Month: December 2018

2018: The Year of Ryan Coogler

To kick off my series on the people that made significant contributions in cinema for 2018, the first post is the easiest to choose from. In a year filled with many successful tales, Black Panther is undoubtedly THE story. The Marvel Cinematic Universe saga took a superhero not nearly as known as others and the result was a surprising and smashing record breaker.

The man behind it is Ryan Coogler. A 32-year-old Oakland native, Coogler made his directorial debut with 2013’s acclaimed Fruitvale Station. Two years later, he invigorated another franchise with Creed. And in February of this year, Panther was unleashed worldwide. With Chadwick Boseman in the title role, Michael B. Jordan as one of the MCU’s most memorable villains, and Lupita Nyong’o and Letitia Wright providing dynamic support, the film immediately struck a chord with moviegoers and critics. With a 97% Rotten Tomatoes score, Panther took in $700 million domestically at the box office.

Let us count the records, shall we? That’s the top hit of the year. It’s the third biggest domestic grosser of all time behind only Star Wars: The Force Awakens and Avatar. Obviously, that designation means it’s Marvel’s #1 earner. One year ago, if anyone had told you this would make more than Avengers: Infinity War (which followed a few weeks later), you wouldn’t have believed it.

For Coogler, he’s made the biggest comic book adaptation ever in a century filled with them. The sky is the limit for him as he’s likely being offered every tent pole project in sight. He’s already struck a deal to direct the Panther sequel. Additionally, this stands an excellent chance to be the first pic of its genre to receive a Best Picture nomination at the Oscars.

In 2018, Coogler made history by making the #1 picture ever directed by an African-American and introduced a hero already beloved by all. He’s an unquestionable entry in the people that mattered onscreen this year.

Venom Movie Review

A comic book origin story that often masquerades as an otherworldly buddy comedy, Venom will likely be remembered for the weirdly inspired performance of Tom Hardy and not much else. We’ve seen the title character before with Topher Grace in Spider–Man 3. The alien creature made of black goo played as a superfluous extra villain in that picture. Now Venom is ready for his closeup.

Hardy is Eddie Brock, a San Francisco investigative reporter with a lovely DA fiancée Anne (Michelle Williams) and a penchant for asking one too many questions. He does just that with gazillionaire inventor Carlton Drake (Riz Ahmed), who’s a beloved mogul in the community. He’s also, unbeknownst to the masses, experimenting on poor people with a mysterious alien life form that his company the Life Foundation discovered in outer space. Eddie’s inquires into these practices lead to his firing as a journalist and the dissolution of his romance.

A few months later as Eddie is down on his luck, one of Drake’s scientists spills the beans to him about further tomfoolery at the Foundation. This leads to a break-in at their research facility and one of those nasty and gooey extraterrestrials attaching themselves to Eddie. It turns out these visitors intend to destroy Planet Earth.

Yet we also find out that Eddie’s new inhabitant of his vessel has a sense of humor. And Hardy’s performance filled with strange noises, facial tics, and general bizareness makes for an often memorable duo. Venom himself is inside Eddie’s head constantly with what sounds like Christian Bale’s basement octave range from The Dark Knight series. I’m really not sure if Hardy’s work here is what you’d call good, but it’s definitely not forgettable. He seems committed to whatever the heck he’s decided Brock/Venom is and that itself is fun.

Unfortunately there’s lots of other forgettable aspects to the movie itself. This would include lots of the dialogue, the action sequences, Williams as the love interest, and Ahmed as the bad guy. Important stuff generally. It’s also amusing how crystal clear it is that director Ruben Fleischer (who’s done better with Zombieland) and the screenwriters so want this to be rated R. I assume Sony said otherwise, but the script has to reach the absolute highest level of profanity and heads being bitten off without achieving the restricted tag. I will give the writers a thumbs up for setting this in San Francisco and avoiding the umpteenth climactic battle at the Golden Gate Bridge.

I can’t deny that Hardy’s bewildering and bewitching and sometimes annoying acting nearly make this worth of the price of admission. There’s just a bit too much muck attached to it.

**1/2 (out of four)

Oscar Watch: All Is True

A couple of months back, All Is True was announced as a surprise addition to the awards season calendar. At the time, it seemed like a legitimate contender. The tale of William Shakespeare in his later years comes from director Kenneth Branagh, who is no stranger to the Bard. His 1989 version of Henry V and 1996 Hamlet rendering both received Oscar nods, while Much Ado About Nothing and Othello (both from the mid 90s) did not. The filmmaker plays Shakespeare with a supporting cast including Judi Dench and Ian McKellen.

True is out in limited release today and a funny thing happened over the past few weeks. The picture received zero attention in precursors and the review embargo lifted just today. The result? Mixed critical reaction with a current Rotten Tomatoes score of 57%.

Bottom line: I don’t expect this to garner any nominations come Oscar time as its fortunes clearly dwindled. And that, ladies and gentlemen, looks to be my final Oscar Watch post of 2018! My weekly predictions will be posted every Thursday up until the nominees are revealed. And as for what comes in 2019 – my Oscar Watch posts will continue…

2018 Weekly Oscar Predictions: December 20th Edition

My weekly Oscar predictions are here again and there’s been some developments to discuss:

  • Earlier this week, a number of categories released their shortlists: Foreign Language Film, Documentary Feature, Makeup and Hairstyling, Visual Effects, Original Score, Original Song. As you’ll see, those picks reflect the new landscape for those races.
  • I’m going back to picking nine Best Picture selections and that means that First Man is out for the first time.
  • Black Panther is a predicted nominee in Adapted Screenplay, making its inaugural appearance. It replaces Crazy Rich Asians.
  • In Original Screenplay, Eighth Grade is back in over Vice.

Let’s get to it!

Best Picture

1. A Star Is Born (PR: 1)

2. Roma (PR: 2)

3. The Favourite (PR: 3)

4. BlacKkKlansman (PR: 5)

5. Green Book (PR: 4)

6. Black Panther (PR: 7)

7. If Beale Street Could Talk (PR: 6)

8. Vice (PR: 8)

9. Mary Poppins Returns (PR: 9)

Other Possibilities:

10. First Man (PR: 10)

11. Bohemian Rhapsody (PR: 14)

12. Can You Ever Forgive Me? (PR: 11)

13. Eighth Grade (PR: 12)

14. A Quiet Place (PR: Not Ranked)

15. First Reformed (PR: 13)

Dropped Out:

Crazy Rich Asians

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Spike Lee, BlacKkKlansman (PR: 3)

4. Yorgos Lanthimos, The Favourite (PR: 4)

5. Barry Jenkins, If Beale Street Could Talk (PR: 5)

Other Possibilities:

6. Ryan Coogler, Black Panther (PR: 8)

7. Peter Farrelly, Green Book (PR: 6)

8. Adam McKay, Vice (PR: 7)

9. Damien Chazelle, First Man (PR: 9)

10. Rob Marshall, Mary Poppins Returns (PR: 10)

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 2)

3. Rami Malek, Bohemian Rhapsody (PR: 4)

4. Viggo Mortensen, Green Book (PR: 3)

5. Ethan Hawke, First Reformed (PR: 5)

Other Possibilities:

6. John David Washington, BlacKkKlansman (PR: 8)

7. Willem Dafoe, At Eternity’s Gate (PR: 6)

8. Robert Redford, The Old Man & The Gun (PR: 9)

9. Ryan Gosling, First Man (PR: 7)

10. Ben Foster, Leave No Trace (PR: Not Ranked)

Dropped Out:

Lucas Hedges, Boy Erased

Best Actress

1. Lady Gaga, A Star Is Born (PR: 2)

2. Olivia Colman, The Favourite (PR: 3)

3. Glenn Close, The Wife (PR: 1)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Emily Blunt, Mary Poppins Returns (PR: 5)

Other Possibilities:

6. Yalitza Aparacio, Roma (PR: 6)

7. Nicole Kidman, Destroyer (PR: 7)

8. Toni Collette, Hereditary (PR: 9)

9. Julia Roberts, Ben Is Back (PR: 10)

10. Viola Davis, Widows (PR: 8)

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 1)

2. Richard E. Grant, Can You Ever Forgive Me? (PR: 2)

3. Sam Elliot, A Star Is Born (PR: 3)

4. Adam Driver, BlacKkKlansman (PR: 4)

5. Timothee Chalamet, Beautiful Boy (PR: 5)

Other Possibilities:

6. Michael B. Jordan, Black Panther (PR: 6)

7. Sam Rockwell, Vice (PR: 7)

8. Russell Hornsby, The Hate U Give (PR: 9)

9. Nicholas Hoult, The Favourite (PR: 8)

10. Daniel Kaluuya, Widows (PR: 10)

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 1)

2. Amy Adams, Vice (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Claire Foy, First Man (PR: 5)

Other Possibilities:

6. Margot Robbie, Mary Queen of Scots (PR: 6)

7. Emily Blunt, A Quiet Place (PR: 10)

8. Nicole Kidman, Boy Erased (PR: 7)

9. Thomasin McKenzie, Leave No Trace (PR: Not Ranked)

10. Marina De Tavira, Roma (PR: Not Ranked)

Dropped Out:

Michelle Yeoh, Crazy Rich Asians

Natalie Portman, Vox Lux

Best Adapted Screenplay

1. BlacKkKlansman (PR: 1)

2. A Star Is Born (PR: 2)

3. If Beale Street Could Talk (PR: 3)

4. Can You Ever Forgive Me? (PR: 4)

5. Black Panther (PR: 6)

Other Possibilities:

6. First Man (PR: 7)

7. Crazy Rich Asians (PR: 5)

8. Leave No Trace (PR: 8)

9. The Hate U Give (PR: 9)

10. Widows (PR: 10)

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 3)

3. Green Book (PR: 2)

4. First Reformed (PR: 5)

5. Eighth Grade (PR: 6)

Other Possibilities:

6. Vice (PR: 4)

7. A Quiet Place (PR: 7)

8. Private Life (PR: 9)

9. The Ballad of Buster Scruggs (PR: 10)

10. Sorry to Bother You (PR: 8)

Best Foreign Language Film

1. Roma (PR: 1)

2. Cold War (PR: 2)

3. Shoplifters (PR: 3)

4. Capernaum (PR: 5)

5. Burning (PR: 4)

Other Possibilities:

6. Never Look Away (PR: 6)

7. Birds of Passage (PR: 9)

8. The Guilty (PR: Not Ranked)

9. Ayka (PR: Not Ranked)

Dropped Out:

Girl

Border

I Am Not a Witch

Best Animated Feature

1. Incredibles 2 (PR: 1)

2. Spider-Man: Into the Spider-Verse (PR: 2)

3. Isle of Dogs (PR: 3)

4. Ralph Breaks the Internet (PR: 4)

5. Mirai (PR: 5)

Other Possibilities:

6. Early Man (PR: 7)

7. Smallfoot (PR: 6)

8. Teen Titans Go! To the Movies (PR: 9)

9. Ruben Brandt, Collector (PR: 8)

10. Lu Over the Wall (PR: 10)

Best Documentary Feature

1. Won’t You Be My Neighbor? (PR: 1)

2. Free Solo (PR: 4)

3. Three Identical Strangers (PR: 2)

4. RBG (PR: 3)

5. Minding the Gap (PR: 5)

Other Possibilities:

6. Crime + Punishment (PR: 6)

7. Hale County This Morning, This Evening (PR: 9)

8. Shirkers (PR: 8)

9. Dark Money (PR: 7)

10. Of Fathers and Sons (PR: Not Ranked)

Dropped Out:

Science Fair

Best Film Editing

1. Roma (PR: 1)

2. A Star Is Born (PR: 3)

3. First Man (PR: 2)

4. The Favourite (PR: 5)

5. BlacKkKlansman (PR: 8)

Other Possibilities:

6. Vice (PR: 4)

7. Black Panther (PR: 7)

8. A Quiet Place (PR: 10)

9. Mary Poppins Returns (PR: Not Ranked)

10. Green Book (PR: 6)

Dropped Out:

If Beale Street Could Talk 

Best Cinematography

1. Roma (PR: 1)

2. First Man (PR: 2)

3. A Star Is Born (PR: 5)

4. The Favourite (PR: 3)

5. Cold War (PR: 7)

Other Possibilities:

6. Black Panther (PR: 6)

7. If Beale Street Could Talk (PR: 4)

8. BlacKkKlansman (PR: 8)

9. The Ballad of Buster Scruggs (PR: Not Ranked)

10. Green Book (PR: 10)

Dropped Out:

Vice

Best Production Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Poppins Returns (PR: 4)

4. Mary Queen of Scots (PR: 3)

5. First Man (PR: 6)

Other Possibilities:

6. Roma (PR: 8)

7. Crazy Rich Asians (PR: 5)

8. Fantastic Beasts: The Crimes of Grindelwald (PR: 9)

9. A Star Is Born (PR: 7)

10. If Beale Street Could Talk (PR: 10)

Best Costume Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Queen of Scots (PR: 3)

4. Mary Poppins Returns (PR: 4)

5. Fantastic Beasts: The Crimes of Grindelwald (PR: 5)

Other Possibilities:

6. Bohemian Rhapsody (PR: Not Ranked)

7. A Star Is Born (PR: 8)

8. Colette (PR: 6)

9. Crazy Rich Asians (PR: 7)

10. The Nutcracker and the Four Realms (PR: 9)

Dropped Out:

If Beale Street Could Talk

Best Makeup and Hairstyling

1. Black Panther (PR: 1)

2. Vice (PR: 3)

3. Mary Queen of Scots (PR: 2)

Other Possibilities:

4. Bohemian Rhapsody (PR: 9)

5. Border (PR: Not Ranked)

6. Stan & Ollie (PR: 4)

7. Suspiria (PR: Not Ranked)

Dropped Out:

The Favourite

Mary Poppins Returns

Colette

A Star Is Born

Solo: A Star Wars Story

Best Sound Editing

1. First Man (PR: 1)

2. Black Panther (PR: 3)

3. A Quiet Place (PR: 2)

4. Roma (PR: 5)

5. Ready Player One (PR: 10)

Other Possibilities:

6. A Star Is Born (PR: 4)

7. Incredibles 2 (PR: 6)

8. Mission: Impossible – Fallout (PR: 8)

9. Mary Poppins Returns (PR: 7)

10. Solo: A Star Wars Story (PR: 9)

Best Sound Mixing

1. A Star Is Born (PR: 1)

2. First Man (PR: 2)

3. Black Panther (PR: 3)

4. Mary Poppins Returns (PR: 6)

5. A Quiet Place (PR: 4)

Other Possibilities:

6. Bohemian Rhapsody (PR: 5)

7. Roma (PR: 7)

8. Ready Player One (PR: 10)

9. Incredibles 2 (PR: 8)

10. Solo: A Star Wars Story (PR: 9)

Best Visual Effects

1. Avengers: Infinity War (PR: 1)

2. First Man (PR: 2)

3. Ready Player One (PR: 3)

4. Black Panther (PR: 5)

5. Mary Poppins Returns (PR: 4)

Other Possibilities:

6. Solo: A Star Wars Story (PR: 7)

7. Ant-Man and the Wasp (PR: Not Ranked)

8. Welcome to Marwen (PR: Not Ranked)

9. Jurassic World: Fallen Kingdom (PR: Not Ranked)

10. Christopher Robin (PR: Not Ranked)

Dropped Out:

Incredibles 2

Aquaman

Fantastic Beasts: The Crimes of Grindelwald

A Quiet Place

Best Original Score

1. First Man (PR: 1)

2. If Beale Street Could Talk (PR: 2)

3. Mary Poppins Returns (PR: 3)

4. BlackKlansman (PR: 4)

5. Isle of Dogs (PR: 8)

Other Possibilities:

6. Black Panther (PR: 7)

7. A Quiet Place (PR: Not Ranked)

8. The Ballad of Buster Scruggs (PR: Not Ranked)

9. Annihilation (PR: Not Ranked)

10. Vice (PR: Not Ranked)

Dropped Out:

Mary Queen of Scots

Incredibles 2

Colette

Suspiria 

Best Original Song

1. “Shallow” from A Star Is Born (PR: 1)

2. “All the Stars” from Black Panther (PR: 2)

3. “Trip a Little Light Fantastic” from Mary Poppins Returns (PR: 3)

4. “I’ll Fight” from RBG (PR: 4)

5. “Girl in the Movies” from Dumplin (PR: 5)

Other Possibilities:

6. “The Place Where Lost Things Go” from Mary Poppins Returns (PR: 9)

7. “Revelation” from Boy Erased (PR: 6)

8. “We Won’t Move” from The Hate U Give (PR: 10)

9. “A Place Called Slaughter Race” from Ralph Breaks the Internet (PR: 8)

10. “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs (PR: Not Ranked)

Dropped Out:

“Time for Change” from On the Basis of Sex

And that gives these pictures the following number of nominations:

10 Nominations

A Star Is Born, The Favourite

9 Nominations

Black Panther

8 Nominations

First Man, Mary Poppins Returns

7 Nominations

Roma

6 Nominations

BlacKkKlansman

5 Nominations

If Beale Street Could Talk

4 Nominations

Green Book, Vice

3 Nominations

Can You Ever Forgive Me?, Mary Queen of Scots

2 Nominations

A Quiet Place, Cold War, First Reformed, Isle of Dogs, Ready Player One, RBG

1 Nomination

Avengers: Infinity War, Beautiful Boy, Bohemian Rhapsody, Burning, Capernaum, Dumplin, Eighth Grade, Fantastic Beasts: The Crimes of Grindelwald, Free Solo, Incredibles 2, Minding the Gap, Mirai, Ralph Breaks the Internet, Shoplifters, Spider-Man: Into the Spider-Verse, Three Identical Strangers, The Wife, Won’t You Be My Neighbor?

Vice Box Office Prediction

Three years after receiving multiple Oscar nominations for The Big Short, Adam McKay is touching hot button issues yet again with Vice. The biopic of Dick Cheney is out Christmas Day with Christian Bale in the title role. Costars include Amy Adams as wife Lynne, Sam Rockwell as George W. Bush, Steve Carell as Don Rumsfeld, Tyler Perry as Colin Powell, Jesse Plemons, and Alison Pill.

Like The Big Short, this has been subject to awards recognition already as it led the Golden Globes in number of nominations. The embargo for reviews was up earlier this week and the Rotten Tomatoes rating is currently 67%. That’s a bit less than expected, but a Best Picture nod seems quite possible while nominations for Bale and Adams look assured.

The decision to release Vice in the competitive holiday week could limit its potential out of the gate – yet it could appeal to adult moviegoers and politicos. With Christmas falling on a Tuesday, it’s likely its first threes days of earnings could match or even exceed the traditional weekend that follows. Short took in just over $10 million in its Yuletide 2015 wide expansion. For another comp with similar subject matter, Oliver Stone’s 2008 biopic W. did the exact same number as Short. 

Considering there are six days to ponder, I’ll say $7 million for the weekend with over $7 million added from Tuesday-Thursday.

Vice opening weekend prediction: $7.2 million (Friday to Sunday); $14.8 million (Tuesday to Sunday)

https://www.youtube.com/watch?v=g09a9laLh0k&t=2s

For my Holmes & Watson prediction, click here:

https://toddmthatcher.com/2018/12/18/holmes-watson-box-office-prediction/

Oscar Watch: Welcome to Marwen

Nearly a quarter century ago, Robert Zemeckis was the toast of Oscar night with Forrest Gump, famously beating out now classic works including Pulp Fiction and The Shawshank Redemption. With the release of Welcome to Marwen this Friday, it’s clear that things have changed.

The true life drama (based on the acclaimed 2010 documentary Marwencol) casts Steve Carell as a victim of violence who develops amnesia and invents his own fantasy world. From the release of its first trailer, the film failed to garner any awards buzz. We are now seeing reviews only two days before it release. That’s rarely a positive sign. Its Rotten Tomatoes score is currently a troubling 21%. Box office estimates are low.

Bottom line: Welcome to Marwen never developed as a contender and the buzz out today shows why. There is one caveat. The pic did make the shortlist of ten possible nominees for Best Visual Effects. However, my current projections show Avengers: Infinity War, First Man, Black Panther, Ready Player One, and Mary Poppins Returns as the ones that will elevate. My weekly picks will be released early tomorrow and (spoiler alert!) Marwen will place 8th. My Oscar Watch posts will continue…

https://www.youtube.com/watch?v=28OtSCd-QNE

A Simple Favor Movie Review

Stephanie (Anna Kendrick) is the type of character who would be in the book club that reads something like A Simple Favor. Yet the cyclone level of twists in the story might only be thought up by someone like Emily (Blake Lively) after drinking too many of her patented mid afternoon dry martinis. Paul Feig’s satiric thriller is, alas, based on a novel by Darcey Bell that probably has been read in those clubs.

This takes the issues of female empowerment found in Gone Girl or The Girl on the Train (also from literary works) and casts a black comedic cloud over it. It occasionally risks collapsing under its sheer volume of plot turns. And somehow it rarely ceases to be a hoot with two dynamic lead performances.

We meet Stephanie on her daily vlog filled with cooking tips and child rearing tips. She’s a single mom whose husband died in a car accident along with her brother. Her instinct is to do it all, including hoarding over school parenting projects. She doesn’t blink when Emily, whose kid attends school with Stephanie’s, starts asking her to be an unpaid nanny. Emily has a hectic job as PR manager for a fashion designer, the already mentioned drinking problem, and has-been writer turned professor husband Sean (Henry Golding from summer smash Crazy Rich Asians). The two end up bonding with Stephanie deeming Emily her “best friend” (there’s a bracelet involved).

Then one day Emily vanishes and Stephanie’s daily posts become a darker (though always humorous) search for a missing person. Her protective nature draws her close to Sean, so much so that the authorities begin to question their motives. What follows is a relentless stream of genre clichés: insurance claims, alternate identities, unknown twins, and love triangles, just to name some. This is kitchen sink level stuff. It’s borderline exhausting, but you get the feeling that Feig and screenwriter Jessica Sharzer know it and are furiously winking. The director is known for his straight up comedies such as Bridesmaids, The Heat, and Spy. While this does venture into paperback adapted material, it does it with tongue in cheek planted wit. This is more in tone with 1998’s under appreciated Wild Things than something like Gone Girl.

Kendrick and Lively are the show here and their chemistry makes it work. Stephanie’s desperation for companionship is sold by Kendrick, who thinks she’s found someone special beyond her unseen blog watchers. She’s done so with Emily, whose back story is filled with too many secrets to keep track of (you will lose count). Lively has a ball revealing them. So do we once we realize keeping up with it all is secondary to its ridiculous and fun nature.

*** (out of four)

Holmes & Watson Box Office Prediction

If you thought Robert Downey Jr. and Jude Law’s take on Sir Arthur Conan Doyle’s sleuthing characters was a little silly, wait till you get a load of Holmes & Watson next week. The comedy casts Will Ferrell as Holmes and John C. Reilly as Watson with Etan Cohen (who worked with Ferrell in Get Hard) directs with a supporting cast including Rebecca Hall, Ralph Fiennes, Kelly Macdonald, Lauren Lapkus, and Hugh Laurie.

Ferrell and Reilly have, of course, headlined two hits from the previous decade – Talladega Nights: The Ballad of Ricky Bobby and Step Brothers. Ironically, the maker of both of them (Adam McKay) has Vice debuting directly against this.

Technically this is the two principles fourth collaboration since Reilly had a cameo in Anchorman 2: The Legend Continues. This opens Christmas Day, which means it’s out on Tuesday. Movies generally perform strangely during the holiday frame. Previous films that have opened when 12/25 falls on Tuesday can see their Tuesday-Thursday gross match or even exceed the Friday-Sunday.

I expect that to occur here with Holmes getting close to lower double digits in the latter part of its six-day. That could mean low 20s for the first week run.

Holmes & Watson opening weekend prediction: $11.3 million (Friday to Sunday); $22.3 million (Tuesday to Sunday)

For my Vice prediction, click here:

https://toddmthatcher.com/2018/12/19/vice-box-office-prediction/

The House with a Clock in Its Walls Movie Review

Sporting the 1980s Universal Pictures logo followed by the Amblin Entertainment one, The House with a Clock in Its Walls does feel like a Spielberg picture at times. Not one that he would’ve directed, but one that he got executive producer credit on. This is Eli Roth’s homage to that era and he’s working in PG territory, which is two MPAA ratings below his typical bailiwick. Like some eighties titles (think Back to the Future or Night of the Creeps), this is set in the 1950s. It’s a more innocent time for evil spirits to haunt and inanimate objects to become animated and agitated.

Lewis (Owen Vaccaro) is a ten-year-old whose parents perished in an accident. He’s sent to live with estranged uncle Jonathan (Jack Black, reveling in his own brand of spirited antics). Jonathan lives in a large and spooky manor adorned with countless ticking clocks. There’s also furniture and paintings that come to life and strange sounds behind the old walls. Florence (Cate Blanchett) is the platonic friend neighbor who spends plenty of time at the clocked crib.

It turns out Lewis’s new caretakers have some supernatural abilities of the warlock and witching variety. They use their abilities for good, but Jonathan’s late magic show partner (Kyle MacLachlan) might have some evil tricks up his sleeve if he’s summoned back to existence. Jonathan’s only rule to Lewis is not to open a dusty book that could do just that. We know the next chapter.

The Spielberg touches are clear. Parental loss and being an adolescent outsider are explored. They’re coupled with the science fiction elements we also anticipate. There’s some solid makeup work and special effects to behold. And like some 80s era flicks (think Gremlins or Poltergeist), there’s some creepy moments sprinkled in. They are not as scary as those aforementioned titles that caused PG-13 to exist. However, Clock has enough of them to make this fun for kids. As for the older folks who grew up on all this stuff (like its director), it’s lovingly made and passably entertaining. It won’t make your 3D nostalgia glasses mist up like Super 8 or Stranger Things might have, but it’s worth the time spent.

*** (out of four)

Box Office Predictions: December 21-23

Blogger’s Note (12/18/18): Some updates as Aquaman estimate have risen and Mary Poppins Returns has dwindled a bit.

Hollywood is hoping that Yuletide cheer is spread among a host of newcomers opening this weekend. We have superhero fish tale Aquaman, Disney sequel Mary Poppins Returns arriving over a half century following its classic predecessor, Transformers franchise prequel Bumblebee, Jennifer Lopez rom com Second Act, and the Robert Zemeckis drama Welcome to Marwen starring Steve Carell. You can peruse my detailed prediction posts on all of them here:

https://toddmthatcher.com/2018/12/11/aquaman-box-office-prediction/

https://toddmthatcher.com/2018/12/10/mary-poppins-returns-box-office-prediction/

https://toddmthatcher.com/2018/12/11/bumblebee-box-office-prediction/

https://toddmthatcher.com/2018/12/14/second-act-box-office-prediction/

https://toddmthatcher.com/2018/12/15/welcome-to-marwen-box-office-prediction/

Expectations for Aquaman have floated upwards in recent days with decent reviews and terrific numbers overseas. It seems destined to rule the charts with a mid 70s performance and the possibility of rising even higher.

Mary Poppins Returns gets an early start on Wednesday and the runner-up spot appears to be a given. It’s also benefiting from mostly strong critical reaction and some Oscar chatter.

Speaking of critics, we were all taken aback when Bumblebee achieved its own positive buzz with a current 98% rating on Rotten Tomatoes (that’s better than the last four movies in the series… combined). Having the best reviews of a Transformers pic should certainly help , but competition is seriously steep and the franchise has been on the downside. I’ve got it pegged for mid 20s, but don’t be surprised if it over performs.

With Second Act estimated at $6.5 million and Welcome to Marwen (which seems DOA) at $3.8 million, that would put both of them outside the top 5. Last weekend’s top two earners Spider-Man: Into the Spider-Verse and The Mule should fill out the rest of high-five.

And with that, here’s those merry projections:

1. Aquman

Predicted Gross: $77.3 million

2. Mary Poppins Returns

Predicted Gross: $34.8 million (Friday to Sunday); $52.2 million (Wednesday to Sunday)

3. Bumblebee

Predicted Gross: $26.2 million

4. Spider-Man: Into the Spider-Verse

Predicted Gross: $20.1 million

5. The Mule

Predicted Gross: $10.2 million

 

https://www.youtube.com/watch?v=u_jiTXzxxV8

Box Office Results (December 14-16)

The Spider-Man character, through seven films this century, has never failed to open at #1. The streak held as the acclaimed Spider-Man: Into the Spider-Verse took in $35.3 million, not quite reaching my $43.4 million forecast. With an A+ Cinemascore grade, this should play well throughout the holiday season. I do expect a drop of just over 40% coming up considering the level of competition, but that should subside the following weekend.

Clint Eastwood’s The Mule got off to a solid start in second as a prime option for older moviegoers. The thriller took in $17.5 million and I was as close as can be with $17.6 million. Like Spidey, it may dip about 40% and then level off well in coming weekends.

The Grinch was third with $11.7 million (I said $10.8 million) to bring its total to a pleasing $239 million.

Ralph Breaks the Internet dropped to fourth after three weeks at #1 with $9.2 million, in line with my $9.7 million estimate. The Disney sequel has taken in $154 million.

Mortal Engines staked its claim for biggest flop of the year as the Peter Jackson penned sci-fi adventure stalled in fifth place with just $7.5 million. I was higher at $12.4 million. That doesn’t bode well when its reported budget was $100 million.

Finally, the PG-13 Once Upon a Deadpool failed to attract many eyeballs in 11th place with $2.6 million – under my $4.2 million prediction. The good news? The very R-rated sequel that preceded it this summer was already at about $315 million domestic.

And that does it for now, folks! Until next time…