Overlord Box Office Prediction

Horror audiences have been treated to lots of zombies over the past few years on the big and small screen. Yet in Overlord, we get to witness the undead in World War II! That’s the basic premise of the J.J. Abrams produced genre pic out next weekend from director Julius Ray. The cast includes Jovan Adepo, Wyatt Russell, Mathilde Ollivier, Pilou Asbaek, Jacob Anderson, and Bokeem Woodine.

Reviews for this exercise have been strong since it premiered at Fantastic Fest last month and it currently holds an 88% score on Rotten Tomatoes. The opportunity for this to be a cult hit is very real, but its initial box office earnings might be just fair. The Girl in the Spider’s Web presents some direct competition while casual horror enthusiasts may have had their fill with Halloween. A decent comp could be both 28 Days Later and 28 Weeks Later, which respectively made $10 million and $9.8 million for their starts. I’ll put this a bit under those.

Overlord opening weekend prediction: $8.2 million

For my The Grinch prediction, click here:

https://toddmthatcher.com/2018/10/30/the-grinch-box-office-prediction/

For my The Girl in the Spider’s Web prediction, click here:

https://toddmthatcher.com/2018/10/30/the-girl-in-the-spiders-web-box-office-prediction/

Ingrid Goes West Movie Review

“Where’s my phone?”

Those three words, in today’s age, are enough to send collective shivers down most of our spines. They’re our lifeline to everything and everyone. In Matt Spicer’s darkly funny Ingrid Goes West, those words have a considerably more sinister meaning when uttered by its central character Ingrid Thorburn (Aubrey Plaza). We may feel useless without our devices. Yet it provides her with her only feeling of usefulness and takes that in uncomfortable directions.

Ingrid is a lonely and mentally disturbed figure who finds solace through Instagram scrolling and fixating on certain profiles. We first find her ❤️ing the endless wedding posts of someone we assume is her friend. When she crashes said wedding (these things happen in real-time nowadays) and frighteningly confronts her for not being invited, it turns out they’re not really connected at all.

The second part of the title comes into play when Ingrid’s next fixation is Taylor (Elizabeth Olsen), a Venice Beach native who’s essentially a professional Instagram poster. Ingrid uses her inheritance from her mom’s death to move across the country with the idea of making her acquaintance. It works and it takes a dognapping  to do it. She actually does befriend Taylor and her starving artist hubby (Wyatt Russell).

There’s not an action taken here by Ingrid that isn’t directly a result of her considerably loneliness and need for friendship, no matter how fake or manufactured it is. Her Batman obsessed landlord (O’Shea Jackson Jr.) becomes a love interest, but only for Ingrid’s self-serving purposes. The character of Taylor’s brother (Billy Magnussen, memorable here) is a sleazy loose cannon, but he’s the only one that manages to see Ingrid for who she is.

Spicer and his co-writer David Branson Smith have certainly concocted a screenplay for its time. While there are laughs present, Ingrid goes into Single White Female territory (that quarter century old pic is name checked).

Plaza is a gifted performer who seems to be in a constant state of ambivalence in many of her roles. Ingrid gives her an opportunity to show a more varied range of emotions. She creates a character that is sympathetic to a point, but she also serves as good reminder to not talk to strangers. Even on Instagram.

The film also cleverly shows what we all kind of already know. These social media platforms are a way to create yourself in many instances and not be yourself. In the conclusion of Ingrid Goes West, our title character has a rare moment to be herself. That might be a moment of triumph in many pictures. In this jet black comedy, we’re left uncertain just how well or badly that could go.

*** (out of four)

Everybody Wants Some!! Movie Review

Richard Linklater brings his Dazed and Confused sensibilities to the early 1980s in Everybody Wants Some!!, focused on a college baseball team enjoying the spoils of boyhood in a slightly more grown up world than high school. The entire proceedings take place in a late August weekend before classes begin at an unnamed Texas university.

Ace pitcher Jake (Blake Jenner) is a freshman moving into one of two run down joints that  house the team’s 16 players. Speaking of joints, we’ve got ’em along with lots of beer. There’s also the natural competitive nature of these young lads in full display (some of whom look far too old for college, by the way). This isn’t limited to the baseball field and it includes pool, ping pong, flicking knuckles, and chasing coeds. As you might imagine with Linklater, it’s all backed by a killer soundtrack with lots of rock but also some Sugarhill Gang (rap was just revealing itself to the masses here) for good measure.

Some!! is successful in showing the wide eyed awe of that time when anything seems possible and the night can take you anywhere (hangovers don’t really exist at this age). The 80s setting brings Jake and his mates smack dab into the social scene that dominated 1980 and conflicted with itself on occasion – discos, country western bars, punk rock moshpits.

Along the way, Jake meets a theater major (Zoey Deutch) who exposes him to yet another new and different crowd. All in a weekend. Linklater knows how to spring a certain era to life and that holds true here. Is it as memorable as Dazed or as brilliantly written? It is not, yet it’s a pleasant, sometimes raucous, and sometimes sweet experience. Fun while it lasts and ultimately a bit forgettable. That describes what’s happening with the people in Everybody Wants Some!! and for us as well.

*** (out of four)