Month: September 2022

2022 Oscar Predictions: September 5th Edition

As I always say at the beginning of September on this blog – what a difference a few days makes as Venice is at its midpoint and Telluride occurred over the holiday weekend. The Toronto Film Festival begins Thursday. For the first time, I am thrilled to announce that I will be in attendance and have screenings scheduled for several potential heavy hitters! They include The Fabelmans, The Son, The Whale, Women Talking, The Banshees of Inisherin, Triangle of Sadness, Empire of Light, The Menu, The Wonder, Bros, The Greatest Beer Run Ever, and The Good Nurse. 

The fall festivals always cause the fortunes of certain pictures to rise and fall. Alejandro Gonzalez Inarritu’s Bardo received mixed reviews out of Lido and it has dropped out of my predictions in Picture, Director, Actor (Daniel Gimenez Cacho), and Supporting Actress (Griselda Sicillani). On the other hand, Sarah Polley’s Women Talking looks to have solidified its position as a BP hopeful while Claire Foy and Jessie Buckley appear to be the two likeliest nominees from its ensemble. Cate Blanchett (Tar) and Brendan Fraser (The Whale) have positioned themselves as surefire nominees and potential winners in the lead acting derbies. Tar itself improved its standing in Picture, Director, and Original Screenplay. Empire of Light is no slam dunk for BP, but it’s in the mix and Olivia Colman seems solid in Actress. The Banshees of Inisherin may be Fox Searchlight’s better hope over Empire. It drew a rapturous Venice reaction today and has vaulted into Picture, Actor, Supporting Actor, and Original Screenplay on my chart. Bones and All, despite some gushing reviews, could face challenges to fit into the BP race. Don’t Worry Darling, due to some middling write-ups, is probably toast.

Of course, we know that festivals are not the end all and be all for final verdicts. For example, Armageddon Time from James Gray seemed DOA after a so-so Cannes bow in the summer. Yet when it played Telluride over the weekend, the buzz was stronger. It’s awards heart is beating again – even if faintly.

This will probably be my last update for two weeks as I’ll be a Canadian for a few days. You can bet you’ll see lots of other individual Oscar prediction posts as well as reviews of the aforementioned pictures. When I update in a couple of weeks, I’m anticipating branching out to all races covering feature films. Until then, you can peruse all the movement (and there is definitely a lot of it) below!

Best Picture

Predicted Nominees:

1. The Fabelmans (Previous Ranking: 1) (E)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Women Talking (PR: 6) (+2)

5. The Son (PR: 5) (E)

6. Top Gun: Maverick (PR: 10) (+4)

7. The Whale (PR: 8) (+1)

8. Tar (PR: 11) (+3)

9. The Banshees of Inisherin (PR: 18) (+9)

10. Triangle of Sadness (PR: 9) (-1)

Other Possibilities:

11. Empire of Light (PR: 7) (-4)

12. Decision to Leave (PR: 12) (E)

13. She Said (PR: 14) (+1)

14. Avatar: The Way of Water (PR: 16) (+2)

15. Elvis (PR: 15) (E)

16. White Noise (PR: 13) (-3)

17. Bones and All (PR: 22) (+5)

18. Armageddon Time (PR: Not Ranked)

19. Till (PR: 20) (+1)

20. Glass Onion: A Knives Out Mystery (PR: 23) (+3)

21. Broker (PR: 17) (-4)

22. Black Panther: Wakanda Forever (PR: 19) (-3)

23. Living (PR: 25) (+2)

24. Bardo (PR: 4) (-20)

25. The Greatest Beer Run Ever (PR: 24) (-1)

Dropped Out:

The Menu

Best Director

Predicted Nominees:

1. Steven Spielberg, The Fabelmans (PR: 1) (E)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Daniels, Everything Everywhere All at Once (PR: 3) (E)

4. Sarah Polley, Women Talking (PR: 6) (+2)

5. Ruben Ostlund, Triangle of Sadness (PR: 5) (E)

Other Possibilities:

6. Todd Field, Tar (PR: 11) (+5)

7. Park Chan-wook, Decision to Leave (PR: 8) (+1)

8. Florian Zeller, The Son (PR: 9) (+1)

9. James Cameron, Avatar: The Way of Water (PR: 12) (+3)

10. Darren Aronofsky, The Whale (PR: 10) (E)

11. Sam Mendes, Empire of Light (PR: 7) (-4)

12. Martin McDonagh, The Banshees of Inisherin (PR: Not Ranked)

13. Joseph Kosinski, Top Gun: Maverick (PR: Not Ranked)

14. Noah Baumbach, White Noise (PR: 13) (-1)

15. Baz Luhrmann, Elvis (PR: 14) (-1)

Dropped Out:

Alejandro Gonzalez Inarritu, Bardo

Maria Schrader, She Said 

Best Actress

Predicted Nominees:

1. Cate Blanchett, Tar (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Margot Robbie, Babylon (PR: 3) (E)

4. Olivia Colman, Empire of Light (PR: 4) (E)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities:

6. Ana de Armas, Blonde (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)

8. Viola Davis, The Woman King (PR: 7) (-1)

9. Florence Pugh, The Wonder (PR: 12) (+3)

10. Carey Mulligan, She Said (PR: 10) (E)

11. Emma Thompson, Good Luck to You, Leo Grande (PR: Not Ranked)

12. Jennifer Lawrence, Causeway (PR: Not Ranked)

13. Taylor Russell, Bones and All (PR: Not Ranked)

14. Tang Wei, Decision to Leave (PR: 12) (-2)

15. Jessica Chastain, The Good Nurse (PR: 15) (E)

Dropped Out:

Regina King, Shirley (moved to 2023)

Frances McDormand, Women Talking (role not large enough)

Florence Pugh, Don’t Worry Darling 

Best Actor

Predicted Nominees:

1. Brendan Fraser, The Whale (PR: 2) (+1)

2. Hugh Jackman, The Son (PR: 1) (-1)

3. Austin Butler, Elvis (PR: 3) (E)

4. Colin Farrell, The Banshees of Inisherin (PR: 10) (+6)

5. Bill Nighy, Living (PR: 6) (+1)

Other Possibilities:

6. Diego Calva, Babylon (PR: 8) (+2)

7. Song Kang-ho, Broker (PR: 7) (E)

8. Micheal Ward, Empire of Light (PR: 5) (-3)

9. Adam Driver, White Noise (PR: 9) (E)

10. Tom Cruise, Top Gun: Maverick (PR: 11) (+1)

11. Paul Mescal, Aftersun (PR: 12) (+1)

12. Gabriel LaBelle, The Fabelmans (PR: 14) (+2)

13. Timothee Chalamet, Bones and All (PR: Not Ranked)

14. Kelvin Harrison, Jr., Chevalier (PR: 13) (-1)

15. Park Hae-il, Decision to Leave (PR: 15) (E)

Dropped Out:

Daniel Gimenez Cacho, Bardo 

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 1) (E)

2. Jessie Buckley, Women Talking (PR: 3) (+1)

3. Vanessa Kirby, The Son (PR: 2) (-1)

4. Claire Foy, Women Talking (PR: 14) (+10)

5. Hong Chau, The Whale (PR: 7) (+2)

Other Possibilities:

6. Laura Dern, The Son (PR: 6) (E)

7. Stephanie Hsu, Everything Everywhere All at Once (PR: 4) (-3)

8. Jean Smart, Babylon (PR: 8) (E)

9. Kerry Condon, The Banshees of Inisherin (PR: Not Ranked)

10. Samantha Morton, She Said (PR: 11) (+1)

11. Zoe Kazan, She Said (PR: 12) (+1)

12. Sadie Sink, The Whale (PR: 9) (-3)

13. Dakota Johnson, Cha Cha Real Smooth (PR: 13) (E)

14. Dolly De Leon, Triangle of Sadness (PR: 10) (-4)

15. Nina Hoss, Tar (PR: 15) (E)

Dropped Out:

Griselda Sicillani, Bardo

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR 2) (E)

3. Zen McGrath, The Son (PR: 3) (E)

4. Brendan Gleeson, The Banshees of Inisherin (PR: 8) (+4)

5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)

Other Possibilities:

6. Brad Pitt, Babylon (PR: 4) (-2)

7. Ben Whishaw, Women Talking (PR: 7) (E)

8. Anthony Hopkins, Armageddon Time (PR: Not Ranked)

9. Judd Hirsch, The Fabelmans (PR: 9) (E)

10. Anthony Hopkins, The Son (PR: 11) (+1)

11. Tom Hanks, Elvis (PR: 12) (+1)

12. Mark Strong, Tar (PR: Not Ranked)

13. Seth Rogen, The Fabelmans (PR: 13) (E)

14. Ralph Fiennes, The Menu (PR: 14) (E)

15. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (E)

Dropped Out:

Colin Firth, Empire of Light

Toby Jones, Empire of Light

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. The Banshees of Inisherin (PR: 7) (+4)

4. Triangle of Sadness (PR: 3) (-1)

5. Babylon (PR: 4) (-1)

Other Possibilities:

6. Tar (PR: 8) (+2)

7. Empire of Light (PR: 6) (-1)

8. Decision to Leave (PR: 9) (+1)

9. Armageddon Time (PR: Not Ranked)

10. Broker (PR: 11) (+1)

11. Bros (PR: 12) (+1)

12. Aftersun (PR: Not Ranked)

13. Cha Cha Real Smooth (PR: 13) (E)

14. Bardo (PR: 5) (-9)

15. The Menu (PR: 10) (-5)

Dropped Out:

Don’t Worry Darling

Chevalier

Best Adapted Screenplay

Predicted Nominees:

1. The Son (PR: 1) (E)

2. Women Talking (PR: 2) (E)

3. The Whale (PR: 3) (E)

4. She Said (PR: 4) (E)

5. White Noise (PR: 5) (E)

Other Possibilities:

6. Top Gun: Maverick (PR: 7) (+1)

7. Bones and All (PR: 8) (+1)

8. Living (PR: 6) (-2)

9. Glass Onion: A Knives Out Mystery (PR: 9) (E)

10. Till (PR: 10) (E)

11. The Lost King (PR: 11) (E)

12. The Greatest Beer Run Ever (PR: 12) (E)

13. The Wonder (PR: Not Ranked)

14. Elvis (PR: 13) (-1)

15. The Good Nurse (PR: 14) (-1)

Dropped Out:

The Woman King 

Oscar Predictions: Don’t Worry Darling

For weeks, there’s been loads of gossip pieces focused on Olivia Wilde’s sophomore effort Don’t Worry Darling (her follow-up to her glowingly received 2019 teen comedy Booksmart). They have everything to do with the director’s romance with costar and pop superstar Harry Styles, Florence Pugh’s decision not to participate in promotion for the picture, and confusion over whether original cast mate Shia LaBeouf quit the project or was fired. Even today, the Venice press conference is generating memes of Chris Pine looking like he’d rather be fighting Thanos somewhere.

None of this chatter has anything to do with the quality of the movie. That’s finally part of the discussion today as it has screened at Lido prior to its September 23rd release. The verdict? I don’t think Warner Bros needs to worry much about its awards campaign spending. They could cut that budget as Darling is posting mostly mediocre reviews (39% on RT at press time). Don’t get me wrong – they’re not all terrible, but none are strong enough to warrant any thought of Oscar nods.

Said to be a so-so Stepford Wives knockoff, Pugh is the beneficiary of the best ink. However, I’d say her performance in December’s The Wonder (which screened at Telluride over the weekend) gives her a better chance at a nomination. We’ll know soon if Darling is a financial success based on the “all press is good press” theory. It’s safe to say that won’t translate to the awards season. My Oscar Prediction posts will continue…

Oscar Predictions: The Banshees of Inisherin

Officially, The Banshees of Inisherin is Martin McDonagh’s follow-up to 2017’s Three Billboards Outside Ebbing, Missouri. Five years ago, that pic nabbed 6 Oscar nods including Picture and the playwright/filmmaker’s original screenplay while winning acting trophies for Frances McDormand and Sam Rockwell. Yet Banshees, thematically and personnel wise, may feel more like a follow-up to 2008’s In Bruges. That pitch black comedy earned critical raves and a Golden Globe for Colin Farrell in the Musical/Comedy Best Actor race. Mr. Farrell reunites with Brudges costar Brendan Gleeson in this 1920s set tale of Irish feuding friends. Barry Keoghan and Kerry Condon are among the supporting cast.

Early reviews are quite encouraging with some critics already claiming it’s McDonagh’s finest work to date. If that narrative holds, Banshees could be a bigger Oscar player than I had been assuming. It could even be Fox Searchlight’s strongest contender over Empire of Light, which has its ardent admirers but also drew some mixed Venice reaction. I certainly believe Farrell and Gleeson could be in line for their first nominations (I would think in Actor and Supporting Actor respectively). Condon is generating solid ink and could factor into Supporting Actress (though that category is looking increasingly stuffed). Original Screenplay seems a given while the Carter Burwell score could also make the cut.

If much of the above pans out, we could have another legit BP hopeful in Banshees. My Oscar Prediction posts will continue…

Oscar Predictions: Lady Chatterley’s Lover

In 1928, D.H. Lawrence novel Lady Chatterley’s Lover was banned in the United States and elsewhere due its explicit sexual nature and profanity. Nearly a century later, the latest celluloid version of his work lands in theaters this November before a December Netflix rollout. It played at Telluride over the weekend. This is Laure de Clermont-Tonnerre’s second directorial effort following 2019’s critically appreciated The Mustang. Emma Corrin and Jack O’Connell are the lead lovers with Matthew Duckett and Joely Richardson in the supporting cast.

Early reviews have this at 100% on Rotten Tomatoes with particular praise heaped on Corrin/O’Connell’s chemistry (expect to see a lot of them according to the buzz). Corrin is a Golden Globe winner as Princess Di on The Crown and she has a busy autumn as she costars alongside Harry Styles in My Policeman (soon screening in Toronto). I don’t think this is a BP contender, but I’ll be curious to see if Netflix attempts an Actress campaign for their Crown royalty. Perhaps that notion could pick up steam if the streamer feels she’s the best option, but I wouldn’t count on it. My Oscar Prediction posts will continue…

Oscar Predictions: Master Gardener

Despite penning the screenplays for Taxi Driver and Raging Bull, Paul Schrader somehow never got an Oscar nomination until his script for 2018’s First Reformed. That was the sole nod for that acclaimed effort as Schrader’s direction and Ethan Hawke’s central performance didn’t make the cut. Last year’s follow-up The Card Counter wasn’t an Academy player at all despite some decent critical reaction.

Schrader’s newest crime thriller is The Master Gardener which has premiered at Venice. Joel Edgerton stars as a horticulturist with a dark past. Sigourney Weaver and Quintessa Swindell costar. While there’s plenty of praise for Edgerton, the Rotten Tomatoes meter is at a middling 58%. If Counter (with an 87% RT score) couldn’t make a dent in the awards chatter, Gardener won’t either. My Oscar Prediction posts will continue…

Oscar Predictions: EO

The nation of Poland has been well represented in the International Feature Film competition at the Oscars over the past decade. 2014’s Ida won while 2018’s Cold War and 2019’s Corpus Christi made the final quintet. The Poles have already announced their selection for 2022 is EO from 84-year-old filmmaker Jerzy Skolimowski. Sandra Drzymalska, Lorenzo Zurzolo, Mateusz Kościukiewicz, and Isabelle Huppert star.

Often told from the perspective of a circus donkey (your eyes aren’t deceiving you), this garnered plenty of praise and head scratching when it played the Cannes Film Festival over the summer. It also tied for the Jury Prize in France. EO plays the Toronto Film Festival in a matter of days.

Said to be quite the surrealistic experience, the Rotten Tomatoes is at 95% on Rotten Tomatoes. The International branch is tough to predict. If they didn’t go for last year’s Lamb, I’m not overly confident they go for this. Based on the history of its country recently though – could it contend with the right marketing campaign? You bet your ass. My Oscar Prediction posts will continue…

Oscar Predictions: The Whale

The Venice Film Festival is where filmmaker Darren Aronofsky debuted 2008’s The Wrestler, which was a career resurgent role for Mickey Rourke that resulted in a Best Actor nomination (he was probably runner-up after Sean Penn as Milk). In 2010, his follow-up Black Swan‘s premiere in Lido began Natalie Portman’s eventual trip to the Academy’s stage in Best Actress.

Prognosticators have been expecting the same from Aronofsky with The Whale as it seeks to bring Brendan Fraser into the Oscar fold. Based on Samuel D. Hunter’s 2012 play, the pic takes place in one apartment with Fraser as 600 pound teacher attempting to reconnect with his daughter (Sadie Sink of Stranger Things). Costars include Hong Chau, Ty Simpkins, and Samantha Morton.

Reviews are just starting to surface and they are of the mixed variety. Some are claiming it’s an effective tearjerker while others say it misses the mark. However, Fraser’s work is being lauded to the extent that his first Best Actor nomination seems assured. Any other nods are iffy (with the likely exception of Makeup and Hairstyling due to the prosthetics work involved). In Supporting Actress, Chau is being singled out more than Sink and she appears to have a fair shot. As for Picture and Adapted Screenplay, let’s see how the coming days (it will hit Toronto as well) play out with the buzz. With the critical reaction varying widely, Fraser can at least plan his trip to the red carpet. Other races are up in the air. My Oscar Prediction posts will continue…

Oscar Predictions: Plan 75

Japan surprised awards prognosticators this week with the announcement that Plan 75 will be their competitor for International Feature Film at the Oscars. This has nothing to do with the quality of Che Hayakawa’s dystopian drama where the aging population is given the option to be euthanized. Plan garnered strong reviews out of Cannes and it will receive plenty of North American eyeballs next week in Toronto.

The unexpected development is that Japan could have submitted Hirokazu Kore-Eda’s heralded Broker (also making the rounds on the fest circuit) and it chose otherwise. The general consensus is that Broker, after South Korea understandably went with Decision to Leave over it, would have been close to a shoo-in nominee for the Academy’s international competition.

75‘s chances are a little murkier though solid notices out of Toronto could help. This comes a year after Japan’s Drive My Car was victorious in the foreign film race so we will see if their campaign skills are still sharp in 2022. My Oscar Prediction posts will continue…

Oscar Predictions: One Fine Morning

Mia Hansen-Love’s romance/drama One Fine Morning debuted at Cannes in May and is now doing a fall festival run that includes Toronto. The French pic is the latest acclaimed feature from a director who has had several (most recently last year’s Bergman Island). Lea Seydoux leads a cast that includes Melvil Poupaud, Pascal Greggory, and Nicole Garcia.

With Sony Picture Classics handling distribution, the French may have a dilemma on their hands. Morning has an impressive 96% Rotten Tomatoes rating and could be a solid choice for the country’s International Feature Film submission. However, they also have Romain Gavris’s buzzy action drama Athena. While its RT score is lower at 67%, the positive reviews are very positive and it will certainly have its champions for IFF inclusion.

Hansen-Love, despite plenty of heralded pics, has yet to receive any attention from the Academy. That’s part of the reason why I wouldn’t be surprised if France ultimately selects Athena as its hopeful for awards season. My Oscar Prediction posts will continue…

Oscar Predictions: Empire of Light

Empire of Light is the ninth feature film from Sam Mendes. Six of his previous eight titles received at least one Oscar nod. His debut, 1999’s American Beauty, won Best Picture and Director. His last, war epic 1917, garnered ten nominations and was victorious with three of them. The Mendes streak of awards success should continue with Empire of Light, which has premiered at Telluride prior to its December 9th stateside release.

Called the filmmaker’s most personal effort, Empire is a late 70s/early 80s set celebration of cinema with a May/December romance between leads Olivia Colman and Micheal Ward. Costars include Tom Brooke, Toby Jones, and Colin Firth.

We are early in the review process and some of the write-ups are rather mixed. Yet the superlatives going to Colman has me thinking she’s going to receive her fourth Academy mention in five years. She won for Best Actress in 2018 The Favourite and then nabbed a Supporting Actress nod in 2020 for The Father. A lead actress slot followed last year for The Lost Daughter. The other races where this looks strong are Cinematography from the legendary Roger Deakins and the Trent Reznior/Atticus Ross score. Production Design is also doable.

Ward’s work is also being praised. However, I’m not near as confident he makes the Actor cut. Firth’s role, by the way, sounds too small for a supporting bid. The latter’s performance and its viability could be determined by Empire‘s strength in BP (as well as the original screenplay). Voters do love movies about their industry and that could help. I don’t believe this has established a guaranteed spot among the ten. My Oscar Prediction posts will continue…