There are times in life where we’re presented with something so wonderful and perfect that all we can do is smile very widely in appreciation. We’re not trying to smile. It’s just comes naturally because of what is occurring.
From time to time, we experience that in a movie. I experienced that in Cameron Crowe’s Almost Famous. I experienced it because of brilliant writing, from Crowe as a screenwriter. Just as importantly, I experienced it from another writer, Bernie Taupin. And from great performers in the movie. And from another great performer – Elton John, who sings Taupin’s words in one of my favorite movie scenes ever.
Almost Famous takes us on the journey of a teenage writer who lands a gig with Rolling Stone magazine. It’s autobiographical – director/writer Crowe had just that job before moving on to direct Say Anything and Jerry Maguire.
In the film, we see this wide-eyed teenage kid William go from worshiping the records of Zeppelin and Dylan and Bowie to being a part of that world, following around a fictional band named Stillwater. And he meets Penny Lane, a “band aid” (not groupie, that’s insulting according to her), played by Kate Hudson who gives the best performance of her career.
Because of Crowe’s background, Almost Famous feels entirely authentic. We suspect that the good times and bad times we see behind the scenes of Stillwater’s concert tour is based on real-life experiences. And like Crowe’s greatest work, the writing is first-rate and emotionally satisfying.
The band is going through some rough times and on the verge of breaking up when the star of the band, guitarist Russell (Billy Crudup) takes William to a high school party in Topeka, Kansas because he wants to hang with “real people”.
The scene at the party is fantastic. Russell drops a whole lot of acid, proclaims himself “a Golden God!” on top of the roof of the house of the party, and jumps into the pool, much to William’s chagrin.
The drama that we’ve seen in the past few minutes of the movie — the band breaking apart — leads the audience to believe the movie may go down a darker road. Russell and William are picked up from the out-of-the-way house party by the band and its tour bus. In the immediate scene following, we witness the band members, William, Penny Lane, and the hangers-on of the band all sitting uncomfortably on the bus heading to the next non-descript gig.
And, then one of the greatest scenes in recent film history unfolds. Elton John’s “Tiny Dancer” starts to play over the scene. As an audience, we assume that it’s simply what we’re used to in movies — a song trying to dictate the tone of the scene. About a minute into the scene, one of the Stillwater band members begins to sing along to the track. We, as an audience, realize that everyone in that bus is also listening to the song. Within a few seconds, almost everyone on the bus is belting out Elton John and Bernie Taupin’s timeless classic. The final holdout is Russell, who finally gets a huge smile on his face and sings along with everyone else. All the drama we’ve witnessed in the last acts of the film is resolved. For all the drama these characters have between each other — music unites them.
As if the emotion of all that isn’t enough — the last part of the scene has William turning to Penny Lane. He’s frustrated with his writing assignment and his process of trying to interview the band. He expresses his thoughts to her: “I need to go home”. Penny looks at him, smiles widely, and replies: “You are home.”
William and the audience experience the same reaction at the same second: this is where William belongs. This is his destiny. And this is why Almost Famous is one of the best movies in recent memory. And this is why I can’t listen to “Tiny Dancer” without thinking of that scene.
And this is why that scene is Movie Perfection.