Mad Max: Fury Road Movie Review

Oh, what a lovely story it is with Mad Max: Fury Road. Some three decades after George Miller made the third in his Mad Max trilogy, he’s returned to helm this new entry. Obviously, the visual capabilities possible nowadays have advanced exponentially and yet Miller eschews the CGI we’ve grown so accustomed to whenever possible. We also have a new Max in the form of Tom Hardy, who in every way equals the strong and mostly silent charisma that OG Max Mel Gibson brought. And we have action heroine Furiosa (Charlize Theron) who might be the most badass female character in this particular type of genre since Sigourney Weaver’s Ripley.

It is not necessary to know Miller’s original pics to follow Fury Road. Max’s family history from the 1979 original is brought forth, but not explored in any meaningful way. Having said that – if you haven’t seen them, you really should. Instead we have a new story with Max as a captured man in a post apocalyptic world. He’s being held by the evil Immortan Joe (Hugh Keays-Byrne) as a blood donor for an injured War Boy named Nux (Nicholas Hoult). Our main villain controls his land’s water supply and lords over a group of beautiful and captive women that he impregnates to keep his blood line flowing. Hell breaks loose when Furiosa, one of his top errand girls, veers off course on a mission to pick up oil. She takes Joe’s girls with him and Max soon ends up in her presence along with Nux as a near two hour chase ensues.

Along this chase, we learn some fascinating details of Furiosa’s background in particular as this vast and desolate world soon reveals more about itself. And yet the chase rarely stops. Fury Road is an astonishing example of how cinematography, editing, sound, music stunt work, and visual effects can come together. Frankly, it makes most action pictures look small. We have grown highly accustomed to an amazing shot and visual here and there in our Fast and Furious and Mission: Impossible pics and efforts from your Bays and Emmerichs. This is something entirely different and for a fourth feature in a franchise, something that feels completely fresh. For a film not particularly concerned with it, the plot is totally interesting yet Miller and his cowriters know not to spend too much valuable time on backstory.

George Miller and his wizard team hit the gas peddle and fly here. It’s over the top non-stop excitement that is a constant eyeball feast. Fury Road was stuck in what those in Hollywood call “development hell” for thirty years. Who knew it would emerge from that designation as this? An action flick that is truly gorgeously made with characters that we genuinely care about as they hurl furiously down their road back to redemption.

**** (out of four)

Divergent Movie Review

Divergent exists because of The Hunger Games. While it may be based on its own series of popular YA novels (which were probably also “inspired” by the Games books), it’s the success of Jennifer Lawrence and company that made this possible. Imitation isn’t always so bad if you can find a somewhat interesting way to do it. Yet for the most part, despite a solid effort from the actors involved, Divergent often feels dull, way too familiar, and poorly paced.

In a dystopian future (of course), the city of Chicago now looks like District 12 and society is divided into five needlessly complicated factions where at age 16, citizens must choose where they wish to belong. There’s a faction for smart people and brave people and selfless people and so on. As we open, Beatrice (Shailene Woodley) is about to take her test to find out where she belongs, as is her brother Caleb (Ansel Elgort). You take the test to show where to go, but have free will to join another group. You can also be considered divergent, which means you don’t fit into any faction. The powers that be don’t like the free will thinking of that subgroup and kill them. Beatrice turns out to be just that and must hide it from everyone. She joins Dauntless (the brave law enforcement team) to the surprise of her parents (Tony Goldwyn and Ashley Judd), who are involved in the government ruling selfless faction. Brother Caleb joins the smart people group. Katniss volunteers in place of her little sis… oh, wrong movie.

If this all sounds more complicated than it needs to be, you would be correct. Soon enough, though, we’re in known territory with training sequences that take Tris (she shortens Beatrice) on a physical and mental journey. There’s also several shades of Inception in the proceedings, as part of the training involves dream like worlds and reading minds.

One of Tris’s Dauntless superiors is Four (Theo James) and he becomes her love interest who may have some easily predicted secrets of his own. There’s also Woodley’s Spectacular Now boyfriend Miles Teller as a weasel of a faction member. This is in addition to Shailene’s romantic counterpart Elgort as her brother. So while there’s no love triangle, our lead actress’s filmography makes things kinda awkward.

Kate Winslet leads the smart people faction, who have evil designs on taking over the government themselves. This puts Tris in the position of needing to protect her family while furiously protecting her true divergent nature.

The plus side of Divergent is really with Woodley. She’s a fine actress and she provides a better performance than the material. Same goes for James and most of the other personnel. That’s pretty much where the compliments stop. Some of the action is OK, but Divergent is just so routine. The look and feel borrow way too heavily from the aforementioned other franchise. They even cast Hunger Games costar Lenny’s daughter Zoe Kravitz as Tris’s BFF (best faction friend).

There is an admittedly nifty sequence where Tris simulates flying, albeit in a different way than her costar Winslet did in that movie about a boat and an iceberg. Divergent tries too hard to emulate The King of the YA Adapted Films and hits its own metaphorical ‘berg.

** (out of four)

http://youtu.be/336qJITnDi0

Insurgent Box Office Prediction

Opening a year after the hit Divergent, Insurgent is the second picture in a series of wildly popular YA novels penned by Veronica Roth. Stars Shailene Woodley, Miles Teller, Ansel Elgort, Theo James, Kate Winslet and Zoe Kravitz are back in the mix, along with newcomers to the franchise Naomi Watts and Octavia Spencer.

While this series will likely never do Hunger Games level numbers, the original opened to an impressive $54 million last March on its way to a $150 million domestic haul. It doesn’t hurt that Woodley, Teller, and Elgort have kept themselves firmly in the public eye with recent commercial and critical hits such as The Fault in Our Stars and Whiplash.

The big question is whether or not Insurgent manages to open larger than its predecessor. My gut feeling is that it will, even though competition among female fans will be considerable with Cinderella’s second weekend. I believe this will manage to break the $60 million mark out of the gate.

Insurgent opening weekend prediction: $62.1 million

For my prediction on The Gunman, click here:

https://toddmthatcher.com/2015/03/14/the-gunman-box-office-prediction/

For my Do You Believe? prediction, click here:

https://toddmthatcher.com/2015/03/14/do-you-believe-box-office-prediction/

Divergent Box Office Prediction

More than a year after their financial juggernaut Twilight franchise wrapped up, Summit Entertainment moves on with their next series based on wildly popular YA novels with Divergent, opening Friday. Based on Veronica Roth’s books, the futuristic sci-fi actioner comes with a healthy $80 million budget and high expectations from the studio. Two sequels have already been greenlit with Insurgent debuting a year from now.

Headlined by Shailene Woodley and Theo James, Divergent also features a supporting cast that includes Shailene’s Spectacular Now costar Miles Teller and Oscar winner Kate Winslet. The box office prospects for Divergent are a bit murky. It’s highly unlikely to reach Hunger Games types of numbers. It also hopes to avoid the disappointing performances of other YA movies like The Mortal Instruments: City of Bones or Beautiful Creatures from last year.

Recent speculation has focused on Divergent opening in range with the first Twilight, which earned $69.6 million in its premiere. This seems like reasonable territory to me. The chances of Divergent getting past $75M out of the gate are within reach. However, I’ll predict it falls just under what Bella, Edward, and company achieved in their debut.

Divergent opening weekend prediction: $68.4 million

For my Muppets Most Wanted prediction, click here:

https://toddmthatcher.com/2014/03/16/muppets-most-wanted-box-office-prediction/