Divergent Movie Review

Divergent exists because of The Hunger Games. While it may be based on its own series of popular YA novels (which were probably also “inspired” by the Games books), it’s the success of Jennifer Lawrence and company that made this possible. Imitation isn’t always so bad if you can find a somewhat interesting way to do it. Yet for the most part, despite a solid effort from the actors involved, Divergent often feels dull, way too familiar, and poorly paced.

In a dystopian future (of course), the city of Chicago now looks like District 12 and society is divided into five needlessly complicated factions where at age 16, citizens must choose where they wish to belong. There’s a faction for smart people and brave people and selfless people and so on. As we open, Beatrice (Shailene Woodley) is about to take her test to find out where she belongs, as is her brother Caleb (Ansel Elgort). You take the test to show where to go, but have free will to join another group. You can also be considered divergent, which means you don’t fit into any faction. The powers that be don’t like the free will thinking of that subgroup and kill them. Beatrice turns out to be just that and must hide it from everyone. She joins Dauntless (the brave law enforcement team) to the surprise of her parents (Tony Goldwyn and Ashley Judd), who are involved in the government ruling selfless faction. Brother Caleb joins the smart people group. Katniss volunteers in place of her little sis… oh, wrong movie.

If this all sounds more complicated than it needs to be, you would be correct. Soon enough, though, we’re in known territory with training sequences that take Tris (she shortens Beatrice) on a physical and mental journey. There’s also several shades of Inception in the proceedings, as part of the training involves dream like worlds and reading minds.

One of Tris’s Dauntless superiors is Four (Theo James) and he becomes her love interest who may have some easily predicted secrets of his own. There’s also Woodley’s Spectacular Now boyfriend Miles Teller as a weasel of a faction member. This is in addition to Shailene’s romantic counterpart Elgort as her brother. So while there’s no love triangle, our lead actress’s filmography makes things kinda awkward.

Kate Winslet leads the smart people faction, who have evil designs on taking over the government themselves. This puts Tris in the position of needing to protect her family while furiously protecting her true divergent nature.

The plus side of Divergent is really with Woodley. She’s a fine actress and she provides a better performance than the material. Same goes for James and most of the other personnel. That’s pretty much where the compliments stop. Some of the action is OK, but Divergent is just so routine. The look and feel borrow way too heavily from the aforementioned other franchise. They even cast Hunger Games costar Lenny’s daughter Zoe Kravitz as Tris’s BFF (best faction friend).

There is an admittedly nifty sequence where Tris simulates flying, albeit in a different way than her costar Winslet did in that movie about a boat and an iceberg. Divergent tries too hard to emulate The King of the YA Adapted Films and hits its own metaphorical ‘berg.

** (out of four)

http://youtu.be/336qJITnDi0

Do You Believe? Box Office Prediction

From the filmmakers who brought you God’s Not Dead one year ago comes Do You Believe?, out this Friday. 2014 was a banner year for faith based pictures and Believe looks to continue the trend. The eclectic cast includes Sean Astin, Mira Sorvino, Ted McGinley, Cybill Shepherd, and Brian Bosworth. Wait… Brian Bosworth??

These faith based features have an ability to get congregations out to view them and that has assisted in most of them opening higher than anticipated. God’s Not Dead premiered to just over $9 million a year ago and on far less screens than Believe is slated to. One month later, Heaven is for Real debuted to $22 million. Movies like this are more or less critic proof, so that shouldn’t be a factor.

I do believe that Do You Believe? will open to low double digits, but it could go higher.

Do You Believe? opening weekend prediction: $12.3 million

For my Insurgent prediction, click here:

https://toddmthatcher.com/2015/03/14/insurgent-box-office-prediction/

For my prediction on The Gunman, click here:

https://toddmthatcher.com/2015/03/14/the-gunman-box-office-prediction/

 

The Gunman Box Office Prediction

After winning two Oscars in the previous decade, Sean Penn tries to go all Liam Neeson mode in The Gunman, out Friday. The action thriller actually comes from the maker of the original Taken, Pierre Morel. Idris Elba, Javier Bardem, and Ray Winstone costar.

If something like Neeson’s own Run All Night can’t make much dough, it’s difficult to see this making an impact. Reviews have been highly negative so far and there’s nothing in its advertisements that set it apart from typical genre fare. It could perhaps benefit from catering to the male audience with the female audience flocking to Insurgent and Cinderella, but I doubt it.

I’ll predict The Gunman doesn’t reach double digits and fades away to the VOD screen soon enough.

The Gunman opening weekend prediction: $6.8 million

For my Insurgent prediction, click here:

https://toddmthatcher.com/2015/03/14/insurgent-box-office-prediction/

For my Do You Believe? prediction, click here:

https://toddmthatcher.com/2015/03/14/do-you-believe-box-office-prediction/

Insurgent Box Office Prediction

Opening a year after the hit Divergent, Insurgent is the second picture in a series of wildly popular YA novels penned by Veronica Roth. Stars Shailene Woodley, Miles Teller, Ansel Elgort, Theo James, Kate Winslet and Zoe Kravitz are back in the mix, along with newcomers to the franchise Naomi Watts and Octavia Spencer.

While this series will likely never do Hunger Games level numbers, the original opened to an impressive $54 million last March on its way to a $150 million domestic haul. It doesn’t hurt that Woodley, Teller, and Elgort have kept themselves firmly in the public eye with recent commercial and critical hits such as The Fault in Our Stars and Whiplash.

The big question is whether or not Insurgent manages to open larger than its predecessor. My gut feeling is that it will, even though competition among female fans will be considerable with Cinderella’s second weekend. I believe this will manage to break the $60 million mark out of the gate.

Insurgent opening weekend prediction: $62.1 million

For my prediction on The Gunman, click here:

https://toddmthatcher.com/2015/03/14/the-gunman-box-office-prediction/

For my Do You Believe? prediction, click here:

https://toddmthatcher.com/2015/03/14/do-you-believe-box-office-prediction/

Box Office Predictions: March 13-15

It may be Friday the 13th coming up, but Disney’s live-action Cinderella seems poised to reverse some recent bad luck at the box office. The Kenneth Branagh directed tale, which has been receiving highly positive reviews, should easily dominate the charts this weekend.

Results may not be as positive for the Liam Neeson action thriller Run All Night, which is likely to gross nowhere near what the star’s Taken franchise has accomplished.

They are the two new releases this weekend and you can peruse my detailed predictions posts on each here:

https://toddmthatcher.com/2015/03/07/cinderella-box-office-prediction/

https://toddmthatcher.com/2015/03/07/run-all-night-box-office-prediction/

Cinderella and Run All Night should populate spots #1 and #2. The rest of the top five could be a close race between leftovers Chappie, The Second Best Exotic Marigold Hotel, and Focus.

And with that, my top five predictions for the weekend:

1. Cinderella

Predicted Gross: $67.8 million

2. Run All Night

Predicted Gross: $12.1 million

3. Chappie

Predicted Gross: $6.1 million (representing a drop of 54%)

4. The Second Best Exotic Marigold Hotel

Predicted Gross: $6 million (representing a drop of 30%)

5. Focus

Predicted Gross: $5.6 million (representing a drop of 44%)

Box Office Results (March 6-8)

Neill Blomkamp’s sci-fi robot pic Chappie might be able to claim it opened #1, though that’s about the only item the studio can brag about. In what is so far the worst box office weekend of 2015, Chappie debuted to a weak $13.3 million, more than $10 million below my $23.8M estimate. The director has seen diminishing returns from his Oscar nominated District 9 to Elysium to this.

Will Smith’s Focus fell to second in its sophomore frame with $10 million, in line with my $10.2M estimate. Its total stands at an unimpressive $34 million, far under what most movies featuring the Fresh Prince usually earn.

Sequel The Second Best Exotic Marigold Hotel was a lone bright spot with a solid $8.5 million (especially considering its low number of screens). This put it right with my $8.6M projection.

Kingsman: The Secret Service added $8.3 million to its $98 million haul, just over my $7.7M prediction.

I incorrectly had the SpongeBob movie outside of the top five and it placed there with $6.6 million (total: $148M).

That’s because I incorrectly placed the critically drubbed Vince Vaughn comedy Unfinished Business in the top five. It landed with a resounding thud in 10th place with just $4.7 million (I said $8.4M). This is easily Vaughn’s worst opening for a comedy and continues his recent streak of bad luck in theaters.

Lastly, American Sniper achieved a milestone as it has earned $337 million. That officially makes it the highest grossing film of 2014 after edging out the $336 million that the third Hunger Games entry accomplished.

That’s all for now, folks! Until next time…

Run All Night Box Office Prediction

Liam Neeson is yet again back in action mode with Run All Night, out Friday. Since his reinvention as a B movie shoot em up lead seven years ago with Taken, Neeson has managed to star in a string of successful genre pics. This one finds him as an aging hitman with Ed Harris, Joel Kinnaman, and Common in the cast.

The advertisements have done little to make Run All Night look like anything other than a run of the mill entry into Neeson’s filmography. Perhaps the largest hindrance it faces is the fact that it arrives just two months following Taken 3. While that movie was successful, it made about $50 million less than the second pic and it probably gave many filmgoers their fill of Neeson inspired violence.

While the weak box office should guarantee it a second place debut (far behind Cinderella), I have a feeling this will open on pace with the actor’s September dud A Walk Among the Tombstones, which managed just $12.7 million out of the gate.

Run All Night opening weekend prediction: $12.1 million

For my Cinderella prediction, click here:

https://toddmthatcher.com/2015/03/07/cinderella-box-office-prediction/

Cinderella Box Office Prediction

This Friday, Disney continues their new trend of bringing some of their most known animated tales to life with Cinderella. Thor director Kenneth Branagh helms the production with Lily James in the title role and Cate Blanchett as The Wicked Stepmother. Helena Bonham Carter and Stellan Skarsgard round out the cast.

After two ho-hum weekends, Cinderella seems poised to shake the box office out of its slump. Reviews have been very strong and it currently stands at 94% on Rotten Tomatoes. With hardly any competition, expect Disney to experience a strong weekend.

This past summer, Maleficent with Angelina Jolie (a Sleeping Beauty retelling) opened at $69 million on its way to a $241 million overall domestic haul. I feel Cinderella will come quite close to that number.

Cinderella opening weekend prediction: $67.8 million

For my Run All Night prediction, click here:

https://toddmthatcher.com/2015/03/07/run-all-night-box-office-prediction/

Oscar Watch: The Danish Girl

image If it seems a bit too early to get into 2015 Oscar predictions not even two weeks after the ceremony for 2014 movies, I give you The Danish Girl. It doesn’t come out until November yet it undeniably seems to have awards cred firmly established.

Why? Its director Tom Hooper has seen his two previous features earn Best Picture nominations. 2010’s The King’s Speech won the big prize while 2012’s Les Miserables got a nod. The Danish Girl is set in the 1920s and tells the true story of Lili Elbe, the first person to undergo sexual reassignment surgery.

Hooper has also directed five performers to acting nominations with including two winners: Colin Firth as Best Actor for Speech and Anne Hathaway as Supporting Actress in Miserables. The character of Elbe is played by Eddie Redmayne, who is fresh off an Oscar victory for Actor in The Theory of Everything. This seems like just the kind of role that could easily return him to the party. Whether or not he can pull a Tom Hanks and win twice in a row remains to be seen. As Elbe’s wife, keep an eye on Swedish actress Alicia Vikander in either the Actress or Supporting Actress category. She’s unknown in the states at present time but has a slew of movies out this year, such as this summer’s high profile The Man From U.N.C.L.E.

With its director and actor having just recently tasted Oscar glory, The Danish Girl earns its designation as my first 2015 film to keep an eye on in the awards derby. It comes out November 27.

Foxcatcher Movie Review

Bennett Miller’s Foxcatcher is certainly an example of truth being stranger than fiction and we see it play in bizarre, unsettling, tragic, and fascinating ways in the director’s third feature. His previous two efforts, 2005’s Capote and 2011’s Moneyball, dealt with the issue of competitive nature within us and Foxcatcher does as well. This time around, it’s in a much darker fashion.

The film tells the fact based story of two Olympic gold medalists, Mark (Channing Tatum) and Dave Schulz (Mark Ruffalo) and their relationship with John du Pont (Steve Carell), heir to his family’s chemical mega fortune. Foxcatcher begins in 1987 when the brothers are training for the 1988 Summer Games in Seoul. The early proceedings show that Mark is a bit in his brother’s shadow. He has to remind others that he won the gold. Dave doesn’t seem to have that issue.

Mark’s preparation for Seoul takes a turn when he is contacted by people affiliated with Mr. du Pont, who resides on a sprawling family compound/horse ranch in Pennsylvania. He is summoned to the estate where du Pont expresses his desire to help Mark realize his goals. In the meantime, he will provide a state of the art practice facility. Dave is extended the same offer, but declines. Mark is impressionable and it doesn’t take long for du Pont to establish a strange and often creepy bond with him. Dave watches from afar with growing concern, at least initially.

du Pont’s behavior includes an affinity for guns and a highly inflated opinion of his actual ability to train young men to wrestle. Most write this off as him being an eccentric millionaire. He monograms his clothing with Team Foxcatcher, his hand picked name for his squad of brawlers. He produces documentaries about himself which extol his questionable virtues. John also has serious Mommy issues with the matriarch of the dynasty (Vanessa Redgrave).

Family issues are central to Foxcatcher and it extends to the brothers. Mark and Dave grew up poor and moved around a lot. The concept of home is foreign to them. du Pont is available to provide one for Mark and eventually Dave. The financial stability involved keep them there for longer than it should. We witness Mark go from adoration of his sibling to contempt and du Pont plays a role. We witness Dave go against his better instincts with du Pont and allow the promise of a place to settle override his genuine concerns.

Along the way, we are privy to three powerhouse performances from the leads. Carell has received the lion’s share of publicity and it’s easy to see why. The actor known mostly for his comedic talents is unrecognizable with his heavy makeup job. He oozes awkwardness and insecurity and supreme creepiness. The film is not overly concerned with delving into how du Pont became so unhinged, but we see glimpses and some suggestions as to why. And that’s mostly enough.

Tatum’s work is impressive in its own right and his performance is an accomplishment of body language, from his slightly dumb jock lumbering to a scene where his movements best represent a wounded dog who’s upset his owner. Ruffalo is the heart of the movie and yet even his heart isn’t always in the best place, when he places the aforementioned promise of a comfortable life higher than du Pont’s increasingly scary actions.

Foxcatcher is an absorbing character study of these three individuals just as Miller has done before with Truman Capote and Billy Beane. This is no doubt the bleakest of the lot, but once again the director has picked a fascinating true story and the right actors to realize his telling of it.

***1/2 (out of four)

The #1 Movies That May Shock You

So get this… when James Bond made his triumphant return to the silver screen in 2006 with Daniel Craig and Casino Royale, it did not open at #1 at the box office. That’s because it opened against the animated hit Happy Feet and those darn penguins never allowed 007 a top spot.

Yet two years later, the critically massacred Bangkok Dangerous with Nicolas Cage did manage to open atop the charts. This is a picture that’d almost certainly be relegated to a VOD only debut today.

This is one among many surprising examples of films in the last two decades that were fortunate enough to claim that they were the #1 movie in America that you wouldn’t expect. It’s all about timing. And there’s a host of easily forgotten pictures that accomplished the number one feat due to debuting in January or April or September in many cases – often seen as dumping grounds for studios. The reverse holds true. As with Casino Royale and others, the fact that they opened in more competitive weekends prevented them from top dog bragging rights.

Neither Austin Powers (in the original 1997 pic) or Ron Burgundy can claim a first place ribbon. Austin came in second to Kurt Russell’s Breakdown out of the gate. The first Anchorman couldn’t topple the second weekend of Spider-Man 2 in 2004. The 2013 sequel couldn’t get above the second Hobbit flick.

However, David Spade’s Dickie Roberts: Former Child Star somehow hit #1 in 2003 when it came out in the doldrums known as early September. And how about that Classic Sigourney Weaver and Jennifer Love Hewitt comedy romp Heartbreakers? It also reigned supreme for a week in April 2001. The 2011 Farrelly Brothers dud Hall Pass with Owen Wilson accomplished the same, but it took his Wedding Crashers three weeks to get to first due to interference from Charlie and the Chocolate Factory.

Even Frozen couldn’t open first and it may be the most beloved kids flick in some time. You know what did? 2003’s Kangaroo Jack and I didn’t see too many kids wearing his Halloween costume…

In 1996, Jean Claudde Van Damme had two #1 premieres with The Quest and Maximum Risk. So did Steven Seagal in 1997 with Fire Down Below and Chris Brown and Hayden Christensen in 2010 with Takers. Much better known action pictures such as Wanted, World War Z, The Day After Tomorrow, and The Bourne Identity cannot claim the same.

How about horror classics Urban Legends: Final Cut, Darkness Falls, The Covenant, The Roommate and The Possession? Number ones they all were. Real genre classics Scream and Saw? Nope.

Sandra Bullock won an Oscar for The Blind Side, but it never got there. Christoph Waltz did for Django Unchained. Same story. These films did open #1 and have a combined zero Oscar nominations among them: Eye of the Beholder and The Musketeer from 2001. SwimFan in 2002. The Forgotten (how appropriate) in 2004. Glory Road in 2006. Lakeview Terrace in 2010.

So, as you can see, longevity counts in box office world and being #1 doesn’t always equate to adoration. Just ask James Bond. And then ask Dickie Roberts.