Author: toddmthatcher

Box Office Predictions: November 30-December 2

As is traditionally the case, the post Thanksgiving weekend should be a quiet one for new releases as audiences should continue to feast on leftovers. The only newcomer is horror pic The Possession of Hannah Grace and you can peruse my detailed prediction post on it here:

https://toddmthatcher.com/2018/11/22/the-possession-of-hannah-grace-box-office-prediction/

I’m not expecting much from Possession with my meager $3.2 million forecast. That would leave it outside the top 5 and most likely in the bottom rungs of the top 10. That means the top half of the top 10 is likely to stay the same – with some potential flip flopping occurring.

Ralph Breaks the Internet may lose close to half its audience in its sophomore outing and that would easily place it first once again with a gross in the high 20s. That drop would put it in line with the post Thanksgiving sophomore frames of Frozen, Moana, and Coco – all Disney titles that debuted over the long holiday.

The battle for #2 could be a little more interesting. In 2015, Creed dipped 49% in its second weekend (which also was a post holiday one) and I think this will roughly follow suit. If that occurs, I expect The Grinch will continue its smallish declines as we move closer to Christmas. That could allow the surly green guy to move into the runner-up position.

In 2016, Fantastic Beasts and Where to Find Them plummeted a steep 59% in its third weekend and sequel The Crimes of Grindelwald could be facing the same fate. That said, remaining in fourth place shouldn’t be a problem.

For the #5 slot, I believe Instant Family could manage to jump Bohemian Rhapsody by a razor-thin margin as it looks to have a minor dip compared to other pics.

And with that, my top 6 projections for the weekend upon us:

1. Ralph Breaks the Internet

Predicted Gross: $28.7 million

2. The Grinch

Predicted Gross: $20 million

3. Creed II

Predicted Gross: $18.2 million

4. Fantastic Beasts: The Crimes of Grindewald

Predicted Gross: $12.1 million

5. Instant Family

Predicted Gross: $7.9 million

6. Bohemian Rhapsody

Predicted Gross: $7.8 million

Box Office Results (November 23-25)

Ralph Breaks the Internet, as expected, ruled the Turkey Day frame with $56.2 million for its Friday to Sunday haul and $84.7 million from Wednesday to Sunday. The Disney sequel managed to surpass my respective estimates of $54.4 million and $79.8 million. As mentioned, this should have no trouble being #1 at the box office for probably the next two weekends.

Creed II also opened with highly impressive results in second with the largest live-action Thanksgiving debut of all time. The boxing sequel made $35.5 million over the traditional weekend and $56 million for the five-day gross. This was above my respective projections of $31.4 million and $45.3 million. Opening larger than its predecessor, it appears poised to top the $109 million overall gross of 2015’s Creed.

The Grinch was third with $30.3 million (I was right there at $30.1 million) to brings its three-week total to an opposite of grumpy $180 million.

Fantastic Beasts: The Crimes of Grindelwald went from first to fourth with $29.3 million (I went higher with $34.8 million). It’s taken in $116 million thus far and should come in well under the $234 million made by its predecessor.

Bohemian Rhapsody was fifth with $14 million (I said $14.1 million) for $152 million overall.

Instant Family held up nicely after a so-so debut in sixth with $12.3 million (I said $12.7 million). The Mark Wahlberg/Rose Byrne dramedy eased just 15% to bring its two-week tally to $35 million. I expect this to continue to play well into the holiday season.

It was bad news for Lionsgate as the latest Robin Hood reboot (with a reported $100 million price tag) was DOA in seventh with $9.1 million for the three-day and $14,2 million for the five-day. That’s on the mark with my $9.7 million and $14.1 million take on it. Expect this to fade fast.

Widows was 8th in its sophomore frame with $8.2 million, shy of my $9.5 million estimate for $25 million total.

Green Book expanded nationwide with middling results in ninth place with $5.5 million over Friday to Sunday and $7.4 million for the five-day. It did get over my predictions of $4.5 million and $7.4 million. Its studio will cross their fingers that the A+ Cinemascore grade allows it to have sturdy legs.

A Star Is Born was 10th with $3 million (I went with $4 million) and it’s nearing double century territory with $191 million.

And that does it for now, folks! Until next time…

Crazy Rich Asians Movie Review

Crazy Rich Asians is a vibrant and colorful romantic comedy that’s fairly conventional in its genre trappings at times. However, it isn’t so traditional with the world it explores or with the faces populating the love story. It serves as a lovely advertisement for visiting Singapore – albeit with some locales that might require deep pockets to see. This works best by having the most important ingredient in that there’s legit chemistry between the two leads.

That would be Rachel Chu (Constance Wu), an economics professor in New York City and her boyfriend Nick Young (Henry Golding). They seem to be living a nice life in the Big Apple when she accepts his invitation to accompany him to Singapore for a wedding. Rachel figures out soon that his family isn’t just wealthy, but they’re basically the Kennedy’s of their country. Or in some ways they’re the Kardashian’s, with plenty of Young’s living that kind of excessively lavish lifestyle.

This isn’t necessarily a Cinderella trajectory Rachel finds herself on. Nick’s mother Eleanor (Michelle Yeoh) quickly decides she isn’t good enough for her beloved son. And there’s plenty of other women around who are jealous of her nabbing the nation’s hottest bachelor, who’s expected to move back home and take over the family business.

Based on a bestseller from Kevin Kwan and directed with energy by Jon M. Chu, Asians shows us a culture rarely seen in an American produced studio effort. In that way, it’s fair to make comparisons with 2002’s unexpected smash hit My Big Fat Greek Wedding. This also takes some time to show the culinary delights of the land, as well as gorgeous visual ones.

Similar to plenty of complicated love stories, there are elements of classism at the forefront. One subplot involves a cousin (Gemma Chan), a kindly socialite who’s “married under” what her elders anticipated. Her marriage serves as a preview for the problems that may lie ahead for Rachel and Nick.

Crazy Rich Asians gets a lot of mileage out of its far off destination. Wu and Golding make it gel. I expect both to get their own mileage career wise from their solid performances here. Yeoh, who stateside audiences know best for 007 flick Tomorrow Never Dies and Crouching Tiger, Hidden Dragon) is strong in a tricky part. She’s a bit of a villain with genuine intentions. The screenplay and her performance make it work. Rapper Awkwafina gets the zany best friend role to Rachel and does have some amusing moments.

The dazzling sights of Singapore are joyous to behold, but this is worth watching for the reason many in this genre are. I liked Rachel and Nick a lot and wanted to see them make it through the time-tested rom com challenges that come their way.

*** (out of four)

The Possession of Hannah Grace Box Office Prediction

Sony is hoping horror fans turn out for The Possession of Hannah Grace next weekend, but that could be a tall order. The scare fest stars Shay Mitchell, Kirby Johnson, Stana Katic, Grey Damon, and Nick Thune. Diederik Van Rooijen directs.

The morgue set pic could be DOA with genre fans. The post Thanksgiving weekend is traditionally not a strong one for newcomers as audiences continue to feast on leftovers. Opening on around 1900 screens, this could struggle to even hit mid single digits. One comp that seems fair is Incarnate from two years ago, which opened the same weekend to $2.5 million.

I’ll say Grace manages to top that by a little bit and that should mean a debut outside the top five.

The Possession of Hannah Grace opening weekend prediction: $3.2 million

2018 Weekly Oscar Predictions: November 22nd Edition

My weekly Oscar predictions are here and there’s been significant developments in the past seven days!

  • Vice, Mary Poppins Returns, and Mary Queen of Scots have all held industry screenings. All experienced positive word of mouth. Vice jumps four spots in Best Picture and Poppins is just barely on the outside of my predicted nominees. It could continue to climb. Scots is more of a question mark, but it could gather momentum.
  • Barry Jenkins (If Beale Street Could Talk) enters my Best Director five, replacing Peter Farrelly (Green Book). The latter slips in several rankings this week due to its lackluster box office performance.
  • For the first time, Ethan Hawke’s work in First Reformed is a predicted nominee. He replaces Willem Dafoe (At Eternity’s Gate).
  • Emily Blunt is in for Poppins, vaulting over Yalitza Aparicio (Roma).
  • In Supporting Actor, it’s Adam Driver (BlacKkKlansman) back in over Sam Rockwell (Vice).
  • For Supporting Actress, Rachel Weisz (The Favourite) returns over Nicole Kidman for Boy Erased.

Let’s get to it!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. The Favourite (PR: 5)

4. If Beale Street Could Talk (PR: 6)

5. Vice (PR: 9)

6. BlacKkKlansman (PR: 4)

7. Green Book (PR: 3)

8. Black Panther (PR: 8)

9. First Man (PR: 7)

Other Possibilities:

10. Mary Poppins Returns (PR: Not Ranked)

11. Widows (PR: 10)

12. Can You Ever Forgive Me? (PR: 11)

13. Mary Queen of Scots (PR: Not Ranked)

14. Eighth Grade (PR: Not Ranked)

15. The Mule (PR: 14)

Dropped Out:

Boy Erased

Crazy Rich Asians

A Quiet Place

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Yorgos Lanthimos, The Favourite (PR: 5)

4. Barry Jenkins, If Beale Street Could Talk (PR: 6)

5. Spike Lee, BlacKkKlansman (PR: 3)

Other Possibilities:

6. Adam McKay, Vice (PR: 9)

7. Peter Farrelly, Green Book (PR: 4)

8. Damien Chazelle, First Man (PR: 7)

9. Ryan Coogler, Black Panther (PR: 8)

10. Rob Marshall, Mary Poppins Returns (PR: Not Ranked)

Dropped Out:

Marielle Heller, Can You Ever Forgive Me? 

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 3)

3. Viggo Mortensen, Green Book (PR: 2)

4. Rami Malek, Bohemian Rhapsody (PR: 4)

5. Ethan Hawke, First Reformed (PR: 7)

Other Possibilities:

6. Ryan Gosling, First Man (PR: 6)

7. Willem Dafoe, At Eternity’s Gate (PR: 5)

8. Clint Eastwood, The Mule (PR: 8)

9. Robert Redford, The Old Man & The Gun (PR: 9)

10. Lucas Hedges, Boy Erased (PR: 10)

Best Actress

1. Lady Gaga, A Star Is Born (PR: 2)

2. Olivia Colman, The Favourite (PR: 3)

3. Glenn Close, The Wife (PR: 1)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Emily Blunt, Mary Poppins Returns (PR: 9)

Other Possibilities:

6. Yalitza Aparicio, Roma (PR: 5)

7. Viola Davis, Widows (PR: 6)

8. Julia Roberts, Ben Is Back (PR: 8)

9. Nicole Kidman, Destroyer (PR: 7)

10. Saoirse Ronan, Mary Queen of Scots (PR: Not Ranked)

Dropped Out:

Felicity Jones, On the Basis of Sex

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 1)

2. Richard E. Grant, Can You Ever Forgive Me? (PR: 3)

3. Sam Elliot, A Star Is Born (PR: 2)

4. Timothee Chalamet, Beautiful Boy (PR: 4)

5. Adam Driver, BlacKkKlansman (PR: 6)

Other Possibilities:

6. Sam Rockwell, Vice (PR: 5)

7. Michael B. Jordan, Black Panther (PR: 7)

8. Daniel Kaluuya, Widows (PR: 8)

9. Steve Carell, Vice (PR: Not Ranked)

10. Russell Hornsby, The Hate U Give (PR: 9)

Dropped Out:

Russell Crowe, Boy Erased

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 1)

2. Amy Adams, Vice (PR: 3)

3. Emma Stone, The Favourite (PR: 2)

4. Claire Foy, First Man (PR: 4)

5. Rachel Weisz, The Favourite (PR: 6)

Other Possibilities:

6. Nicole Kidman, Boy Erased (PR: 5)

7. Margot Robbie, Mary Queen of Scots (PR: Not Ranked)

8. Natalie Portman, Vox Lux (PR: 7)

9. Michelle Yeoh, Crazy Rich Asians (PR: 8)

10. Meryl Streep, Mary Poppins Returns (PR: Not Ranked)

Dropped Out:

Marina de Tavira, Roma

Linda Cardellini, Green Book

Best Adapted Screenplay

1. If Beale Street Could Talk (PR: 2)

2. BlacKkKlansman (PR: 1)

3. A Star Is Born (PR: 3)

4. Can You Ever Forgive Me? (PR: 4)

5. Widows (PR: 5)

Other Possibilities:

6. First Man (PR: 6)

7. The Hate U Give (PR: 8)

8. Boy Erased (PR: 7)

9. Crazy Rich Asians (PR: 9)

10. Leave No Trace (PR: Not Ranked)

Dropped Out:

Black Panther

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 3)

3. Green Book (PR: 2)

4. Vice (PR: 5)

5. Eighth Grade (PR: 4)

Other Possibilities:

6. First Reformed (PR: 6)

7. A Quiet Place (PR: 8)

8. Private Life (PR: 7)

9. The Ballad of Buster Scruggs (PR: 9)

10. The Mule (PR: 10)

Best Foreign Language Film

1. Roma (PR: 1)

2. Cold War (PR: 2)

3. Shoplifters (PR: 3)

4. Girl (PR: 4)

5. Capernaum (PR: 5)

Other Possibilities:

6. Birds of Passage (PR: 7)

7. Burning (PR: 6)

8. Never Look Away (PR: 8)

9. I Am Not a Witch (PR: Not Ranked)

10. Border (PR: 10)

Dropped Out:

The Guilty

Best Animated Feature

1. Incredibles 2 (PR: 1)

2. Isle of Dogs (PR: 2)

3. Ralph Breaks the Internet (PR: 3)

4. Spider–Man: Into the Spider–Verse (PR: 5)

5. Mirai (PR: 4)

Other Possibilities:

6. Early Man (PR: 8)

7. Ruben Brandt, Collector (PR: 7)

8. Smallfoot (PR: 6)

9. Lu Over the Wall (PR: 9)

10. Teen Titans Go! To the Movies (PR: 10)

Best Documentary Feature

1. Won’t You Be My Neighbor? (PR: 1)

2. Three Identical Strangers (PR: 3)

3. Free Solo (PR: 2)

4. RBG (PR: 4)

5. Minding the Gap (PR: 5)

Other Possibilities:

6. Amazing Grace (PR: 6)

7. Crime + Punishment (PR: 8)

8. Dark Money (PR: 7)

9. Quincy (PR: 10)

10. Jane Fonda in Five Acts (PR: 9)

Best Film Editing

1. A Star Is Born (PR: 3)

2. First Man (PR: 2)

3. Roma (PR: 1)

4. The Favourite (PR: 8)

5. Vice (PR: 5)

Other Possibilities:

6. If Beale Street Could Talk (PR: 4)

7. Black Panther (PR: 6)

8. Widows (PR: 7)

9. Mary Poppins Returns (PR: Not Ranked)

10. Green Book (PR: 10)

Dropped Out:

BlacKkKlansman

Best Cinematography

1. Roma (PR: 1)

2. The Favourite (PR: 4)

3. A Star Is Born (PR: 3)

4. If Beale Street Could Talk (PR: 5)

5. First Man (PR: 2)

Other Possibilities:

6. Black Panther (PR: 6)

7. Cold War (PR: 10)

8. The Ballad of Buster Scruggs (PR: 9)

9. Widows (PR: 8)

10. BlacKkKlansman (PR: 7)

Best Production Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Poppins Returns (PR: 4)

4. Mary Queen of Scots (PR: 5)

5. First Man (PR: 3)

Other Possibilities:

6. Roma (PR: 7)

7. Crazy Rich Asians (PR: Not Ranked)

8. A Star Is Born (PR: 6)

9. Fantastic Beasts: The Crimes of Grindelwald (PR: 8)

10. The Nutcracker and the Four Realms (PR: Not Ranked)

Dropped Out:

If Beale Street Could Talk

Best Costume Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Poppins Returns (PR: 4)

4. Mary Queen of Scots (PR: 3)

5. Colette (PR: 6)

Other Possibilities:

6. Crazy Rich Asians (PR: 7)

7. Fantastic Beasts: The Crimes of Grindelwald (PR: 5)

8. Bohemian Rhapsody (PR: 10)

9. The Nutcracker and the Four Realms (PR: 8)

10. If Beale Street Could Talk (PR: 9)

Best Makeup and Hairstyling

1. Black Panther (PR: 1)

2. Mary Queen of Scots (PR: 3)

3. Vice (PR: 5)

Other Possibilities:

4. The Favourite (PR: 2)

5. Stan & Ollie (PR: 4)

6. Colette (PR: 6)

7. Mary Poppins Returns (PR: 9)

8. A Star Is Born (PR: 8)

9. Suspiria (PR: Not Ranked)

10. A Wrinkle in Time (PR: 7)

Best Sound Editing

1. First Man (PR: 1)

2. Black Panther (PR: 2)

3. A Star Is Born (PR: 3)

4. Roma (PR: 5)

5. A Quiet Place (PR: 4)

Other Possibilities:

6. Incredibles 2 (PR: 6)

7. Mary Poppins Returns (PR: 8)

8. Ready Player One (PR: 10)

9. Mission: Impossible – Fallout (PR: 7)

10. Avengers: Infinity War (PR: Not Ranked)

Dropped Out:

Widows

Best Sound Mixing

1. First Man (PR: 2)

2. A Star Is Born (PR: 1)

3. Black Panther (PR: 4)

4. A Quiet Place (PR: 3)

5. Mary Poppins Returns (PR: 5)

Other Possibilities:

6. Roma (PR: 7)

7. Bohemian Rhapsody (PR: 6)

8. Incredibles 2 (PR: 8)

9. Ready Player One (PR: 10)

10. Avengers: Infinity War (PR: Not Ranked)

Dropped Out:

Widows

Best Visual Effects

1. First Man (PR: 1)

2. Avengers: Infinity War (PR: 2)

3. Mary Poppins Returns (PR: 6)

4. Ready Player One (PR: 3)

5. Black Panther (PR: 4)

Other Possibilities:

6. Annihilation (PR: 5)

7. Solo: A Star Wars Story (PR: 7)

8. A Wrinkle in Time (PR: 9)

9. Ant–Man and the Wasp (PR: Not Ranked)

10. A Quiet Place (PR: 8)

Dropped Out:

Fantastic Beasts: The Crimes of Grindelwald

Best Original Score

1. If Beale Street Could Talk

2. First Man

3. Mary Poppins Returns (PR: 5)

4. Mary Queen of Scots (PR: 3)

5. BlacKkKlansman (PR: 4)

Other Possibilities:

6. Colette (PR: 10)

7. Widows (PR: 6)

8. The Ballad of Buster Scruggs (PR: Not Ranked)

9. Roma (PR: 9)

10. Green Book (PR: 7)

Dropped Out:

The Sisters Brothers

Best Original Song

1. “The Shallow” from A Star Is Born

2. “The Place Where Lost Things Go” from Mary Poppins Returns

3. “I’ll Fight” from RBG (PR: 4)

4. “All the Stars” from Black Panther (PR: 3)

5. “I’ll Never Love Again” from A Star Is Born (PR: 5)

Other Possibilities:

6. “We Won’t Move” from The Hate U Give (PR: 7)

7. “Revelation” from Boy Erased (PR: 6)

8. “Always Remeber Us This Way” from A Star Is Born (PR: 8)

9. “Time for Change” from On the Basis of Sex (PR: 8)

10. “A Place Called Slaughter Race” from Ralph Breaks the Internet (PR: Not Ranked)

Dropped Out:

”Hearts Beat Loud” from Hearts Beat Loud

And that translates to the following number of nominations for each picture:

12 Nominations

A Star Is Born

10 Nominations

The Favourite

9 Nominations

First Man

8 Nominations

Black Panther

7 Nominations

Mary Poppins Returns

6 Nominations

If Beale Street Could Talk, Vice

5 Nominations

BlacKkKlansman

4 Nominations

Green Book, Mary Queen of Scots

3 Nominations

Can You Ever Forgive Me?

2 Nominations

A Quiet Place, RBG

1 Nomination

Bohemian Rhapsody, First Reformed, The Wife, Beautiful Boy, Widows, Eighth Grade, Cold War, Shoplifters, Girl, Capernaum, Incredibles 2, Isle of Dogs, Ralph Breaks the Internet, Spider–Man: Into the Spider–Verse, Mirai, Won’t You Be My Neighbor?, Three Identical Strangers, Free Solo, Minding the Gap, Colette, Avengers: Infinity War, Ready Player One

Happy Thanksgiving y’all!

Box Office Predictions: November 23-25

Blogger’s Note (11/20): On the eve of their debuts, I have respectively increased and decreased projections for Creed II and Green Book

Well it’s Turkey Day weekend at the box office and that always makes for a crazy frame to predict the numbers we shall see over the long holiday! We have four newcomers debuting and/or expanding to the masses: Disney animated sequel Ralph Breaks the Internet, follow-up to the 2015 punchy blockbuster Creed II, the latest Robin Hood tale with Taron Egerton and Jamie Foxx, and Oscar hopeful Green Book. You can peruse my detailed prediction posts on the quartet here:

https://toddmthatcher.com/2018/11/13/ralph-breaks-the-internet-box-office-prediction/

https://toddmthatcher.com/2018/11/14/creed-ii-box-office-prediction/

https://toddmthatcher.com/2018/11/14/robin-hood-box-office-prediction/

https://toddmthatcher.com/2018/11/17/green-book-box-office-prediction/

There’s little doubt that the Mouse Factory should rule the charts with return of Ralph. It’s a familiar position for the studio as they’ve opened Frozen and numerous Pixar pics over Thanksgiving.

Creed II certainly has breakout potential. I have it performing very similar, however, to its predecessor three years ago on the same weekend. That estimate would put it in fourth behind family offerings Fantastic Beasts: The Crimes of Grindelwald in weekend #2 and The Grinch in weekend #3.

This particular holiday often sees holdover experience extremely slim declines as moviegoers take the weekend to sample leftovers. Both Instant Family and Widows debuted under expectations (more on that below), but I have them both holding quite sturdily.

I’m not looking for the newest Robin Hood to score many points with audiences and have it slated for a lowly seventh place start.

Green Book expands to around 1000 screens and it’s quite a question mark. It’s getting serious awards chatter, but its limited release numbers this past weekend were not too impressive. I still think it can reach double digits for the five-day roll out and that leaves it in ninth place considering all the competition.

With every newbie debuting on Wednesday and all the returnees attempting to be stay afloat, my typical top 5 forecast becomes a top 10 this time around! Here they are:

1. Ralph Breaks the Internet

Predicted Gross: $54.4 million (Friday to Sunday), $79.8 million (Wednesday to Sunday)

2. Fantastic Beasts: The Crimes of Grindelwald

Predicted Gross: $34.8 million

3. Creed II

Predicted Gross: $31.4 million (Friday to Sunday); $45.3 million

4. The Grinch

Predicted Gross: $30.1 million

5. Bohemian Rhapsody 

Predicted Gross: $14.1 million

6. Instant Family

Predicted Gross: $12.7 million

7. Robin Hood

Predicted Gross: $9.7 million (Friday to Sunday), $14.1 million (Wednesday to Sunday)

8. Widows

Predicted Gross: $9.5 million

9. Green Book

Predicted Gross: $4.5 million (Friday to Sunday), $6.3 million (Wednesday to Sunday)

10. A Star Is Born

Predicted Gross: $4 million

Box Office Results (November 16-18)

All new releases seemed to come in a bit under the forecasts and that started with Fantastic Beasts: The Crimes of Grindelwald. As anticipated, it easily topped the charts at $62.1 million, but that’s about $12 million less than its predecessor from two years ago and under my $70.1 million take.

The Grinch fell to second with $38.5 million in its sophomore frame. I was right there at $38.6 million. It’s made $126 million so far as it should continue to play well into the season.

Bohemian Rhapsody was third with $16 million (I went higher at $19.5 million). It’s three-week tally is $128 million.

Instant Family, despite good reviews and the star power of Mark Wahlberg, was fourth with a middling $14.5 million. I was considerably higher at $19.4 million. The silver lining could be a very solid hold coming up.

And despite great reviews, heist thriller Widows disappointed in fifth with $12.3 million (I said $15.8 million). Like Family, it hopes to level out over the holiday.

And that does it for now, folks! Until next time…

Oscar Watch: Mary Poppins Returns

Disney’s Christmas box office smash is expected to be Mary Poppins Returns, the sequel to the 1964 classic original. It comes from Rob Marshall, who directed 2002’s Best Picture winner Chicago. Even with the Oscar pedigree behind it, it was a legitimate question as to whether this would garner any awards chatter or just settle for raking in tons of dough.

The film has screened for the Screen Actors Guild and journalists. While official reviews are under embargo, the buzz indicates it’s in many ways a worthy follow-up to what came over a half century prior. This especially applies to Emily Blunt, taking over the iconic title role from Julie Andrews (who won the Oscar as Poppins). Best Actress is crowded this year. At this juncture, I’d say Lady Gaga (A Star Is Born), Glenn Close (The Wife), and Olivia Colman (The Favourite) are locks or darn close to it. That leaves two spots and plenty of contenders to fill them. The showings for Poppins indicate Blunt is a prime contender to get one. As a side note, she could be in excellent shape for Actress at the Golden Globes for Musical/Comedy.

As for other performers, it’s certainly possible Blunt gets all the attention. Lin-Manuel Miranda seems a longshot in Supporting Actor. In Supporting Actress, it’s another category that is already filling up. Yet if anyone could sneak in, it’s Meryl Streep (who would be going for an unprecedented 22nd nod). Marshall has already directed her to one of them before in Supporting Actress for 2014’s Into the Woods.

Before its unveiling, the pic was already thought to be a contender in numerous down the line races: Costume Design, Production Design, Score, Original Song, Visual Effects and both Sound categories. That still holds true.

When it comes to Best Picture, that’s much more of a question mark. I’d say chances have undoubtedly improved, but it could depend on how others rise and fall in the coming weeks.

Bottom line: with Blunt leading the charge, Mary Poppins Returns could have awards voters singing its praises. My Oscar Watch posts will continue…

Oscar Watch: Vice

One of my most eagerly anticipated Oscar Watch entries screened for the first time yesterday in the form of Vice, Adam McKay’s biopic of Vice President Dick Cheney with Christian Bale in the lead. While official reviews are embargoed until next month, plenty of social media reaction is available. The verdict? Just as Mary Queen of Scots proved to be a potential contender at the AFI Fest earlier this week, so too has this and perhaps more so.

In particular, word of mouth on Bale’s work is rapturous. He could easily find himself in the mix for not only a nomination, but for a Lead Actor win (his most serious competition appears to be Bradley Cooper in A Star Is Born). Amy Adams plays wife Lynne and reviews suggest she’s a lock for a Supporting Actress nod. It would mark her sixth nomination and she’s yet to win. As for Sam Rockwell in Supporting Actor as George W. Bush, that appears less certain but possible (he won that race last year for Three Billboards Outside Ebbing, Missouri).

For the past several weeks, I’ve had Vice at #9 in a bit of a placeholder position in Best Picture. I feel more confident today that it gets in and I foresee its ranking rising when I update predictions on Thursday. Same goes for McKay’s direction and his original screenplay, where it faces stiff competition from The Favourite, Green Book, and Roma. McKay’s last screenplay (2015’s The Big Short) won him an Adapted Screenplay gold statue. In down the line slots, Editing and especially Makeup and Hairstyling are possibilities.

Bottom line: Vice has likely solidified itself as a contender, with Bale and Adams as threats to win their respective fields. My Oscar Watch posts will continue…

Oscar Watch: Amazing Grace

Amazing Grace is a surprise late entry into the Documentary race at this year’s Oscars and it could be poised to make beautiful noise like its subject – the legendary late singer Aretha Franklin. This is a concert film shot in 1972 by famed director Sydney Pollack. After being shelved for over four decades, Grace was unveiled at the AFI FIlm Festival this week.

Reviews are strong across the board and it’s at 100% on Rotten Tomatoes. The pic will undoubtedly receive plenty of attention considering Aretha’s recent passing. That said, 2018 has been a banner year for docs. Just some of its significant competitors include Won’t You Be My Neighbor?, Free Solo, RBG, Three Identical Strangers, and Minding the Gap.

Bottom line: there’s a lot of features competing for attention, but awards voters could certainly pay a little respect to Amazing Grace. My Oscar Watch posts will continue…

Green Book Box Office Prediction

Blogger’s Note (11/20): On the eve of its premiere, I have decreased my projection for Green Book

Green Book is debuting on four screens this weekend, but expands to approximately 1000 over the long Thanksgiving frame on Wednesday. The 1960s set dramedy played at the Toronto Film Festival a couple of months back and is said to be quite the crowd pleaser. Oscar buzz has followed. Viggo Mortensen plays the driver to Mahershala Ali’s classical pianist Don Shirley and both are likely to nab Academy nods for their work. Peter Farrelly, best known for co-directing comedies such as Dumb and Dumber and There’s Something About Mary with his brother Bobby, is behind the camera.

With an 83% rating on Rotten Tomatoes, Book will attempt to bring in an older audience over Turkey Day. With the anticipated awards attention, this looks to develop sturdy legs throughout the holiday season.

So how will it open? The theater count should limit its potential out of the gate, but I believe the opportunity to top double digits for the five-day is possible. I’ll say it just gets there.

Green Book opening weekend prediction: $4.5 million (Friday to Sunday); $6.3 million (Wednesday to Sunday)

For my Ralph Breaks the Internet prediction, click here:

https://toddmthatcher.com/2018/11/13/ralph-breaks-the-internet-box-office-prediction/

For my Creed II prediction, click here:

https://toddmthatcher.com/2018/11/14/creed-ii-box-office-prediction/

For my Robin Hood prediction, click here:

https://toddmthatcher.com/2018/11/14/robin-hood-box-office-prediction/

Oscar Watch: Creed II

Three years ago, the biggest surprise of Oscar night was Sylvester Stallone losing Best Supporting Actor to Mark Rylance in Bridge of Spies. The legendary performer was nominated for his seventh portrayal of Rocky Balboa in Creed, nearly 40 years after Rocky won Best Picture.

Creed was an unexpected critical and box office smash with a knockout score of 95% on Rotten Tomatoes. However, Oscar attention was reserved for Stallone only. Creed II opens on Wednesday and reviews are out. The tale of the tape indicates a mostly satisfying if predictable experience that serves as a follow-up to Rocky IV. The Tomato meter currently sits at 72%.

While its predecessor was heralded for Stallone’s work, early critical reaction here is more focused on Michael B. Jordan’s return in the title role. Yet any awards attention he receives will be for his supporting role in Black Panther, I suspect.

Bottom line: Creed II may please fans of the franchise. Like the Rocky sequels, don’t expect awards voters to punch ballots for it. My Oscar Watch posts will continue…