Filmmaker Werner Herzog has been known more for his documentaries in recent years than fictional features. Yet he’s back in Venice (and then Telluride and Toronto) with the latter via Bucking Fastard. Real life sisters Rooney and Kate Mara headline as two siblings in the oddball drama where their characters share a rare emotional connection. Orlando Bloom and Domhnall Gleeson costar.
Herzog is known for eccentric tales and Fastard (with an eccentric title to boot) appears to fit that description. Critics are appreciating the work of the two leads while most reviews are more mixed on the picture itself. The Rotten Tomatoes rating is 68% with Metacritic at 58. This was never seen as much of an awards contender and reaction from Italy prove its chances are, well, bucked. My Oscar Prediction posts will continue…
Out this Labor Day weekend and not expected to make much of a box office splash is the historical crime drama By Any Means. It has quiet word-of-mouth and seems generic enough that I called it By All Means in my box office prediction post for it. Two or three days passed before I realized I had the wrong title. Yahya Abdul-Mateen II, Mark Wahlberg, Nicole Beharie, Josh Lucas, David Strathairn, and Giancarlo Esposito are among cast members.
To be fair, the reviews aren’t bad with 67% on Rotten Tomatoes and 56 on Metacritic. And perhaps it’ll bring in a larger than expected adult crowd over the holiday weekend. However, this was never seen as an awards player. That is… until a few days ago.
Enter Diane Warren. Oscar pundits know the name well. The prolific songwriter has been nominated 17 times for her original songs without a victory to show for it. That’s the most at bats without a home run. The Academy did give her an honorary statue in 2022. It was announced that Warren is behind the title track for Any, performed by the Isley Brothers and David Kushner. Warren currently stands at nine nominated tracks in a row dating back to 2017. Simply put, history indicates “By Any Means” could by all means become the 10th in succession. Once again, a win could be elusive. My Oscar Prediction posts will continue…
Martin McDonagh’s last two features have received Best Picture and screenplay nominations and a combined seven acting mentions yielding two wins. 2017’s Three Billboards Outside Ebbing, Missouri had our Best Actress (Frances McDormand) and Supporting Actor (Sam Rockwell) victors with Woody Harrelson also up in supporting. The Banshees of Inisherin, while 0 for 4 in podium walks, saw Colin Farrell (Actor), Kerry Condon (Supporting Actress), and Brendan Gleeson and Barry Keoghan (Supporting Actor in contention) in the mix.
So it’s no surprise that Wild Horse Nine, the filmmaker’s latest black comedy, was considered a serious awards contender upon announcement. John Malkovich, Sam Rockwell, Steve Buscemi, Mariana di Girolamo, Ailín Salas, Tom Waits, and Parker Posey are in the ensemble. It has screened at Venice prior and moves to Telluride and Toronto before the November 6th theatrical bow.
Early word-of-mouth from Italy gives it an 83% Rotten Tomatoes rating and 79 on Metacritic. That’s not as high as Billboards or Banshees. However, the strongest reviews indicate this should be a third BP nominee in a row for McDonagh. Directing is more of a question mark while his original screenplay seems like a certainty. Down-the-line inclusion in Casting (a strong possibility), Film Editing, Cinematography, and Original Score are achievable.
One of the biggest question marks has been which performers will rise out of the group. Malkovich has been nominated in Supporting Actor twice – 42 years ago for The Killing Fields and 33 years ago for In the Line of Fire. It appears his first leading nom is coming based on buzz and he might be a threat to win. This is assuming Fox Searchlight campaigns for him there instead of supporting. Until I hear different, I’m making that assumption. Rockwell appears more poised to get attention in that race than Buscemi though it’s worth a reminder that both Banshees boys got in. As for the females providing support, a better than expected haul for Horse could sweep di Girolamo or Posey in. Yet I’m less convinced about both making the cut and I’ve had the former in my projected five since my initial predictions. That may change in my next update. What hasn’t changed is that Wild is an awards player as expected. My Oscar Prediction posts will continue…
The Venice Film Festival kicks off today with Telluride and Toronto soon to follow. Danny Boyle’s Ink is the Italian fest’s opening feature. The filmmaker’s Slumdog Millionaire was the Best Picture honoree in 2008. Based on the 2017 stage play, the film recounts the founding and evolution of British tabloid The Sun from the late 1960s to the 1980s. Jack O’Connell, Claire Foy, and Guy Pearce (as Rupert Murdoch) headline the cast. Ink is slated for a limited and Oscar-qualifying theatrical engagement on December 11th before a Netflix bow on January 8th.
Sometimes a festival premiere will greatly increase or decrease a pic’s awards viability. The initial reaction to Ink pretty much puts it where I assumed it was. With 87% on Rotten Tomatoes and 81 on Metacritic, reviews are generally praising many aspects without going overboard.
I’ve had Ink just on the outside looking in for Best Picture contention. My update three days ago had it 11th. Netflix faces a choice with how hard they go in their campaign as The Black Ball will likely be their main focus. Right now my hunch that it misses the BP cut feels correct.
The buzz from Venice also indicates that O’Connell, Foy, and Pearce all deliver fine performances. However, only Pearce seems truly viable for consideration in the Supporting Actor field. The veteran performer landed his first nom two years ago for The Brutalist and was arguably runner-up for the win. He is nowhere near a shoo-in to make the final five though I suspect he’ll be in the mix in a way his costars are not.
Ink could also play in Adapted Screenplay and Film Editing. For the latter, that may apply only if it sneaks into the BP race. That is certainly a possibility, but I’m leaning the other way as the ink figuratively dries on this write-up. My Oscar Prediction posts will continue…
There are multiple new releases making their way to multiplexes over the Labor Day frame, but I only have one managing a top five showing. That would be 1960s set crime thriller By Any Means with Mark Wahlberg and Yahya Abdul-Mateen II as it attempts double digits over the holiday weekend. You can peruse my detailed prediction post on it here:
As summer turns into fall on the cinematic calendar, the MCU should be perched atop the charts for a sixth weekend in a row courtesy of Spider-Man: Brand New Day. A note that over this particular weekend, holdovers often experience minimal percentage declines or even a slight increase as moviegoers catch up on recent offerings. From Friday to Monday, I have Spidey essentially doing what it did in its fifth outing.
The Odyssey could return to second place from third while Coyote vs. Acme drops a spot after a notable premiere (more on that below). The latter’s second week drop is a head scratcher and it could be more front-loaded that I’m assuming. On the flip side, families could show up in solid numbers since it appears to have fresh word-of-mouth with an A Cinemascore.
Means may flirt with $10M+ in a best case scenario though I’ve got falling under for a fourth place start and Insidious: Out of the Further rounding out the top five.
As for other fresh product, I’m skeptical that horror offering Onslaught from Adam Wingard, survival flick sequel Fall 2: Deadpoint (out Wednesday), or Pixar’s 20th anniversary re-issue of Cars populate the top half of the top ten so no individual posts for that trio.
And with that, here’s how I have the top 5 shaking out and keep in mind that these are Friday through Monday guesstimates:
1. Spider-Man: Brand New Day
Predicted Gross: $23 million
2. The Odyssey
Predicted Gross: $14.8 million
3. Coyote vs. Acme
Predicted Gross: $13.2 million
4. By Any Means
Predicted Gross: $7.8 million
5. Insidious: Out of the Further
Predicted Gross: $7.5 million
Box Office Results (August 28-30)
As anticipated, Spider-Man: Brand New Day had no trouble swinging to a fifth victory with $22.5 million, in line with my $23.2 million call. With $891 million in its coffers, Day looks to exceed domestic record holder Star Wars: The Force Awakens ($936 million) in short order.
After Warner Bros jettisoned it as a tax write-off in 2023, Ketchup Entertainment squeezed some decent figures out of the live-action/animated hybrid Coyote vs. Acme. With $15.9 million, it was runner-up and surpassed my $13.8 million projection. Considering it was never going to see the light of day if WB had their way, it’s a better than expected result.
The Odyssey was third after four weeks in second position with $14.3 million, just under my $15.6 million call for a seven-week take of $563 million.
Insidious: Out of the Further dropped 59% in its sophomore weekend with $10.2 million compared to my $9.4 million take. The sixth feature in the horror franchise is at $43 million total.
With so-so reviews and muted WOM, Ridley Scott’s The Dog Stars starring Jacob Elordi, Josh Brolin, and Margaret Qualley failed to find an audience in fifth with $7.7 million (I said $8.3 million).
Finally, Roadside Attractions had a laudable showing with the low-budget Buddy in sixth. I didn’t do a prediction write-up for it, but the satirical horror tale made $5.5 million. The per theater average nearly equaled that of Acme.
