Blogger’s Note (11/20): On the eve of its premiere, I have increased my prediction for CreedII
When Creed debuted three Thanksgiving weekends ago, it did so in the manner of the character who began the franchise nearly four decades prior… as an underdog. The Rocky spinoff managed to majorly defy expectations with rave reviews and even Oscar chatter for costar Sylvester Stallone in Supporting Actor. That wave of buzz resulted in a $29 million Friday to Sunday start and $42 million total for the five-day holiday weekend. The eventual gross was $109 million.
Like Rocky before it, now come the sequels with Roman numerals as CreedII premieres next week. Michael B. Jordan is back along with Stallone, Tessa Thompson, Phylicia Rashad, and Milo Ventimiglia (reprising his role as Balboa’s son from 2006’s RockyBalboa). And that’s not the only blast from the past as Adonis Creed is fighting the son of Ivan Drago from 1985’s RockyIV. That means Dolph Lundgren returns with a reported appearance from Brigitte Nielsen as well. Florian Munteanu is Drago’s spawn and other new cast members include Wood Harris and Russell Hornsby. Steven Caple, Jr. takes over directorial duties from Ryan Coogler, who moved onto a little something called BlackPanther earlier this year (he does executive produce).
So how will the second round measure up? Jordan has certainly increased his visibility even more with his acclaimed villainous role in the aforementioned Panther. And part 4 of the Rocky series that this harkens back to is perhaps the most well-known sequel of the bunch.
That leads me to think II will open on an even keel with its predecessor. Yet I’m not seeing a compelling reason for it premiering much bigger. This might seem like a dull prediction, but I truly think the box office decision will match what came before.
CreedII opening weekend prediction: $31.4 million (Friday to Sunday); $45.3 million (Wednesday to Sunday)
For my RalphBreakstheInternet prediction, click here:
Disney is no stranger to debuting high-profile titles over the long Turkey Day weekend and they’re back at it again with RalphBreakstheInternet. It’s the sequel to 2012’s Wreck–It–Ralph and brings back the vocal stylings of John C. Reilly, Sarah Silverman, Jack McBrayer, Jane Lynch, and Ed O’Neill. New actors behind the mic include Gal Gadot, Taraji P. Henson, and Alfred Molina. Rich Moore and Phil Johnston direct.
While we’re not in Incredibles2 territory as far as expectations, Ralph is forecasted to easily break into the top spot for the Thanksgiving holiday. The original made $49 million for its start six years ago and ended up with $189 million.
Animated sequels can and have exceeded debut earnings of their predecessors. There’s been several years for kids to watch the original repeatedly and Internet could also appeal to younger adults. As mentioned, the Mouse Factory likes this frame for their drawn efforts. On the high-end, there’s Frozen, which made $93 million over the full Wednesday to Sunday frame ($67 million traditional weekend). On the low-end is TheGoodDinosaur with a $55 million five-day ($39 million three-day). Two years ago, Moana took in $82 million ($56 million Friday to Sunday). Last year it was Coco with $72 million ($50 million three-day).
So where does this fit in? I like it falling in between Disney’s output from the last two years. That means I’m estimating it slightly outshines Wreck–It for the traditional weekend with upper 70s for the whole holiday.
RalphBreakstheInternet opening weekend prediction: $54.4 million (Friday to Sunday); $79.8 million (Wednesday to Sunday)
A trio of newbies enter the marketplace in the pre-Thanksgiving weekend as J.K. Rowling’s latest wizard tale FantasticBeasts: TheCrimesofGrindelwald, Mark Wahlberg family comedy InstantFamily, and critically hailed ensemble heist drama Widows debut. You can peruse my detailed prediction posts on each of them here:
There’s little doubt that Beasts will easily take its perch atop the charts, as every Rowling based pic has going back to HarryPotterandtheSorcerer’sStone seventeen years ago. I’ve got it premiering just under its predecessor FantasticBeastsandWheretoFindThem in November 2016.
After it solid start, TheGrinch should drop to second place. The direct competition from Beasts could mean a drop in the low to possibly mid 40s.
The rest of the top 5 gets interesting as BohemianRhapsody enters its third frame and battles with the newcomers. I’ve become a bit more convinced that Family will manage to outdo Widows out of the gate. If we take the Freddie Mercury biopic down about 40%, it could slightly edge Family.
Here’s my take on the weekend’s high five:
1. FantasticBeasts: TheCrimesofGrindelwald
Predicted Gross: $70.1 million
2. TheGrinch
Predicted Gross: $38.6 million
3. BohemianRhapsody
Predicted Gross: $19.5 million
4. InstantFamily
Predicted Gross: $19.4 million
5. Widows
Predicted Gross: $15.8 million
BoxOfficeResults (November9–11)
It was sturdy holiday greetings for TheGrinch as the animated Christmas flick took in $67.5 million, a bit ahead of my $63.4 million projection. There’s plenty of competition in the pipeline, but this should still play well throughout the upcoming season.
BohemianRhapsody was second in its sophomore weekend at $31.2 million (I said $29.8 million). In just ten days, it’s hit the $100 million mark.
Zombie war pic Overlord opened in third with a so-so $10.2 million, chomping past my $8.2 million estimate. It wasn’t expected to be this weekend’s #2 newcomer, but that has more to do with another film coming up in the recap.
TheNutcrackerandtheFourRealms dropped to fourth with $10 million, on pace with my $10.2 million prediction. The Disney disappointment has made $35 million in two weeks.
AStarIsBorn was fifth with $8.1 million (I said $8 million) to bring its haul to $178 million.
Opening in sixth place was TheGirlintheSpider’sWeb with a meager $7.8 million compared to my $9.4 million take. The soft reboot of the franchise could not connect with audiences seven years following the successful TheGirlwiththeDragonTattoo.
Lastly, today we lost an icon who created many of the heroes and villains that have dominated pop culture and our 21st century cinematic universe. RIP Stan Lee and thank you.
Over the weekend, Illumination Entertainment’s TheGrinch dominated the box office with a mid 60s debut. The animated pic continues a string of pleasing grosses for the studio that houses the lucrative DespicableMe/Minions franchise.
Could that mean TheGrinch finds its way into the mix for Best Animated Feature at the Oscars? It’s doubtful. For starters, reviews have been mixed as it currently sits at 55% on Rotten Tomatoes. The race is also filling up with Incredibles2 and IsleofDogs with probable reserved spots and the upcoming RalphBreakstheInternet looking to nab one. I feel that other wide release pics like EarlyMan and Smallfoot could also be potential contenders.
Most importantly, while Illumination produces blockbusters, that success hasn’t translated into nominations. Only DespicableMe2 got one, with better reviewed titles like TheSecretLifeofPets and other Despicable efforts left out.
Bottom line: the studio’s Grinch reward will come from its earnings and not awards ceremonies. My Oscar Watch posts will continue…
The AFI Film Festival is underway and last night’s opening feature is the Ruth Bader Ginsburg biopic On the Basis of Sex with Felicity Jones in the starring role. It’s been quite a cinematic year for the Supreme Court Justice, as the documentary RBG appears well positioned to land a nod in that race at the Oscars.
So will this big screen rendering of her life follow suit? On the basis of its critical reaction, the verdict is probably in the negative. While some reviews have been positive, others are more mixed and it currently stands at 60% on Rotten Tomatoes.
Best Actress is looking crowded this year and that likely leaves Jones out. The same holds true for supporting races with Armie Hammer and Kathy Bates. The latter has received some raves, but her role is said to be not much more than a cameo.
Bottom line: RBG’s chances for awards love lies most with the documentary and not this. My Oscar Watch posts will continue…
J.K. Rowling’s world of wizardry is back in theaters next weekend with the release of FantasticBeasts: TheCrimesofGrindelwald. It’s the second in a series of five planned features as it looks to conjure up huge box office dollars like predecessor FantasticBeastsandWheretoFindThem did.
Early reviews are out and the reaction is mixed at 56% currently on Rotten Tomatoes. Not even the most acclaimed HarryPotter pics were ever considered awards contenders for major categories. However, down the line technical races are another story.
Two years ago, the first Beasts managed two Oscar nominations: Production Design and Costume Design. It won the latter. There’s no reason to think it couldn’t be a factor in both of those categories again. That said, voters could feel they’ve already honored the franchise with part 1. Visual Effects and Makeup and Hairstyling are in the realm of possibility, if unlikely.
Bottom line: the costumes especially could garner attention, but don’t expect Grindelwald to exceed (and maybe not match) the first movie.
My weekly Oscar predictions have arrived once again! Some important developments from last week to this one:
Green Book rises and First Man falls. While I still have the latter receiving a Picture nomination, I’ve put in Peter Farrelly (Green Book) over Man maker Damien Chazelle in Director. In Best Actor, Rami Malek (Bohemian Rhapsody) gets the nod over Ryan Gosling’s work. In Adapted Screenplay, it’s Widows in and First Man out. With Green Book, it now rises to the #1 spot in Original Screenplay over Roma.
The AFI Fest premieres tonight with the world debut of On the Basis of Sex. We’ll have a lot more info on its Oscar viability in just hours. The same festival will bring us the first screening and buzz for Mary Queen of Scots next week.
Let’s get to it!
Best Picture
1. A Star Is Born (Previous Ranking: 1)
2. Roma (PR: 2)
3. Green Book (PR: 5)
4. The Favourite (PR: 3)
5. BlacKkKlansman (PR: 4)
6. If Beale Street Could Talk (PR: 7)
7. First Man (PR: 6)
8. Black Panther (PR: 8)
9. Vice (PR: 9)
Other Possibilities:
10. Widows (PR: 12)
11. Can You Ever Forgive Me? (PR: 10)
12. On the Basis of Sex (PR: 14)
13. The Mule (PR: 13)
14. Crazy Rich Asians (PR: 11)
15. Boy Erased (PR: Not Ranked)
Dropped Out:
Mary Queen of Scots
Best Director
1. Alfonso Cuaron, Roma (PR: 1)
2. Bradley Cooper, A Star Is Born (PR: 2)
3. Spike Lee, BlacKkKlansman (PR: 3)
4. Peter Farrelly, Green Book (PR: 7)
5. Yorgos Lanthimos, The Favourite (PR: 4)
Other Possibilities:
6. Barry Jenkins, If Beale Street Could Talk (PR: 6)
7. Damien Chazelle, First Man (PR: 5)
8. Adam McKay, Vice (PR: 9)
9. Ryan Coogler, Black Panther (PR: 8)
10. Marielle Heller, Can You Ever Forgive Me? (PR: 10)
Best Actor
1. Bradley Cooper, A Star Is Born (PR: 1)
2. Viggo Mortensen, Green Book (PR: 3)
3. Christian Bale, Vice (PR: 2)
4. Rami Malek, Bohemian Rhapsody (PR: 7)
5. Willem Dafoe, At Eternity’s Gate (PR: 4)
Other Possibilities:
6. Ryan Gosling, First Man (PR: 5)
7. Robert Redford, The Old Man & The Gun (PR: 6)
8. Clint Eastwood, The Mule (PR: 8)
9. Lucas Hedges, Boy Erased (PR: Not Ranked)
10. Hugh Jackman, The Front Runner (PR: 9)
Dropped Out:
Steve Carell, Beautiful Boy
Best Actress
1. Glenn Close, The Wife (PR: 1)
2. Lady Gaga, A Star Is Born (PR: 2)
3. Olivia Colman, The Favourite (PR: 3)
4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)
5. Yalitza Aparicio, Roma (PR: 5)
Other Possibilities:
6. Viola Davis, Widows (PR: 6)
7. Felicity Jones, On the Basis of Sex (PR: 7)
8. Nicole Kidman, Destroyer (PR: 8)
9. Julia Roberts, Ben Is Back (PR: 9)
10. Emily Blunt, Mary Poppins Returns (PR: Not Ranked)
Dropped Out:
Saoirse Ronan, Mary Queen of Scots
Best Supporting Actor
1. Mahershala Ali, Green Book (PR: 1)
2. Sam Elliot, A Star Is Born (PR: 4)
3. Richard E. Grant, Can You Ever Forgive Me? (PR: 2)
4. Timothee Chalamet, Beautiful Boy (PR: 3)
5. Adam Driver, BlacKkKlansman (PR: 5)
Other Possibilities:
6. Daniel Kaluuya, Widows (PR: 8)
7. Michael B. Jordan, Black Panther (PR: 7)
8. Sam Rockwell, Vice (PR: 6)
9. Russell Crowe, Boy Erased (PR: Not Ranked)
10. Russell Hornsby, The Hate U Give (PR: 9)
Dropped Out:
Robert Forster, What They Had
Best Supporting Actress
1. Regina King, If Beale Street Could Talk (PR: 1)
2. Emma Stone, The Favourite (PR: 2)
3. Amy Adams, Vice (PR: 5)
4. Claire Foy, First Man (PR: 4)
5. Rachel Weisz, The Favourite (PR: 3)
Other Possibilities:
6. Nicole Kidman, Boy Erased (PR: 8)
7. Natalie Portman, Vox Lux (PR: 7)
8. Michelle Yeoh, Crazy Rich Asians (PR: 9)
9. Marina de Tavira, Roma (PR: 6)
10. Linda Cardellini, Green Book (PR: Not Ranked)
Dropped Out:
Thomasin McKenzie, Leave No Trace
Best Adapted Screenplay
1. BlacKkKlansman (PR: 1)
2. A Star Is Born (PR: 2)
3. If Beale Street Could Talk (PR: 3)
4. Can You Ever Forgive Me? (PR: 4)
5. Widows (PR: 6)
Other Possibilities:
6. First Man (PR: 5)
7. Crazy Rich Asians (PR: 7)
8. Boy Erased (PR: Not Ranked)
9. The Hate U Give (PR: 8)
10. Black Panther (PR: 10)
Dropped Out:
Leave No Trace
Best Original Screenplay
1. Green Book (PR: 3)
2. Roma (PR: 1)
3. The Favourite (PR: 2)
4. Eighth Grade (PR: 4)
5. Vice (PR: 5)
Other Possibilities:
6. On the Basis of Sex (PR: 6)
7. First Reformed (PR: 7)
8. The Ballad of Buster Scruggs (PR: 9)
9. A Quiet Place (PR: 8)
10. The Mule (PR: 10)
Best Foreign Language Film
1. Roma (PR: 1)
2. Cold War (PR: 2)
3. Shoplifters (PR: 3)
4. Girl (PR: 4)
5. Capernaum (PR: 5)
Other Possibilities:
6. Burning (PR: 6)
7. Never Look Away (PR: 9)
8. Border (PR: 10)
9. Birds of Passage (PR: 7)
10. Dogman (PR: Not Ranked)
Dropped Out:
The Guility
Best Animated Feature
1. Incredibles 2 (PR: 1)
2. Isle of Dogs (PR: 2)
3. Ralph Breaks the Internet (PR: 3)
4. Mirai (PR: 4)
5. Early Man (PR: 7)
Other Possibilities:
6. Ruben Brandt, Collector (PR: 5)
7. Smallfoot (PR: 10)
8. Spider-Man: Into the Spider-Verse (PR: Not Ranked)
9. The Grinch (PR: Not Ranked)
10. Lu Over the Wall (PR: 6)
Dropped Out:
Night is Short, Walk on Girl
Teen Titans Go! To the Movies
Best Documentary Feature
1. Free Solo (PR: 1)
2. Three Identical Strangers (PR: 2)
3. Won’t You Be My Neighbor? (PR: 3)
4. RBG (PR: 4)
5. Minding the Gap (PR: 6)
Other Possibilities:
6. Crime + Punishment (PR: 8)
7. Dark Money (PR: 7)
8. Science Fair (PR: 5)
9. Quincy (PR: 10)
10. Hale County This Morning, This Evening (PR: Not Ranked)
Dropped Out:
The Price of Everything
Best Film Editing
1. Roma (PR: 2)
2. First Man (PR: 3)
3. A Star Is Born (PR: 1)
4. If Beale Street Could Talk (PR: 7)
5. The Favourite (PR: 4)
Other Possibilities:
6. Widows (PR: 6)
7. Vice (PR: 5)
8. Black Panther (PR: 8)
9. BlacKkKlansman (PR: 9)
10. Green Book (PR: Not Ranked)
Dropped Out:
July 22
Best Cinematography
1. Roma (PR: 1)
2. First Man (PR: 2)
3. If Beale Street Could Talk (PR: 4)
4. The Favourite (PR: 6)
5. A Star Is Born (PR: 3)
Other Possibilities:
6. Widows (PR: 9)
7. Black Panther (PR: 7)
8. Cold War (PR: 5)
9. BlacKkKlansman (PR: Not Ranked)
10. Green Book (PR: Not Ranked)
Dropped Out:
The Ballad of Buster Scruggs
Mary Queen of Scots
Best Production Design
1. The Favourite (PR: 1)
2. Black Panther (PR: 2)
3. Mary Poppins Returns (PR: 4)
4. First Man (PR: 3)
5. Mary Queen of Scots (PR: 5)
Other Possibilities:
6. A Star Is Born (PR: 6)
7. Fantastic Beasts: The Crimes of Grindelwald (PR: 8)
8. If Beale Street Could Talk (PR: Not Ranked)
9. Roma (PR: 7)
10. The Nutcracker and the Four Realms (PR: 10)
Dropped Out:
Colette
Best Costume Design
1. The Favourite (PR: 1)
2. Black Panther (PR: 2)
3. Mary Queen of Scots (PR: 3)
4. Mary Poppins Returns (PR: 5)
5. Colette (PR: 4)
Other Possibilities:
6. Fantastic Beasts: The Crimes of Grindelwald (PR: 9)
7. Bohemian Rhapsody (PR: Not Ranked)
8. Crazy Rich Asians (PR: 6)
9. If Beale Street Could Talk (PR: 8)
10. A Star Is Born (PR: 7)
Dropped Out:
A Wrinkle in Time
Best Makeup and Hairstyling
1. The Favourite (PR: 3)
2. Black Panther (PR: 1)
3. Mary Queen of Scots (PR: 2)
Other Possibilities:
4. Vice (PR: 5)
5. Stan & Ollie (PR: 4)
6. A Star Is Born (PR: 7)
7. Colette (PR: 9)
8. A Wrinkle in Time (PR: 10)
9. Mary Poppins Returns (PR: 6)
10. Suspiria (PR: 8)
Best Sound Editing
1. First Man (PR: 1)
2. Black Panther (PR: 2)
3. A Star Is Born (PR: 4)
4. A Quiet Place (PR: 3)
5. Roma (PR: 8)
Other Possibilities:
6. Mission: Impossible – Fallout (PR: 6)
7. Incredibles 2 (PR: 5)
8. Mary Poppins Returns (PR: 9)
9. Avengers: Infinity War (PR: 7)
10. Ready Player One (PR: Not Ranked)
Dropped Out:
Annihilation
Best Sound Mixing
1. A Star Is Born (PR: 2)
2. First Man (PR: 1)
3. Black Panther (PR: 4)
4. A Quiet Place (PR: 3)
5. Bohemian Rhapsody (PR: 6)
Other Possibilities:
6. Roma (PR: 7)
7. Mary Poppins Returns (PR: 5)
8. Incredibles 2 (PR: 8)
9. Mission: Impossible – Fallout (PR: Not Ranked)
10. Avengers: Infinity War (PR: 9)
Dropped Out:
Ready Player One
Best Visual Effects
1. First Man (PR: 1)
2. Avengers: Infinity War (PR: 2)
3. Ready Player One (PR: 4)
4. Black Panther (PR: 3)
5. Annihilation (PR: 5)
Other Possibilities:
6. Mary Poppins Returns (PR: 6)
7. A Wrinkle in Time (PR: 8)
8. Fantastic Beasts: The Crimes of Grindelwald (PR: 9)
9. A Quiet Place (PR: 7)
10. The Nutcracker and the Four Realms (PR: Not Ranked)
Dropped Out:
Ant-Man and the Wasp
Best Original Score
1. If Beale Street Could Talk (PR: 2)
2. First Man (PR: 1)
3. Mary Queen of Scots (PR: 6)
4. BlacKkKlansman (PR: 3)
5. Widows (PR: Not Ranked)
Other Possibilities:
6. Mary Poppins Returns (PR: Not Ranked)
7. Roma (PR: 4)
8. Suspiria (PR: 9)
9. The Sisters Brothers (PR: 10)
10. Green Book (PR: 5)
Dropped Out:
Incredibles 2
Colette
Best Original Song
1. “Shallow” from A Star Is Born (PR: 1)
2. “All the Stars” from Black Panther (PR: 2)
3. “I’ll Never Love Again” from A Star Is Born (PR: 3)
4. “The Places Where Lost Things Go” from Mary Poppins Returns (PR: 4)
5. “We Won’t Move” from The Hate U Give (PR: 5)
Other Possibilities:
6. “Revelation” from Boy Erased (PR: Not Ranked)
7. “Always Remember Us This Way” from A Star Is Born (PR: 7)
8. “Hearts Beat Loud” from Hearts Beat Loud (PR: 10)
9. “I’ll Fight” from RBG (PR: 9)
10. “Time for Change” from On the Basis of Sex (PR: 6)
And that breaks down the following number of nominations for each film:
12 Nominations
A Star Is Born
11 Nominations
The Favourite
9 Nominations
First Man
8 Nominations
Black Panther, Roma
6 Nominations
If Beale Street Could Talk
5 Nominations
BlacKkKlansman, Green Book
4 Nominations
Mary Queen of Scots, Vice
3 Nominations
Can You Ever Forgive Me?, Mary Poppins Returns
2 Nominations
A Quiet Place, Bohemian Rhapsody, Widows
1 Nomination
At Eternity’s Gate, The Wife, Beautiful Boy, Eighth Grade, Colette, Avengers: Infinity War, Ready Player One, Annihilation, The Hate U Give, Cold War, Shoplifters, Girl, Capernaum, Incredibles 2, Isle of Dogs, Ralph Breaks the Internet, Mirai, Early Man, Free Solo, Three Identical Strangers, Won’t You Be My Neighbor?, RBG, Minding the Gap
Mark Wahlberg and Rose Byrne are a couple who bring in a trio of foster kids in next weekend’s comedy InstantFamily. The pic reunites Wahlberg with director Sean Anders, who made both of the successful Daddy’sHome features. Costars include Isabela Moner, Octavia Spencer, and Tig Notaro.
Family was originally scheduled to hit screens in February 2019 before Paramount pushed up the date. It will try to bring in family audiences on a weekend where FantasticBeasts: TheCrimesofGrindelwald opens directly against it and TheGrinch will be in its sophomore frame. That could certainly limit the potential for a robust debut, but the studio will hope that word of mouth carries it to a leggy run over the holidays.
I’ll predict a high teens teens premiere is what we’ll see as the currently unknown buzz will determine the rest of its fate.
InstantFamily opening weekend prediction: $19.4 million
For my FantasticBeasts: TheCrimesofGrindelwald prediction, click here:
Widows is Steve McQueen’s follow-up to 2013’s Oscar winning 12YearsaSlave and it boasts an impressive cast and its own awards buzz. Viola Davis headlines the heist thriller alongside Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Jacki Weaver, Carrie Coon, Robert Duvall, and Liam Neeson.
Opening next weekend, the film sits at 96% on Rotten Tomatoes. It could potentially contend in Best Picture, Actress (Davis), Supporting Actor (Kaluuya) and its Adapted Screenplay from GoneGirl and SharpObjects writer Gillian Flynn. So how will that translate to box office bucks?
I believe the likelihood is that Widows will succeed in appealing to action fans and manage to bring in a sizable female audience. Yet it should also be the type of performer that experiences solid holds from weekend to weekend and not necessarily have a huge opening. Mid teens appears to be the correct forecast for its start.
Widows opening weekend prediction: $15.8 million
For my FantasticBeasts: TheCrimesofGrindelwald prediction, click here:
Bryan Singer’s Bohemian Rhapsody hits many familiar notes and plot points as it explores the great showman that was Freddie Mercury and his iconic band Queen. There’s strain in his family – his actual one and the one that consists of his band mates. There’s the rise to fame and corruption of it. We have relationships strained to the point of apparent breakdown before reconciliation. Truth be told, many of these story arcs are so well-worn that you may feel you already know the words to them in the screenplay before they’re spoken.
However, it manages to succeed in a couple of meaningful ways. More than most music biopics, Rhapsody often captures the sheer magic that was Mercury. In the performance of Rami Malek, we have more than a fine impersonation (with the assistance of fake teeth). His work here captures the magnetism that Queen’s front man had. Additionally, the film builds its tale around their music that culminates in a Live Aid set that plays like a phoenix rising through the ashes.
We first meet the awkward looking Freddie handling luggage at Heathrow in London. He’s shy to a point, but also brimming with confidence in his vocal abilities as he rightly should. Freddie takes advantage of a lead singer opening in the band Smile and dubs it Queen. The rest, as they say, is history.
Regarding that history, Rhapsody has taken its licks for alternating some of the band’s timeline and events. It’s fair criticism, but the aim here is more of a celebration of the tracks that Mercury, Brian Ferry (Gwilym Lee, who nails the guitarist’s look and stance), Roger Taylor (Ben Hardy), and John Deacon (Joseph Mazzello) create. Segments are featured around the title track, “We Will Rock You”, and “Another One Bites the Dust”. Freddie’s relationship with Mary (Lucy Boynton) is chronicled through the creation of “Love of My Life”. She’s his one-time fiancee who realizes his homosexuality perhaps before he does. Yet their bond is stronger than the physical.
The screenplay from Anthony McCarten also delves into the group’s business dealings. There’s a cheeky scene about the release of “Rhapsody” that allows Mike Myers (as a very 1970s looking record exec) to reference his famous head banging scene in Wayne’s World. We see the hangers-on that nearly deep six the band. Contrary to early reports, we do glimpse Freddie’s promiscuity and substance abuse and eventual AIDS diagnosis.
It’s not the movie’s nature to go too far down that rabbit hole. If you are expecting that, you may walk away disappointed. I walked away impressed by its achievement in capturing what made Freddie and his musical family so special. I didn’t walk away sensing any of the well-publicized behind the scenes drama that resulted in director Singer being replaced well into the shooting schedule by Dexter Fletcher. And I certainly left marveling at Malek’s commitment in bringing Freddie to the screen, with the loud and gorgeous sounds of his live performance in front of a billion plus people ringing in my ears.
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