Author: toddmthatcher

October 11-13 Box Office Predictions

Blogger’s Note (10/10): My Joker estimate has risen from $39.8 million to $44.8 million. My   Addams Family estimate is up from $21.7 million to $27 million. My Gemini Man projection has dropped from $24.8 million to $22.8 million.

After a record setting October beginning, Joker looks to repeat in the top spot with more significant competition in its sophomore frame. The contenders for the throne are Ang Lee’s action thriller Gemini Man starring Will Smith and the animated version of The Addams Family. There’s also the Adam DeVine technological comedy Jexi, which will be lucky to hit the top five. You can peruse my detailed prediction posts on the newcomers right here:

https://toddmthatcher.com/2019/10/01/gemini-man-box-office-prediction/

https://toddmthatcher.com/2019/10/01/the-addams-family-box-office-prediction/

https://toddmthatcher.com/2019/10/02/jexi-box-office-prediction/

I am on the lower end of expectations with Gemini and Addams. My respective projections in the mid 20s and low 20s puts them in second and third positions behind Joaquin Phoenix’s villainous character.

So how will Joker fare in the follow-up weekend? Looking to some decent comps, both Logan and Venom fell 56% in their second outings. It seems reasonable that this will drop that much. I don’t see it falling the 68% of, say, Watchmen. I’ll say 58-60% is most feasible.

Abominable looks to place fourth and my $3.5 million forecast for Jexi puts it behind Downton Abbey in the five spot race.

And with that, my take on the weekend ahead:

1. Joker

Predicted Gross: $44.8 million

2. The Addams Family 

Predicted Gross: $27 million

3. Gemini Man

Predicted Gross: $22.8 million

4. Abominable

Predicted Gross: $7 million

5. Downton Abbey

Predicted Gross: $4.4 million

Box Office Results (October 4-6)

Joker decimated the all-time October premiere record with a sizzling $96.2 million, rising above my $89.6 million projection. The Warner Bros stand-alone comic book pic was not affected by various controversies that preceded it and audience curiosity was clearly at a fever pitch.

Abominable dropped to second place with $11.9 million, in line with my $12.5 million prediction for a two-week tally of $37 million. That’s on the smaller end of the spectrum when it comes to Dreamworks Animation’s early autumn offerings.

Downton Abbey was third with $7.9 million (I said $8 million) for a bountiful $73 million haul thus far.

Hustlers was fourth with $6.3 million, just under my $6.7 million. The Jennifer Lopez hit is nearing the century mark at $91 million.

I incorrectly had It Chapter Two outside of the high five, but it was fifth with $5.3 million to float its gross to $202 million.

Renee Zellweger Oscar hopeful Judy expanded its theater count to over 1400 and was sixth with $4.5 million. I had it making a tad more at $5.9 million. Total is $9 million.

And that does it for now, folks! Until next time…

First Man Movie Review

Perhaps the largest overarching theme of Damien Chazelle’s First Man is control. Mission control of the world famous Apollo 11 flight, yes. There’s also a mission in which Neil Armstrong (Ryan Gosling) tragically cannot control with the death of his young daughter to a brain tumor. In Gosling’s face as he lands for the first time ever on the outer reaches of our solar system, we sense his myopic focus on this historic assignment. It is coupled with a sense of loss of what he experienced a few years prior with a task he couldn’t achieve in saving her life.

That, more than anything else, is where the power of this picture lies. Yet these moments are not particularly frequent. We all know how First Man is going to end with Armstrong’s first footprint on a never before stepped upon surface. There is little dramatic tension there, though the booming musical score helps a little bit. Chazelle’s film takes the moon landing and shows it through the eyes of the man who did it. That means we see the extraordinarily small spaces he trains and rides in. And in the years prior to success, we see a string of losses from his daughter to several coworkers who perish along the way.

This is not the space saga I expected from Chazelle. It’s entirely different in tone from his previous efforts Whiplash and La La Land. Armstrong was a famously low key figure and First Man takes cues from his personality. The saga begins eight years prior to his claim to fame. Armstrong is a test pilot with a devoted but strong in her convictions wife Janet (Claire Foy) and two children. With two-year-old Karen, Neil treats her illness as a mathematical equation to be solved, like his daily work. He can’t solve this problem.

His piloting career coincides with his nation’s fervent desire to beat the Russians to the moon after being beat out by them in earlier missions. As we know, he’s eventually given captain status with Buzz Aldrin (Corey Stoll) and Mike Collins (Lukas Haas) alongside him. Before that occurs, we see Neil’s friendship with another famed astronaut Ed White (Jason Clarke) and others. All of these innovators reside in Houston and develop a close community where the wives are constantly living in fear of whether their husbands will come home.

First Man often focuses on that sense of dread and the fact that, in the 1960s, NASA was a program often running blind. Ever hopeful, but with rickety rockets and a cross your fingers and hope for the best attitude. It takes a toll on Neil’s marriage. Foy is excellent as Janet and she’s given a scene or two to shine.

Gosling’s work is, like his subject, tougher to nail down. It’s not a showy role. However, in the moments where he must convey Armstrong’s laser concentration, Gosling flourishes. I admired Chazelle’s tactic of making this tale that goes outside our galaxy a small and personal one. First Man is ultimately an experience that easier to appreciate than be grandly entertained by. Neil Armstrong worked in his own way and so does this for the most part.

*** (out of four)

2019 Oscar Predictions: October 3rd Edition

Going into this week’s predictions, there was no question that Martin Scorsese’s The Irishman would be the headline. The gangster epic premiered last Friday at the New York Film Festival to overwhelmingly glowing reviews. That reaction has propelled it to the #1 spot in Picture, Director, and kept it there in Adapted Screenplay.

Additionally, the festival greatly increased the chances for Robert De Niro, Al Pacino, and Joe Pesci to land nominations. De Niro makes an appearance in lead for the first time, pushing out Antonio Banderas. Pacino enters Supporting Actor, displacing Willem Dafoe. And Pesci rises to the #6 slot in that category.

Yet the movement this Thursday extends beyond Irishman. Renee Zellweger’s title performance in Judy is now #1 in Actress. In Supporting Actress, Jennifer Lopez in Hustlers vaults to first position.

In Picture, A Beautiful Day in the Neighborhood makes its inaugural showing in my top ten projections. That pushes out Little Women, as we await reaction for it.

Finally, it was revealed (fairly unsurprisingly) that Clint Eastwood’s Richard Jewell will be released in December for awards consideration. I have the film, Clint, Paul Walter Hauser, Kathy Bates, and its Adapted Screenplay mentioned as possibilities.

WINNER OF THE WEEK: The Irishman 

LOSER OF THE WEEK: The Lighthouse 

Let’s get to it!

BEST PICTURE 

Predicted Nominees:

1. The Irishman (Previous Ranking: 3)

2. Once Upon a Time in Hollywood (PR: 2)

3. Marriage Story (PR: 1)

4. Jojo Rabbit (PR: 5)

5. Parasite (PR: 6)

6. Ford v Ferrari (PR: 4)

7. 1917 (PR: 7)

8. The Two Popes (PR: 8)

9. The Farewell (PR: 10)

10. A Beautiful Day in the Neighborhood (PR: 11)

Other Possibilities:

11. Joker (PR: 12)

12. Little Women (PR: 9)

13. Waves (PR: 13)

14. Just Mercy (PR: 18)

15. Pain and Glory (PR: 14)

16. A Hidden Life (PR: 15)

17. Judy (PR: 23)

18. Booksmart (PR: 21)

19. Richard Jewell (PR: Not Ranked)

20. Bombshell (PR: 16)

21. The Report (PR: 20)

22. Dark Waters (PR: 22)

23. Downton Abbey (PR: Not Ranked)

24. Rocketman (PR: 25)

25. Ad Astra (PR: 17)

Dropped Out:

The Lighthouse 

Knives Out 

BEST DIRECTOR 

Predicted Nominees:

1. Martin Scorsese, The Irishman (PR: 2)

2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 1)

3. Noah Baumbach, Marriage Story (PR: 4)

4. Bong Joon-Ho, Parasite (PR: 3)

5. Sam Mendes, 1917 (PR: 5)

Other Possibilities:

6. Taika Waititi, Jojo Rabbit (PR: 6)

7. James Mangold, Ford v Ferrari (PR: 7)

8. Greta Gerwig, Little Women (PR: 8)

9. Pedro Almodovar, Pain and Glory (PR: 10)

10. Fernando Meirelles, The Two Popes (PR: 9)

11. Terrence Malick, A Hidden Life (PR: 11)

12. Lulu Wang, The Farewell (PR: 12)

13. Marielle Heller, A Beautiful Day in the Neighborhood (PR: 14)

14. Trey Edward Shults, Waves (PR: 13)

15. Clint Eastwood, Richard Jewell (PR: Not Ranked)

Dropped Out:

Todd Phillips, Joker 

BEST ACTOR 

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Joaquin Phoenix, Joker (PR: 2)

3. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 5)

4. Jonathan Pryce, The Two Popes (PR: 3)

5. Robert De Niro, The Irishman (PR: 6)

Other Possibilities:

6. Antonio Banderas, Pain and Glory (PR: 4)

7. Eddie Murphy, Dolemite Is My Name (PR: 8)

8. Taron Egerton, Rocketman (PR: 7)

9. Brad Pitt, Ad Astra (PR: 9)

10. Paul Walter Hauser, Richard Jewell (PR: Not Ranked)

11. Michael B. Jordan, Just Mercy (PR: 11)

12. Adam Sandler, Uncut Gems (PR: 10)

13. Ian McKellen, The Good Liar (PR: 13)

14. Mark Ruffalo, Dark Waters (PR: 12)

15. Matt Damon, Ford v Ferrari (PR: Not Ranked)

Dropped Out:

Robert Pattinson, The Lighthouse 

Daniel Kaluuya, Queen and Slim

BEST ACTRESS 

Predicted Nominees:

1. Renee Zellweger, Judy (PR: 2)

2. Scarlett Johansson, Marriage Story (PR: 1)

3. Cynthia Erivo, Harriet (PR: 3)

4. Saoirse Ronan, Little Women (PR: 4)

5. Alfre Woodard, Clemency (PR: 6)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 5)

7. Charlize Theron, Bombshell (PR: 8)

8. Lupita Nyong’o, Us (PR: 7)

9. Helen Mirren, The Good Liar (PR: 9)

10. Jodie Turner-Smith, Queen and Slim (PR: 10)

11. Isabelle Huppert, Frankie (PR: Not Ranked)

12. Elisabeth Moss, Her Smell (PR: 13)

13. Julianne Moore, Gloria Bell (PR: Not Ranked)

14. Felicity Jones, The Aeronauts (PR: 12)

15. Kristen Stewart, Seberg (PR: 14)

Dropped Out:

Lesley Manville, Ordinary Love 

Jessie Buckley, Wild Rose 

BEST SUPPORTING ACTRESS 

Predicted Nominees:

1. Jennifer Lopez, Hustlers (PR: 3)

2. Laura Dern, Marriage Story (PR: 1)

3. Annette Bening, The Report (PR: 2)

4. Margot Robbie, Once Upon a Time in Hollywood (PR: 5)

5. Shuzhen Zhou, The Farewell (PR: 4)

Other Possibilities:

6. Scarlett Johansson, Jojo Rabbit (PR: 6)

7. Meryl Streep, Little Women (PR: 7)

8. Maggie Smith, Downton Abbey (PR: 11)

9. Florence Pugh, Little Women (PR: 8)

10. Nicole Kidman, Bombshell (PR: 12)

11. Thomasin McKenzie, Jojo Rabbit (PR: Not Ranked)

12. Jennifer Hudson, Cats (PR: 9)

13. Margot Robbie, Bombshell (PR: 13)

14. Penelope Cruz, Pain and Glory (PR: Not Ranked)

15. Kathy Bates, Richard Jewell (PR: Not Ranked)

Dropped Out:

Meryl Streep, The Laundromat 

Anna Paquin, The Irishman 

Octavia Spencer, Luce 

BEST SUPPORTING ACTOR 

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 2)

3. Al Pacino, The Irishman (PR: 6)

4. Anthony Hopkins, The Two Popes (PR: 3)

5. Christian Bale, Ford v Ferrari (PR: 5)

Other Possibilities:

6. Joe Pesci, The Irishman (PR: 10)

7. Jamie Foxx, Just Mercy (PR: 7)

8. Willem Dafoe, The Lighthouse (PR: 4)

9. Taika Waititi, Jojo Rabbit (PR: 9)

10. Sterling K. Brown, Waves (PR: 8)

11. Alan Alda, Marriage Story (PR: 11)

12. John Lithgow, Bombshell (PR: 12)

13. Shia LaBeouf, Honey Boy (PR: 14)

14. Sam Rockwell, Jojo Rabbit (PR: Not Ranked)

15. Sam Rockwell, Richard Jewell (PR: Not Ranked)

Dropped Out:

Tracy Letts, Ford v Ferrari 

Chris Evans, Knives Out 

BEST ORIGINAL SCREENPLAY 

Predicted Nominees:

1. Marriage Story (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. Parasite (PR: 3)

4. The Farewell (PR: 4)

5. Pain and Glory (PR: 6)

Other Possibilities:

6. Waves (PR: 5)

7. Ford v Ferrari (PR: 7)

8. Booksmart (PR: 9)

9. Bombshell (PR: 10)

10. The Report (PR: 8)

11. 1917 (PR: Not Ranked)

12. Honey Boy (PR: 15)

13. Ad Astra (PR: 13)

14. Dolemite Is My Name (PR: Not Ranked)

15. The Lighthouse (PR: 11)

Dropped Out:

Knives Out

Uncut Gems 

BEST ADAPTED SCREENPLAY 

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 2)

3. The Two Popes (PR: 3)

4. A Beautiful Day in the Neighborhood (PR: 5)

5. Little Women (PR: 4)

Other Possibilities:

6. Joker (PR: 6)

7. Downton Abbey (PR: 9)

8. Just Mercy (PR: 7)

9. Judy (PR: 8)

10. Richard Jewell (PR: Not Ranked)

11. Dark Waters (PR: 10)

12. The Good Liar (PR: 11)

13. Luce (PR: 12)

14. Hustlers (PR: 13)

15. Toy Story 4 (PR: 15)

Dropped Out:

The Laundromat 

Jexi Box Office Prediction

From the directors of the Bad Moms pics, Jexi dials into theaters next weekend and is hoping for a decent reception. The comedy stars Adam DeVine as a loner obsessed with his phone. When he gets an upgrade that includes Rose Byrne voicing the title character/feature, life begins to improve until the artificially intelligent being develops an obsession with him. Costars include Alexandra Shipp, Michael Pena, Justin Hartley, and Wanda Sykes.

I have a hunch Jexi will have a tough time connecting with filmgoers. As far as its effectiveness via trailer and TV spots, I’m getting a bit of a Stuber vibe. That comedy with Kumail Nanjiani stalled over the summer with just an $8.2 million opening weekend. And one could argue Nanjiani has more drawing ability than DeVine.

Considering that, I’ll say this will be lucky to reach that number and won’t do so.

Jexi opening weekend prediction: $3.5 million

For my Gemini Man prediction, click here:

https://toddmthatcher.com/2019/10/01/gemini-man-box-office-prediction/

For my The Addams Family prediction, click here:

https://toddmthatcher.com/2019/10/01/the-addams-family-box-office-prediction/

The Addams Family Box Office Prediction

Blogger’s Note (10/10): My estimate has risen from $21.7 million to $26.9 million

Snapping into theaters over a half century after the TV series and over a quarter century after the two film versions of that show, an animated version of The Addams Family debuts next weekend. Originally based on the Charles Addams comics, this iteration of the macabre clan sounds like something Tim Burton should have his fingerprints all over. And indeed, he was once attached to direct it. However, it’s Conrad Vernon and Greg Tiernan (who last made the R rated Seth Rogen/Evan Goldberg toon Sausage Party) shepherding the project. Voices of the family include Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Finn Wolfhard, Nick Kroll, Snoop Dogg, Martin Short, Catherine O’Hara and Bette Midler, in addition to Allison Janney and Elsie Fisher.

Attempting to reach a kiddie audience pre Halloween (and a week before Maleficent: Mistress of Evil is out), it could be a somewhat tough sell for youngsters unfamiliar with the source material. That applies to the small screen 1960s version and the 1990s big screen one. In fact, this may not hit the $24 million achieved by 1991’s first live action Addams out of the gate (1993 sequel Addams Family Values didn’t fare as well).

I do envision this managing a debut of over $20 million, but perhaps not by much. That would likely put it in third place behind Joker and Gemini Man.

The Addams Family opening weekend prediction: $26.9 million

For my Gemini Man prediction, click here:

https://toddmthatcher.com/2019/10/01/gemini-man-box-office-prediction/

For my Jexi prediction, click here:

https://toddmthatcher.com/2019/10/02/jexi-box-office-prediction/

Gemini Man Box Office Prediction

Arriving just behind his biggest domestic and worldwide grosser Aladdin and just ahead of his long in development sequel Bad Boys for Life, Will Smith headlines the sci fi action thriller Gemini Man next weekend. Itself a project that’s been in the planning for over two decades, double Oscar winner Ang Lee directs this tale of Smith’s aging hitman battling a youthful version of himself. Costars include Mary Elizabeth Winstead, Clive Owen, and Benedict Wong.

Most of the pic’s publicity has centered around its visual effects and de-aging process with the younger Fresh Prince. Yet the Rotten Tomatoes score is anything but fresh at a troubling 22%. That won’t help with word of mouth for Gemini and I believe that could rule out a start north of $30 million (where some projections are).

Despite his recent exposure in Disney’s billion dollar blockbuster and plenty of success for Smith in this genre, I’ll predict this gets off to a middling debut in the low to mid 20s range.

Gemini Man opening weekend prediction: $22.8 million

For my The Addams Family prediction, click here:

https://toddmthatcher.com/2019/10/01/the-addams-family-box-office-prediction/

For my Jexi prediction, click here:

https://toddmthatcher.com/2019/10/02/jexi-box-office-prediction/

October 4-6 Box Office Predictions

The new month’s box office kicks off with Warner Bros not clowning around and hoping for the best October opening ever with Joker. The Joaquin Phoenix led hard R rated comic book adaptation has received a ton of publicity (both pro and con) over the last few weeks. This certainly isn’t a picture that’s sneaking into theaters and you can peruse my detailed prediction post on it here:

https://toddmthatcher.com/2019/09/24/joker-box-office-prediction/

In order to set the record, Joker needs to top the $80.2 million premiere by Venom last year. I’m estimating that it will do so by nearly $10 million. It’s worth noting that forecasts are varying wildly with guesstimates as low as $65 million and others saying it could top $100 million.

No other studio chose to debut anything against it so the rest of the top five will be filled with holdovers. Here’s one to keep to an eye on: the Renee Zellweger Oscar hopeful Judy has the highest per screen average this past frame. That was in just under 500 theaters and word is that it’ll expand to approximately 1500 venues. If that holds, the pic could make a home in the top five over It Chapter Two and Ad Astra.

And with that, my look at the weekend ahead:

1. Joker

Predicted Gross: $89.6 million

2. Abominable

Predicted Gross: $12.5 million

3. Downton Abbey

Predicted Gross: $8 million

4. Hustlers

Predicted Gross: $6.7 million

5. Judy

Predicted Gross: $5.9 million

Box Office Results (September 27-29)

As expected, Dreamworks Animation’s Abominable debuted atop the charts with a so-so $20.6 million, right on target with my $20.7 million forecast. That’s on the low end of where these family friendly toons have premiered in late September over the last few years.

Placing second, Downton Abbey did show a front loaded nature as it fell to $14.3 million in weekend #2, below my $17.4 million projection. The two-week haul, however, is a magnificent $58 million.

Hustlers displayed a fine hold in third with $11.3 million compared to my $9.5 million prediction. The Jennifer Lopez flick has amassed $80 million.

It Chapter Two was fourth and is nearing the double century mark, earning $10.2 million (I was under at $8.3 million) to bring its tally to $193 million.

Ad Astra rounded out the top five with $10 million (I said $10.3 million) for $35 million overall.

Rambo: Last Blood was sixth with $8.5 million, a bit above my $7.8 million take. Total is $33 million.

And that does it for now, folks! Until next time…

Midsommar Movie Review

Ari Aster has, as the Swedish might say, bollar. Look it up and I suspect you’ll agree. His sophomore effort Midsommar is another cult movie. I don’t mean that in the traditional sense of a picture outside the mainstream that has a devoted following, but that applies too. Aster makes stuff about actual cults and the rituals they participate in. He makes horror movies without the jump scares we’ve grown accustomed to. That applied to his debut Hereditary, which stuck with me more powerfully post credits than this did. Midsommar sometimes fails at the delicate line of laughing at it rather than being creeped out by it. I can’t help but be impressed at the filmmaker’s gusto for trying, however.

Just as in Hereditary, the storyline is focused on grief and a lead female character experiencing it. College student Dani (Florence Pugh) is dealing with a horrific tragedy involving her mentally unbalanced sister and a murder suicide that tears her world apart. Boyfriend Christian (Jack Reynor) seems ill equipped to console her. A mysterious trip to a remote commune in Sweden to decompress seems to be as viable a distraction as any. So off they go with Christian’s roommate Pelle (Vilhelm Blomgren), who grew up in the far off location. They’re joined by other flat mates Josh (William Jackson Harper), who is centering his thesis on the excursion and the constantly vaping Mark (Will Poulter), who seemingly just thinks he’s in for a fun summer getaway. Not even a little bit.

Bizarre sex, hallucinogenic drugs, and disturbing deaths involving rocks roll before our often unbelieving eyes over the next two and a half hours. That’s a lot of running time to spend with these demented country folk. Aster has no qualms about slowing things down and daring us to take it all in. The scenery is beautiful. This is a rare horror film that basks in the daylight. There’s no darkness to shroud the rather infrequent gore.

Midsommar is ultimately about Dani dealing with her stages of grief and stages of a relationship on the fritz. Pugh proves herself up to the task in displaying the range of emotions that the role requires. Reynor has to bare a lot as well, both literally and figuratively. No performance quite rises to the impeccable work of Toni Collette in Hereditary. There are sequences that do succeed in giving us a severe sense of the heebie jeebies. Perhaps the most garishly impressive is early when we witness Dani’s family disbandment.

I suspect Midsommar will find its cult of admirers who declare it brilliant. Others will refuse to buy into what it’s selling. There are stretches where it’s a challenge to accept Dani and Christian wouldn’t have just headed for the hills when they realized what they were getting themselves involved in. I’m more middle of the road when considering its overall impact and that’s at least a couple notches below where Aster’s first cult flick grabbed my attention.

*** (out of four)

Oscar Watch: Gemini Man

Sporting a lowly 29% Rotten Tomatoes ranking prior to its October 11 release, Ang Lee’s Gemini Man is certainly no candidate for Best Picture recognition like the director’s previous works Crouching Tiger, Hidden Dragon, Brokeback Mountain, and Life of Pi. The sci fi action thriller casts Will Smith in an effects heavy experience where the actor plays an aging hitman who must battle a younger version of himself.

While it’s no surprise that the pic won’t contend for top line prizes, Gemini has always been eyed as a possibility for Visual Effects. The 3D high frame per second look is one employed by Lee in his last film Billy Lynn’s Long Halftime Walk. That drama was seen as awards bait before poor reviews sunk its viability.

Visual Effects nowadays is a race where there’s usually no shortage of contenders. In 2019, we have the upcoming Star Wars: The Rise of Skywalker in addition to The Irishman, The Lion King, Avengers: Endgame, and Smith’s own summer blockbuster Aladdin. I believe Gemini could still sneak in the category, but its own negative critical reaction might derail it. My Oscar Watch posts will continue…

Oscar Watch: The Irishman

The biggest Oscar domino not yet fall screened has been Martin Scorsese’s The Irishman, the three and a half hour gangster drama headlined by genre legends Robert De Niro, Al Pacino, and Joe Pesci. That changed today. The epic opened the New York Film Festival exactly two months ahead of its Netflix debut. And – no real surprise here – it appears to be a serious contender.

The Irishman is said to be both a humorous and contemplative piece with De Niro and Pacino providing their best performances in years. Same goes for Pesci as he’s been away from the silver screen for nearly a decade.

While nearly all reviews are positive, they’re not all raves. My early hunch is that this will earn Picture and Director nods. Winning is another story and that is one still left to play out. The Rotten Tomatoes score is at 100%. This will likely mark Scorsese’s ninth nomination (he’s won once for 2006’s The Departed). That’s also his only effort to be named Best Picture. The Adapted Screenplay from Steve Zaillian should also make the final cut.

Down the line recognition presents many chances including Cinematography, Editing, Costume Design, and Visual Effects. For the latter, the de-aging technology that allows its stars to look younger could attract the notice of that branch. The pic would actually be the second Scorsese title to get a Visual Effects nod after 2011’s Hugo (which won).

Now to the thespians. The thinking is that De Niro will be in lead actor with Pacino and Pesci in supporting. It sounds as if they will be the trio in contention. De Niro would gunning for his eighth appearance as a nominee. He won Supporting for 1974’s The Godfather Part II and lead in Scorsese’s 1980 masterwork Raging Bull. I’ve had him listed in spot #6 for some time in my weekly rankings. I could still see him missing the cut as his role is said to be less flashy than his costars, but I think his chances are better today. Numerous critics have stated that Pacino steals the show and he’s going for nomination #9 (his sole win is 1992’s Scent of a Woman). Like De Niro, I’ve had him slotted sixth and I expect him to enter the top five in a supporting actor race that is already jam packed. As for Pesci (who won for 1990’s Scorsese classic GoodFellas), other reviewers are singling him out. That opens the door for two men to be nominated in the supporting race for the second time since 1991 when Harvey Keitel (who’s also in this) and Ben Kingsley were recognized for Bugsy. This occurred again two years ago with Sam Rockwell and Woody Harrelson in Three Billboards Outside Ebbing, Missouri. Pesci is not the near sure thing Pacino is, but it could happen.

Bottom line: The Irishman did what it needed to do in the Big Apple to establish itself as a player in awards chatter. My Oscar Watch posts will continue…