Nacho Vigalondo’s Colossal is an entertaining little example of what happens when a major film actress wants to do something a bit different. Anne Hathaway is the star here and what we have here is her giving a strong performance in a genre you might not expect.
She plays Gloria, an alcoholic who’s just been dumped by her boyfriend (Dan Stevens) and is forced to move from their NYC apartment. With no other options, Gloria goes back to her small town childhood home. Barely settling in, she reconnects with childhood buddy Oscar (Jason Sudeikis) who now owns his family neighborhood bar. Oscar offers her a part-time gig waitressing there and business picks up when the unthinkable occurs. Over in Seoul, South Korea – a Godzilla like creature wreaks havoc to those in its path. The citizens of the town go to the bar in the evening to drown themselves while viewing the unfolding developments. Yet there’s a very strange connection to Gloria and what’s happening thousands of miles away.
It turns out that she basically is the monster. If she stands at a playground at precisely 8:05am, her movements match what the monster does when it appears in Seoul. After making this unexpected discovery, she recognizes that she must use this gift (?) for good. However, those around her don’t necessarily share that sentiment.
Colossal clearly has a bizarre plot. Truth be told, your willingness to enjoy it may directly correlate to just going with it. I was able to mostly because of Hathaway’s commitment to the material. Her boozy Gloria is far from your typical heroine and the actress throws herself into the role (even if her drunken stupors humorously keep her unaware of what’s going on half the time). Sudeikis also has a ball with his complicated relationship with Gloria, which turns out to be quite integral to what’s going down in East Asia.
Once Colossal shows all its cards plotwise, it becomes slightly redundant in the last third. That said, the two leading performances and the film’s sheer weirdness and willingness to embrace that make it far from a waste of time.
*** (out of four)