Month: December 2021

Oscar Predictions: The Matrix Resurrections

In the last year of our previous century, The Matrix was a game changing action spectacle that influenced many pictures that followed in the 21st century. The Oscars took notice. It was nominated for four Academy Awards (Film Editing, Sound, Sound Effects Editing, Visual Effects) and won all of them. In fact, it came in second in terms of number of victories behind only Best Picture winner American Beauty.

Four years later, the series became a trilogy when The Matrix Reloaded and The Matrix Revolutions both premiered in 2003. The story was different that time around. Neither film received a single nomination. That was a year in which The Lord of the Rings: Return of the King was crowned in many a race (including three that The Matrix took).

Tomorrow marks the release of The Matrix Revolutions from Lana Wachowski with Keanu Reeves and Carrie-Anne Moss reprising their iconic roles. Today is when the Oscar shortlists were revealed in Sound (now just one competition) and Visual Effects. Revolutions showed up as a hopeful on each top ten list.

So will the fourth Matrix manage the nod or two that its two predecessors could not? Probably. Visual Effects seems likely even though it would be shocking if fellow Warner Bros property Dune doesn’t win. Sound is a bit more iffy though it’s got a 50/50 shot.

Bottom line: Resurrections appears poised to put this franchise back in contention in those two races and those two races only. My Oscar Prediction posts for the films of 2021 will continue…

2021 Oscar Shortlists: Reaction

It’s a big day for us Oscar prognosticators as the shortlists were revealed this afternoon. For the uninitiated, there are seven feature film races where the Academy releases contenders ranging from 10-15 nominees. For Original Score, Song, International Feature Film, and Documentary Feature – we are given 15 hopefuls. In Makeup and Hairstyling, Sound, and Visual Effects – the list is dwindled to 10.

Let’s walk thru them one by one and I’ll talk about some surprises and omissions!

Best Original Score

The 15 Contenders:

Being the Ricardos

Candyman

Don’t Look Up

Dune

Encanto

The French Dispatch

The Green Knight

The Harder They Fall

King Richard

The Last Duel

No Time to Die

Parallel Mothers

The Power of the Dog

Spencer

The Tragedy of Macbeth

Commentary: 

Based on my latest Oscar forecast from December 15th, my five predicted nominees (Dune, The Power of the Dog, Spencer, Don’t Look Up, The Tragedy of Macbeth) all made the cut. So did my #7 (The French Dispatch), #9 (Being the Ricardos), and #10 (King Richard). The two omissions from my top 10: (6) Nightmare Alley and (8) Cyrano.

The biggest surprise might be the inclusion of Candyman. 

Best Original Song

The 15 Contenders:

“So May We Start” from Annette

“Down to Joy” from Belfast

“Right Where I Belong” from Brian Wilson: Long Promised Road

“Automatic Woman” from Bruised

“Dream Girl” from Cinderella

“Beyond the Shore” from CODA

“The Anonymous Ones” from Dear Evan Hansen

“Just Look Up” from Don’t Look Up

“Dos Oruguitas” from Encanto

“Somehow You Do” from Four Good Days

“Guns Go Bang” from The Harder They Fall

“Be Alive” from King Richard

“No Time to Die” from No Time to Die

“Here I Am” from Respect

“Your Song Saved My Life” from Sing 2

Commentary:

My only top 10 ditty from 12/15 not on this list is “Believe” from The Rescue. I will note that “Every Letter” from Cyrano just dropped from my 10 last week and that turned out to be the correct call. This race still likely boils down to Beyonce (“Be Alive”) vs. Billie (“No Time to Die”).

Best Makeup and Hairstyling 

The 10 Contenders:

Coming 2 America

Cruella

Cyrano

Dune

The Eyes of Tammy Faye

House of Gucci

Nightmare Alley

No Time to Die

The Suicide Squad

West Side Story

Commentary:

A race where Cyrano isn’t left out! Last week I had Spencer in fifth position and it falls out. Same goes for Being the Ricardos (7) and The Last Duel (10). This is a competition that could go for Dune, Gucci, or Tammy as I see it.

Best Sound

The 10 Contenders:

Belfast

Dune

Last Night in Soho

The Matrix Resurrections

No Time to Die

The Power of the Dog

A Quiet Place Part II

Spider-Man: No Way Home

Tick Tick… Boom!

West Side Story

Commentary:

My predicted five from six days ago (Dune, West Side Story, Belfast, No Time to Die, Tick Tick… Boom!) are intact as are my #6 (Matrix) and #9 (A Quiet Place Part II). Not so for the films I had at 7, 8 and 10: Nightmare Alley, The Tragedy of Macbeth, The Last Duel). Fresh off its gargantuan box office, the Spidey mention shows potential strength at making the shorter shortlist.

Best Visual Effects

The 10 Contenders:

Black Widow

Dune

Eternals

Free Guy

Ghostbusters: Afterlife 

Godzilla vs. Kong

The Matrix Resurrections

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

Commentary:

All 4 MCU movies from 2021 make it in as do three Warner Bros spectacles  (Dune, Matrix, Godzilla). I had Don’t Look Up placed fourth but it falls out. So does Finch which I rated seventh. This certainly increases the chances for Marvel to have at least two in the final five, but there’s Dune and then everything else in this race.

Best Documentary Feature

The 15 Contenders:

Ascension

Attica

Billie Eilish: The World’s A Little Blurry

Faya Dayi

The First Wave

Flee

In the Same Breath

Julia

President

Procession

The Rescue

Simple As Water

Summer of Soul

The Velvet Underground

Writing with Fire

Commentary:

It’s tough luck for my #9 (The Lost Leonardo) and #10 (Becoming Cousteau) as this fascinating race plays out between The Rescue, Flee, and Summer of Soul. 

Best International Feature Film

The 15 Contenders:

Compartment No. 6

Drive My Car

Flee

The Good Boss

Great Freedom 

The Hand of God

A Hero

Hive

I’m Your Man

Lamb

Lunana: A Yak in the Classroom

Playground

Plaza Catedral

Prayers for the Stolen

The Worst Person in the World

Commentary:

A Lamb and a Yak walk into the international competition, but the shocker of the day might be France’s Titane (which I had it 7th) not being mentioned. Same goes for #9 Memoria. This could be the category where Flee wins, but A Hero has been my #1. When I update my projections tomorrow, don’t be surprised if the rising Drive My Car from Japan takes over the top spot.

https://www.youtube.com/watch?v=epoyDw8EU9I&t=1s

I’ll have fresh estimates in ALL feature categories posted tomorrow!

December 24-26 Box Office Predictions

Blogger’s Update (12/21): On the eve of its premiere, I’m revising down Resurrections prediction from $30.7 million for the three-day and $47.2 million for the five-day to $26.7 million and $40.3 million for the five-day. This puts Sing 2 in the 2 spot.

The Christmas box office weekend is nearly upon us as a quintet of newcomers are presented either Wednesday or Saturday. We have the return of Neo and Trinity in The Matrix Resurrections, animated sequel Sing 2, Kingsman prequel The King’s Man, true life gridiron tale American Underdog, and the Denzel Washington directed romantic drama A Journal for Jordan. You can peruse my detailed prediction posts on them here:

The Matrix Resurrections Box Office Prediction

Sing 2 Box Office Prediction

The King’s Man Box Office Prediction

American Underdog Box Office Prediction

A Journal for Jordan Box Office Prediction

None of the newcomers stand a chance at dethroning the reign of Spider-Man atop the charts after it achieved the second largest opening of all-time (more on that below). No Way Home should dominate yet again and the question is how much it falls in weekend #2. The MCU juggernaut scored a rare A+ Cinemascore average meaning audiences are loving what they see.

One potential comp could be Star Wars: The Force Awakens which dropped 40% in its sophomore holiday frame. I’ll say Spidey falls a bit more than that (more in the 50-55% percent range).

With the webslinger secure in first position, there could be a real fight for the runner-up spot. I have Matrix barely getting by Sing 2 (though the latter will almost certainly leg out stronger in subsequent weekends). I’m only forecasting a $400k difference between them.

The King’s Man could be the odd sequel/prequel out as far as interest in concerned. I have it falling under double digits for the traditional Friday to Sunday portion of the weekend. That should be good enough for fourth place.

Underdog and Journal both premiere on Christmas Day and will only have two days tallied toward their grosses. I have the former at just over $6 million and the latter a tad shy of $3 million.

Holdovers not named Spider-Man should experience declines in the 40s and up range (this appears to be case when Christmas falls on a Saturday and Christmas Eve is a somewhat smaller day for earnings). Encanto could be an outlier and probably suffers the smallest drop.

Finally, Paul Thomas Anderson’s acclaimed awards contender Licorice Pizza expands and could deliver a $1-2 million showing (I’ll skew toward the middle of the range as it’s out on approximately 750 screens).

With all this Yuletide activity, I’m expanding my normal top 5 to a top 10 and here’s how I see it:

1. Spider-Man: No Way Home

Predicted Gross: $125.2 million

2. Sing 2

Predicted Gross: $31.3 million (Friday to Sunday); $46.8 million (Wednesday to Sunday)

3. The Matrix Resurrections

Predicted Gross: $26.7 million (Friday to Sunday); $40.3 million

4. The King’s Man

Predicted Gross: $8.8 million (Friday to Sunday); $13.1 million (Wednesday to Sunday)

5. American Underdog

Predicted Gross: $7.2 million

6. Encanto

Predicted Gross: $4.3 million

7. A Journal for Jordan

Predicted Gross: $2.9 million

8. Ghostbusters: Afterlife

Predicted Gross: $2 million

9. West Side Story

Predicted Gross: $2 million

10. Licorice Pizza

Predicted Gross: $1.8 million

Box Office Results (December 17-19)

Spider-Man: No Way Home swung to unprecedented heights (regardless of pandemic times) as it demolished box office records and accomplished the #2 highest domestic opening of all-time (behind only the MCU’s Avengers: Endgame). Coming in just ahead of previous runner-up Star Wars: The Force Awakens, the Spidey sequel made $260.1 million (laying my estimate of $213.7 million to waste). While other pics are struggling in the marketplace, audiences were clearly primed for the event flick.

Encanto took second with $6.4 million, in range with my $6 million for projection and the Disney toon is up to $81 million.

West Side Story plummeted a troubling 65% for third in its sophomore outing with $3.6 million (below my $5.5 million take). Steven Spielberg’s musical has managed only $18 million in its ten days of release.

Ghostbusters: Afterlife was fourth with $3.4 million (I said $3.6 million) for $117 million overall.

Finally, Guillermo del Toro’s Nightmare Alley struggled to find a crowd preoccupied with Spider-Man. Despite star power and its Oscar winning filmmaker, the noir thriller debuted in fifth with a measly $2.8 million compared to my $3.3 million prediction.

And that does it for now, folks! Have a Happy Holidays!

The Last Duel Review

Sword fights abound literally and figuratively in Ridley Scott’s The Last Duel, which finds the legendary director covering familiar red stained territory in a unique storytelling format. Based on a true incident that transpired in late 14th century France, Good Will Hunting scribes Matt Damon and Ben Affleck collaborate with Nicole Holofcener for this three tiered tale of a tragic crime mixed with a touch of black comedy. It explores the horrors of machismo at a time when women were seen as property by the standards of thought and law. The most fascinating aspect of the film (and most appalling) is that the three principals may truly believe they’re the victim, including two that should not.

Shot in gray with a focus on grey areas, Duel is fashioned into triangular chapters (from a novel by Eric Jager). Each outlines the plot from these perspectives: Jean de Carrouges (Damon), who fancies himself a brave and noble knight; the philandering squire Jacques Le Gris (Adam Driver) who has the ear of the authoritative and even more philandering Count Pierre d’Alencon (Affleck); and Jean’s educated and strong wife Marguerite (Jodie Comer). Jean and Marguerite’s marriage is one of convenience and real estate opportunities for the former. He also desires a male heir that Marguerite has yet to produce. Jacques, meanwhile, has access to influence that Jean doesn’t possess. When he becomes smitten with his friend’s bride, the power dynamic turns more dangerous.

An accusation of rape is made in an era when most women didn’t dare do so (made clear in a potent monologue by Jean’s emotionally barren mother played by Harriet Walter). 600 plus years ago, that meant Jean and Jacques would participate in the picture’s title if a trial permitted it (and allow for Scott to play in some Gladiator type set pieces). Where the screenplay derives some humor is that the two leading men seem convinced that they are the aggrieved party and are oblivious to the damage inflicted on Marguerite. As nearly every male character is given a chance to bask in his laurels, we detect plenty of side eyes from the women around them. I suspect those sharp edges come courtesy of Holofcener’s script portions.

The Last Duel is fueled by Comer’s central performance as a victim who spoke up centuries before hashtags existed. The struggles to hold her perpetrator responsible are both centuries old and of today. Didn’t she remark that he was attractive? Maybe her no was a yes and she enjoyed it. Damon and especially Driver add sturdy support and Affleck commands the screen in his relatively brief runtime (once you get past the odd looking wigs).

The chaptered structure is occasionally repetitive. However, by the time the literal swordplay commences, the time spent with the trio builds a sense of genuine tension. Marguerite will be punished by a grisly death unless Jacques succeeds. In other words, her words mean little and she must rely on her husband to determine whether her time is up. That’s the wound that cuts the deepest as we await their fates.

***1/2 (out of four)

A Journal for Jordan Box Office Prediction

A Journal for Jordan is not about Michael Jordan reading his diary (though I bet that would make some $$$). Instead it’s a military themed romantic drama from director Denzel Washington starring Michael B. Jordan. Coming out Christmas Day (meaning only the Saturday and Sunday will count for opening weekend), Jordan is based on a memoir from Dane Canedy and costars Chante Adams.

This is Denzel’s behind the camera follow-up to 2016’s Fences, which earned four Oscar nominations. Journal is missing that kind of buzz – currently sitting at just 43% on Rotten Tomatoes. Awards chatter might’ve helped and I look for this to be another adult themed drama that will struggle at multiplexes.

While it could over perform with African-American audiences, I’ll say $4-5 million would be generous for its two-day rollout and I’ll go lower.

A Journal for Jordan opening weekend prediction: $2.9 million

For my The Matrix Resurrections prediction, click here:

The Matrix Resurrections Box Office Prediction

For my Sing 2 prediction, click here:

Sing 2 Box Office Prediction

For my The King’s Man prediction, click here:

The King’s Man Box Office Prediction

For my American Underdog prediction, click here:

American Underdog Box Office Prediction

American Underdog Box Office Prediction

American Underdog tells the story of Kurt Warner, who went from undrafted quarterback to Super Bowl winner in his first season as a starter. It comes from directors Andrew and Joe Erwin, who have found success with faith based dramas like Woodlawn (another true life gridiron tale) and I Can Only Imagine. Zachary Levi of Shazam! fame is Warner with Anna Paquin as his wife and Dennis Quaid playing Coach Dick Vermeil.

Opening Christmas Day (a Saturday), Underdog will indeed be just that considering the holiday competition. The Erwin brothers have a commendable track record, but whether this registers with a Christian fanbase is an open question.

Underdog could surprise and reach double digits, but a gross of $6-8 million for its (rare) two-day opening weekend is likely where this plays.

American Underdog opening weekend prediction: $7.2 million

For my The Matrix Resurrections prediction, click here:

The Matrix Resurrections Box Office Prediction

For my Sing 2 prediction, click here:

Sing 2 Box Office Prediction

For my The King’s Man prediction, click here:

The King’s Man Box Office Prediction

For my A Journal for Jordan prediction, click here:

A Journal for Jordan Box Office Prediction

The King’s Man Box Office Prediction

In the Yuletide battle for franchise supremacy, The King’s Man will undoubtedly come in fourth among the contenders. A prequel to the two Kingsman features that preceded it, the spy thriller was originally set for release over two years ago. COVID delays have pushed it all the way to December 22nd.

Matthew Vaughn returns in the director’s chair with a cast including Ralph Fiennes, Gemma Arterton, Rhys Ifans (who’s also costarring in Spider-Man: No Way Home), Matthew Goode, Tom Hollander (not to be confused with Tom Holland of Spidey fame), Harris Dickinson, Daniel Bruhl, Djimon Hounsou, and Charles Dance.

The aforementioned Spider-Man juggernaut will most certainly reign supreme over the holidays, followed by The Matrix Resurrections and Sing 2 in the 2-3 slots (the order of that is up for debate). Moviegoers punching their tickets for the superhero and Neo will siphon away plenty of viewers that may have an interest in this.

In February 2015, Kingsman: The Secret Service exceeded expectations with a Presidents Day weekend haul of over $40 million. 2017 sequel Kingsman: The Golden Circle made $39 million in its September debut. Four years is quite a lag time between entries and the fact that it’s a prequel (and missing Colin Firth and Taron Egerton) doesn’t help. The 45% Rotten Tomatoes score doesn’t inspire great confidence either.

The five-day grosses should be able to reach low double digits to low teens, but it might only make single digits for the traditional Friday to Sunday frame. I believe the competition is just too steep for the King’s to shine.

The King’s Man opening weekend prediction: $8.8 million (Friday to Sunday); $13.1 million (Wednesday to Sunday)

For my The Matrix Resurrections prediction, click here:

The Matrix Resurrections Box Office Prediction

For my Sing 2 prediction, click here:

Sing 2 Box Office Prediction

For my American Underdog prediction, click here:

American Underdog Box Office Prediction

For my A Journal for Jordan prediction, click here:

A Journal for Jordan Box Office Prediction

Venom: Let There Be Carnage Review

There’s a sequence in Venom: Let There Be Carnage where Woody Harrelson’s serial killer villain engages in mayhem with his crazy girlfriend (Naomie Harris). The deadly duo wreak their havoc in a ’66 Mustang and, for a moment, I was reminded of the actor’s appearance nearly 30 years ago in Natural Born Killers. Call it Muckey and Mallory this time as the amount of extraterrestrial goo is easily doubled in this sequel.

Speaking of natural born killers, it’s an apt description for the title character. The alien symbiote longs to bite humans heads off, but he’s mostly under control due to his human host Eddie Brock (Tom Hardy). Poor Venom has to settle for chickens. Continuing the banter that was the highlight of the original, Carnage still allows for Hardy’s bizarre but oddly effective comedic performance.

For those who forgot (and 2018’s Venom was a bit forgettable), Eddie is a San Francisco based journalist whose expose into scientific experiments stuck him with the black liquid alien that now lives in his body. Our loony reporter is put on assignment when Detective Mulligan (Stephen Graham) tasks Eddie with extracting evidence from death row condemned psycho Cletus Kasady (Woody Harrelson).

Their jailhouse interview leads to chaos and Carnage – as in the name of a Venomous offspring that invades the already crazed Cletus. And there’s the aforementioned love interest played by Harris. Confined to the Ravencroft Institute (where we first met Cletus in a Venom post-credits bit), Frances Barrison can manipulate sound to get herself out of sticky situations. This earns her the moniker Shriek due to those deadly decibels.

Andy Serkis is in the director’s chair (replacing Ruben Fleischer) and he keeps Carnage short, light, and full of CG action. The screenplay strains a little to justify bringing back Michelle Williams as Eddie’s ex-flame. I suppose someone’s gotta get saved by the hero in the third act. Reid Scott reprises his role as her boyfriend and there are a couple of humorous moments with his character.

I couldn’t quite recommend Venom though I came close solely based on Hardy’s batty work. This is no comic book masterwork and even the great Harrelson’s villainous turn is passable at best. Yet I more or less came around with Carnage. I give it props for foregoing a bloated running time (it’s just an hour and a half). It’s hard to not be entertained by Hardy and his skull chomping companion. In the constantly growing universe of comic book based franchises, it’s getting common for the sequels to improve upon the originals. The first entries always have to go through the origin story while the follow-ups can be a little more fun. That applies here.

*** (out of four)

Sing 2 Box Office Prediction

Sing 2 hopes to make a joyful noise in theaters when it debuts December 22nd. Illumination Entertainment’s animated sequel arrives five years after the original scored $270 million domestically. Garth Jennings returns to direct as do the vocal stylings of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Nick Kroll, Taron Egerton, Tori Kelly, and Nick Offerman. New to the proceedings are Bobby Cannavale, Halsey, Pharrell Williams, Letitia Wright, Eric Andre, Chelsea Peretti, and Bono.

So will Universal find what they’re looking for in terms of box office? In 2016, part 1 made a splash with a $55 million haul over its five-day Christmas rollout. That was good for second place behind Rogue One: A Star Wars Story. The best hope here is also a runner-up showing as Spider-Man: No Way Home will most certainly be #1 in its sophomore weekend. However, Sing 2 might place third behind the premiere of The Matrix Resurrections. 

I think it’s going to be a close competition between this and Matrix for the two spot. This animated follow-up is bound to leg out more strongly than Neo and company. I’ll say high 20s to low 30s for the traditional weekend and mid 40s the five-day.

Sing 2 opening weekend prediction: $31.3 million (Friday to Sunday); $46.8 million (Wednesday to Sunday)

For my The Matrix Resurrections prediction, click here:

The Matrix Resurrections Box Office Prediction

For my The King’s Man prediction, click here:

The King’s Man Box Office Prediction

For my American Underdog prediction, click here:

American Underdog Box Office Prediction

For my A Journal for Jordan prediction, click here:

A Journal for Jordan Box Office Prediction

2021 Oscar Predictions: December 15th Edition

We have arrived at my post Golden Globe and Critics Choice Awards predictions for the Oscars! This week’s update comes with two significant #1 switches… starting with Best Picture.

For months, I’ve had Belfast positioned in the top spot. That changes today. Don’t get me wrong: the Kenneth Branagh coming-of-age drama could win Picture, Director, Supporting Actress and Actor, and Original Screenplay. However, for the first time, it’s not listed at #1 in any of those categories.

The #1 Picture slot could’ve gone to West Side Story, but I’m going with The Power of the Dog as it continues to nab critics prizes and place high atop best of lists. In Supporting Actress, I’m swapping Belfast‘s Caitriona Balfe for Ariana DeBose in West Side. 

There’s other alterations in Picture and Supporting Actress. I’m putting Don’t Look Up back in the ten BP hopefuls despite its mixed reviews. That’s to the detriment of Tick Tick… Boom!

I’m also elevating Ruth Negga (Passing) in supporting over Rita Moreno (West Side Story).

You can read all the movement below!

Best Picture

Predicted Nominees:

1. The Power of the Dog (Previous Ranking: 2) (+1)

2. Belfast (PR: 1) (-1)

3. West Side Story (PR: 3) (E)

4. Dune (PR: 5) (+1)

5. Licorice Pizza (PR: 4) (-1)

6. King Richard (PR: 6) (E)

7. CODA (PR: 8) (+1)

8. Don’t Look Up (PR: 12) (+4)

9. Nightmare Alley (PR: 10) (+1)

10. The Tragedy of Macbeth (PR: 7) (-3)

Other Possibilities:

11. Tick Tick… Boom! (PR: 9) (-2)

12. Being the Ricardos (PR: 13) (+1)

13. The Lost Daughter (PR: Not Ranked)

14. A Hero (PR: 14) (E)

15. C’Mon C’Mon (PR: 11) (-4)

Dropped Out:

House of Gucci

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1) (E)

2. Denis Villeneuve, Dune (PR: 3) (+1)

3. Kenneth Branagh, Belfast (PR: 2) (-1)

4. Steven Spielberg, West Side Story (PR: 4) (E)

5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)

Other Possibilities:

6. Guillermo del Toro, Nightmare Alley (PR: 6) (E)

7. Adam McKay, Don’t Look Up (PR: Not Ranked)

8. Asghar Farhadi, A Hero (PR: 7) (-1)

9. Joel Coen, The Tragedy of Macbeth (PR: 8) (-1)

10. Maggie Gyllenhaal, The Lost Daughter (PR: Not Ranked)

Dropped Out:

Reinaldo Marcus Green, King Richard

Julia Ducournau, Titane

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (PR: 1) (E)

2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)

3. Nicole Kidman, Being the Ricardos (PR: 4) (+1)

4. Olivia Colman, The Lost Daughter (PR: 3) (-1)

5. Lady Gaga, House of Gucci (PR: 5) (E)

Other Possibilities:

6. Rachel Zegler, West Side Story (PR: 6) (E)

7. Alana Haim, Licorice Pizza (PR: 9) (+2)

8. Jennifer Hudson, Respect (PR: 7) (-1)

9. Emilia Jones, CODA (PR: 10) (+1)

10. Penelope Cruz, Parallel Mothers (PR: 8) (-2)

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1) (E)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)

3. Andrew Garfield, Tick Tick… Boom! (PR: 3) (E)

4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)

5. Peter Dinklage, Cyrano (PR: 5) (E)

Other Possibilities:

6. Joaquin Phoenix, C’Mon C’Mon (PR: 6) (E)

7. Nicolas Cage, Pig (PR: 7) (E)

8. Leonardo DiCaprio, Don’t Look Up (PR: 8) (E)

9. Javier Bardem, Being the Ricardos (PR: Not Ranked)

10. Bradley Cooper, Nightmare Alley (PR: 9) (-1)

Dropped Out:

Clifton Collins Jr., Jockey

Best Supporting Actress

Predicted Nominees:

1. Ariana DeBose, West Side Story (PR: 2) (+1)

2. Caitriona Balfe, Belfast (PR: 1) (-1)

3. Kirsten Dunst, The Power of the Dog (PR: 4) (+1)

4. Aunjanue Ellis, King Richard (PR: 3) (-1)

5. Ruth Negga, Passing (PR: 8) (+3)

Other Possibilities:

6. Ann Dowd, Mass (PR: 6) (E)

7. Rita Moreno, West Side Story (PR: 5) (-2)

8. Marlee Matlin, CODA (PR: 7) (-1)

9. Judi Dench, Belfast (PR: 9) (E)

10. Cate Blanchett, Nightmare Alley (PR: 10) (E)

Best Supporting Actor

Predicted Nominees:

1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)

2. Ciaran Hinds, Belfast (PR: 2) (E)

3. Troy Kotsur, CODA (PR: 4) (+1)

4. Jamie Dornan, Belfast (PR: 3) (-1)

5. Bradley Cooper, Licorice Pizza (PR: 5) (E)

Other Possibilities:

6. Jared Leto, House of Gucci (PR: 6) (E)

7. Mike Faist, West Side Story (PR: 7) (E)

8. Ben Affleck, The Tender Bar (PR: Not Ranked)

9. Jason Isaacs, Mass (PR: 9) (E)

10. J.K. Simmons, Being the Ricardos (PR: Not Ranked)

Dropped Out:

Richard Jenkins, The Humans

Jon Bernthal, King Richard

Best Original Screenplay

Predicted Nominees:

1. Licorice Pizza (PR: 1) (E)

2. Belfast (PR: 2) (E)

3. King Richard (PR: 3) (E)

4. Don’t Look Up (PR: 7) (+3)

5. Being the Ricardos (PR: 6) (+1)

Other Possibilities:

6. C’Mon C’Mon (PR: 4) (-2)

7. Mass (PR: 8) (+1)

8. A Hero (PR: 5) (-3)

9. Parallel Mothers (PR: Not Ranked)

10. The French Dispatch (PR: 10) (E)

Dropped Out:

The Worst Person in the World

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. The Lost Daughter (PR: 3) (E)

4. CODA (PR: 4) (E)

5. Dune (PR: 5) (E)

Other Possibilities:

6. Drive My Car (PR: 10) (+4)

7. Tick Tick… Boom! (PR: Not Ranked)

8. Nightmare Alley (PR: 6) (-2)

9. The Tragedy of Macbeth (PR: 7) (-2)

10. Passing (PR: 9) (-1)

Dropped Out:

The Humans

Best Animated Feature

Predicted Nominees:

1. Encanto (PR: 1) (E)

2. Flee (PR: 2) (E)

3. Luca (PR: 4) (+1)

4. The Mitchells vs. the Machines (PR: 3) (-1)

5. Belle (PR: 5) (E)

Other Possibilities:

6. Raya and the Last Dragon (PR: 7) (+1)

7. The Summit of the Gods (PR: 6) (-1)

8. Vivo (PR: 8) (E)

9. Ron’s Gone Wrong (PR: 9) (E)

10. Where Is Anne Frank (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. A Hero (PR: 1) (E)

2. Drive My Car (PR: 2) (E)

3. The Worst Person in the World (PR: 3) (E)

4. Flee (PR: 4) (E)

5. The Hand of God (PR: 5) (E)

Other Possibilities:

6. Compartment No. 6 (PR: 8) (+2)

7. Titane (PR: 6) (-1)

8. I’m Your Man (PR: 7) (-1)

9. Memoria (PR: Not Ranked)

10. The Good Boss (PR: 9) (-1)

Dropped Out:

Prayers for the Stolen

Best Documentary Feature

Predicted Nominees:

1. Flee (PR: 1) (E)

2. The Rescue (PR: 2) (E)

3. Summer of Soul (PR: 3) (E)

4. Procession (PR: 5) (+1)

5. The First Wave (PR: 7) (+2)

Other Possibilities:

6. Attica (PR: 4) (-2)

7. President (PR: 8) (+1)

8. The Velvet Underground (PR: Not Ranked)

9. The Lost Leonardo (PR: 6) (-3)

10. Becoming Cousteau (PR: 10) (E)

Dropped Out:

Ascension

Best Cinematography

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. The Tragedy of Macbeth (PR: 3) (E)

4. The Power of the Dog (PR: 6) (+2)

5. Belfast (PR: 5) (E)

Other Possibilities:

6. Nightmare Alley (PR: 4) (-2)

7. Spencer (PR: 8) (+1)

8. The French Dispatch (PR: 7) (-1)

9. Licorice Pizza (PR: 9) (E)

10. C’Mon C’Mon (PR: 10) (E)

Best Costume Design

Predicted Nominees:

1. Cruella (PR: 1) (E)

2. West Side Story (PR: 4) (+2)

3. Dune (PR: 3) (E)

4. House of Gucci (PR: 2) (-2)

5. Nightmare Alley (PR: 6) (+1)

Other Possibilities:

6. Spencer (PR: 5) (-1)

7. Licorice Pizza (PR: 9) (+2)

8. Cyrano (PR: 7) (-1)

9. The French Dispatch (PR: 8) (-1)

10. Last Night in Soho (PR: 10) (E)

Best Film Editing

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 3) (+1)

3. Belfast (PR: 2) (-1)

4. The Power of the Dog (PR: 6) (+2)

5. Don’t Look Up (PR: 7) (+2)

Other Possibilities:

6. King Richard (PR: 5) (-1)

7. Licorice Pizza (PR: 4) (-3)

8. Tick Tick… Boom! (PR: 9) (+1)

9. Being the Ricardos (PR: 10) (+1)

10. Nightmare Alley (PR: 8) (-2)

Best Makeup and Hairstyling

Predicted Nominees:

1. Dune (PR: 2) (+1)

2. House of Gucci (PR: 1) (-1)

3. The Eyes of Tammy Faye (PR: 3) (E)

4. Cruella (PR: 4) (E)

5. Spencer (PR: 6) (+1)

Other Possibilities:

6. Nightmare Alley (PR: 5) (-1)

7. Being the Ricardos (PR: 8) (+1)

8. West Side Story (PR: 7) (-1)

9. Cyrano (PR: 10) (+1)

10. The Last Duel (PR: 9) (-1)

Best Original Score

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Power of the Dog (PR: 2) (E)

3. Spencer (PR: 3) (E)

4. Don’t Look Up (PR: 7) (+3)

5. The Tragedy of Macbeth (PR: 4) (-1)

Other Possibilities:

6. Nightmare Alley (PR: 5) (-1)

7. The French Dispatch (PR: 6) (-1)

8. Cyrano (PR: 8) (E)

9. Being the Ricardos (PR: 10) (+1)

10. King Richard (PR: 9) (-1)

Best Original Song

Predicted Nominees:

1. “Be Alive” from King Richard (PR: 1) (E)

2. “No Time to Die” from No Time to Die (PR: 2) (E)

3. “Dos Oruguitas” from Encanto (PR: 5) (+2)

4. “Down to Joy” from Belfast (PR: 3) (-1)

5. “Just Look Up” from Don’t Look Up (PR: 6) (+1)

Other Possibilities:

6. “Here I Am” from Respect (PR: 10) (+4)

7. “Guns Go Bang” from The Harder They Fall (PR: Not Ranked)

8. “So May We Start” from Annette (PR: 7) (-1)

9. “Believe” from The Rescue (PR: 9) (E)

10. “Beyond the Shore” from CODA (PR: 8) (-2)

Dropped Out:

“Every Letter” from Cyrano

Best Production Design

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 3) (+1)

3. Nightmare Alley (PR: 2) (-1)

4. The French Dispatch (PR: 4) (E)

5. Being the Ricardos (PR: 9) (+4)

Other Possibilities:

6. Belfast (PR: 8) (+2)

7. The Tragedy of Macbeth (PR: 5) (-2)

8. Cyrano (PR: 7) (-1)

9. Spencer (PR: 6) (-3)

10. The Power of the Dog (PR: 10) (E)

Best Sound

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. Belfast (PR: 3) (E)

4. No Time to Die (PR: 6) (+2)

5. Tick Tick… Boom! (PR: 5) (E)

Other Possibilities:

6. The Matrix Resurrections (PR: Not Ranked)

7. Nightmare Alley (PR: 4) (-3)

8. The Tragedy of Macbeth (PR: 7) (-1)

9. A Quiet Place Part II (PR: 8) (-1)

10. The Last Duel (PR: Not Ranked)

Dropped Out:

Don’t Look Up

King Richard

Best Visual Effects

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Matrix Resurrections (PR: 2) (E)

3. Spider-Man: No Way Home (PR: 5) (+2)

4. Don’t Look Up (PR: 7) (+3)

5. Godzilla vs. Kong (PR: 4) (-1)

Other Possibilities:

6. Shang-Chi and the Legend of the Ten Rings (PR: 6) (E)

7. Finch (PR: 8) (+1)

8. Free Guy (PR: 9) (+1)

9. Eternals (PR: 3) (-6)

10. No Time to Die (PR: Not Ranked)

Dropped Out:

The Suicide Squad

My current estimates mean these movies nabbing these numbers in terms of nominations:

11 Nominations

Dune

10 Nominations

Belfast

9 Nominations

The Power of the Dog, West Side Story

6 Nominations

Don’t Look Up

5 Nominations

King Richard

4 Nominations

Licorice Pizza, The Tragedy of Macbeth

3 Nominations

Being the Ricardos, CODA, Flee, House of Gucci, Nightmare Alley, Spencer

2 Nominations

Cruella, Encanto, The Eyes of Tammy Faye, The Lost Daughter, No Time to Die, Tick Tick… Boom!

1 Nomination

Belle, Cyrano, Drive My Car, The First Wave, The French Dispatch, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, The Rescue, Spider-Man: No Way Home, Summer of Soul, The Worst Person in the World