On rare occasions, the need arises to update my Oscar prognosis on a particular picture if warranted. When I penned my post for Ryan Coogler’s Sinners on April 13th, I didn’t discount its awards potential. I wrote of its solid chances in down-the-line competitions including Ludwig Goransson’s lauded score and the sound and production design.

However, I also wrote this:

So could Sinners score above-the-line mentions? I think it’s possible, but I wouldn’t predict it at the moment. Best Picture, Director, and Original Screenplay could materialize depending on how competition shakes out in the months ahead.

I don’t need to wait until the months ahead to revise my remarks. Sinners has taken the box office by storm in addition to its critical acclaim. When my initial write-up was published nearly three weeks ago, the vampire drama stood at 100% on RT. It barely lost any steam with 98% at press time, a 97% audience score and 84 on Metacritic.

On the financial front, Coogler’s latest has taken in $123 million domestically after less than two weeks and it should reach $250 million or higher. Sinners has become part of the cultural zeitgeist and that’s a recipe for a strong showing this awards season.

So what’s the best case scenario for this? The ceiling has undeniably gotten higher. I now believe that Sinners will be nominated for Best Picture with Director and Original Screenplay as major possibilities. In addition to the aforementioned Score, Production Design, and Sound, there are other below the line categories where it could pop up. That includes the new Casting race, Original Song (where the track “I Lied to You” from cast member Miles Caton might stand the best shot), Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, and Visual Effects. Regarding that new casting competition, I’m confident this will be in a sturdy position to vie for Best Ensemble at the SAG Awards next year.

I didn’t discuss the actors involved in mid-April because I wasn’t seriously considering their inclusion. That has changed. Michael B. Jordan could factor into the Best Actor race. In Supporting Actress, it could be Hailee Steinfeld or Wunmi Mosaku (with the former probably having an edge to nab her second nod after 2010’s True Grit). For Supporting Actor, there’s Delroy Lindo, Caton, or Jack O’Connell. Some of this may come down to who Warner Bros mounts campaigns for. The narrative for Lindo might be tempting. Five years ago, he probably narrowly missed the cut for Spike Lee’s Da 5 Bloods. He’s a well-respected veteran actor who’s never been nominated and the Academy could look to rectify that.

Back to that best case scenario. If all went perfectly, that would be 16 nominations and the record stands at 14 (shared by Titanic, All About Eve, and La La Land). Do I think that’ll happen? No. Would 12 or 13 nods surprise me? No.

Some prognosticators may think it’s too early to think anything has secured one of the ten BP slots. And there’s always the matter of a horror movie making the cut. Yet Get Out and The Substance brought the genre into the big dance in the past decade. As for the timeline, it was rather clear that Dune: Part Two was going to be a Warner Bros hopeful at this juncture in 2024 and that turned out to be accurate. Another counterargument is that WB will focus on Paul Thomas Anderson’s One Battle After Another. Time will tell on that one, but there’s no reason the studio can’t have two contenders and I’m skeptical (based on the trailer) that Battle is a surefire play over Sinners.

Three weeks ago I wasn’t predicting Sinners for BP and beyond “at the moment”. That moment arrived quickly for me to reconsider. My Oscar Prediction posts will continue…