As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Actor and that’s Timothée Chalamet in James Mangold’s A Complete Unknown. If you missed my post on Adrien Brody (The Brutalist), it’s linked at the bottom.
Previous Acting Oscar Nominations:
Best Actor (2017, Call Me by Your Name) – lost to Gary Oldman (Darkest Hour)
The Case for Timothée Chalamet:
He’s essentially Hollywood’s IT leading man of the moment coming off Wonka, Dune: Part Two, and this biopic where he embodies Bob Dylan. Plenty of critics have hailed it as career best work and he’s landed precursor nods everywhere that matter (Golden Globes, BAFTA, Critics Choice, SAG). Chalamet would make Oscar history as the youngest victor in this competition.
The Case Against Timothée Chalamet:
Adrien Brody (The Brutalist) has already taken the Globe and Critics Choice as he seeks his second gold statue. Side note – he’s the current record holder for youngest Best Actor recipient for The Pianist (2002). Voters might figure Chalamet will have other opportunities as his career progresses.
The Verdict:
Chalamet is rightly seen as the runner-up. If he can snag SAG next weekend, this becomes a race. If it goes to Brody, the sweep is likely on.
My Case Of posts will continue with our next Supporting Actress contender and that’s Ariana Grande in Wicked…
Blogger’s Update (12/24): On the eve of its Christmas premiere, I’m bumping my A Complete Unknown from $13.1 million to $16.3 million from Friday to Sunday and from $24.4 million to $31.1 million from Wednesday to Sunday
Searchlight Pictures hope audiences seek A Complete Unknown when it debuts on Christmas Day. James Mangold, no stranger to the musical biopic genre with 2005’s Johnny and June Cash centered Walk the Line, directs. Timothée Chalamet is the legendary Bob Dylan with a supporting cast including Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook (as Johnny Cash), and Scoot McNairy.
Chalamet, coming off the one-two punch of Wonka and Dune: Part Two, has been visible promoting this and even went on College GameDay to hawk the holiday release. Reviews are sturdy enough with 78% on Rotten Tomatoes and a 72 Metacritic. Its lead, who does his own singing, is generating Best Actor buzz and he is a threat to win (it could nab a Best Picture slot too).
Unknown could succeed in bringing in an older audience interested in the subject matter and some youngsters interested in Chalamet. With Christmas falling on Wednesday, I think this reaches low double digits or low teens from Friday to Sunday and mid 20s for the five-day.
A Complete Unknown opening weekend prediction: $16.3 million (Friday to Sunday); $31.1 million (Wednesday to Sunday)
The title character that first debuted over 65 years ago in Michael Bond’s children’s books is onscreen for the third time via Paddington in Peru. The mix of live-action and animation arrives a decade after Paddington and seven years after the sequel with Dougal Wilson taking over directorial duties from Paul King. Ben Whishaw is back voicing the bear with a supporting cast including Hugh Bonneville, Emily Mortimer (replacing Sally Hawkins), Julie Walters, Jim Broadbent, Madeleine Harris, Samuel Joslin, Olivia Colman, Imelda Staunton, and Antonio Banderas. It arrives in the United Kingdom Friday with its North American release not coming until January 17th (therefore making it eligible for the Oscars after the next one).
This is, in fact, more of a BAFTA Predictions write-up than an Oscar one. Neither of Peru‘s predecessors generated Academy attention despite warm reviews. On the other hand, the British Academy bit. The original was nominated for Best British Film and for its Adapted Screenplay. Part 2 was up for the same pair of awards plus Hugh Grant in Supporting Actor. The pics went 0 for 5 in terms of victories.
The Rotten Tomatoes score for the third adventure is 91%. Yet it’s Metacritic that tells the real story. Paddington had 77 on that site while the sequel improved upon that with 88. Peru is stuck at 58. That probably means that BAFTA will not honor part 3 in any way. My Oscar… and BAFTA related… Prediction posts will continue…
The past few days for awards prognosticators like me have been eventful as the Venice and Toronto Film Festival have unveiled their lineups. Many of the expected 2024 heavy hitters have confirmed their premieres up north and across the ocean. That includes Conclave, The Piano Lesson, Queer, Joker: Folie à Deux, Maria, Nightbitch, The End, Hard Truths, and The Room Next Door to name a few. The NY Festival features Nickel Boys as its debut screening while Blitz will play London.
None of that information is particularly surprising. There was a rather unexpected development today courtesy of Fox Searchlight. The studio premiered the first look at their Bob Dylan biopic A Complete Unknown and announced a release date of December. Directed by James Mangold, Timothée Chalamet stars as the legendary folk singer and the Dune/Wonka actor does his own crooning that you can hear in the trailer.
So will the picture be a golden ticket for Oscar attention? The December drop would indicate that Fox thinks so. Mangold is no stranger to this genre as he made 2005’s Walk the Line with Joaquin Phoenix as Johnny Cash. He was nominated for Best Actor while Reese Witherspoon won Actress as June Carter Cash. Chalamet has been killing it lately at the box office, but his sole Academy nom was for 2017’s Call Me by Your Name (losing to Gary Oldman for Darkest Hour). This is obviously a high profile turn and he joins an Actor competition that is quite unclear. Only one thing seems certain(ish) and that’s Colman Domingo making the final five for the acclaimed Sing Sing. Since I started my forecasts in May, there’s been two other performers I’ve had slotted in the quintet: Ralph Fiennes (Conclave) and Daniel Craig (Queer). We’ll know soon enough if they are legit contenders. The other two spots have fluctuated between hopefuls like Sebastian Stan (for either The Apprentice or A Different Man), John David Washington (The Piano Lesson), and Glen Powell (Hit Man). And we can’t discount Mr. Phoenix for his second stint as Joker.
I do suspect that Chalamet will materialize in my top 5 for recognition when I update my predictions in the coming days. Where else could Unknown get in? Well, there’s Best Picture and Mangold’s direction. Walk the Line missed the cut for BP nearly 20 years ago. If there were 10 nominees back then like there is now, it probably would’ve gotten in. Mangold is a well-respected filmmaker with varied works including Cop Land, Girl, Interrupted, Logan, and Ford v Ferrari. While his co-scripting of Logan gave him an Adapted Screenplay nomination, he’s never received a directing mention.
Walk the Line did nab three other noms for Costume Design, Film Editing, and Sound Mixing. All three of those (though Sound is now just Sound since it combined Sound Mixing and Sound Editing) could be Unknown inclusions. Adapted Screenplay is also a possibility.
As for the rest of the cast, we simply don’t know if Edward Norton as Pete Seeger, Elle Fanning as Sylvie Russo, or Monica Barbaro as Joan Baez are substantial enough for supporting recognitions. I would anticipate at least Fanning being listed as a possibility in my next update.
Fox Searchlight also has Nightbitch and A Real Pain as awards bait releases. The former is mostly being discussed for Amy Adams and an Actress nod (where I currently have her ranked #1). The latter is seen as a vehicle for a Kieran Culkin Supporting Actor try (where I have him ranked fourth). Both could be in the BP mix. However, on paper, A Complete Unknown might be Fox’s most electrifying prospect. This is, of course, a complete unknown until it screens. We do now that it’ll be in this cycle.
The month of March blows in some much needed excitement at the box office with Dune: Part Two storming theaters. It looks to dominate the charts with easily the largest debut of 2024 thus far and my detailed prediction post on it can be accessed here:
My low to mid 80s take has it doubling the premiere gross of its 2021 predecessor (which had COVID limitations and debuted simultaneously on Max). Those restrictions are gone and it’s generating stronger reviews than part one, which managed 10 Oscar nominations.
The Chosen Season 4: Episodes 7-8 is available just like the first six shows at multiplexes beginning Thursday. My Friday to Sunday estimate puts it in a battle for fourth place with comic book based dud Madame Web‘s third frame.
Current two-week champ Bob Marley: One Love should slide a spot to 2nd with a mid 40s dip. Ordinary Angels is likely to stay third and with an A+ Cinemascore grade, its decline could be minimal (maybe mid to high teens range).
Demon Slayer: Kimetsu no Yaiba – To the Hashira Training was last weekend’s biggest newcomer and had the largest per theater average of all. Like its predecessor To the Swordsmith Village, it should find itself out of the high five as it’s primarily playing as a one-week engagement.
Here’s how I see the top 5 breaking down:
1. Dune: Part Two
Predicted Gross: $83.6 million
2. Bob Marley: One Love
Predicted Gross: $7.5 million
3. Ordinary Angels
Predicted Gross: $4.9 million
4. Madame Web
Predicted Gross: $2.9 million
5. The Chosen Season 4: Episodes 7-8
Predicted Gross: $2.9 million
Box Office Results (February 23-25)
Biopic Bob Marley: One Love felt the love again in first place with $13.4 million in its sophomore outing. It fell an understandable 53% and didn’t match my rosier $16.2 million projection. The overall tally is a buoyant $71 million.
Demon Slayer: Kimetsu no Yaiba – To the Hashita Training managed to outdo Swordsmith by around a million bucks with $11.5 million for the runner-up spot. That’s also the margin that it outpaced my $10.5 million call.
Ordinary Angels took in $6.1 million for third, falling below my $8 million forecast. The faith-based drama, as mentioned, is garnering praise from audiences and it could experience small declines in the coming weeks.
Madame Web, after a troubling start, dropped 61% for fourth at $5.9 million (just over my $5.6 million prediction). The subpar total since Valentine’s Day is $35 million.
Migration rounded out the top five with $2.8 million (I said $2.9 million) for $120 million in ten weeks.
Argylle was sixth with $2.7 million compared to my $3 million guesstimate as the spy comedy has made $41 million in four weeks.
Wonka was seventh with $2.4 million. I didn’t project a number for it and the holiday confection hit $214 million after 11 weeks.
Finally, Ethan Coen’s road comedy Drive-Away Dolls stalled in eighth with $2.4 million, in line with my $2.6 million prediction.
As for the trailer for prequel A Quiet Place: Day One debuted this week, multiplexes themselves were even quieter over the Super Bowl weekend. With the Valentine and President’s Day holiday hitting, studios are hoping business gets louder. We have Spider-Man Universe flick Madame Web starring Dakota Johnson and musical biopic Bob Marley: One Love looking to place 1-2 when they open on February 14th. You can peruse my detailed prediction posts on them here:
The top 3 should all be newbies with faith-based The Chosen Season 4: Episodes 4-6 beginning on Thursday. On the day before, Madame Web hopes to break a recent run of so-so starts for comic book adaptations. That could be a tall order. I have it opening in the low 20s over the 4-day with low30s when counting the six-day output.
Marley might be close behind with low 20s from Friday to Monday and high 20s when counting Wednesday and Thursday. If it manages to over perform (which could be tricky considering the lackluster reviews), it might contend for the top spot if Web doesn’t match its fairly meager expectations.
Episodes 1-3 of The Chosen‘s fourth season made nearly $6 million from Friday to Sunday in the first weekend of February. Grosses could be about the same even with the extra day thrown in.
Holdovers Argylle and The Beekeeper are likely to populate the remainder of the high five with last weekend’s newcomer Lisa Frankenstein dropping out altogether (more on that below).
Here’s how I think it’ll look and keep in mind that these projections are for Friday thru Monday:
1. Madame Web
Predicted Gross: $21.5 million (Friday to Monday estimate); $30.7 million (Wednesday to Monday estimate)
2. Bob Marley: One Love
Predicted Gross: $19.2 million (Friday to Monday estimate); $28.9 million (Wednesday to Monday estimate)
3. The Chosen Season 4: Episodes 1-3
Predicted Gross: $6.1 million
4. Argylle
Predicted Gross: $4.5 million
5. The Beekeeper
Predicted Gross: $2.6 million
Box Office Results (February 9-11)
It was the weakest frame since early December 2022 as spy action comedy Argylle plummeted 64% and still managed to stay #1. It made $6.2 million and was right on target with my $6.1 million prediction. The subpar two-week take is $28 million.
Horror comedy Lisa Frankenstein was the only newcomer and it was DOA in second with a putrid $3.6 million. That’s well below my $6.8 million forecast and it should experience a hefty decline in subsequent frames.
The Beekeeper was third at $3.3 million (I said $3.5 million) as Jason Statham’s steady grosser hit $54 million after five weeks.
Holiday holdover Wonka was fourth with $3 million, a shade under my $3.4 million projection. The total is $205 million in its ninth go-round.
Finally, animated Migration rounded out the top five in weekend #8 with $2.9 million compared to my $3.2 million guesstimate. It’s up to $110 million.
Horror comedy Lisa Frankenstein looks to top the charts in what should be a sleepy box office frame. It’s the only new wide release hitting cineplexes and you can peruse my detailed prediction post on it here:
While I don’t have Frankenstein even achieving $10 million, my forecast is enough to put it in first position. Let’s be frank – Sunday should especially be a dead zone as many moviegoers will be preoccupied by the Chiefs and 49ers.
Argylle was ushered in as the champ this past frame (more on that below), but it underwhelmed. With a troubling C+ Cinemascore grade, I’m thinking a sophomore plummet in the range of 60% is possible.
The Chosen Season 4: Episodes 1-3 had a fruitful runner-up beginning. Yet it appears poised to drop from the high five considering its decline should be massive (probably in the 75-80% arena like its previous episodic releases).
That could leave holdovers The Beekeeper, Wonka, and Migration in their current 3-5 places. This is with a big caveat: Dune is scheduled to be re-released this weekend ahead of the sequel’s March bow and I’m waiting to see a count. I certainly believe it’s feasible that it manages a top 5 showing. Disney is also putting Turning Red back in venues. I’m less convinced it makes the five, but it’s doable. I will edit this post if I put either of them in (probably on Wednesday).
Here’s how I see it playing out:
1. Lisa Frankenstein
Predicted Gross: $6.8 million
2. Argylle
Predicted Gross: $6.1 million
3. The Beekeeper
Predicted Gross: $3.5 million
4. Wonka
Predicted Gross: $3.4 million
5. Migration
Predicted Gross: $3.2 million
Box Office Results (February 2-4)
As mentioned, Matthew Vaughn’s spy action comedy Argylle had a hollow victory at #1 with $17.4 million. That’s a tad under my $18.3 million call and not an impressive gross considering the reported king’s ransom of $200 million that Apple paid for the rights.
The Chosen Season 4: Episodes 1-3 had pleasing viewership with $5.9 million from Friday to Sunday – just ahead of my $5.4 million take. Counting its Thursday start, it has earned $7.3 million.
The Beekeeper was third in weekend #4 with $5.2 million (I went with $4.8 million) for $49 million total.
Wonka was fourth after 8 weeks with $4.6 million. My prediction? $4.6 million! The overall tally is $201 million.
Migration rounded out the top five at $4.1 million and I incorrectly had it on the outside looking in. The animated tale is up to $106 million after 7 weeks.
Mean Girls fell from 1st to 6th after three weeks atop the charts with $3.8 million compared to my $4.3 million projection. It has made $66 million.
Matthew Vaughn’s star-studded spy comedy Argylle will end the Mean Girls three-week reign atop the charts as February kicks off at the box office. You can peruse my detailed prediction post on it here:
After a dreadful end to January where filmgoers were especially preoccupied with Patrick Mahomes, Travis Kelce, Taylor Swift, Brock Purdy, Lions, and Ravens, a low 20s start for Argylle should inject at least some life into multiplexes.
The runner-up spot could be another newcomer. Christian series The Chosen is debuting the first three episodes of its fourth season beginning on Thursday. I didn’t do an individual write-up for it, but the Friday to Sunday portion should get to mid or even high single digits. That would likely give it the 2 slot.
Holdovers will populate the rest of the top five. I’m assuming The Beekeeper and Wonka will have smaller declines than current champ Mean Girls. If my estimates pan out, that could mean a 1st to 5th place drop for said Girls.
Here’s how I have it playing out:
1. Argylle
Predicted Gross: $18.3 million
2. The Chosen Season 4: Episodes 1-3
Predicted Gross: $5.4 million
3. The Beekeeper
Predicted Gross: $4.8 million
4. Wonka
Predicted Gross: $4.6 million
5. Mean Girls
Predicted Gross: $4.3 million
Box Office Results (January 26-28)
As mentioned, it was a tepid end to January as studios sat the weekend out. In fact, it was the weakest frame in nearly two years. The top five features did all manage to slightly exceed my projections.
Mean Girls took in $6.9 million for subdued bragging rights over my $6 million call. The three-week tally is $60 million as it hopes to match the $86 million earned by the original 20 years ago (not adjusted for inflation).
The Beekeeper nearly grabbed the top spot at $6.6 million, dipping a mere 22% in its third outing. I went lower at $5.1 million. Its better than anticipated gross is $41 million.
Wonka was third with $5.6 million, in range with my $5.3 million call. The seven-week take for the largest holiday hit is $194 million. It should hit $200 million later this week.
Migration was fourth with $4.8 million (I said $4.5 million) as it crossed the century mark after six weeks with $101 million.
Anyone but You rounded out the top five as it continued its impressive run at $4.6 million (I forecasted $4.2 million). The rom com is up to $71 million since its Christmas bow.
The month of January seems destined to go out with a whimper as thriller Miller’s Girl with Martin Freeman and Jenna Ortega is the sole wide release. You can peruse my detailed prediction post on it here:
The top five may look very similar to this previous frame except the earnings will be even smaller. Mean Girls could manage a third weekend at #1 with a drop close to 50%. If it drops more precipitously, that could open the door for Wonka or The Beekeeper to vault over it.
Migration and Anyone but You are likely to stay put in fourth and fifth.
You’ll notice I haven’t discussed Miller’s Girl yet and that’s because my $2.2 million leaves it on the outside looking in.
Here’s my top 5 forecast:
1. Mean Girls
Predicted Gross: $6 million
2. Wonka
Predicted Gross: $5.3 million
3. The Beekeeper
Predicted Gross: $5.1 million
4. Migration
Predicted Gross: $4.5 million
5. Anyone but You
Predicted Gross: $4.2 million
Box Office Results (January 19-21)
Mean Girls, despite a hefty 59% drop, was perched in 1st for the second weekend with $11.6 million. That’s just under my $12.6 million prediction as the ten-day gross reached $50 million.
Jason Statham’s The Beekeeper was the runner-up again with $8.6 million (right on target with my $8.7 million projection) for $31 million thus far.
Wonka was third with an additional $6.7 million (I said $6 million) to bring its haul to $187 million with $200 million approaching.
Migration made $5.4 million for fourth. I went with $4.9 million as the animated feature is getting to nine digits with $94 million.
Anyone but You continued its impressive run in fifth with $5.4 million, on pace with my $5.5 million call. The tally is $64 million.
Lastly, sci-fi thriller I.S.S. was a dud. It started off in seventh with $3 million, in range with my $2.6 million take.
The BAFTAs, the United Kingdom’s equivalent to the Oscars, unveiled their nominations six days before the Academy has their turn. In short… the BAFTAs always BAFTA. That means there were some baffling omissions in some major competitions that could alter the thinking of prognosticators when it comes to their Oscar forecasts. Then again… the BAFTAs have a history of going their own way that doesn’t necessarily have a connection to what the Academy ultimately decides. I went 85 for 119 in my guesstimates for BAFTA.
Let’s walk each race one by one with the nominees, how I performed, and some quick thoughts.
Film
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
How I Did: 4/5
Barbie failed to make the cut with The Holdovers (which had a very impressive morning) sliding in. This is likely Oppenheimer‘s race to lose.
Director
Nominees: Bradley Cooper (Maestro), Jonathan Glazer (The Zone of Interest), Andrew Haigh (All of Us Strangers), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Justine Triet (Anatomy of a Fall)
How I Did: 4/6
Here’s where the shockers begin. Cooper and Payne are in over Yorgos Lanthimos (Poor Things) and Martin Scorsese (Killers of the Flower Moon). Marty’s exclusion is especially surprising. As with Film – Mr. Nolan is looking strong.
Actress
Nominees: Fantasia Barrino (The Color Purple), Sandra Huller (The Zone of Interest), Carey Mulligan (Maestro), Vivian Oparah (Rye Lane), Margot Robbie (Barbie), Emma Stone (Poor Things)
How I Did: 3/6
More unforeseen action as Barrino, Oparah, and Robbie (my alternate) appear here instead of Lily Gladstone (Killers of the Flower Moon), Greta Lee (Past Lives), and Mia McKenna-Bruce (How to Have Sex). In perhaps the story of the day, Gladstone falling off is truly astonishing as she’s been seen by many (including me) as the #1 option for the Oscar in Actress. For BAFTA, Stone might be the smart choice and you can anticipate some writers switching her to the top spot over Gladstone at Oscar.
Actor
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Barry Keoghan (Saltburn), Cillian Murphy (Oppenheimer), Teo Yoo (Past Lives)
How I Did: 4/6
Despite no love for Past Lives in the categories above, Teo Yeo is in along with Domingo in place of Leonardo DiCaprio (Killers of the Flower Moon) and Andrew Scott (All of Us Strangers). Scott’s omission at BAFTA, to me, is more unexpected than Leo missing. Murphy might be out front, but Giamatti (especially considering The Holdovers overperformance) is a factor. For that matter, Maestro also had a solid showing and Cooper could get a win here.
Supporting Actress
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Claire Foy (All of Us Strangers), Sandra Huller (The Zone of Interest), Rosamund Pike (Saltburn), Da’Vine Joy Randolph (The Holdovers)
How I Did: 5/6
Hüller, who was my alternate pick, is a double nominee. I went with Cara Jade Myers for Flower Moon. Randolph has been sweeping the season thus far and will look to continue that.
Supporting Actor
Nominees: Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Jacob Elordi (Saltburn), Ryan Gosling (Barbie), Paul Mescal (All of Us Strangers), Dominic Sessa (The Holdovers)
How I Did: 4/6
Elordi and Sessa in over Anthony Hopkins (One Life) and Mark Ruffalo (Poor Things). It’s worth noting that this is Ruffalo’s second major miss after SAG. Downey Jr. has taken GG and CCA and looks to keep the streak alive.
Original Screenplay
Nominees: Anatomy of a Fall, Barbie, The Holdovers, Maestro, Past Lives
How I Did: 4/5
Maestro finds a slot over my Saltburn call. Considering how The Holdovers performed, I’d put it out front with Anatomy lurking.
Adapted Screenplay
Nominees: All of Us Strangers, American Fiction, Oppenheimer, Poor Things, The Zone of Interest
How I Did: 4/5
Now would be a good time to mention that Zone had a fine day despite missing Best Film. It’s in here over Flower Moon in another snub for Scorsese’s epic. This is a tricky race and I’m not ready to declare a frontrunner.
Casting
Nominees: All of Us Strangers, Anatomy of a Fall, The Holdovers, How to Have Sex, Killers of the Flower Moon
How I Did: 2/5
Since there’s no Oscar competition for this one, it’s always a crapshoot figuring this out and it shows. Anatomy, How to, and Holdovers are named and I picked Barbie, Oppenheimer (a rare category which it missed), and Saltburn.
Animated Feature
Nominees: The Boy and the Heron, Chicken Run: Dawn of the Nugget, Elemental, Spider-Man: Across the Spider-Verse
How I Did: 3/4
As with all animated derbies for 2023, it’s Heron vs. Spider-Man. The former could have the edge at BAFTA, but either could be victorious. I had Nimona instead of Elemental.
British Film
Nominees: All of Us Strangers, How to Have Sex, Napoleon, The Old Oak, Poor Things, Rye Lane, Saltburn, Scrapper, Wonka, The Zone of Interest
How I Did: 9/10
My alt Oak makes the ten over One Life. Maybe Poor Things gets this since it’s the only Best Film entry. However, I wouldn’t discount Strangers or Zone.
Debut by a British Writer, Director, or Producer
Nominees: Blue Bag Life, Bobi Wine: The People’s President, Earth Mama, How to Have Sex, Is There Anybody Out There?
How I Did: 1/5
Ouch. Only got How to Have Sex listed correctly so I guess I’ll say it wins (especially considering its impressive performance elsewhere). I wrongly had The End We Start From, Police Society, Rye Lane, and Scrapper.
Film Not in the English Language
Nominees: 20 Days in Mariupol, Anatomy of a Fall, Past Lives, Society of the Snow, The Zone of Interest
How I Did: 3/5
Mariupol and Snow over The Boy and the Heron and Fallen Leaves. Anatomy is probably a slight favorite over Zone.
Documentary
Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, Still: A Michael J. Fox, Wham!
How I Did: 5/5 (!)
I’ll admit I didn’t think this would be one of my 2 perfect calls. Considering its inclusion in the international race, Mariupol is a decent bet for the trophy.
Cinematography
Nominees: Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things, The Zone of Interest
How I Did 4/5
Maestro over Saltburn. Think Oppenheimer.
Costume Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
How I Did: 4/5
Killers over Wonka. Think Barbie or Poor Things.
Editing
Nominees: Anatomy of a Fall, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest
How I Did: 5/5 (!)
This is Oppenheimer.
Makeup and Hair
Nominees: Killers of the Flower Moon, Maestro, Napoleon, Oppenheimer, Poor Things
How I Did: 3/5
Barbie and Priscilla are no-shows while Killers and Napoleon materialize. This should be Maestro.
Original Score
Nominees: Killers of the Flower Moon, Oppenheimer, Poor Things, Saltburn, Spider-Man: Across the Spider-Verse
How I Did: 4/5
My alt Saltburn in over Indiana Jones and the Dial of Destiny (which missed both races I projected it in). Think Oppenheimer.
Production Design
Nominees: Barbie, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest
How I Did: 4/5
My alt Zone in over Napoleon. This should be Barbie or Poor Things.
Sound
Nominees: Ferrari, Maestro, Mission: Impossible – Dead Reckoning Part One, Oppenheimer, The Zone of Interest
How I Did: 4/5
Mission over Napoleon. Bank on an Oppenheimer win.
Special Visual Effects
Nominees: The Creator, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning Part One, Napoleon, Poor Things
How I Did: 2/5
Ouch on this one. We know now that Oppenheimer will not be a nominee in VE for BAFTA or Oscar. Indiana Jones, Oppenheimer, and Spider-Man out in favor of my alt Guardians, Mission, and Napoleon. Your guess is as good as mine, but maybe Creator or Poor Things is the pick.
That all works out to these movies contending for these numbers of BAFTAs:
13 Noininations
Oppenheimer
11 Nominations
Poor Things
10 Nominations
The Zone of Interest
9 Nominations
Killers of the Flower Moon
7 Nominations
The Holdovers, Maestro
6 Nominations
All of Us Strangers, Anatomy of a Fall
5 Nominations
Barbie, Saltburn
4 Nominations
Napoleon
3 Nominations
How to Have Sex, Past Lives
2 Nominations
20 Days in Mariupol, The Color Purple, Mission: Impossible – Dead Reckoning Part One, Rye Lane, Spider-Man: Across the Spider-Verse
1 Nomination
American Fiction, American Symphony, Beyond Utopia, Blue Bag Life, Bobi Wine: The People’s President, The Boy and the Heron, Chicken Run: Dawn of the Nugget, The Creator, Earth Mama, Elemental, Ferrari, Guardians of the Galaxy Vol. 3, Is There Anybody Out There?, The Old Oak, Rustin, Scrapper, Society of the Snow, Still: A Michael J. Fox Movie, Wham!, Wonka
I’ll have winner predictions up for shortly before the BAFTA ceremony on Sunday, February 18th.
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