Month: February 2016

Magic Mike XXL Movie Review

In 2012, I found Magic Mike to be a mostly effective star vehicle for Channing Tatum as a somewhat autobiographical tale of his dancing past. Somewhat surprisingly, he was able to enlist Oscar winning director Steven Soderbergh to bring it to the screen. While I recognize I was far from the film’s target audience, I was able to appreciate its fresh subject matter, even if the screenplay didn’t always deliver. Where it did – Tatum’s turn in the lead and a wildly entertaining supporting performance for Matthew McConaughey in the midst of his career resurgence.

His own Academy Awards glory and busy schedule keeps Mr. McConaughey out of Magic Mike XXL and the absence of his presence is not all right, all right, all right. Also gone is Magic Mike’s understudy Adam (Alex Pettyfer) and his sister Brooke (Cody Horn) who was our title character’s love interest. Gone too (kind of) is Soderbergh, who handed over directorial duties to Gregory Jacobs, but he still handles the cinematography and executive produces.

Watching XXL, I could never shake the feeling that this is a sequel its star and producers probably never figured they’d make. While the original brought audiences into a world you don’t often see portrayed on screen, XXL feels been there, done that with really nothing more to say. Many sequels have the odor of being completely unnecessary and this is one of them.

The pic starts three years after we last left Mike as he continues to get his custom furniture business off the ground. He’s hung up his G string and checked his signature dance moves while recently becoming single after being rebuffed by Brooke. Mike is soon lured back to his band of merry dude strippers for one last event (a Myrtle Beach convention) and their journey there leads to what could be dubbed Magic Mike: Road Trip!!

Along the way, this extremely episodic and poorly paced experience leads them to an African American club owned by an annoyingly overacting Jada Pinkett Smith, to a cougar filled house party that includes Andie MacDowell, and to Mike’s interacting with a new kind of, sort of love interest in an underwritten subplot with Amber Heard. The other boys in the group get perfunctory and dull storylines like Matt Bomer’s longed for singing career.

It all left me with one overall feeling: the world didn’t need a second dose of this. I guess everything about Magic Mike that needed to be said was done so in 2012 and this listless affair proves it. For the female (and male) fans of the original, perhaps the climactic dance grooves at the convention will merit its existence. My suggestion would be to just watch the first one again. It’s no masterpiece, but it almost looks like it compared to this.

*1/2 (out of four)

Oscar History: 2011

For the Academy Awards, 2011 will forever be known as the year when a French black and white silent film came out of nowhere to win three major categories, including Best Picture. That would be The Artist and it picked up momentum over its rivals, becoming one of the more unlikely recipients of the prize in some time.

During that year, the number of Picture nominees was nine and it beat out The Descendants, Extremely Loud and Incredibly Close, The Help, Hugo, Midnight in Paris, Moneyball, The Tree of Life, and War Horse. 

As for some others I may have considered, my favorite film of the year was Nicolas Winding Refn’s Drive. Another personal favorite: David Fincher’s The Girl with the Dragon Tattoo. Furthermore, the expanded list of nominees could have given the Academy a chance to nominate some of the better blockbusters that year: Rise of the Planet of the Apes or Mission: Impossible – Ghost Protocol for example.

The Artist‘s auteur Michel Hazanavicius would win Director over stellar competitors: Woody Allen (Midnight in Paris), Terrence Malick (The Tree of Life), Alexander Payne (The Descendants), and Martin Scorsese (Hugo). Again, Mr. Refn and Mr. Fincher would have made my cut.

The Artist love continued in Best Actor where Jean Dujardin took the prize over Demian Bichir (A Better Life), George Clooney (The Descendants), Gary Oldman in his first (??) nomination (Tinker Tailor Soldier Spy), and Brad Pitt (Moneyball).

I may have found room for Ryan Gosling’s silent but strong work in Drive or perhaps even Steve Carell in Crazy, Stupid, Love – in which he showed off real dramatic acting chops coupled with his comedic abilities for the first time.

Awards darling Meryl Streep took Best Actress for her portrayal of Margaret Thatcher (no relation) in The Iron Lady. Othern nominees: Glenn Close (Albert Nobbs), Viola Davis (The Help), Rooney Mara (The Girl with the Dragon Tattoo), and Michelle Williams (My Week with Marilyn).

The Academy’s penchant for ignoring comedy was shown here as Kristin Wiig should have merited consideration for her megahit Bridesmaids.

Beloved veteran Christopher Plummer won Supporting Actor for Beginners over Kenneth Branagh (My Week with Marilyn), Jonah Hill (Moneyball), Nick Nolte (Warrior), and Max Von Sydow (Extremely Loud and Incredibly Close).

Two others I may have made room for: Albert Brooks in Drive and especially the brilliant motion capture work of Andy Serkis in Rise of the Planet of the Apes.

Octavia Spencer was victorious in Supporting Actress for The Help over her costar Jessica Chastain, as well as Berenice Bejo (The Artist), Melissa McCarthy in the rare nod for comedy in Bridesmaids, and Janet McTeer (Albert Nobbs).

Two other comedic performances worthy of consideration: Rose Byrne in Bridesmaids and Jennifer Aniston’s scene stealing work in Horrible Bosses. I also would have found room for Shailene Woodley in The Descendants.

And that’s your Oscar history for 2011, folks! I’ll have 2012 up in the near future.

Triple 9 Box Office Prediction

With a cast of familiar faces, John Hillcoat’s heist thriller Triple 9 hits theaters next weekend. Casey Affleck, Chiwetel Ejiofor, Woody Harrelson, Aaron Paul, Norman Reedus, and Kate Winslet headline this pic, which is getting pretty decent notices (57% currently on Rotten Tomatoes).

The marketing campaign for Triple 9 hasn’t done a whole lot to set itself apart from other genre fare. Of the three newbies out next weekend (Gods of Egypt, Eddie the Eagle), this seems likeliest to come in third among them. This may even struggle to reach the $10 million opening mark achieved by Hillcoat’s last effort, 2012’s Lawless. I’ll predict it doesn’t for a muted premiere.

Triple 9 opening weekend prediction: $6.9 million

For my Gods of Egypt prediction, click here:

https://toddmthatcher.com/2016/02/18/gods-of-egypt-box-office-prediction/

For my Eddie the Eagle prediction, click here:

https://toddmthatcher.com/2016/02/18/eddie-the-eagle-box-office-prediction/

Eddie the Eagle Box Office Prediction

Olympic sports tale Eddie the Eagle debuts next weekend, which recounts the true story of the first Brit to participate in the ski jump competition at the 1988 games. The inspirational pic features Taron Egerton in the title role with Hugh Jackman and Christopher Walken among the supporting cast.

Eagle has garnered mostly positive notices, as it currently stands at 64% on Rotten Tomatoes. Trailers and TV spots have been decent, but I’m not sure this subject matter will break through in any significant way for Lionsgate. It could, however, do more brisk business in the U.K. I believe this will just manage to debut in double digits, which will probably give it a bronze medal behind Deadpool and Gods of Egypt.

Eddie the Eagle opening weekend prediction: $11.2 million

For my Gods of Egypt prediction, click here:

https://toddmthatcher.com/2016/02/18/gods-of-egypt-box-office-prediction/

For my Triple 9 prediction, click here:

https://toddmthatcher.com/2016/02/18/triple-9-box-office-prediction/

Gods of Egypt Box Office Prediction

Saddled with a rather inexplicable reported $140 million price tag, action fantasy saga Gods of Egypt hits screens next weekend. It may be lucky to capture a third of its massive budget domestically and be one of the costliest flops of 2016’s first quarter.

Directed by Alex Proyas, who gave us Dark City and I, Robot, Gods features some recognizable faces including Gerard Butler, Geoffrey Rush, Rufus Sewell, and Chadwick Boseman. The Lionsgate release comes just a week after Risen and the week before London Has Fallen and with Deadpool still making a killing. In other words, there’s a lot of competition for the genre crowd.

I just don’t see Gods doing any significant business. Anything over $20 million would surprise me and I believe this will struggle to even reach $15M for a majorly disappointing start.

Gods of Egypt opening weekend prediction: $13.9 million

For my Eddie the Eagle prediction, click here:

https://toddmthatcher.com/2016/02/18/eddie-the-eagle-box-office-prediction/

For my Triple 9 prediction, click here:

https://toddmthatcher.com/2016/02/18/triple-9-box-office-prediction/

Oscar Watch: Midnight Special

Two years ago, the Berlin Film Festival premiered a pair of films that garnered a total of 15 Oscar nominations – Wes Anderson’s The Grand Budapest Hotel and Richard Linklater’s Boyhood. Both were nominated for Best Picture.

One of the hottest titles to emerge from 2016’s Festival that could potentially merit Academy Awards chatter is Jeff Nichols’ Midnight Special, a science fiction drama that received glowing reviews. Nichols is the director behind critical darlings Take Shelter and Mud. His pictures have yet to receive awards attention, but that may finally change. Special stars Michael Shannon, Joel Edgerton, Adam Driver, Kirsten Dunst, and Jaeden Lieberher (the child actor who costarred alongside Bill Murray in St. Vincent).

With an 88% rating on Rotten Tomatoes, the film is said to be a throwback to 80s sci-fi efforts of Spielberg and John Carpenter. Reviews have especially made note of Shannon and Dunst’s work, who could be factors in the Actor and Supporting Actress races, respectively. Best Picture and Director could figure in, however I believe Special‘s best chance might be in Original Screenplay, penned by the director.

Obviously it’s early in 2016 to see how this will pan out. Yet if Special can manage solid box office grosses (a question mark) and remain in conversations over the remainder of the year, it could join Hotel and Boyhood as another Berlin success story.

Room Movie Review

**There are unavoidable spoilers in order to write a proper review of Room. You’ve been warned.

Emotionally gripping and powered by a pair of magnificent lead performances, Lenny Abrahamson’s Room is structured into two sections. Each is filled with fear and each is filled with love and in circumstances unimaginable.

“Room” is a garden shed where Joy (Brie Larson) has been held captive for seven years. Her kidnapper is called “Old Nick” (Sean Bridgers) and his repeated sexual assaults resulted in child (Jack), who turns 5 years old as we open. The first near half of the pic is set in Room and it’s all Jack has ever known. Joy has done her best to raise a smart young boy and had to be creative about explaining other people on their TV set, among many other things.

Jack’s advancing age allows Joy to begin telling him kernels of the truth and she soon enlists him to participate in a daring escape. The sequence in which this is pulled off is one of the more suspenseful I’ve seen recently as we grow attached to this mother and son. In a conventional thriller, this would be fade out. Yet once free, they must adjust to life outside that tiny shed that Jack believed was the universe. This is Room’s second act.

Joy is reunited with her parents, who bear their own scars from losing their teenage girl. Items like phones and stairs are foreign objects to their grandson. And while Jack eventually begins to conform to his seemingly alien world, it’s Ma (as he calls her) who struggles the most.

Room is told from the perspective of Jack, who’s narration pops up voicing over his views of what’s happening. Obviously he has no clue of the horrific situation he’s been raised in. Based on Emma Donoghue’s novel that she herself adapted here, the pic is often graced with subtle and moving moments. The dynamics of Joy and her family members aren’t over explained upon her return and don’t need to be.

While its screenplay and direction are impressive, it’s unquestionably the work of Larson and Tremblay that put this material on an even higher level. Larson has a challenging role and there’s a lot of subtext involved. Her journey after her escape isn’t an obvious one and the actress has us with her the whole way. Perhaps even more awe inspiring is Tremblay, who gives one of the most natural heart wrenching child actor performances I’ve ever seen.

Both inside and outside that shed, Room grabs us with its visions through the innocent eyes of a boy living in two vastly different worlds with one common bond.

***1/2 (out of four)

Box Office Predictions: February 19-21

Three new entries hit theaters this weekend to compete with the box office bonanza that is Deadpool. They are: Biblical drama Risen, Jesse Owens biopic Race, and critically lauded horror flick The Witch. You can read my detailed prediction posts on each here:

https://toddmthatcher.com/2016/02/11/risen-box-office-prediction/

https://toddmthatcher.com/2016/02/11/race-box-office-prediction/

https://toddmthatcher.com/2016/02/11/the-witch-box-office-prediction

Not one of them has any realistic shot of overtaking Ryan Reynolds and his very R rated superhero as that pic left a pool of box office records in its wake over the long weekend (much more on that below).

Risen, which could bring in a faith based contigent, could well end up in the runner up position with Race battling both How to Be Single and Kung Fu Panda 3 for the three spot. I don’t look for The Witch to accomplish much, despite its solid reviews, and have it pegged for 6th place (in what could be a photo finish with Zoolander No. 2‘s sophomore weekend after its disappointing debut).

The second weekend of Deadpool could see it falling in the mid-high 50s percentage wise, which would be on par with other major comic book grossers. Still, I couldn’t have been more wrong with how big it was going to be (along with pretty much all other prognosticators), so who knows?

Nevertheless – we’ll do a top seven predictions for this weekend:

  1. Deadpool

Predicted Gross: $58.6 million (representing a drop of 55%)

2. Risen

Predicted Gross: $14.2 million

3. Kung Fu Panda 3

Predicted Gross: $10.8 million (representing a drop of 45%)

4. Race

Predicted Gross: $10.6 million

5. How to Be Single

Predicted Gross: $9.2 million (representing a drop of 48%)

6. The Witch

Predicted Gross: $6.7 million

7. Zoolander No. 2

Predicted Gross: $6.1 million (representing a drop of 56%)

Box Office Results (February 12-14)

It’s only February, but there’s no question that the opening weekend of Deadpool will be one of the box office stories of the year. The well-reviewed R rated superhero pic grossed an absolutely astonishing $132.4 million over the traditional weekend – embarassing my meager $58.2M projection. The film’s four day President’s Day haul: $152.1M. Sometimes movies turn into phenomenons and that’s the case here. Expect to see plenty of Ryan Reynolds in this role into the future as this had the largest February and largest R rated debut of all time. Additionally, it had the 17th highest domestic premiere of all time.

Kung Fu Panda 3 dropped to second with $19.7 million in week #3, holding up considerably better my than $14 million estimate. The toon’s total stands at $100M.

Rom com How to Be Single had a respectable debut in third place with $17.8 million (on target with my $18.7M prediction) and its four day is $19.9M. Not a bad start and this certainly can claim a small victory for opening higher than the Zoolander sequel.

Speaking of, the news was not so good for Ben Stiller and company as Zoolander No. 2 stumbled out of the runway with just $13.8 million, well below my $20.9M prediction. This was expected to open in second place and certainly not fourth. Poor reviews didn’t help and neither did a good portion of its intended audience watching that filthy superhero instead. Its holiday four day total: $15.8M.

Oscar hopeful The Revenant was fifth with $6.5 million and I incorrectly had it outside the top five. Its total is at $159M.

Sixth place belonged to Hail, Caesar! in its second weekend with $6.3 million, in line with my $5.6M projection. Its total gross is at an OK $22M.

And that’ll do it for now, folks! Until next time…

The Witch Box Office Prediction

When it premiered last year at the Sundance Film Festival, horror pic The Witch received mostly raves (it sits at 88% on Rotten Tomatoes… frighteningly good for that genre). We’ll see how that translates to box office dollars when it opens wide next weekend.

The 17th Century set tale of witchcraft features a cast of relative unknowns and comes from first time director Robert Eggers, who also wrote this critically acclaimed effort. The film has received a rather modest marketing push and anything above double digits would be quite an accomplishment.

Considering its tiny reported $1 million budget, however, A24 Films is poised to see a tidy return on their investment. The Witch should earn anywhere from $4-8 million and I’ll go in the middle range of that spectrum.

The Witch opening weekend prediction: $6.7 million

For my Risen prediction, click here:

https://toddmthatcher.com/2016/02/11/risen-box-office-prediction/

For my Race prediction, click here:

https://toddmthatcher.com/2016/02/11/race-box-office-prediction/

Race Box Office Prediction

A biopic focusing on the story of African American Olympian Jesse Owens, Race hits screens next weekend and hopes to inspire moviegoers into the multiplexes. Stephan James plays Owens with Jason Sudeikis, William Hurt, and Jeremy Irons in the supporting cast.

The chances of Race entering the stratosphere of Jackie Robinson biopic 42 three years ago seems unlikely. That pic made $27 million out of the gate. I believe Race may be lucky to reach half that number in its debut. Good reviews could help (they’re not out yet), but anything above $15 million would be surprising. I’ll predict this just manages double digits for a somewhat decent debut, though far from a runaway hit.

Race opening weekend prediction: $10.6 million

For my Risen prediction, click here:

https://toddmthatcher.com/2016/02/11/risen-box-office-prediction/

For my The Witch prediction, click here:

https://toddmthatcher.com/2016/02/11/the-witch-box-office-prediction/