Author: toddmthatcher

2019 Oscar Predictions: January 6th Edition

There are years when the Golden Globes don’t seem to have much of an impact on my Oscar predictions. That could still hold true at the end of the day, but last night’s ceremony did so and that especially applies to the Best Actor derby and my numeric rankings in general with other top races. Let us count the ways…

  • The surprising wins for 1917 as Best Drama and Sam Mendes as its director is a real story. The timing could not be more perfect as the World War I action drama opens wide this weekend. In Picture, it rises from 5th to 4th. For Mendes, he goes from 4th to 3rd and that’s at the expense of Martin Scorsese.
  • Joaquin Phoenix hits the #1 slot in the ultra competitive Best Actor competition over Adam Driver, who’s been first for many weeks. Perhaps more significantly, Taron Egerton’s victory over Leonardo DiCaprio and Eddie Murphy in the Musical/Comedy race at the Globes places in my predicted five for the first time (he goes from 10th to 5th!). I’ve also put Antonio Banderas back in and that means Robert De Niro and Jonathan Pryce are on the outside looking in.
  • In Original Screenplay, Quentin Tarantino vaults to #1 over Noah Baumbach.

And an important programming note… this is the last time you will see my weekly predictions for 2019 in this manner. With nominations out a week from today, I will have a FINAL predictions post up this weekend (likely Friday or perhaps Saturday). As of this moment, here’s how I have it all shaking out!

Best Picture

Predicted Nominees:

1. Once Upon a Time in Hollywood (Previous Ranking: 1)

2. Parasite (PR: 3)

3. The Irishman (PR: 2)

4. 1917 (PR: 5)

5. Marriage Story (PR: 4)

6. Joker (PR: 7)

7. Jojo Rabbit (PR: 6)

8. Ford v Ferrari (PR: 8)

9. Little Women (PR: 9)

Other Possibilities:

10. The Farewell (PR: 12)

11. Bombshell (PR: 11)

12. The Two Popes (PR: 10)

13. Knives Out (PR: 14)

14. Uncut Gems (PR: 15)

15. Pain and Glory (PR: 13)

Best Director

Predicted Nominees:

1. Bong Joon-Ho, Parasite (PR: 1)

2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)

3. Sam Mendes, 1917 (PR: 4)

4. Martin Scorsese, The Irishman (PR: 3)

5. Noah Baumbach, Marriage Story (PR: 5)

Other Possibilities:

6. Todd Phillips, Joker (PR: 6)

7. Greta Gerwig, Little Women (PR: 9)

8. James Mangold, Ford v Ferrari (PR: 7)

9. Taika Waititi, Jojo Rabbit (PR: 8)

10. Pedro Almodovar, Pain and Glory (PR: 10)

Best Actor

Predicted Nominees:

1. Joaquin Phoenix, Joker (PR: 2)

2. Adam Driver, Marriage Story (PR: 1)

3. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 3)

4. Antonio Banderas, Pain and Glory (PR: 6)

5. Taron Egerton, Rocketman (PR: 10)

Other Possibilities:

6. Robert De Niro, The Irishman (PR: 4)

7. Jonathan Pryce, The Two Popes (PR: 5)

8. Christian Bale, Ford v Ferrari (PR: 7)

9. Adam Sandler, Uncut Gems (PR: 9)

10. Eddie Murphy, Dolemite Is My Name (PR: 8)

Best Actress

Predicted Nominees:

1. Renee Zellweger, Judy (PR: 1)

2. Scarlett Johansson, Marriage Story (PR: 2)

3. Charlize Theron, Bombshell (PR: 3)

4. Cynthia Erivo, Harriet (PR: 4)

5. Saoirse Ronan, Little Women (PR: 5)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 6)

7. Lupita Nyong’o, Us (PR: 7)

8. Mary Kay Place, Diane (PR: 10)

9. Alfre Woodard, Clemency (PR: 8)

10. Ana de Armas, Knives Out (PR: 9)

Best Supporting Actor

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Al Pacino, The Irishman (PR: 2)

3. Joe Pesci, The Irishman (PR: 3)

4. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 4)

5. Anthony Hopkins, The Two Popes (PR: 5)

Other Possibilities:

6. Song Kang-Ho, Parasite (PR: 7)

7. Jamie Foxx, Just Mercy (PR: 6)

8. Willem Dafoe, The Lighthouse (PR: 8)

9. Alan Alda, Marriage Story (PR: 10)

10. Shia LaBeouf, Honey Boy (PR: 9)

Best Supporting Actress

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 1)

2. Jennifer Lopez, Hustlers (PR: 2)

3. Margot Robbie, Bombshell (PR: 3)

4. Scarlett Johansson, Jojo Rabbit (PR: 4)

5. Florence Pugh, Little Women (PR: 5)

Other Possibilities:

6. Nicole Kidman, Bombshell (PR: 6)

7. Shuzhen Zhao, The Farewell (PR: 7)

8. Annette Bening, The Report (PR: 8)

9. Kathy Bates, Richard Jewell (PR: 9)

10. Thomasin McKenzie, Jojo Rabbit (PR: 10)

Best Adapted Screenplay

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 2)

3. Little Women (PR: 3)

4. Joker (PR: 5)

5. The Two Popes (PR: 4)

Other Possibilities:

6. A Beautiful Day in the Neighborhood (PR: 6)

7. Hustlers (PR: 7)

8. Just Mercy (PR: 8)

9. Dark Waters (PR: 10)

10. Richard Jewell (PR: 9)

Best Original Screenplay

Predicted Nominees:

1. Once Upon a Time in Hollywood (PR: 2)

2. Marriage Story (PR: 1)

3. Parasite (PR: 3)

4. The Farewell (PR: 4)

5. Knives Out (PR: 5)

Other Possibilities:

6. 1917 (PR: 7)

7. Uncut Gems (PR: Not Ranked)

8. Pain and Glory (PR: 6)

9. Ford v Ferrari (PR: 8)

10. Bombshell (PR: 9)

Dropped Out:

Dolemite Is My Name

Best International Feature Film

Predicted Nominees:

1. Parasite (PR: 1)

2. Pain and Glory (PR: 2)

3. Les Miserables (PR: 3)

4. Corpus Christi (PR: 6)

5. Atlantics (PR: 4)

Other Possibilities:

6. Beanpole (PR: 7)

7. Those Who Remained (PR: 9)

8. The Painted Bird (PR: 5)

9. Honeyland (PR: 8)

10. Truth and Justice (PR: 10)

Best Animated Feature Film

Predicted Nominees:

1. Toy Story 4 (PR: 1)

2. Frozen II (PR: 2)

3. How to Train Your Dragon: The Hidden World (PR: 3)

4. I Lost My Body (PR: 4)

5. Missing Link (PR: 5)

Other Possibilities:

6. Funan (PR: 9)

7. Klaus (PR: 6)

8. Weathering with You (PR: 8)

9. Abominable (PR: 7)

10. Bunuel in the Labyrinth of the Turtles (PR: 10)

Best Documentary Feature

Predicted Nominees:

1. American Factory (PR: 1)

2. For Sama (PR: 3)

3. Apollo 11 (PR: 2)

4. One Child Nation (PR: 4)

5. Honeyland (PR: 5)

Other Possibilities:

6. The Cave (PR: 6)

7. Midnight Family (PR: 9)

8. Maiden (PR: Not Ranked)

9. The Biggest Little Farm (PR: 7)

10. The Edge of Democracy (PR: 8)

Dropped Out:

Knock Down the House 

Best Cinematography

Predicted Nominees:

1. 1917 (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. Joker (PR: 4)

4. The Irishman (PR: 3)

5. Portrait of a Lady on Fire (PR: 8)

Other Possibilities:

6. Ford v Ferrari (PR: 7)

7. The Lighthouse (PR: 6)

8. Parasite (PR: 5)

9. Little Women (PR: Not Ranked)

10. Marriage Story (PR: 9)

Dropped Out:

A Hidden Life 

Best Costume Design

Predicted Nominees:

1. Once Upon a Time in Hollywood (PR: 1)

2. Little Women (PR: 2)

3. Dolemite Is My Name (PR: 3)

4. Rocketman (PR: 4)

5. Downton Abbey (PR: 5)

Other Possibilities:

6. The Irishman (PR: 7)

7. Joker (PR: 8)

8. Jojo Rabbit (PR: 9)

9. Judy (PR: 6)

10. The Aeronauts (PR: 10)

Best Film Editing

Predicted Nominees:

1. Ford v Ferrari (PR: 1)

2. The Irishman (PR: 2)

3. Once Upon a Time in Hollywood (PR: 3)

4. Marriage Story (PR: 4)

5. Parasite (PR: 5)

Other Possibilities:

6. Joker (PR: 6)

7. 1917 (PR: 7)

8. Uncut Gems (PR: Not Ranked)

9. Jojo Rabbit (PR: 8)

10. Little Women (PR: Not Ranked)

Dropped Out:

Bombshell

Apollo 11

Best Makeup and Hairstyling

Predicted Nominees:

1. Bombshell (PR: 1)

2. Judy (PR: 3)

3. Joker (PR: 2)

4. Rocketman (PR: 5)

5. Once Upon a Time in Hollywood (PR: 4)

Other Possibilities:

6. Maleficent: Mistress of Evil (PR: 7)

7. Dolemite Is My Name (PR: 6)

8. 1917 (PR: 10)

9. Little Women (PR: 8)

10. Downton Abbey (PR: 9)

Best Original Score

Predicted Nominees:

1. 1917 (PR: 1)

2. Joker (PR: 2)

3. Marriage Story (PR: 4)

4. Little Women (PR: 3)

5. Star Wars: The Rise of Skywalker (PR: 6)

Other Possibilities:

6. Ford v Ferrari (PR: 5)

7. Motherless Brooklyn (PR: 7)

8. Jojo Rabbit (PR: 8)

9. The King (PR: Not Ranked)

10. Avengers: Endgame (PR: 9)

Dropped Out:

Pain and Glory

Best Original Song

Predicted Nominees:

1. “Into the Unknown” from Frozen II (PR: 1)

2. “(I’m Gonna) Love Me Again” from Rocketman (PR: 2)

3. “Glasgow” from Wild Rose (PR: 4)

4. “Spirit” from The Lion King (PR: 5)

5. “Stand Up” from Harriet (PR: 3)

Other Possibilities:

6. “A Glass of Soju” from Parasite (PR: 7)

7. “Daily Battles” from Motherless Brooklyn (PR: 6)

8. “Letter to My Godfather” from The Black Godfather (PR: Not Ranked)

9. “I’m Standing with You” from Breakthrough (PR: 9)

10. “I Can’t Let You Throw Yourself Away” from Toy Story 4 (PR: 8)

Dropped Out:

“Speechless” from Aladdin 

Best Production Design

Predicted Nominees:

1. Once Upon a Time in Hollywood (PR: 1)

2. The Irishman (PR: 2)

3. Little Women (PR: 3)

4. 1917 (PR: 5)

5. Jojo Rabbit (PR: 7)

Other Possibilities:

6. Parasite (PR: 4)

7. Joker (PR: 6)

8. The Two Popes (PR: 10)

9. Downton Abbey (PR: 8)

10. Knives Out (PR: Not Ranked)

Dropped Out:

Ford v Ferrari 

Best Sound Editing

Predicted Nominees:

1. 1917 (PR: 1)

2. Ford v Ferrari (PR: 2)

3. Star Wars: The Rise of Skywalker (PR: 3)

4. Avengers: Endgame (PR: 4)

5. Ad Astra (PR: 8)

Other Possibilities:

6. Rocketman (PR: 5)

7. Once Upon a Time in Hollywood (PR: 6)

8. Joker (PR: 7)

9. The Irishman (PR: 9)

10. Us (PR: 10)

Best Sound Mixing

Predicted Nominees:

1. 1917 (PR: 1)

2. Ford v Ferrari (PR: 2)

3. Rocketman (PR: 4)

4. Star Wars: The Rise of Skywalker (PR: 6)

5. Avengers: Endgame (PR: 3)

Other Possibilities:

6. Once Upon a Time in Hollywood (PR: 5)

7. Ad Astra (PR: 7)

8. Joker (PR: 8)

9. The Irishman (PR: 9)

10. Us (PR: 10)

Best Visual Effects

Predicted Nominees:

1. The Lion King (PR: 1)

2. Avengers: Endgame (PR: 2)

3. The Irishman (PR: 4)

4. Star Wars: The Rise of Skywalker (PR: 3)

5. 1917 (PR: 5)

Other Possibilities:

6. Gemini Man (PR: 7)

7. Alita: Battle Angel (PR: 6)

8. Terminator: Dark Fate (PR: 8)

9. Captain Marvel (PR: 9)

10. Cats (PR: 10)

And that equates to these pictures garnering the following numbers for nominations:

10 Nominations

Once Upon a Time in Hollywood

9 Nominations

The Irishman

8 Nominations

1917, Marriage Story

7 Nominations

Little Women

6 Nominations

Joker

5 Nominations

Parasite, Rocketman 

4 Nominations

Ford v Ferrari, Jojo Rabbit, Star Wars: The Rise of Skywalker

3 Nominations

Avengers: Endgame, Bombshell

2 Nominations

Frozen II, Harriet, Judy, The Lion King, Pain and Glory, The Two Popes

1 Nomination

A Beautiful Day in the Neighborhood, Ad Astra, American Factory, Apollo 11, Atlantics, Corpus Christi, Dolemite Is My Name, Downton Abbey, The Farewell, For Sama, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Knives Out, Les Miserables, Missing Link, One Child Nation, Portrait of a Lady on Fire, Toy Story 4, Wild Rose

January 10-12 Box Office Predictions

Fresh off its surprising Best Drama win last night at the Golden Globes, World War I epic 1917 appears to have the benefit of great timing as it opens wide Friday. We have three other newcomers in the mix with the Michael B. Jordan/Jamie Foxx legal drama Just Mercy, Tiffany Haddish/Rose Byrne comedy Like a Boss, and Kristen Stewart led sci-fi horror pic Underwater. You can peruse my detailed prediction posts on the quartet here:

https://toddmthatcher.com/2020/01/01/1917-box-office-prediction/

https://toddmthatcher.com/2020/01/01/just-mercy-box-office-prediction/

https://toddmthatcher.com/2020/01/01/like-a-boss-box-office-prediction/

https://toddmthatcher.com/2020/01/02/underwater-box-office-prediction/

1917 has performed impressively in two weeks of limited release and the awards cred should only help. My projection last week put in the mid 20s and I’ve revised up to low 30s. That would easily put it in first, ending the three-week reign of Star Wars: The Rise of Skywalker. 

Both Mercy and Boss could see grosses in the low double digits to low teens. I do feel both have the potential to over perform. That said, Mercy has lacked the Oscar buzz that 1917 has and Haddish’s previous comedic starring vehicle Nobody’s Fool did so-so with $14 million for its start. As for Underwater, despite a considerable reported budget of $80 million, this looks like a massive flop. My measly $5.4 million estimate leaves it well outside the top five and marks the second costly flop for Stewart in a row after Charlie’s Angels. 

There might be shades of January 2018 happening with two particular holdovers. That’s when Jumanji: Welcome to the Jungle experienced much smaller declines than Star Wars: The Last Jedi and the two films switched positions. I expect that to occur now with The Next Level staying in second and Skywalker falling to third (though I have it about as close as can be).

And with that, my top 6 outlook:

1. 1917

Predicted Gross: $31.8 million

2. Jumanji: The Next Level

Predicted Gross: $17 million

3. Star Wars: The Rise of Skywalker

Predicted Gross: $16.9 million

4. Like a Boss

Predicted Gross: $12.4 million

5. Little Women

Predicted Gross: $10.3 million

6. Just Mercy

Predicted Gross: $9.8 million

Box Office Results (January 3-5)

2020 started off as 2019 closed with Star Wars: The Rise of Skywalker in first. The ninth official episode of the franchise fell over 50% to $34.5 million, right on pace with my $34.4 million prediction. The total stands at $451 million.

Jumanji: The Next Level remained second with a considerably smaller dip at $26.2 million, a bit ahead of my $23.8 million projection. It’s up to $235 million and has another week of non threatening competition until Dolittle arrives.

Little Women had a terrific sophomore hold in third with $13.6 million (I said $12.1 million). The two week tally is $60 million as it seems destined to hit the century mark.

Frozen II was fourth with $11.8 million, in range with my $11.6 million forecast. The Disney behemoth is now at $450 million.

Finally, the year’s first wide release was The Grudge. The horror reboot was a dud with critics and audiences. The latter gave it an unprecedented F Cinemascore grade. Opening in fifth and making $11.4 million, it did manage to top my $10.2 million take. And considering it only cost a reported $10 million to produce, don’t feel too bad for Sony. Based on word of mouth, I expect it to fall off a cliff next weekend.

And that does it for now, folks! Until next time…

2019 Golden Globes Recap

True to form, The Hollywood Foreign Press Association did what they do and provided some genuine surprises at tonight’s Golden Globes Awards. Some things were predictable and not just the edgy jokes from host Ricky Gervais.

The first cinematic award bestowed was an obvious one with Parasite taking Foreign Language Film. Yet the smart money was on its maker Bong Joon-Ho to win Director and after that, one would think Martin Scorsese and Quentin Tarantino were next in line. That’s not how it played out as Sam Mendes took the statue for 1917, which opens nationwide this weekend. Any thought that Mendes doesn’t make the final Oscar five has pretty much fallen by the wayside.

And then at the end of the evening, it was 1917 taking Best Drama over favorites The Irishman and Joker. This potentially changes the narrative of Once Upon a Time in Hollywood, The Irishman, and Parasite being the trio of pictures with a shot to win.

It was a good night for Once Upon a Time in Hollywood as Tarantino’s ninth feature won all three categories I predicted it would: Musical/Comedy, Screenplay, and Supporting Actor for Brad Pitt. The latter victory solidifies the narrative for a glide path for Pitt in the upcoming ceremonies.

The same could be said for several acting races. For Supporting Actress, the Golden Globes perhaps gave Jennifer Lopez (Hustlers) her best shot at upsetting Laura Dern for Marriage Story. However, Dern emerged victorious and maintained her front runner status.

In the divided lead competitions, Joaquin Phoenix (Joker) and Renee Zellweger’s (Judy) podium trips were pretty much expected. In Actor, it was the first result of what’s expected to be an Oscar showdown between Phoenix and Adam Driver (Marriage Story). Zellweger’s Academy chances continue to look strong.

In the Musical/Comedy races, Taron Egerton’s Rocketman win over Eddie Murphy (Dolemite Is My Name) and Leonardo DiCaprio (Once Upon a Time in Hollywood) appears significant. I haven’t included him in my five nominees in the super competitive Actor race at the Oscars. Expect that to change tomorrow.

Awkwafina’s win in The Farewell was anticipated as she was the only nominee with a chance at an Oscar nod. In other words, I’m not sure how much this changes her chances in Best Actress (I currently have her on the outside looking in at sixth).

There was another major upset early on with Missing Link beating out Toy Story 4 for Animated Film. Pretty much no one saw this one coming. I still don’t think it wins the Oscar with Pixar still the favorite.

A somewhat less surprising victory was Joker for Score. Still with all the 1917 love, one would figure the World War I epic might have taken that as well.

Finally, Best Song (as predicted) gave Elton John and longtime writer Bernie Taupin their first trip together to an awards stage… how is that possible?? “(I’m Gonna) Love Me Again” could certainly give “Into the Unknown” from Frozen II competition at the Oscars.

It must be said that it was a bad night for The Irishman with zero wins. It should still get a boatload of Oscar nods, but its chances at winning several took a blow this evening.

So how’d I do with my projections? 9 for 14. I’ll take it considering the upsets! My Oscar predictions will be updated on the blog tomorrow and as you’ve read, expect at least one change due to tonight’s happenings.

The Film Critics Catch the Parasite

The National Society of Film Critics (consisting of film reviewers in New York and Los Angeles) bestowed their honors on the day before the Golden Globes. They clearly loved Bong Joon-Ho’s Parasite as it won Best Film, Director, and Screenplay. This comes one year after the NSFC surprised everyone by picking Chloe Zhao’s The Rider for their top prize. It was never considered a real contender at the Oscars. That is decidedly not the case with Parasite. Worth noting is that only two winners here over the decade (Spotlight, Moonlight) ended up taking Best Picture from the Academy.

In the acting races, there was only one surprise with Mary Kay Place winning Best Actress for Diane. I currently have her ranked #10 on my Academy chart. However, the last 7 winners here went on to nab Oscar nods. She may creep up a bit when I do my Oscar estimates on Monday, but it’s highly doubtful she’ll place in the top 5.

As for the ultra competitive Best Actor derby, Antonio Banderas took it for Pain and Glory. Along with anyone not named Adam Driver or Joaquin Phoenix, he’s among the eight thespians vying for Academy spots 3-5.

The supporting races went to two front runners. Brad Pitt got Supporting Actor for Once Upon a Time in Hollywood while Laura Dern won in Supporting Actress for both Marriage Story and Little Women. She’s widely considered a threat to win the Oscar in the former.

Bottom line: it was a very good day for Parasite while Mary Kay Place’s victory could boost her visibility a bit.

2019 Golden Globe Final Predictions – WINNERS

With the exception of two or three categories, the only thing that seems certain for Sunday night’s Golden Globe Awards is that host Ricky Gervais will say something to upset people. With questions about who and what will emerge victorious this awards season, there is plenty of drama to go with the music and comedy this weekend.

While I spend a lot of time prognosticating the Oscars on this blog, I only did one post estimating what the Hollywood Foreign Press gave us for consideration. And now it’s time to predict the winners.

First, a quick Globes 101. This ceremony splits the lead acting races and pictures into Drama and Musical or Comedy. They do not split screenplay into Adapted or Original like the Academy does. Furthermore, unlike the Oscars, foreign pictures are nominated only in that race and are not eligible for the two top Picture categories.

This creates a fascinating dynamic Sunday evening as Oscar’s likely top three potential Best Picture winners (The Irishman, Once Upon a Time in Hollywood, Parasite) are all in different races. Bottom line: the Globes could be more helpful in pointing out what direction Academy voters may go in the acting derbies. We shall see…

Here goes as I break down each competition with analysis and a winner pick:

Best Motion Picture – Drama

The Nominees: 1917, The Irishman, Joker, Marriage Story, The Two Popes

Analysis: Of the three motion picture races, this is the one I feel least confident about. In 2018, the HFPA went with a giant blockbuster and a surprise with Bohemian Rhapsody. If they go this route again, you can expect Joker to be the victor. After all, 1917 hasn’t even opened wide yet (it could sneak a win too) and the other three are Netflix releases. This ultimately serves as the first major test for The Irishman as it moves through awards season. I’ll give it the edge, but not my much.

PREDICTED WINNER – THE IRISHMAN

Alternate – Joker

Best Motion Picture – Musical or Comedy

The Nominees: Dolemite Is My Name, Jojo Rabbit, Knives Out, Once Upon a Time in Hollywood, Rocketman

Analysis: Some simple math here as Hollywood is the only nominee that also scored a nod for its director. That bodes well and this is the clear frontrunner.

PREDICTED WINNER – ONCE UPON A TIME IN HOLLYWOOD

Alternate – Rocketman

Best Director

The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)

Analysis: This could certainly come down to Scorsese vs. Tarantino. Yet Sunday could be the beginning of a huge run for Joon-Ho picking up directing honors. I think that’s what happens.

PREDICTED WINNER – BONG JOON-HO

Alternate – Quentin Tarantino

Best Actor – Drama

The Nominees: Christian Bale (Ford v Ferrari), Antonio Banderas (Pain and Glory), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)

Analysis: The Driver vs. Phoenix battle begins with the Globes. Joker did extremely well with Globes voters and this race probably represents its best chance for a victory. Driver is quite viable, but I’m going Phoenix.

PREDICTED WINNER – JOAQUIN PHOENIX

Alternate – Adam Driver

Best Actress – Drama

The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)

Analysis: In what could absolutely be the Oscar final five, Zellweger’s work as the iconic Judy Garland seems like the type of performance HFPA will eat up. Johansson and Theron are threats, but this could be the first of a couple more Zellweger podium walks.

PREDICTED WINNER – RENEE ZELLWEGER

Alternate – Scarlett Johansson

Best Actor – Musical or Comedy

The Nominees: Daniel Craig (Knives Out), Roman Griffin Davis (Jojo Rabbit), Leonardo Dicaprio (Once Upon a Time in Hollywood), Taron Egerton (Rocketman), Eddie Murphy (Dolemite Is My Name)

Analysis: For Craig and Davis, it’s an honor to be nominated as this is a three person race. Both Egerton and DiCaprio should pick up significant votes and I’m awfully tempted to go Leo. However, Murphy’s acclaimed performance and his legendary status (especially coming so soon after his SNL return) could be irresistible to the HFPA.

PREDICTED WINNER – EDDIE MURPHY

Alternate – Leonardo DiCaprio

Best Actress – Musical or Comedy

The Nominees: Ana de Armas (Knives Out), Awkwafina (The Farewell), Cate Blanchett (Where’d You Go Bernadette), Beanie Feldstein (Booksmart), Emma Thompson (Late Night)

Analysis: Awkwafina is really the only player here with an Oscar shot so she’s a strong frontrunner. It’s pretty much that simple. I’d say de Armas is the only upset possibility and it’s rather slim.

PREDICTED WINNER – AWKWAFINA

Alternate – Ana de Armas

Best Supporting Actor

The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)

Analysis: What a list of legends we have here as Pacino and Pesci may split votes and that paves the way for Pitt. Expect this to be a familiar refrain.

PREDICTED WINNER – BRAD PITT

Alternate – Joe Pesci

Best Supporting Actress

The Nominees: Kathy Bates (Richard Jewell), Annette Bening (The Report), Laura Dern (Marriage Story), Jennifer Lopez (Hustlers), Margot Robbie (Bombshell)

Analysis: The smart money is on Lopez, who’s had a remarkable comeback in 2019. I may regret this, but I’m going with a gut feeling that Dern takes it and that may represent the only win for Marriage Story of its six nods.

PREDICTED WINNER – LAURA DERN

Alternate – Jennifer Lopez

Best Screenplay

The Nominees: The Irishman, Marriage Story, Once Upon a Time in Hollywood, Parasite, The Two Popes

Analysis: The only entry here I don’t see with a fair shot of winning is Popes. This is a coin flip situation. Despite what I just said about Dern, Marriage could absolutely win. The Parasite love could extend here and same with Irishman. Tough one, but I’ll give Tarantino the edge (especially since I’m betting against him in Director).

PREDICTED WINNER – ONCE UPON A TIME IN HOLLYWOOD

Alternate – Marriage Story

Best Foreign Language Film

The Nominees: The Farewell, Les Miserables, Pain and Glory, Parasite, Portrait of a Lady on Fire

Analysis: All five pics have their ardent admirers, but here’s the deal. If Parasite doesn’t win, it would constitute the biggest upset of the evening. Not happening.

PREDICTED WINNER – PARASITE

Alternate – umm… let’s say Pain and Glory

Best Animated Feature Film

The Nominees: Frozen II, How to Train Your Dragon: The Hidden World, The Lion King, Missing Link, Toy Story 4

Analysis: Disney has 60% of the nominees here, including that rather shocking Lion King inclusion. I wouldn’t totally count out Dragon, but Pixar should get the glory.

PREDICTED WINNER – TOY STORY 4

Alternate – How to Train Your Dragon: The Hidden World

Best Orignal Score

The Nominees: 1917, Joker, Little Women, Marriage Story, Motherless Brooklyn

Analysis: This one isn’t easy as just Brooklyn seems unlikely to get it. I’ll give Thomas Newman (1917) a small advantage over cousin Randy (Marriage Story), Alexandre Desplat (Women), and Hildur Guonadottir (Joker).

PREDICTED WINNER – 1917

Alternate – Little Women

Best Original Song

The Nominees: “Beautiful Ghosts” from Cats, “(I’m Gonna) Love Me Again” from Rocketman, “Into the Unknown” from Frozen II, “Spirit” from The Lion King, “Stand Up” from Harriet

Analysis: Never count out Disney with the ballad from Frozen II, but the general consensus is it’s no “Let It Go”. There’s some serious heavy hitters here with Beyonce, Taylor Swift, and Elton John in the mix. HFPA might want to see Elton onstage.

PREDICTED WINNER – “(I’M GONNA) LOVE ME AGAIN” FROM ROCKETMAN

Alternate – “Into the Unknown” from Frozen II

So this means I’m predicting the Globes spread it around with the following winner counts:

3 Wins

Once Upon a Time in Hollywood

2 Wins

Parasite

1 Win

1917, Dolemite Is My Name, The Farewell, The Irishman, Joker, Judy, Marriage Story, Rocketman, Toy Story 4

I’ll have a recap of the show up Sunday night with my results!

Underwater Box Office Prediction

Kristen Stewart headlines the sci-fi aquatic horror flick Underwater next weekend and the actress could be in for her second big budget flop in as many months. Directed by William Eubank, the supporting cast includes Vincent Cassel, Jessica Henwick, John Gallagher, Jr., Mamoudou Athie, and T.J. Miller.

Shot in 2017, the Fox release sports a reported $80 million price tag to go with its January dumping ground release date. It seems to be generating very little buzz at all. Stewart starred in the Charlie’s Angels reboot that absolutely tanked in November. Angels started off on over 3400 screens and grossed an atrocious $8.6 million for its opening frame.

My feeling is that this won’t even hit those numbers. Underwater is slated to hit around 3000 theaters and it’s hard to imagine that wide of a release not making at least $5 million. This may test that theory, but I’ll put it just over that.

Underwater opening weekend prediction: $5.4 million

For my 1917 prediction, click here:

https://toddmthatcher.com/2020/01/01/1917-box-office-prediction/

For my Just Mercy prediction, click here:

https://toddmthatcher.com/2020/01/01/just-mercy-box-office-prediction/

For my Like a Boss prediction, click here:

https://toddmthatcher.com/2020/01/01/like-a-boss-box-office-prediction/

Like a Boss Box Office Prediction

Tiffany Haddish and Rose Byrne headline the business themed comedy Like a Boss next weekend as Paramount Pictures hopes many girls will make a trip to view it. Originally slated for release last summer, Boss is directed by Miguel Arteta with a supporting cast including Jennifer Coolidge, Billy Porter, and Salma Hayek.

It’s been over two years since Haddish broke through in a major way with Girls Trip and her lucky streak continued with Night School with Kevin Hart. However, things have slowed down a bit as of late with Nobody’s Fool (which grossed $14 million for its start). Then there was last year’s crime drama flop The Kitchen with Byrne’s Spy costar Melissa McCarthy.

The lack of much comedic competition should help a bit, but buzz seems to fairly muted here. My guess is this makes a bit under what Fool accomplished and struggles to hit teens.

Like a Boss opening weekend prediction: $12.4 million

For my 1917 prediction, click here:

https://toddmthatcher.com/2020/01/01/1917-box-office-prediction/

For my Just Mercy prediction, click here:

https://toddmthatcher.com/2020/01/01/just-mercy-box-office-prediction/

For my Underwater prediction, click here:

https://toddmthatcher.com/2020/01/02/underwater-box-office-prediction/

Just Mercy Box Office Prediction

After opening in limited release over the holidays, true life legal drama Just Mercy expands nationwide next weekend. From director Destin Daniel Cretton, the pic stars Michael B. Jordan as attorney seeking to free wrongfully imprisoned Jamie Foxx. The supporting cast includes Brie Larson, Rob Morgan, Tim Blake Nelson, and Rafe Spall.

Mercy premiered at the Toronto Film Festival back in September to mostly positive reviews. It stands at 81% on Rotten Tomatoes. However, it never managed to achieve any significant awards chatter with the exception of a SAG nod in Supporting Actor for Foxx. He might still get an Oscar nomination (even though that’s iffy), but that should be the extent of any Academy attention. More buzz for top tier nominations could have assisted with the box office.

In the Christmas weekend, this got a per theater average under $30,000 on four screens. That’s less than other rollouts for prestige projects. I will estimate that Mercy barely doesn’t reach double digits as it hits over 2000 venues.

Just Mercy opening weekend prediction: $9.8 million

For my 1917 prediction, click here:

https://toddmthatcher.com/2020/01/01/1917-box-office-prediction/

For my Like a Boss prediction, click here:

https://toddmthatcher.com/2020/01/01/like-a-boss-box-office-prediction/

For my Underwater prediction, click here:

https://toddmthatcher.com/2020/01/02/underwater-box-office-prediction/

1917 Box Office Prediction

Blogger’s Note (01/05): The film’s victory for Best Drama at the Golden Globes is pushing my estimate up… from $26.8 million to $31.8 million

1917 blasts onto screens next weekend and hopes to generate its awards buzz into a rousing first frame at multiplexes. The World War I epic comes from Sam Mendes, Oscar winning director of American Beauty who’s been busy with the Bond franchise lately with Skyfall and Spectre. Cast members include George MacKay, Dean-Charles Chapman, Mark Strong, Andrew Scott, Richard Madden, Colin Firth, and Benedict Cumberbatch.

Critics have been on its side as 1917 currently sports a 90% Rotten Tomatoes score. The film is expected to nab several Oscar nods (including possibly Picture and Director and tech nods) on the Monday following its wide release. In the limited rollout over the holidays, it held a sturdy per theater average of over $50,000.

War movies have done well in January over the past few years. The high water mark is American Sniper, which made nearly $90 million out of the gate five years ago. This isn’t anticipated to be anywhere near that, but there are other decent comps to consider. In 2013, Zero Dark Thirty took in $24 million in its expansion.

This is right in the range where I see 1917 landing in the mid 20s (SEE BLOGGER’S NOTE ABOVE).

1917 opening weekend prediction: $31.8 million

For my Just Mercy prediction, click here:

https://toddmthatcher.com/2020/01/01/just-mercy-box-office-prediction/

For my Like a Boss prediction, click here:

https://toddmthatcher.com/2020/01/01/like-a-boss-box-office-prediction/

For my Underwater prediction, click here:

https://toddmthatcher.com/2020/01/02/underwater-box-office-prediction/

Star Wars: The Rise of Skywalker Movie Review

We talk about the Star Wars franchise the same way we speak of politics or sports. With passion and fervent opinions and disagreements. Perhaps we are giving it too much credit, but it’s become an American cinematic pastime. No group of films has inspired as much thought and re-thought. So we arrive at the ninth episode, The Rise of Skywalker, with all that baggage and more. After all, this one is tasked with closing out the saga that began at a time far, far away in 1977. Returning to direct with that weight on his shoulders is J.J. Abrams, who kickstarted the series for new owner Disney four years ago with The Force Awakens.

He does so two years following The Last Jedi from Rian Johnson, which sharply divided fans and critics by going in unexpected directions. Even Luke Skywalker himself, Mark Hamill, didn’t jive with the choices Johnson made with his character shuddered on an island and not wishing to utilize his Jedi skills. That was one compliant from some diehard fans, among others. You could say they had their knives out for it, so to speak.

I found The Last Jedi to be flawed and disjointed, but also filled with great moments. There aren’t many of them here in Skywalker. As I ponder it, episodes VII-IX do follow a similar arc as the iconic I-III. The Force Awakens was tasked with introducing new and exciting characters from these galaxies. It also had to mix in Luke and Leia and Han Solo and Chewie. I felt, for the most part, that it did so successfully. That especially applies to Rey (Daisy Ridley) and Kylo Ren (Adam Driver). In fact, their little therapy sessions from The Last Jedi were highlights of the whole trilogy. The common critique of Awakens is that it was a rehash of the first Star Wars. While this is with some merit, it didn’t take away my immense enjoyment of it.

As mentioned, The Last Jedi was more of a mixed bag. Yet with Johnson’s sometimes confounding but often daring choices, it was also the boldest. This is where a comparison with 1980’s The Empire Strikes Back seems fair. Don’t get me wrong. It’s nowhere in its league, but it did take what happened in the predecessor and take it in unexpected directions.

And now The Last Skywalker. Like 1983’s Return of the Jedi, this trilogy finale has to wrap it all up. Allow me to throw in this disclaimer – I don’t hold Return of the Jedi anywhere near the regards of what came before it. While I feel there are terrific moments, there’s a lot that didn’t work me and not just the Ewoks. It often felt a little tired and unsure of what to do with itself for a chunk of the running time. That applies to Skywalker and there’s aren’t as many terrific moments.

The similarities don’t end on just a quality level. Ultimately, the main plot here finds Rey facing a choice of whether to stay a Jedi or follow her lineage to the dark side… just as Luke did in Jedi. By the way, those lineage inquiries are addressed. Another complaint in Rian Johnson’s script was how he handled that aspect. Rey’s supporting cast is around with Finn (John Boyega) and Poe (Oscar Isaac) marshaling support to take on Kylo. And as the trailer suggested, Emperor Palpatine (Ian McDiarmid) is back in the mix, too. So is Billy Dee Williams as cocky fighter pilot Lando. His return isn’t exactly as pined for as what we got with Luke, Leia, and Han. As for Leia, Carrie Fisher does return utilizing unused footage from Awakens and Last Jedi. It’s handled delicately.

There are new players with Richard E. Grant joining Domhnall Gleeson as one of Kylo’s top lieutenants. Abrams throws some small parts to Keri Russell and Dominic Monaghan (who both starred in his TV shows). The short shrift is given to Rose (Kelly Marie Tran), who had more of a presence in Last Jedi, but is basically ignored. That’s not exactly a problem as this is the Rey and Kylo show. Once again, both Ridley and Driver’s performances are first rate. Truth be told, though, Johnson wrote their dynamic better the last time around.

For the major detractors of The Last Jedi, perhaps this episode will feel like a return to Star Wars normalcy. I’m happy to listen to an argument that Johnson’s effort pairs well with the return of Abrams, but it would take lots of convincing. Skywalker often reeks of a course correction. This is becoming more common with franchises. We just saw Terminator: Dark Fate ignore the three pictures ahead of it. The X-Men series had to get creative with their timeline and do away with it under specific circumstances.

Those franchises aren’t Star Wars. The meeting between Han Solo and his son Kylo in The Force Awakens was a memorable, emotional, and surprising one. Whatever Mark Hamill and others might think about his treatment in The Last Jedi, a brief reunion with his sister in it was marvelous. In Skywalker, Abrams goes for a lot of those moments. And it felt, well, forced. The visual splendor and incredible production design (and the rousing John Williams score) is intact. A few scenes with Rey and Kylo work. Ultimately, I suspect my feelings about The Rise of Skywalker will be somewhat similar to Return of the Jedi – as an inferior product to its two predecessors.

**1/2 (out of four)