTroopers2, and Paula Patton/Omar Epps thriller Traffik. You can peruse my detailed predictions on that trio here:
As we await the potentially record-breaking premiere of Avengers: InfinityWar next weekend (my estimate for it will be on the blog tomorrow), there is some excitement to ponder with this frame. There could be a three-way battle for first place as current #1 Rampage is likely to suffer a heftier drop than AQuietPlace. If Pretty beats my forecast, it could vie for the top slot as well.
My $5.2 million SuperTroopers2 prediction and $3 million projection for Traffik leave them both outside my top 5.
TruthorDare should drop to fourth with ReadyPlayerOne and Blockers battling for fifth position. I’ll note I have Player right behind Blockers in sixth with $5.8 million.
So while Captain America, Iron Man, Black Panther, the Guardians of the Galaxy and more superheroes await, here’s my take on this weekend’s high five:
1. AQuietPlace
Predicted Gross: $21.6 million
2. Rampage
Predicted Gross: $17 million
3. IFeelPretty
Predicted Gross: $16.2 million
4. TruthorDare
Predicted Gross: $7.9 million
5. Blockers
Predicted Gross: $5.9 million
BoxOfficeResults (April13–15)
Rampage took first as Dwayne Johnson’s adventure with a slew of CG creatures met expectations with $35.7 million, in line with my $36.6 million estimate. As you can see above, I expect it to lose more than half its opening audience and cede the pole position to the third frame of horror smash AQuietPlace.
Speaking of, AQuietPlace held strongly in second with $32.9 million. I was close on that projection too with $31.8 million. The acclaimed pic has amassed $100 million in just ten days.
Blumhouse continued its trend of turning low-budget fright fests into hits as TruthorDare was third with $18.6 million, just topping my $16.7 million forecast. While I look for it to drop fast, it’s already a big success considering its budget is reportedly under $5 million.
Other holdovers experienced larger declines that my projections. ReadyPlayerOne was fourth with $11.5 million compared to my $13.9 million estimate for $114 million total. Blockers was fifth with $10.7 million (I said $13.3 million) for $37 million overall.
Joshua Marston’s ComeSunday premiered on Netflix over the weekend after first being screened at the Sundance Film Festival earlier this year. The pic casts Chiwetel Ejiofor as real life bishop Carlton Pearson, who was deemed a heretic for his beliefs. Costars include Danny Glover, Martin Sheen, Jason Segel, Lakeith Stanfield, and Condola Rashad. Director Marston is most known for his acclaimed 2004 feature MariaFullofGrace.
Critical reaction for Sunday has been mixed and it currently stands at 67% on Rotten Tomatoes. Considering the Academy’s curiosity on how to even handle Netflix premieres, this was at best a long shot for recognition for Picture. The rather lukewarm reviews only solidify that.
That said, most critics have raved about Ejiofor, who would be going for his second nod following 2013’s 12YearsaSlave. Some notices have gone as far to say it’s his finest performance. Yet the likelihood is that come nomination time, any buzz will have waned for Ejiofor and he won’t be attending the Oscars for his work here on that particular Sunday.
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